
Mary Calvi talks to New Jersey author Pam Jenoff about her latest bestselling book
Please consider joining our Facebook group by CLICKING HERE.
Find out more about the books below.
The CBS New York Book Club has a new novel for your "to read" list.
Author Pem Jenoff has won over fans with historical fiction books set during World War II. Her latest "Last Twilight in Paris" was released earlier this month, and now it's a New York Times Bestseller.
"Last Twilight in Paris" is about two women, one in France, the other in England who are linked through a mysterious necklace.
"We meet Louise in 1953 Britain," Jenoff explaned, "and Louise is trying to adjust to post-war life after having done some remarkable things with the Red Cross during the war. One day Louise finds a necklace in a thrift store box. It's a half-heart with the words 'watch' and 'me' on the necklace, and she is certain that she has seen this necklace during the war. She saw a prisoner of war hand it to her friend, Franny, hours before Franny was found dead outside the POW camp. Louise believes if she can find the origin of this necklace, she can find out the truth about what really happened to Franny."
Louise's search leads her to a store, which Jenoff based on historical fact. At the store in the book, Jenoff says, "Jewish prisoners were held and they were forced to sort and sell the plunder from the Jewish homes to German officers."
Jenoff says in real life, the store sold furniture.
"What's so striking and true is that it was right in the middle of Paris. This grand store. And, unfathomably, people were forced to live on the fourth floor," she said.
Jenoff sheds light on the little-known history of the store through Louise's emotional search for the truth about her friend in "Last Twilight in Paris."
The CBS New York Book Club focuses on books connected to the Tri-State Area in their plots and/or authors. The books may contain adult themes.
"Last Twilight in Paris" by Pam Jenoff
From the publisher:
London, 1953. Louise is still adjusting to her postwar role as a housewife when she discovers a necklace in a box at a secondhand shop. The box is marked with the name of a department store in Paris, and she is certain she has seen the necklace before, when she worked with the Red Cross in Nazi-occupied Europe —and that it holds the key to the mysterious death of her friend Franny during the war.
Following the trail of clues to Paris, Louise seeks help from her former boss Ian, with whom she shares a romantic history. The necklace leads them to discover the dark history of Lévitan—a once-glamorous department store that served as a Nazi prison, and Helaine, a woman who was imprisoned there, torn apart from her husband when the Germans invaded France.
Louise races to find the connection between the necklace, the department store and Franny's death. But nothing is as it seems, and there are forces determined to keep the truth buried forever. Inspired by the true story of Lévitan, Last Twilight in Paris is both a gripping mystery and an unforgettable story about sacrifice, resistance and the power of love to transcend in even the darkest hours.
Pam Jenoff lives in New Jersey..
"Last Twilight in Paris" by Pam Jenoff (ThriftBooks) $21
$$21 at ThriftBooks
Excerpt: "Last Twilight in Paris" by Pam Jenoff
Prologue
Helaine
Paris, 1943
Darkness.
Helaine stumbled forward, unable to see through the black void that surrounded her. She could feel the shoulders of the others jostling on either side. The smell of unwashed bodies rose, mingling with Helaine's own. Her hand brushed against a rough wall, scraping her knuckles. Someone ahead tripped and yelped.
Hours earlier, when Helaine had been brought from her underground cell at the police station into the adjacent holding area, she was surprised to see other women waiting. She had not encountered anyone since her arrest. She had studied the women, who looked to be from all walks of life, trying to discern some commonality among their varied ages and classes that had caused them to be here. There was only one: they were Jews. The yellow star they wore, whether soiled and crudely sewn onto a worn, secondhand dress or pressed crisply against the latest Parisian finery, was identical—and it made them all the same.
They had stood in the bare holding area, not daring to speak. Helaine was certain that her arrest had been some sort of mistake. She had done nothing wrong. They had to free her. But even as she thought this, she knew that the old world of being a French citizen with rights was long gone.
An hour passed, then two. There was nowhere to sit, and a few people dropped to the floor. An elderly woman dozed against the wall, mouth agape. But for the slight rise and fall of her chest, she might have been dead. Hunger gnawed at Helaine and she wished that she still had the baked goods she purchased at the market just before she was taken. The meager breads, which had seemed so pathetic days earlier, now would have been a feast. But her belongings had been confiscated at arrest.
Helaine looked upward through the thin slit of window near the ceiling. They were still in Paris. The sour smell from the city street and the sounds of cars and footsteps despite the curfew were familiar, if not comforting. How long they would stay here, she did not know. Helaine was torn. She did not want to remain in this empty room forever. Yet she also dreaded leaving, for wherever they were going would surely be worse.
Finally, the door had opened. "Sortir!" a voice ordered them out in native French, reminding Helaine that the policemen, who had brought them here and who were keeping them captive, were not Germans, but their own people.
Helaine had filed into the dimly lit corridor with the others. They exited the police station and stepped outside onto the pavement. At the sight of the familiar buildings and the street leading away from the station, Helaine momentarily considered fleeing. She had no idea, though, where she would go. She imagined running to her childhood home, debated whether her estranged mother would take her in or turn her away. But the women were heavily guarded and there was no real possibility of escape. Instead, Helaine breathed the fresh air in great gulps, sensing that she might not be in the open again for quite some time.
The women were herded up a ramp toward an awaiting truck. Helaine recoiled. They were being placed in the back part of the vehicle where goods should have been carried, not people. Helaine wanted to protest but did not dare. Smells of stale grain and rotting meat, the truck's previous cargo, assaulted her nose, mixing with her own stench in the warm air. It had been three days since she had bathed or changed and her dress was wrinkled and filthy, her once-luminous black curls dull and matted against her head.
When the women were all inside the truck, the back hatch shut with an ominous click. "Where are they taking us?" someone whispered. Silence. No one knew and they were all too afraid to venture a guess. They had heard the stories of the trains headed east to awful places from which no one ever returned. Helaine wondered how long the journey would be.
As they bumped along the Paris streets, Helaine's bones, already sore from sleeping on the hard prison cell floor, cried out in pain. Her mouth was dry and her stomach empty. She wanted water and a meal, a hot bath. She wanted home.
If home was a place that even existed anymore. Helaine's husband, Gabriel, was missing in Germany, his fate unknown. She had scarcely spoken with her parents since before the war. And Helaine herself had been taken without notice. Nobody knew that she had been arrested or had any idea where she had gone. It was as if she simply no longer existed.
To distract herself, Helaine tried to picture the route they were taking outside the windowless truck, down the boulevards she had just days earlier walked freely, past the cafés and shops. The familiar locations should have been some small comfort. But this might well be the last time she ever came this way, Helaine realized, and the thought only worsened her despair.
Several minutes later, the truck stopped with a screech. They were at a train station, Helaine guessed. The back hatch to the truck opened and the women peered out into pitch blackness. "Raus!" a voice commanded. That they were under the watch of Germans now seemed to confirm Helaine's worst fears about where they were headed. "Schnell!" Someone let out a cry, a mix of the anguish and uncertainty they all felt.
The women clambered from the truck and Helaine stumbled, banging her knee and yelping. "Quiet," a woman's voice beside her cautioned fearfully. A hand reached out and helped her down the ramp with an unexpectedly gentle touch.
Outside the truck it was the tiniest bit lighter, and Helaine was just able to make out some sort of loading dock. The group moved forward into a large building.
Now Helaine found herself in complete darkness once more. This was how she had come to be in an unfamiliar building, shuffling forward blindly with a group of women she did not know, uncertain of where they were going or the fate that might befall them. She could see nothing, only feel the fear and confusion in the air around her. They seemed to be in some sort of corridor, pressed even more closely together than they had been. Helaine put her hand on the shoulder of the woman in front of her, trying hard not to fall again.
They were herded roughly through a doorway, into a room that was also unlit. No one moved or spoke. Helaine had heard rumors of mass executions, groups of people gassed or simply shot. The Germans might do that to them now. Her skin prickled. She thought of those she loved most, Gabriel and, despite everything that had happened, her parents. Helaine wanted their faces, not fear, to be her final thought.
Bright lights turned on suddenly, illuminating the space around them. "Mon Dieu!" someone behind her exclaimed softly. Helaine blinked her eyes, scarcely daring to believe what she saw. They were not in a camp or a prison at all. Instead, they were standing in the main showroom of what had once been one of the grandest department stores in Paris.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Epoch Times
a day ago
- Epoch Times
‘Come to the Stable': Blessed Bethlehem
NR | 1h 34m | Drama, Comedy | 1949 Director Henry Koster's breezy film 'Come to the Stable' (1949) draws on writer Clare Boothe Luce's story, believed to be loosely based on the real-life heroism of two nuns, American Benedict Russ and Frenchwoman, Mother Mary Aline Trilles de Warren. Both nuns immersed themselves in charitable work in France during World War II, then left Europe and, against heavy odds, set up America's first Benedictine monastery for women.


Chicago Tribune
2 days ago
- Chicago Tribune
Review: Bri Sudia shines in ‘Always… Patsy Cline' at Drury Lane Theatre
Cowboy hats and Nashville-style dresses proliferated Thursday night in Oakbrook Terrace. Not the first time I've noticed that fans of country music are more common in Chicago's western suburbs than many people think. All had assembled at the Drury Lane Theatre for 'Always … Patsy Cline,' a remarkably resilient revue by Ted Swindley that now has enjoyed a longer life than did the actual Patsy Cline herself. (Cline died in a Tennessee plane crash in 1963 when she was just 30 years old.) Based on the real-life friendship between Cline and one of her fans, Louise Seger, the revue has a long and auspicious history in Chicago. It was a massive, late-1990s hit for Northlight Theatre with folk singer Megon McDonough appearing in the title role, before the late Hollis Resnik took over when the show moved into a commercial run at the Apollo Theatre. I've reviewed this two-person (plus live band) show several other times, too, most recently about five years ago when it was staged in an intimate setting by Firebrand Theatre. Over the years, I've found that its simplicity is its biggest asset. 'Always… Patsy Cline' avoids the usual jukebox tropes of record label suits and managers who don't understand and focuses instead on delivering Cline's greatest hits within the context of a simple female friendship. Louise tells the singer's story from a fan's perspective and Patsy delivers 27(!) of the hits, mostly in honkytonk-style settings. And at less than two hours with an intermission, the show doesn't outstay its welcome. All that said, and despite my familiarity with this material, I really had an uncommonly great time on Thursday night, mostly because of the presence of Bri Sudia in the role of Louise. Sudia, recently back from appearing on Broadway for a year in the Neil Diamond musical 'A Beautiful Noise,' is far and away the best Louise I've seen. She's funny, empathetic and just so very warm; it's easy to condescend to Louise, as to all superfans, but Sudia simply refuses to do anything like that. She honors her character's obsession — at one point, she leans so far and lovingly toward Aja Alcazar's Patsy that Sudia's body occupies a diagonal plane — but also never takes her character too seriously. As a result, she feels both like Cline's great protector and also one of us. I don't exaggerate when I say this is a truly fabulous performance, a piece of acting that wrestles with this little show and makes it seem so much more than it has felt in the past. Clearly, Sudia has learned that even jukebox revues need to have stakes and they have to be able to drive the action forward, too. On the night I was there, the audience simply adored her goofiness. Alcazar is the ideal foil for that: elegant, honest, and rich of voice but also self-protected and slightly unknowable, as is the case with all stars. I suspect the skilled director, Scott Weinstein, had a lot to do with that. He knew who the real star of the piece was, even though her partner is essential to the enterprise. Colette Pollard's set is like an A-frame, a lovely evocation of small-town Tennessee, even if the band (under the lively direction of Ellie Kahn) looks a bit scrunched. And Lee Fiskness knows where to shine the kinds of lights Cline never knew. I suspect lots of my readers already know and have seen this show and, if choosing whether or not to lay down the credit card and go and bathe once again in the pleasures of 'True Love,' 'Crazy' and 'Walkin' After Midnight,' perhaps with a sweetie on hand, will merely want to know that their affection for the piece will be protected (guaranteed) and that they'll have some fresh fun (yup). Aside from admiring the straightforward artistry here and enjoying the pleasure of others, I kept thinking about Taylor Swift's famously close relationships with her fans, turning up at their bridal showers and whatnot; maybe Patsy and Louise were far ahead of their time. Review: 'Always Patsy Cline' (3.5 stars) When: Through Aug. 3 Where: 100 Drury Lane, Oakbrook Terrace Running time: 1 hour, 50 minutes Tickets: $75-$150 at 630-530-0111 and


Newsweek
2 days ago
- Newsweek
Woman Returns to Dog Left Home Alone—What She Finds Leaves Her Sobbing
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A 5-month-old puppy with a case of separation anxiety left an owner sobbing in horror with what she discovered after returning home. Shanna White, also known on TikTok as @theregoshan1, has a red-nosed pit bull and German shepherd mix puppy named Ja'Dioree Scarlett, whom she's owned since the dog was only 5 weeks old. Ja'Dioree Scarlett, like many dogs, experiences separation anxiety when alone. Dogs with separation anxiety become extremely stressed and anxious, often causing them to become destructive. However, White said her puppy has never shown signs of being stressed while home alone. Ja'Dioree Scarlett never ruined the house. But White recently came home to a surprising scene after being gone for about an hour. She returned home to discover seemingly every last inch of the place destroyed. The blinds were chewed off. Items were thrown around. Pee on the bed. It became a headache for White after she was already under a lot of stress. She said this situation made it "worse." In her June 17 TikTok video, White walked around her home revealing more and more damage. She wrote in the caption that her pup "ate" her home. She cried in disbelief, wondering what had happened to her house after leaving it pristine and her pup calmly relaxing. "I know she has separation anxiety, but I didn't know she was that smart to open my room door," White said. "The only thing going through my mind was my house and how would I pay for all of it." Screenshots from a June 17 TikTok video of a 5-month-old pit bull and German shepherd mix puppy innocently behaving while owner was home. Screenshots from a June 17 TikTok video of a 5-month-old pit bull and German shepherd mix puppy innocently behaving while owner was home. @theregoshan1/TikTok Within three days of posting, the TikTok video reached over 1.2 million views and 105,000 likes. Viewers were left speechless over this dog's "field day." "She had a funky good time," wrote one person. Another added: "Peeing on my bed would've sent me over the edge." However, several users flooded the comment section with their concerns about this pup's behavior. They ridiculed the owner: "I blame you cause why you left that toddler out." Pet parents are often divided on whether or not to crate train. Proponents argue crates provide dogs a safe space to go when they're feeling stressed, scared or tired. It keeps them out of trouble. But others will say it creates unwanted emotional stress, especially when left for extended periods of time. Do you have funny and adorable videos or pictures of your pet you want to share? Send them to life@ with some details about your best friend, and they could appear in our Pet of the Week lineup.