X post of Clarkson's Farm fans baffled over split-second 'weird editing mistake' in series 4 finale
Clarkson's Farm fans were left 'confused' over an apparent editing error in the series four finale.The screen, which had been showing a tractor slowly travelling across a field, suddenly flashed to a smiling woman holding a red briefcase, before cutting back to the tractor.Viewers were baffled by the 'weird' moment, wondering if it was 'symbolic' or an 'editing mistake'.
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13 minutes ago
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Billie Eilish Offers A Rare Look At Her Vacation Style With A Red String Bikini in Barcelona
THE RUNDOWN Billie Eilish was filmed on the beach with friends in Barcelona, giving the world a rare look at her bikini style. Although she's known for her signature oversize looks, Eilish has a history of wearing string bikinis and shared a photo of herself in a pink set last year. Eilish is currently on the European leg of her Hit Me Hard and Soft Tour and will resume shows in July. Billie Eilish is currently on the European leg of her Hit Me Hard and Soft Tour and took a little vacation in Barcelona ahead of her U.K. shows this July. She spent a night on the beach with friends—and gave a rare look at her vacation style in the process. The singer was filmed in the Mediterranean Sea, wearing a red string bikini. See footage here on TMZ. This isn't the first time Eilish has been seen in this style of swimwear. Last July, she shared a photo of herself in a pink string two-piece: And in June 2023, she appeared in a print string bikini top in her friend Annabel Zimmer's Instagram. This April, Eilish answered questions from celebrities for British Vogue. Nicki Minaj asked Eilish about how she views herself, prompting Eilish to reflect candidly on her appearance. 'This may be an odd question, but you seem to be a bit uncomfortable with how beautiful you are at times,' Minaj said. 'I could be wrong. Many women from all walks of life have felt that their work was overshadowed by their beauty or their physical attributes. Was there ever a time in your career, or before you made it, when you wished people couldn't see you and that they could only hear the music, and really get a chance to just listen to the written words?' 'Nicki, this question made me tear up a little,' Eilish admitted. 'Well…like you said at the beginning of that question, I've never really felt very beautiful or seen myself in that way, so I definitely never struggled with the idea that it would overshadow anything, since I didn't even really see it myself. I've had to really convince myself that I am beautiful. Being a woman is hard.' She also spoke about how she unwinds while answering a question from Ariana Grande. 'I realized recently that I think my favorite thing in the world is to hangout,' she said with a laugh. 'Like, I just love being around people that I love, people that make me laugh and make me feel whole. You know: kindred souls. That's the stuff that keeps me sane. Laughing really is my cure.' ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today Might Also Like Pyjamas You Can Wear All Day 10 Hand Soaps To Make Your Bathroom Feel Like A Fancy Hotel 8 Of The Best Natural Deodorants
Yahoo
15 minutes ago
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Kanye West And Bianca Censori Staying At Elite Mental‑Health Retreat Amid Relationship Scrutiny
, who made headlines for his brief appearance at the Diddy trial late last week, has been spending most of his time at a high-end wellness facility in Mallorca, Spain. Despite the ongoing retreat, Kanye briefly left to spend about ten minutes attending the criminal trial in New York City, a move that generated controversy. Although initially turned away due to not being on the approved guest list, Kanye West was later added to the roster and given reserved seating among Diddy's family and close associates. According to RadarOnline, the rapper and his wife, , have been checked into The Balance Rehab Clinic, which reportedly charges $170,000 per week. The luxury retreat offers comprehensive services, including accommodation, meals, therapy sessions, and yoga. "Our mental health and luxury addiction treatment facilities are created to be a safe haven where you can find recovery, peace, rest, and happiness," The Balance Rehab Clinic's official website states. "Our luxury rehab centers and high-end treatment facilities are located in Mallorca, Zurich, London, Marbella, and Offshore." It adds, "Our qualified team of physicians, psychiatrists, and holistic therapists are here to provide you with a unique and exceptional experience. Our luxury rehab centers offer you more than just treatment; we offer guidance to rediscover your soul and achieve your best self." The reason behind the couple's stay may tie back to a wrongful termination lawsuit filed against Kanye by former employee Benjamin Provo. RadarOnline claims that court documents confirm West's presence at the clinic over the past few weeks, offering insight into why he has been away from the public eye. "He's bleeding money and credibility," a source told the outlet. "He needs to prove to fans and the corporate partners he has left that he was off his rocker when spewing such filth, and going to rehab seems like just what the doctor ordered – literally." Videos from Miami, Texas, and Los Angeles recently captured the couple together in public, most notably after Bianca's spa appointment in Beverly Hills, where she donned thigh-skimming shorts, a black zip-up hoodie, and heeled sandals. Kanye, seated beside her, wore a subdued expression, drawing speculation about the state of their relationship. The contrast of Bianca's bold outfit and Kanye's muted demeanor fueled online discussion. The timing of their joint stay is notable, coming just months after Kanye seemed to confirm their relationship had hit rocky terrain. In his unreleased track "BIANCA," previewed during a livestream by DJ Akademiks on April 2, Kanye claimed Censori left him following his string of controversial social media posts. "My baby she ran away," he raps in the single. "But first she tried to get me committed / Not going to the hospital 'cause I am not sick, I just do not get it." The lyrics paint a raw and troubled picture of their marriage. "Until Bianca's back, I stay up all night, I'm not going to sleep / I really don't know where she's at." The track dropped just days after West sparked breakup speculation with a cryptic post about betrayal and heartbreak. "When you look at that betrayal list I realized I was just a part of peoples strategies," he wrote, adding, "I make decisions from my heart and mind. So when my heart is broken, it breaks my mind too." He concluded the post with a redacted text message, reportedly saying, "Just like to see people fulfill their dreams so they can sh-t on me later." At the time, fans noticed West had wiped his Instagram clean and allegedly unfollowed Bianca, further fueling divorce rumors. Despite the apparent distance, their joint stay at the retreat suggests they may be working to repair their relationship. For now, Kanye's followers remain hopeful that the prestigious clinic and Bianca's support will help stabilize his mental health, as he navigates courtroom pressures, personal transformation, and the spotlight. Only time will tell if this marked withdrawal from the public stage leads to meaningful changes for the rapper.
Yahoo
17 minutes ago
- Yahoo
Review: '28 Years Later' is a triumphant return, one of the scariest films of the year
"I need a shower and a lot of CBD." Putting it lightly, this was my instant message reaction to my colleagues leaving the cinema after 28 Years Later. Fingernails bitten to hell, I was a film critic shooketh to the core after seeing director Danny Boyle and writer Alex Garland reunite almost 28 years following their horrifying, groundbreaking, genre-disrupting 2002 film 28 Days Later. Since this series launched its grisly, running zombies, wildly popular series like The Walking Dead and The Last of Us, and celebrated films like Train to Busan, satisfyingly filled the undead landscape onscreen. But Garland and Boyle bring fresh scares and existential dread, reminding audiences of the legacy their 2002 hit wrought. SEE ALSO: Should you watch '28 Days Later' and '28 Weeks Later' before '28 Years Later'? One of the most unrelenting and scariest films of the year, 28 Years Later deserves the largest screen and sound system you can find — and serious guts. Almost three decades later, we're so back(bone). Jamie (Aaron Taylor-Johnson) and Spike (Alfie Williams) find their mettle tested. Credit: Sony Pictures Since the Rage Virus-infected doomed the United Kingdom in 28 Days Later, the country has been left to fester in its own pétri dish of irate contagion for about 30 years. Survivors are left to fend for themselves, with no international aid in sight. In fact, European quarantine boats patrol the surrounding seas making sure Britain knows where its own damned perimeter is (the word "Brexit" does not come up in this film, but come on…). In this doomscape, a small community has fortified an island off the coast of England, protected from the undead by the tides, sturdy walls, and a wealth of traditional grassroots design (thanks to production and costume designers Carson McColl and Gareth Pugh). Key resources for "Holy Island" lie on the mainland, a place deemed a rite of passage for younger residents to visit, including 12-year-old Spike (a solemn, raw performance from newcomer Alfie Williams). There's just one rule: If you leave and don't return, no one is allowed to venture across the causeway and rescue you. While his mother, Isla (an exceptional Jodie Comer), lies undiagnosed with illness and enduring her own private hell, Spike and his father, Jamie (an intense and sweary Aaron Taylor-Johnson) venture to the mainland for some father-son bonding and find nothing awry at all. Everything's peachy! Yeah, this is a 28 Days film, you know it's not. On the mainland, Spike and Jamie find their mettle tested in myriad dreadful ways. As expected, these rolling English hills are flush with infected, bloodthirsty humans, some of whom have unexpectedly evolved into new variations including the petrifying "Alphas". But there's smoke on the horizon, with the mystery of this ever-burning fire tempting Spike's curiosity further from the safety of his island home. You'll want to be back on that island pretty damn quick. Credit: Sony Pictures As a zombie film following in the footsteps of one of the most celebrated, brutal, and barbarous horror films of the 2000s, 28 Years Later holds nothing back on the violence scale, tween protagonist be damned! Boyle and Garland pull more than one skull-attached spine out of the hat throughout the film, throwing explosive blood spatters across television sets playing the Teletubbies, and teasing a mountain of skulls looming ahead, each moment a visceral strike for the viewer. This dizzying onscreen violence is bolstered by Boyle's signature brand of disruptive filmmaking. In one of the most striking sequences of the film, Boyle and editor Jon Harris take what might be a simple scene of Spike's first moments on the mainland and turn it into a frenetic, splintered montage. Intercut with father and son marching across an abandoned beach is a barrage of archival footage of child soldiers, clips from Laurence Olivier's 1944 Shakespeare adaptation Henry V (a movie "conceived as a wartime morale-booster" for British audiences during World War II), and the urgent, desperate voiceover of British writer Rudyard Kipling's 1903 war poem "Boots," which was also used in the film's riveting trailer. SEE ALSO: 20 of the best British horror films It's a distressing, abrasive, political sequence promising horrifying violence, shattered innocence, and national collapse. Even if you can't place the references in the footage you can feel the dread. At the film's start, Boyle has you both unsure and knowing full well what's to come, and it ain't good for Spike and his family. Uh, hey... Credit: Sony Pictures Doyle reteams with cinematographer Anthony Dod Mantle, who employed a famously rogue use of digital camcorders for both extreme close-ups and lonely wide shots in 28 Days Later. His new innovation is a mix of cameras that include a flotilla of 20 adapted iPhone 15s to create a bullet-time effect on some moments of pivotal violence, recalling the mind-blowing effect in The Matrix. Using these handheld devices all rigged up, Mantle deploys both distorted and awe-inspiring camera angles using Boyle's beloved sprawling 2.76:1 widescreen aspect ratio. Vile close-ups of the infected slurping away on various fleshy business deliver all the juicy disgust of Dennis Quaid eviscerating prawns in The Substance. However, Mantle also offers magnificent and terrifying wide shots of our protagonists roaming about the English countryside, akin to those incredible shots of Cillian Murphy wandering through an empty London in the first film. Such a wide frame urges us to recognize how exposed the survivor is in this feral terrain, the constant threat from a grisly death could be behind any tree or over the horizon — or, most terrifyingly, on the horizon. And supporting such fear is the superb sound design from Young Fathers. It's honestly hard to tell where the diegetic sound starts and ends. Credit: Sony Pictures Besides the stalking Alphas, 28 Years Later has another villain in Young Fathers. The Scottish hip-hop trio does not appear in the film, but they bring their signature experimental style to a hypnotic and merciless score that functions as an omnipresent threat. Their soundtrack simultaneously hums like a revving vehicle, flickers like a crow pecking at remains, shrieks like a human pursued by some grotesquerie, and echoes like an unidentified beast caterwauling into the night. With such sinister sounds, the verdant peace of the English countryside is pulverised, and also by the guttural screams of the livid undead. It's honestly hard to tell where the diegetic sound starts and ends, a state that becomes perilous when it comes to the film's outrageous bombardment of effective jump scares. It's a deeply affecting experience, the score and foley functioning as symbiotic beings, with one often indistinguishable from the other and forming one living, breathing entity. Thudding footsteps run parallel to booming drums, screeches and squawks blend with plucked strings, amalgamating into one out-of-body wall of sound that's impossible to escape. It all feels doomed, like the end is extremely fucking nigh — and yet Boyle finds a path of hope in the most unexpected place. In a landscape heaving with zombie apocalypse media from The Walking Dead to The Last of Us, 28 Years Later manages to declare its footing as an original monster. Magnificently shot, ruthlessly edited, and outrageously scored, it's a rambunctious, grisly, human tale of survival. Boyle and Garland, with their impeccably talented team and a magnificent cast — led by the young and wondrous Williams — manage to both connect their original creation with the present and forge a terrifying new landscape, one that will stress you out and make a meal of your own fingernails. 28 Years Later his cinemas June 20.
