POLL: Thug Life, Hari Hara Veera Mallu, Kuberaa and Kannappa—which South movie are you excited to watch in June 2025? VOTE
Big names, bigger expectations! June 2025 is all set to be a blockbuster month in South cinema. With Thug Life starring Kamal Haasan, Hari Hara Veera Mallu led by Pawan Kalyan, and Kannappa featuring Vishnu Manchu, the choices are thrilling. If you had to choose one, what would be your top pick? But wait, before you decide, let's take a closer look at these June releases to help you make your decision.
Thug Life, directed by Mani Ratnam, hits theaters on June 5. It explores the dark and dangerous world of crime and loyalty. The story begins with Sakthivel and his brother Manickam rescuing a boy during a deadly police encounter. They raise him as Amaran, played by Silambarasan TR.
With a strong cast including Kamal Haasan, Joju George, Trisha Krishnan, and Ashok Selvan, the film promises intense drama and powerful performances.
Coming next on June 12 is Hari Hara Veera Mallu: Part 1—Sword vs Spirit. Set in 17th-century India, it stars Pawan Kalyan as a brave outlaw on a mission to steal the Koh-i-Noor diamond from the Mughals. With Bobby Deol and Nidhhi Agerwal in key roles, this historical action-adventure is packed with grandeur and high-stakes drama.
Kuberaa arrives on June 20 and offers a gripping social thriller. Dhanush plays a poor man whose thirst for wealth leads to unexpected consequences. Directed by Sekhar Kammula, the film also stars Rashmika Mandanna, Jim Sarbh, and Nagarjuna Akkineni. With themes of greed, power, and ambition, it adds a fresh twist to the lineup.
The final June release is Kannappa, landing on June 27. Based on a legendary Hindu tale, the story follows an atheist who turns into a devoted follower of Lord Shiva. With Vishnu Manchu in the lead and an ensemble cast including Prabhas, Mohanlal, Akshay Kumar, Mohan Babu and Kajal Aggarwal, this fantasy drama aims to be both visually grand and emotionally rich.
So, which film are you most excited for? Cast your vote and let us know!
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Indian Express
8 hours ago
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Knowledge Nugget: Thug Life controversy — How is freedom of speech and films certification relevant for UPSC Exam
Take a look at the essential events, concepts, terms, quotes, or phenomena every day and brush up your knowledge. Here's your knowledge nugget for today. (Relevance: In light of the Thug Life movie controversy and the the Supreme Court's recent ruling, it is important to understand what the Constitution of India says on freedom of speech and expression, as fundamental rights form an important part of the UPSC syllabus, and previously, questions have been asked on various rights. Also, it is crucial to understand how films are certified in India and what the role of the Central Board of Film Certification (CBFC) is in film certification.) On June 17, the Supreme Court came down heavily on the 'extra-judicial ban' on the Tamil film Thug Life in Karnataka — it underlined that any film that has received a CBFC certificate must be screened. The Mani Ratnam-directed movie opened on June 5 across India except in Karnataka, where its release was stalled following outrage over lead actor Kamal Haasan's remark that Kannada was born from Tamil. In this context, let's understand what exactly the constitutional position is on free speech and how films are certified in India. The Supreme Court has characterised a 'ban' on the Tamil film Thug Life in Karnataka as an infringement on the filmmakers' constitutionally guaranteed right to freedom of speech and expression. It directed the state government to uphold the 'rule of law' and ensure the film's smooth release. In directing the release of Thug Life in Karnataka, the Supreme Court has underlined that upholding freedom of speech means protecting and extending the space for a diversity of views. As it pointed out, 'It's not just the screening of a film, it's much bigger than this.'- Express View: On Thug Life and freedom of speech, listen to the Supreme Court 1. Article 19(1)(a) in Part III of the Constitution guarantees the fundamental right to freedom of speech and expression. It is a right invoked against the state. Some fundamental rights such as those prohibiting untouchability, trafficking and bonded labour are explicitly against both the state and other individuals. 2. It is available only to citizens and not to foreigners. Article 19 (1) provides 'Protection of certain rights regarding freedom of speech etc.' It says, 'All citizens shall have the right: (a) to freedom of speech and expression; (b) to assemble peaceably and without arms; (c) to form associations or unions; (d) to move freely throughout the territory of India; (e) to reside and settle in any part of the territory of India; and (f) omitted (g) to practise any profession, or to carry on any occupation, trade or business (Note: Originally, Article 19 (1) (f) and article 31 contained the right to property, i.e. to acquire, hold and dispose of property subject to the right of State to compulsory acquisition for public purposes by authority of law. However, right to property ceased to be a fundamental right when the Constitution (44th Amendment) Act, 1978 omitted sub-clause(f) of Article 19 (1) and Article 31 from the Constitution.) 3. The freedom provided in Article 19 (1) is not absolute or unfettered. It is followed by Article 19(2), which lists exceptions or 'reasonable restrictions' on free speech under following heads: → Security of the State, → Friendly relations with foreign States → Public Order, → Decency and Morality, → Contempt of Court, → Defamation, → Incitement to an Offence, → Sovereignty and Integrity of India. 1. In India, all films must have a Central Board of Film Certification (CBFC) certificate if they are to be released theatrically, telecast on television, or displayed publicly in any way. 2. The CBFC certifies films under four categories: 📌U: Unrestricted public exhibition (Suitable for all age groups) 📌U/A (UA 7+, UA 13 + and UA 16 +): Parental guidance for children 📌A: Restricted to adults(Suitable for 18 years and above) 📌S: Restricted to a specialised group of people, such as engineers, doctors or scientists. Why is film certification necessary? 3. The film certification process is governed by The Cinematograph Act, 1952, The Cinematograph (certification) Rules, 1983, and the guidelines issued by the Central government under section 5B of the Act, which says that- 'A film shall not be certified for public exhibition, if, in the opinion of the authority competent to grant the certificate, the film or any part of it is against the interests of the sovereignty and integrity of India, the security of the States, friendly relations with foreign State, public order, decency or morality or involves defamation or contempt of court or is likely to incite the commission of any offence'. 4. Certification of films is carried out by the CBFC through an Examining Committee, appointed by the Regional Officer, which submits its recommendations after viewing the film. 5. The decision is based on the committee's majority or unanimous opinion. A split or divided opinion, or a contentious matter, may be referred to a Revising Committee or decided by the CBFC Chairperson. 6. The CBFC can also deny certification a film. On several occasions when a filmmaker or producer has not been satisfied with the CBFC's certification, or with a denial, they appealed to the Film Certification Appellate Tribunal (FCAT), which overturned the CBFC decisions. However, since the dissolution of the FCAT in 2021, such appeals can be made directly to the High Courts. 1. The Central Board of Film Certification (CBFC) is a statutory body under the Ministry of Information and Broadcasting. It regulates the public exhibition of films under the provisions of the Cinematograph Act 1952. 2. Films can be publicly exhibited in India only after they have been certified by the CBFC. 3. According to the official site of CBFC, 'The Board consists of non-official members and a Chairman (all of whom are appointed by Central Government) and functions with headquarters at Mumbai.' 4. CBFC has nine Regional offices, one each at Mumbai, Kolkata, Chennai, Bangalore, Thiruvananthapuram, Hyderabad, New Delhi, Cuttack and Guwahati. The Regional Offices are assisted in the examination of films by Advisory Panels. The members of the panels are nominated by Central Government by drawing people from different walks of life for a period of 2 years. 📌 Article 19(1) of the Constitution says that all persons shall have 'freedom of speech and expression'. However, Article 19(2) of the Constitution lays down provisions for imposing reasonable restrictions on the exercise of this right. 📌 The Cinematograph Act, 1952. 📌 The Cinematograph (Certification) Rules, 2024. 📌 The Guidelines issued by the Government under Section 5B of the Cinematograph Act. 📌 The Cable Television Networks (Regulation) Act, 1995 r.w. The Cable Television Network Rules, 1994 (Programmes and Advertising Codes therein). 📌 The Cigarettes and other Tobacco Products Act (COTPA) , 2003 & Rules 2004. 📌 The Prevention of Cruelty to Animals Act. The Emblems and Names (Prevention of Improper Use) Act, 📌 Prevention of Insults to National Honour Act, 1971. 📌 The Drug and Magic Remedies Act. 📌 The Scheduled Castes and Tribes (Prevention of Atrocities) Act, 1989. 📌 The Indecent Representation of Women (Prohibition) Act 1986. 📌 The Protection of Children from Sexual Offences Act (POCSO Act) 2012, Etc. 1. The government recently notified age-based categories certification of films to promote age-appropriate viewing, particularly for the parental guidance group. 2. In a gazette notification, the Ministry of Information and Broadcasting amended the rules notified in December 1991 laying down principles for sanctioning films for public exhibition. 3. The rules allow the Central Board of Film Certification to allow certification of films for unrestricted public exhibition with an endorsement in accordance with the nature. 4. 'Content suitable for a child aged seven years and above and under the age of seven years with parental guidance shall be classified as 'U/A 7+' rating… child aged thirteen years and above and under the age of thirteen years with parental guidance classified as 'U/A 13+'… child aged sixteen years and above and under the age of sixteen years… as 'U/A 16+' rating,' the notification read. (1) The provisions under Article 19 of the Constitution of India are: 1. to assemble peaceably and with arms 2. to form unions 3. to reside and settle in any part of the territory of India 4. to carry on any occupation Select the correct answer using the codes given below: (a) 1, 2 and 3 only (b) 2, 3 and 4 only (c) 3 and 4 only (d) 2 and 4 only (2) Consider the following statements: 1. The Central Board of Film Certification is a statutory body. 2. There is no CBFC certification for T.V programs and serials. Which of the statements given above is/are not correct? (a) 1 only (b) 2 only (c) Both 1 and 2 (d) Neither 1 nor 2 (Sources: Constitution of India, Express View: On Thug Life and freedom of speech, listen to the Supreme Court, Certification of films, Explained: The role, significance of film certification tribunal, now abolished, Subscribe to our UPSC newsletter. Stay updated with the latest UPSC articles by joining our Telegram channel – Indian Express UPSC Hub, and follow us on Instagram and X. 🚨 Click Here to read the UPSC Essentials magazine for June 2025. Share your views and suggestions in the comment box or at Roshni Yadav is a Deputy Copy Editor with The Indian Express. She is an alumna of the University of Delhi and Jawaharlal Nehru University, where she pursued her graduation and post-graduation in Political Science. She has over five years of work experience in ed-tech and media. At The Indian Express, she writes for the UPSC section. Her interests lie in national and international affairs, governance, economy, and social issues. You can contact her via email: ... Read More
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Vishnu Manchu Calls Kannappa His Most Ambitious Project Yet: 'My Lord Of The Rings'
Last Updated: Vishnu Manchu calls Kannappa his version of The Lord of the Rings in IMDb's Behind the Scenes. He shares how the film, based on a real mythological tale, took a decade to develop. Actor-producer Vishnu Manchu is gearing up to release one of his most ambitious projects yet — Kannappa, a mythological epic that boasts an ensemble cast featuring Mohanlal, Prabhas, Akshay Kumar, Kajal Aggarwal, and Manchu himself. In a recent conversation on IMDb's original series Behind The Scenes, Manchu opened up about the decade-long journey it took to bring Kannappa to life and how the story resonates deeply with him both spiritually and creatively. 'Kannappa is a true story which has happened in India," said Manchu. 'It's a story about an atheist who becomes Lord Shiva's greatest devotee. This is a journey of self-realisation, and I kind of resonated with the script when I heard it. Here I am, after 10 years of working on the script, bringing it to the world to see." Tracing the film's genesis back to 2014, Manchu recalled how a writer first approached him with the idea. 'When he was narrating it, I was already imagining it on a larger-than-life scale," he shared. What followed was years of development—storyboarding, extensive pre-production, and world-building. 'Since then, my journey began," he said. Directed by Mukesh Kumar Singh, known for his acclaimed work on the Mahabharat television series, Kannappa is being crafted with cinematic precision and devotional passion. Manchu praised Singh for bringing depth to the characters and refining their emotional arcs. 'The credit for the actors' performances goes to him," he said. 'When I struggled with portraying Kannappa's atheist phase, Mukesh gave me a brilliant metaphor. He said, 'Imagine you're a tiger. A lion may laze around, but a tiger is always alert.' That changed everything for me." Living and breathing the film has left a lasting impact on Manchu, who believes Kannappa has brought a wave of positivity into his life. 'I believe this is all Lord Shiva's magic and his leela," he said. He also teased a major surprise: 'People who are well-versed in Indian epics are going to be blown away by Mr. Mohanlal's character and the episode involving him." Drawing from Western fantasy while staying rooted in Indian mythology, Manchu described Kannappa as 'my version of The Lord of the Rings." With its rich mythology, star-studded cast, and deep personal resonance, Kannappa promises to be a mythological spectacle that blends spectacle, soul, and storytelling in equal measure. First Published:
