Tom Cruise says he had to 'train himself to breathe' for intense Mission: Impossible 8 stunts: 'There were times I would pass out physically'
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Tom Cruise and director Christopher McQuarrie went all out for the last installment of the Mission: Impossible franchise.
"There would be a day in Africa - any day in Africa - where Tom would go out and do something that topped anything he had ever done before," McQuarrie told Empire. "I truly want to puke thinking about the stress. It was intense.'
"When you stick your face out, going over 120 to 130 miles an hour, you're not getting oxygen," Cruise explained. "So I had to train myself how to breathe. There were times I would pass out physically; I was unable to get back into the cockpit."
Mission: Impossible - The Final Reckoning, previously titled Mission: Impossible - Dead Reckoning Part Two, follows IMF agent Ethan Hunt as he attempts to destroy a dangerous AI known as The Entity. The first trailer was released in January, which sees Cruise hang from a biplane, engage in several high-octane fights, and do a series of death-defying underwater stunts. It's also worth mentioning that the film has a budget of $400 million, making it one of the most expensive films ever made - which makes sense for the last installment of one of the biggest action franchises ever.
The cast includes Hayley Atwell, Vanessa Kirby, Ving Rhames, Simon Pegg, Angela Bassett, Nick Offerman, and Pom Klementieff.
Mission: Impossible - The Final Reckoning hits theaters on May 23. For more, check out our list of the most exciting upcoming movies in 2025, or, check out our complete list of movie release dates.
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Beloved performer Dolly Parton exemplifies the spirit of the Jean Hersholt Humanitarian Award through her unwavering dedication to charitable efforts. And production designer Wynn Thomas has brought some of the most enduring films to life through a visionary eye and mastery of his craft.' The board annually bestows Honorary Awards for lifetime achievement. (Previous recipients include Charlie Chaplin, Walt Disney, Louis B. Mayer, Greta Garbo, Cary Grant, Federico Fellini, Sidney Poitier, Steve Martin, Gena Rowlands and, last year, Quincy Jones.) On occasion, it also chooses to present the Irving G. Thalberg Memorial Award, which recognizes the achievements of a creative producer and/or executive (honorees have included Darryl F. Zanuck, David O. Selznick, Jack Warner, Kathleen Kennedy and Frank Marshall and, last year, Bond producers Barbara Broccoli and Michael G. 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Cruise spent the first half of his career working mostly in filmmaker-driven projects. He was directed by Barry Levinson (1988's Rain Man, which won the best picture Oscar), Francis Ford Coppola (1983's The Outsiders), Martin Scorsese (1986's The Color of Money), Oliver Stone (1989's Born on the Fourth of July, for which he received the first of his four Oscar noms), Rob Reiner (1992's A Few Good Men), Sydney Pollack (1993's The Firm), Cameron Crowe (1996's Jerry Maguire, Oscar nom #2, and 2001's Vanilla Sky), Stanley Kubrick (1999's Eyes Wide Shut), Paul Thomas Anderson (1999's Magnolia, Oscar nom #3), Spielberg (2002's Minority Report) and Michael Mann (2004's Collateral). He has spent the second half working mostly in action-oriented flicks of varying quality, but fairly unwavering popularity, in which he famously does many of his own stunts. 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Unlike other A-listers, you won't see him playing a superhero in a comic book adaptation — he turned down Tony Stark — because in his movies he, not the character he plays, is the star; and you won't see him on a streaming service or on TV, because he is a movie star, which is why he also ferociously defends the theatrical experience. * * * Allen, 75, is not only a trailblazing artist, but also a champion of arts education — on screen (her most famous role is dance teacher Lydia Grant in the 1980 film Fame and its television adaptation that ran from 1982 through 1987, which she also choreographed) and off (through her Debbie Allen Dance Academy in LA and other activities). Her stage and TV credits are extensive — she has been nominated for two Tonys and 21 Primetime Emmys, winning five of the latter, and the TV Academy presented her with a Governors Award in 2021 and inducted her into the Television Academy Hall of Fame in 2022. 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Congratulations are clearly in order. After decades of being overlooked, underestimated and sometimes just flat-out ignored, a Hollywood mainstay is finally getting some richly deserved recognition. Bravo! No, not to Tom Cruise for that honorary Oscar — to the Academy for making sure the world's last remaining movie star will turn up for its next broadcast. More from The Hollywood Reporter Film Academy Taps Tom Cruise, Debbie Allen and Wynn Thomas for Honorary Oscars, Dolly Parton for Hersholt Award Box Office: 'How to Train Your Dragon' Roars to Record $84M U.S. Opening, $198M Globally Natalie Portman-Produced French Animated Film 'Arco' Wins Annecy Let's face it, at this point the Oscars need Cruise more than Cruise needs an Oscar, particularly an honorary one, which frequently go to stars of more mature vintage (Mel Brooks got one last year, at 97). In recent times, the show's numbers — to say nothing of its cultural relevance — have been on the same spiraling trajectory as that biplane Cruise dangled from in the latest Mission: Impossible movie. Viewership has fallen some 66 percent since the Oscars' peak in 1998 (Titanic year), with only about 20 million tuning in these days, about the same audience that turns out for a run-of-the-mill midseason NFL game. Meanwhile, Cruise, at 62, continues to draw arena-size crowds to his tentpoles. The most recent Mission: Impossible – the Final Reckoning, grossed $500 million worldwide last month, while Dead Reckoning Part 1 grossed $550 million in 2023. And then there's 2022's Top Gun: Maverick, the film that proved the pandemic hadn't entirely crushed the theatrical business. It grossed a stratospheric $1.5 billion, Cruise's personal best. The dramatic flip here is almost as jaw-dropping as one of Ethan Hunt's mask-pulling reveals. For decades, the Academy seemed to keep Cruise at a vaguely disdainful distance, dismissing him as more of an action figure than a serious ack-TOOR. Sure, they'd occasionally toss him a polite nomination — in 1989 for Born on the Fourth of July, in 1996 for Jerry Maguire and in 1999 for Magnolia — but they never invited him up to the podium to collect a statuette. He'd always remain stuck in the audience with the other losers, gamely flashing that famous 500-watt smile for the reaction shot. Honestly, the honorary Oscar announced this week feels like too little, too late. Because over the years, when he wasn't climbing Burj Khalifa or jumping motorcycles off cliffs, Cruise has turned in some truly nuanced, brave and definitely Oscar-worthy performances. And we're not just talking about the roles the Academy deigned to nominate — at least one of which, by the way, probably should have won (how Michael Caine's largely unremarkable performance in Cider House Rules beat Cruise's unforgettable turn as the toxically masculine 'respect the cock' motivational speaker in Paul Thomas Anderson's underrated 1998 drama Magnolia is a mystery for the ages). There were also Cruise's unnominated but award-worthy performances in Rain Man (opposite Dustin Hoffman), in Interview With a Vampire (opposite Brad Pitt) and in the late Stanley Kubrick's final film, Eyes Wide Shut (opposite some actress named Nicole Kidman). A reasonable argument could even be made that Cruise's fat-suited, Diet Coke-swilling, profanity-spouting studio exec in Tropic Thunder — the scene-stealing Les Grossman — was a performance worthy of some sort of award (at least the Golden Globes gave it a nom). As for why it's taken the Oscars so long to pay Cruise his due, one can only speculate. Perhaps it's all that gleaming charisma — he's always been too smooth, too slick, too commercial for the Academy's insular voters. Maybe it was Cruise's unabashed embrace of movie stardom over methody self-flagellation. Or maybe the Academy just couldn't bring itself to hand a gold statue to someone who once made a movie called Cocktail. Whatever the reason, the Oscars can no longer afford the luxury of snobbery. Because at this point, Cruise doesn't need an Oscar to cement his legacy. But the Oscars might just need him to save theirs. Best of The Hollywood Reporter Hollywood's Most Notable Deaths of 2025 Harvey Weinstein's "Jane Doe 1" Victim Reveals Identity: "I'm Tired of Hiding" 'Awards Chatter' Podcast: 'Sopranos' Creator David Chase Finally Reveals What Happened to Tony (Exclusive)
