
I tried everything to make my marriage work, says Maren Morris
Maren Morris "tried everything [she] could" to make her marriage work.
The 35-year-old singer was married to country music star Ryan Hurd from 2018 until 2024, and Maren insists she did everything she could to save their relationship.
The award-winning star told the Observer newspaper: "I tried everything I could to make that part of myself work."
Maren has a five-year-old son called Hayes with Ryan, and the former couple have managed to develop a healthy co-parenting relationship.
She said: "We had this amazing love and we do in a different way now. Now we're partners in a different sense. We have to be really good, on the same page as much as we can, as co-parents."
Maren believes she's evolved as an artist in recent years, as she's moved away from a traditional country music sound.
The 'Rich' hitmaker explained: "I tried everything I could to make the part of myself within mainstream country work. And I think I was just growing apart from all of it."
Maren's new album, 'Dreamsicle', explores her divorce from Ryan. But the singer insists her new record is "so much bigger than that".
She shared: "I'm not shying away from the elements of divorce on the record, but I think it's so much bigger than that.
"That's a part of me and will be forever, but it's not a defining characteristic of me. It's how you put yourself back together."
Maren recently revealed that she has a straightforward co-parenting relationship with Ryan.
The country music star divorced the 38-year-old singer in early 2024, and they now live just five minutes apart from one another.
Speaking to The Zoe Report, Maren said: "Our stops are really easy, and we'll have family dinners."
Hayes spends alternate weeks with each parent, meaning Maren has had to adjust to spending time on her own.
She said: "Those weeks I have him, the house is full of chaos and energy and laughter and scraped knees.
'And then, when he is not there, you have to recalibrate your alone-ness because you're like, 'Wow, this is just me in here now.' That's when I've leaned into it and not been drowned by my own company."

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Perth Now
2 days ago
- Perth Now
Maren Morris and Ryan Hurd's friends had to 'pick sides' after split
Maren Morris lost friends after splitting from Ryan Hurd. The 35-year-old singer and the 38-year-old songwriter - who have five-year-old son Hayes together - separated last year after six years of marriage and she's admitted it has been "weird" seeing people who she used to regularly hang out with but no longer does because they felt they had to "pick sides". Speaking on the Therapuss podcast, Maren said: 'In Nashville, you know I've been divorced for a little over a year now. 'It's a small town and we're all friends and we all work together, and the music industry is very tiny there. "I'm really friendly with my ex and we have our son that's always our biggest priority. It is weird because we were together for so long that so many of our friends had to sort of… .' Host Jake Shane interjected: "Pick sides?" Maren replied: 'Yeah, well just in terms of respect for each other. "'I saw a really close friend of my ex's at a bar a couple months ago, and I was with my best friend, and we all used to hang out together for a decade or more — and then it's like, damn, it's just going to be kind of weird. Maybe it's just going to be weird for the first few years, I don't know.' Maren also reflected how other events have impacted on her friendships in recent years. The My Church hitmaker believes the COVID-19 pandemic "changed a lot of people", while becoming a mom led to other pals "falling away", though it also brought new people into her life. She said: "[New motherhood] is already such a lonely time, and you're very isolated. "I certainly made friends who are moms through the process, and there are some badass b****es that got me through a lot of that, but yeah, you just naturally kind of realise, 'Oh those people probably put me in a different drawer.'' Maren recently revealed that she has a straightforward co-parenting relationship with Ryan, particularly as they only live five minutes away from one another. Speaking to The Zoe Report, she said: "Our stops are really easy, and we'll have family dinners." Hayes spends alternate weeks with each parent, meaning Maren has had to adjust to spending time on her own. She said: "Those weeks I have him, the house is full of chaos and energy and laughter and scraped knees. 'And then, when he is not there, you have to recalibrate your alone-ness because you're like, 'Wow, this is just me in here now.' That's when I've leaned into it and not been drowned by my own company."

Sydney Morning Herald
08-06-2025
- Sydney Morning Herald
This was the best Shakespeare I've seen in Sydney this century. And now it's back
Last year, one play rattled my bones like no other: Sport for Jove's production of Shakespeare's Timon of Athens. My five-star review enthused that it had 'a truth, an energy and a ferocity to make the blood drain from your face', and a 'visceral, raw, compelling and moving' performance from Damien Ryan as Timon. Seldom performed, the play, here retitled I Hate People; Or Timon of Athens, tells of Timon being so profligately generous that he runs himself into bankruptcy, whereupon his 'friends' turn on him, so he renounces Athens and retreats to live in the 'natural' world in abject poverty. Now this production – the best Shakespeare I've seen in Sydney this century – returns. Director Margaret Thanos connected with Ryan, Sport for Jove's artistic director, when, having won the 2023 Sandra Bates Director's Award, she was the assistant director to Ryan on Ensemble Theatre's Mr Bailey's Minder. They found many convergences in their thinking, and Thanos mentioned her love of Timon, pitching her vision as 'Mount Olympus meets the Greek financial crisis', with a strong emphasis on ensemble movement. Ryan was hooked. Despite being the company's artistic director, he had to audition for the lead role. 'That was really important to both of us,' says Thanos, 'because I can say undeniably he was the best choice … His audition for this production is one of the best auditions I've ever had the privilege of witnessing in my life as a director – and I've seen hundreds of auditions in the past few years.' Ryan is also Sydney's finest and most experienced Shakespeare director, so he and Thanos arrived at an arrangement whereby in rehearsals he focused purely on his role, and only outside that room did he discuss the show's ideas with his artistic director's hat on. 'Timon is a story of an extremely wealthy man losing everything,' Thanos explains. 'It's almost a fable in its quality. The imagery of Timon stripping down to wearing nothing but little boxer shorts in that second half is extremely indicative of the destitution that he faces.' Indeed, it is as though Timon's naked soul is being mirrored in his naked body. 'We see,' she continues, 'this extravagant imagery at the beginning – the parties, the orgies, the luxury of it all – and then we move into total destitution… It's inherent in the text that he returns to this so-called natural world to reject mankind, which he perceives as un natural.' The on-site rehearsals before the show opened at Leura Everglades in January 2024 were rained out, so opening night was the first proper run.

The Age
08-06-2025
- The Age
This was the best Shakespeare I've seen in Sydney this century. And now it's back
Last year, one play rattled my bones like no other: Sport for Jove's production of Shakespeare's Timon of Athens. My five-star review enthused that it had 'a truth, an energy and a ferocity to make the blood drain from your face', and a 'visceral, raw, compelling and moving' performance from Damien Ryan as Timon. Seldom performed, the play, here retitled I Hate People; Or Timon of Athens, tells of Timon being so profligately generous that he runs himself into bankruptcy, whereupon his 'friends' turn on him, so he renounces Athens and retreats to live in the 'natural' world in abject poverty. Now this production – the best Shakespeare I've seen in Sydney this century – returns. Director Margaret Thanos connected with Ryan, Sport for Jove's artistic director, when, having won the 2023 Sandra Bates Director's Award, she was the assistant director to Ryan on Ensemble Theatre's Mr Bailey's Minder. They found many convergences in their thinking, and Thanos mentioned her love of Timon, pitching her vision as 'Mount Olympus meets the Greek financial crisis', with a strong emphasis on ensemble movement. Ryan was hooked. Despite being the company's artistic director, he had to audition for the lead role. 'That was really important to both of us,' says Thanos, 'because I can say undeniably he was the best choice … His audition for this production is one of the best auditions I've ever had the privilege of witnessing in my life as a director – and I've seen hundreds of auditions in the past few years.' Ryan is also Sydney's finest and most experienced Shakespeare director, so he and Thanos arrived at an arrangement whereby in rehearsals he focused purely on his role, and only outside that room did he discuss the show's ideas with his artistic director's hat on. 'Timon is a story of an extremely wealthy man losing everything,' Thanos explains. 'It's almost a fable in its quality. The imagery of Timon stripping down to wearing nothing but little boxer shorts in that second half is extremely indicative of the destitution that he faces.' Indeed, it is as though Timon's naked soul is being mirrored in his naked body. 'We see,' she continues, 'this extravagant imagery at the beginning – the parties, the orgies, the luxury of it all – and then we move into total destitution… It's inherent in the text that he returns to this so-called natural world to reject mankind, which he perceives as un natural.' The on-site rehearsals before the show opened at Leura Everglades in January 2024 were rained out, so opening night was the first proper run.