'Sullivan's Crossing' Season 3: Letters lead to heartbreak for Scott Patterson's Sully, questions for Chad Michael Murray and Morgan Kohan

We left Sullivan's Crossing with Cal (Chad Michael Murray) and Maggie (Morgan Kohan) agreeing to move in together, but there's plenty more relationship drama sparked in Season 3, Episode 7. While some couples get closer, some fall apart, including a particularly heartbreaking moment for Sully (Scott Patterson) and Helen (Kate Vernon).
But this week's episode of Sullivan's Crossing picks up right where we left off, with Jacob (Joel Oulette) and Lola (Amalia Williamson) stuck in the mine, trying to figure out a way to get out. But more importantly, they're frantically looking for Jacob's backpack, which has his blood sugar kit that he urgently needs.
Eventually Edna (Andrea Menard), Frank (Tom Jackson), Maggie and Sully realize Lola and Jacob are missing.
While the search and rescue team is looking for them, Jacob loses consciousness from diabetic shock, as Lola tries to retrieve his backpack, stuck under the rubble. Once Maggie and Cal make it to the mine, they help get Jacob's backpack to Lola, and Maggie walks her through what to use in Jacob's kit. Luckily, he regains consciousness.
But just when we think everything is OK, the mine collapses again while Cal and Rafe (Dakota Taylor) are still there, injuring Cal.
Once they're home, Lola opens up to Jacob about her accident when she was a kid and her hard path to recovery, including learning how to walk again, and she reassures Jacob that he doesn't need to feel bad about what happened in the mine. Lola and Jacob are very much a couple now, spending an intimate evening together, a first for Lola.
Unfortunately, while Lola and Jacob are solidifying their relationship, that's not the case for everyone at the Crossing.
Sully tells Maggie he likes Helen "a lot." He even found a ballroom dancing class for them to take, but Helen has to take a rain check the deal with important book work.
When Frank probes Sully about how it feels that Maggie is moving out, he says he wants her to be happy. Adding that for the first time in a long time, he's happy himself.
But when Sully goes back to see Helen, she's checked out of the Crossing, just leaving a note behind.
"Something important came up and I had to cut my trip short. Tried looking for you, but you weren't around. Leaving you a copy of my book so you can see how it ends," the letter reads.
"I knew she had to head home sometime, I just wasn't expecting it to be so soon," Sully tells Frank.
It's a heartbreaking moment for Sully.
Even though Maggie and Cal have just reconciled, things take an awkward turn by the end of the episode.
While Cal is hosting a poker night, Maggie gets a call asking her to consult on a patient presenting neurological symptoms. Even though she's not licensed to practice in Nova Scotia, the patient has agreed for Maggie to consult.
At the poker game, Cooper (Steve Lund) addresses the rumour that he's on probation because at his previous station, he punched someone in the face. Cooper confirmed that he punch a good friend at his home, because he found him hooking up with his wife.
As the poker game comes to an end, Cal sees a piece of paper fall out of a book he knocks over, and it's a letter from Maggie to Liam, the summer fling she had in Europe, which she told Lola about in Episode 5.
"I don't know where you are right now or where to send this letter. I'm writing it anyway hoping it can give me some closure. I need you to know that I've never felt like this about anyone before. I realize now that it never would have worked out because even though I love you, my career needs to come first. Being a doctor is who I am and it's who I'll always be. I hope you can understand. Love, Maggie," the letter reads.
As Cal is reading the letter, we find out that the patient Maggie was called in to see is Glenn (Dean Armstrong), who's experiencing dizziness and nausea, in addition to drowsiness, tremor and tingling in his hands and feet. While Maggie tries to leave when she sees it's Glenn, we ultimately see her staying at the hospital, trying to treat her father's enemy.

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Lauren Cohan: Maggie-Hershel relationship is complex, sad in 'Dead City' S2

1 of 3 | Lauren Cohan (R) and Logan Kim star in "The Walking Dead: Dead City." Season 2 wraps up Sunday. Photo by Robert Clark/AMC NEW YORK, June 22 (UPI) -- Lauren Cohan says she thinks Maggie's strained relationship with her teen son Hershel (Logan Kim) in Season 2 of the zombie-apocalypse drama, The Walking Dead: Dead City, resonates with viewers because it is such a common parent-child dynamic. "That part of the story-line has been really complex and real and sad, and we get to unpack all of this, but mostly because he is a teenage boy and it is his responsibility to NOT do what's best for himself," Cohan told reporters during a recent New York Comic Con press conference. "No," she laughed. "It just comes with the territory that there's going to be a push and pull between he and I, and I think that's what makes the season really relatable for me. We've all been teenagers, and we've all known that nothing our parents say or do, can ever be right, and the rub for Maggie is that the influences that aren't her -- she's not a perfect parent either -- but the influences that aren't her are particularly dire." The Walking Dead spin-off, Dead City, shows Maggie teaming up with Negan (Jeffrey Dean Morgan), her husband's baseball-bat-wielding murderer, for an unlikely mission in New York to rescue Hershel from the clutches of the Croat (Zelijko Ivanek), a power-hungry mad man who just happens to idolize Negan and to whom Hershel has become devoted. Taking the story back. The season finale of #DeadCity premieres TONIGHT at 9pm on AMC or stream it early on AMC+. The Walking Dead (@WalkingDead_AMC) June 22, 2025 "The people that he came in contact with in Season 1 are going to have a lot of influence on him," Cohan said about Hersehel. "You always want to protect your child from danger and the danger here is maybe a little more potent than [what real kids encounter] -- or not, because the dangers of social media and the dangers of mental illness for children are potent. So, I like the fact that we do this on the scale of the apocalypse, but it's issues that are close to the heart." Playing resourceful and loyal community leader Maggie for two seasons on Dead City and 10 seasons on the flagship series, The Walking Dead, has taught the actress the importance of perseverance and leaving one's comfort zone. "You could rest on your laurels or not look for a challenge within yourself as a performer or as a teammate," Cohan said. "I do find myself to be very different from [Maggie] in many ways and I'm always looking for ways that I'm similar," she added. "Knowing the best way to swing a hammer [is one]. One of the things that we, in this world, have more of a luxury to do is self-reflection and there will be more of that in our show and, so, I guess it's just art informing life, informing art." Season 2 wraps up Sunday on AMC and AMC+. Anxiety levels right now. Catch up on the penultimate episode of #DeadCity on AMC+. The Walking Dead (@WalkingDead_AMC) June 16, 2025

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2 days ago

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Beyond The Gates Recap: Nicole Chooses Herself Over Her Marriage

Beyond The Gates Recap: Nicole Chooses Herself Over Her Marriage originally appeared on Daytime Confidential. On today's Beyond The Gates recap: Police Station: Jacob tells his father about June's case and the clean up crew. Elon says how proud he is of his son when he gets a call and walks away. Just then, Smitty arrives to see Jacob. He asks if they can go elsewhere as what he has to share is about a police officer. Specifically, he has come across information about one of their officers being on the take, as Elon listens in. Jacob reluctantly agrees to head out and the two exit. Elon makes a call to meet up with someone in their regular place. Anita and Vernon's Mansion: Vernon enters and is screaming at someone on the phone about losing the young waiter. He promises the person on the other end will pay the price. Vernon plays the piano when the phone buzzes. He picks up and says, 'what now?!' When he hears Anita's voice, Vernon apologizes and tries to cover. He asks about The Articulettes and she says things are going swimmingly. Anita wonders what Vernon isn't telling her but he continues to cover. Fairmont Country Club: Martin catches up with the young waiter who finally admits their connection from that dreaded night. He says Martin's friends in high places kept him comfortable for a while but he's back to make certain he pays for his sins. Martin wonders the sins of which he speaks, and the young waiter speaks loudly about a dark night on a back road several years ago. Martin asks how much to make him disappear. The young waiter says he has lost the last two years of his life while everyone else pays for Martin's sins. He notes when you are black royalty everyone else cleans up your messes (another race-based comment). The young waiter says he must speak for his brother who is no longer with them (a clue!). He says Martin should trust him as his day is coming. With that, he storms off. Garland Memorial Hospital - Lobby: Vanessa walks in talking to Joey about their next connection. As they hang up, Doug walks up. She says will be meeting with Joey in empty homes for sale. He tells his wife to make sure she cleans up the bedroom. Vanessa wonders why he agreed to work with Joey when he's clearly not comfortable. They move out of the main lobby where Doug says he never wanted Vanessa to agree to anything illegal to pay off his debt. She thinks his displeasure has more to do with Joey than the legalities. Doug says he knows his wife is attracted to the danger Joey brings. She says she has a plan to learn everything about Joey and will cover her ass. Doug gets snarky before apologizing. Vanessa warns him not to judge her as he is responsible for their current situation. Doug wonders where their marriage will be when all is said and done. Garland Memorial Hospital – Ted's Office: Nicole arrives to say he got the flowers, and she says there's no need to continue to send them as she doesn't take them home. Nicole has actually arrived for them to consider revising their living trust and medical proxies. Ted wants to move back in so they can save their marriage before it's too late. He wants to somehow show her that he is still worthy of her love and trust. Nicole just can't with Ted and says these are things she needs to do for her. Ted goes on and on trying to convince her to give their marriage another chance but finally concedes defeat. Nicole says she has practiced the words, 'I forgive you. Please come home.' However, she doesn't believe them and can never say them. Nicole can't forget what he did with Leslie, the lies he told and how it all makes her feel like their history together is completely false. She says Ted broke her. He is trying to save their marriage while she is trying to save herself. With that, she gathers her papers and exits. Orphey Gene's: Smitty talks about the puff piece on Marcel and Jacob realizes he thinks his partner is on the take. Jacob immediately freaks because Marcel is his partner and their careers are linked. Smitty says it's why he came to him directly so they can review the evidence together. Smitty shows him the information about the connection to Joey and Jacob says it's all speculation. Smitty continues with the information about the house and boat in the Carribean and Marcel's plan to move there after retirement. Jacob counters none of that is a secret as he tells everyone. Smitty continues by discussing Marcel's bank records noting a recent $5,000 cash deposit… leading Jacob to remember seeing Marcel and Joey's handoff a few months prior. Smitty notes another deposit of the same amount two years ago but for half a million dollars. Smitty realizes Jacob knows something and tells Smitty about the handoff he witnessed. However, his father said it was a part of an undercover operation. Jacob says Marcel being dirty is one thing. It's a whole other thing if they're talking about his father, the Chief of Police, also being dirty and lying to his face. Smitty apologizes for the position he's put Jacob in. Jacob thinks if his dad is involved in all of this, Marcel is playing him. Smitty asks Jacob to think back two years. Were there any big investigations that suddenly dried up? Jacob admits he was on patrol back then but would have heard about anything wonky. Jacob still wants to maintain the possibility that everything is a coincidence. Smitty bets his journalist instinct that something happened two years ago that benefitted Marcel to the tune of 500k and maintains the link is through Joey Armstrong. Joey's Gambling Pit: Marcel and Elon meet up and discuss how there's been a hack into his bank accounts from an unknown computer. They both know for a fact Smitty is responsible. Elon recounts how Smitty just told Jacob about his suspicions before they left the precinct together. Just then, Joey walks in. The three men take a seat and play cards. Joey makes digs at how bad they are at the game but they are more worried about their current situation and how they shut it down. Elon says he will try to throw his son off the scent. Marcel thinks Smitty is still a problem and is willing to take him out. Joey thinks violence is never a proper solution and wants to deal another hand. Elon says he's out as life is enough of a gamble these days. Just then, Vanessa arrives on the scene and Joey introduces her to the police chief and detective as his gambling buddies and her as his business partner. With that, Joey pushes the two men out Anita and Vernon's Mansion: Martin walks in and Vernon says he was right to fill him in on the latest. Grandpa is not thrilled his grandson disregarded his orders and confronted the young waiter. Vernon says he made a call and confirmed the dreaded night from two years ago has come back to haunt them. Martin notes the young waiter's words and tone of voice saying he wants to destroy them. Vernon sets his jaw and says that will never happen. Vernon tells his grandson to mind his business and simply let him know when the young waiter approaches with his demands. Garland Memorial Hospital – Lobby: Doug leaves Vanessa in his dust when Nicole walks up. She asks if her friend is ok and Vanessa says she is living the life she wants to live and everyone else can kick rocks. With that, she dramatically makes her exit. Previous Beyond The Gates Recap: Endings As Ted leaves the hospital, he spies Nicole who turns her back on him. Joey pours Vanessa a martini and says they need to establish some boundaries for their new relationship. He thinks there are topics to avoid but she wants to know everything. He knows if she knew everything about him that she would quickly disappear. Vanessa thinks he should try her. Jacob doesn't know how he's supposed to go back to the station and pretend he doesn't know what he does. Martin knows it's a problem and hates he gets to go home and simply spend time with his family (little does he know). Vernon tells Martin he will take care of the family as he always has. Martin asks that his grandfather never lie to him again. He needs to be apprised of everything his grandfather knows. Vernon agrees and Martin exits. Afterwards, Vernon grabs his phone, calls someone and says, 'he's back.' Keep checking back for the latest Beyond The Gates recaps! This story was originally reported by Daytime Confidential on Jun 21, 2025, where it first appeared.

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3 days ago

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12 Fathers Day Movies About Dads Saving Daughters

Happy Father's Day! In honor of dads, here are 12 movies about dads rescuing daughters in distress. Dads saving daughters is maybe the most enduring trope in action movies, and it's easy to see why: There's no more primal motivation than protecting your children. But these movies are also fascinating for the way they get into generational differences, societal criticism, and middle-aged men's anxieties about a changing world that may seem to be leaving them behind. They're all wish-fulfillment fantasies, on some level. Here are 12 action movies about dads saving daughters. There's a lot going on in Lone Wolf McQuade, in which Chuck Norris plays an ex-military Texas Ranger who now lives in isolation with a wolf. But he soon runs up against a criminal gang led by the evil Wilkes (David Carradine). There's lots of conflict beforehand, but things really pick up when Wilkes kidnaps McQuade's daughter Sally (Dana Kimmell) and takes her to Mexico. This leads to a martial arts fight between McQuaid and Wilkes that was kind of a huge deal in 1983 — Chuck Norris versus the star of Kung Fu??? Wilkes almost wins, while wearing a very preppie sweater, no less. But then he very stupidly strikes Sally, inadvertently unleashing McQuade's dads-saving-daughters powers. Kind of an amped-up, more streamlined, much funnier Lone Wolf McQuade, Commando was another of the first films to realize that a simple retired military dad with a tough abducted daughter make for a perfect setup for a manly-man action movie. Arnold Schwarzenegger rattles off a series of deadly one-liners as John Matrix, the best-named movie hero ever. Young Alyssa Milano is terrific as Jenny Matrix, and Rae Dawn Chong is also great as one of the all-time great can-do-anything action movie sidekicks. At just 90 minutes, Commando is one of the best-plotted, fastest-moving films in the daughters in distress genre. So why not do it again? Schwarzenegger teamed up with Jamie Lee Curtis for this James Cameron epic that is mostly about the deception-filled marriage of Harry and Helen Trasker (Schwarzenegger and Curtis), but culminates, of course, in the abduction of their daughter, Dana (Eliza Dushku.) It has one of the most spectacular final face-offs in the history of dads-saving-daughters movies, involving Dana, a skyscraper, a jet and a helicopter. Speaking of planes: Air Force One stars Harrison Ford as regular-guy president James Marshall, president whose plane is hijacked by terrorists, led by Ivan Korshunov (Gary Oldman). That's bad enough, but then Ivan holds a gun to the First Daughter's head, triggering those dad saving daughters powers we told you about earlier, and fights back, uttering the most famous line in the film, "Get of my plane." We wish the special effects were a little better at the end of the plane, but we're mostly just on board for President Ford. The fourth Die Hard film raises the stakes from the previous three by having the estranged daughter of John McClane (Bruce Willis) get abducted by cyberterrorists. She's Lucy Gennero-McClane (Mary Elizabeth Winstead), and if you've seen a Die Hard movie you know that a woman not embracing McClane's surname as her own is shorthand for him feeling inadequate as a man. But things work out OK. The next Die Hard movie paired up John McClane with his son, but that's another gallery for another day. To die hard. The gold standard of dads saving daughters movies, Taken stars Liam Neeson as Brian Mills, a dad who has to rely on his "very particular set of skills" to save his daughter Kim (Maggie Grace) from being auctioned off by absolutely horrible people to other absolutely horrible people. Taken, more than any other film on this list, plays out like a very effective divorced dad fantasy: When his ex-wife Lenore (Famke Janssen) marries someone who is ostensibly a better provider, Brian proves his worth by doing what the new husband can't. Mills is always civil to Lenore's new husband Stuart (Xander Berkeley), but by Taken 2, the marriage is collapsing — and we can only assume the new husband turned into a jerk because he couldn't handle the assault on his manhood of being totally shown up by his wife's ex. The best thing about Taken is how well it establishes the emotional dynamic between the family before plunging into some thrilling action sequences, played out over a tight 90 minutes. Bryan is the best of all dads saving daughters, so good he inspired two sequels. Taken 2 ups the ante: This time mom and dad get taken, and Kim has to help them, using some incredibly cool techniques involving triangulation and grenades. But, this being a dads saving daughters movie, Kim eventually needs rescuing, courtesy of her pop. Still, this might be our favorite Taken movie because of the cool twists on the dads saving daughters genre and the inventiveness of the script and action scenes. There's not as much taking in this Taken, but it nonetheless fulfills some angry divorced dad fantasies: mom's new husband Stuart (played in this one by Dougray Scott, replacing Xander Berkeley) turns out to be an absolutely horrible person, and only Brian Mills can stop him. This one breaks new ground in the dads saving daughters genre, because Brian has to save not only Kim but her unborn baby. One thing we love about this film is that it spawned the one-liner, Taken 3 makes Taken 2 look like Taken. When his daughter (Ilah Davis) disappears into the adult film industry, Ohio prude Jake VanDorn (George C. Scott) must infiltrate the unseemly business and even impersonate a sleaze himself in order to find out what extremely upsetting stuff his daughter has gotten into. He works alongside industry insider Niki (Season Hubley, great) and becomes something of a father figure to her, too. Written and directed by the great Paul Schrader, the film is a fascinating look at how the industry worked around the time of its release, even though Jake's transformation isn't totally convincing. He also gets in a fight with a much younger, more street-savvy young man at the end, and that doesn't totally make sense, but this is still an oft-imitated touchstone in the dads saving daughters in distress genre. It also benefitted from one of the most ruthless ad campaigns in movie history: An ad that just shared Jake's exclamation upon seeing his daughter on-screen: "Oh my God, that's my daughter." Another classic dads saving daughters in distress setup: Macho L.A. helicopter pilot Ray Gaines (Dwayne "The Rock" Johnson) is estranged from his wife Emma (Carla Gugino) because he's too cool, or something. But then an earthquake traps their daughter Blake (Alexandra Daddario) with mom's new boyfriend, Daniel. Because this is a dads saving daughters movie, mom's new boyfriend is of course not up to the task of protecting Blake, because that's dad's job. Would you believe that by the end of the movie, Ray and Emma are reconsidering their future? You might expect Stillwater to be a lot like Taken: Matt Damon, Jason Bourne himself, lets loose in France trying to save his wrongfully convicted daughter? Sign us up. But it turns out to be something more complex, and interesting than the typical dads saving daughters routine. Damon's Oklahoma roughneck Bill Baker starts out deeply suspicious of the French, and assumes his daughter (Abigail Breslin) has been railroaded into a cell. But he has to solve the problem with his brains and empathy, not brawn. Some dad-on-the-warpath movies are really just excuses for a middle-aged "regular guy" to fight a world that's gotten too permissive for his tastes. But Stillwater isn't. This is another of those (sighs, rolls eyes) thoughtful movies that asks dads to consider the ethical and moral ramifications (barf) of rushing to judgment instead of just beating people up. Hugh Jackman plays Keller Dover, a man who goes on the warpath when his daughter is kidnapped. (Terrence Howard plays another dad who goes down the path reluctantly.) When their daughters are kidnapped, they kidnap a suspect — played by Paul Dano — and go medieval on him. As you've probably intuited, Prisoners is filled with twists. Mel Gibson plays John Link, an ex-con and recovering alcoholic who is now a tattoo artist. When his estranged daughter Lydia (future The Boys star Erin Moriarty) gets in trouble with her ex-boyfriend's criminal gang, John learns that she's become addicted to drugs and tries to help her recover. Lydia ends up abducted, and her dad is able to save the missing link — which is also the name of his business: Missing Link tattoo. But father and daughter are also able to recover the missing link in their relationship. It works on so many levels. Something we like about this movie is the dad using his wisdom to help his daughter in her recovery from addiction. Sometimes loving and supportive dads are even more helpful than dads saving daughters by beating people up. We're betting you might also like this list of the 15 Most Beautiful Movie Cars. Main image: Commando. Warner Bros. 20th Century Fox. Related Headlines 12 Sleazy '70s Movies That Don't Care About Your Respect Ari Aster and John Waters on the Art of Not Compromising 12 Shameful Movies That Glamorize the Devil