Sharjah builds cultural bridges between Africa and the Arab world

Amid a time when Arabic poetry faces marginalisation in parts of Africa, Sharjah's forward-thinking initiatives have restored Arabic literature to its rightful place—as a vessel of identity, a tool for dialogue, and a platform for human expression.
Coordinators praised the vision behind the Arabic Poetry Forums in Africa—an initiative launched by His Highness Sheikh Dr Sultan bin Mohammed Al Qasimi, Supreme Council Member and Ruler of Sharjah—which has marked the beginning of a new cultural era across the continent. These forums have given hundreds of poets opportunities for visibility, documentation, and publication through structured programmes led by Sharjah's Department of Culture in collaboration with local cultural bodies.
Coordinators in nine African nations—Mali, Chad, Guinea, Niger, Nigeria, South Sudan, Benin, and Côte d'Ivoire—shared updates on preparations for the fourth edition of the poetry forums, set to begin this month. Plans are underway for expanded poet participation and accompanying cultural events.
Reviving the Arabic language through poetry
Dr Abdelkader Idriss Mega, coordinator of the Arabic Poetry Forum in Mali, described Sharjah's initiative as a pioneering model that reflects the wide-reaching cultural vision of His Highness the Ruler of Sharjah. He noted that the initiative is more than just a poetry festival—it is a genuine platform for reviving the Arabic language in historically Arabic-speaking communities.
Dr Mega highlighted the forums' role in elevating poetry as a cultural force in Mali, a country where African depth intersects with Arab-Islamic heritage. 'Sharjah's support represents a living example of Afro-Arab cultural integration, and a genuine embodiment of His Highness's vision for building literary bridges across the region,' he said. 'It has granted African poets a worthy platform, embraced their talents, and nurtured creativity in a respectful, professional atmosphere.'
He emphasised the clear impact: a vibrant poetry movement, an interactive cultural space blending authenticity and openness, and a rejuvenated local cultural scene that had long suffered from stagnation.
Looking ahead to Mali's fourth poetry forum
Dr Mega stated that Mali's Arabic Poetry Forum continues to grow in terms of organisation, content, and participation. The number of poets has doubled this year, drawing a rich mix of emerging and established voices from across the country. The fourth edition will welcome between 15 and 20 poets from Bamako and other regions.
What sets this edition apart is the broader participation and more diverse poetic styles, alongside growing public interest. The forum has drawn the attention of prominent figures, intellectuals, academics, university students, and media professionals, giving it greater cultural and institutional weight.
The accompanying programme includes poetry readings, literary discussions, and workshops on Arabic poetic techniques, in addition to interactive sessions between poets and the public—fostering cultural exchange and deepening aesthetic appreciation for poetry.
Cultural renewal through Sharjah's literary vision
Dr Ahmed Abou El Fath Othman, coordinator of the Arabic Poetry Forum in Chad, described Sharjah's support for Arabic poetry in Africa as a shining example of Arab cultural integration. He praised the leadership of His Highness the Ruler of Sharjah for reinforcing the Arabic language and culture across both Arabic-speaking regions and beyond.
He noted that the poetry forums, organised by the Department of Culture in Sharjah, have contributed to shaping a renewed cultural landscape by creating spaces for creative exchange and restoring poetry's role as a tool of expression, awareness, and identity-building.
The upcoming fourth edition of the poetry forum in Chad, according to Dr Abou El Fath, marks a significant milestone. While 32 poets participated last year, this year's forum is expected to feature over 40 poets, selected from more than 200 submissions. The selection criteria focus on high-calibre classical Arabic poetry.
This year's edition is noteworthy for bringing together poets from various regions of Chad on a single platform to share their work with an engaged and appreciative audience. The forum has also opened doors for emerging voices, with many young and aspiring poets seizing this opportunity to prove their talent.
Dr Abou El Fath highlighted that some of these poets, after participating in the Chad forum, went on to take part in international poetry gatherings—raising their country's profile on broader cultural stages. He affirmed that none of this would have been possible without Sharjah's generous and strategic support for Arabic culture in Africa. 'We extend our heartfelt thanks and appreciation to Sharjah, a beacon of knowledge and creativity, for continually championing Arab literary excellence and broadening its horizons,' he said.
A deep encouragement for African Arabic poetry
Dr Kaba Imran, coordinator of the Arabic Poetry Forum in Guinea, expressed how African Arabic poetry is now "breathing freely" again, receiving recognition and honour from an Arab nation—specifically from His Highness Sheikh Dr Sultan bin Mohammed Al Qasimi, Supreme Council Member and Ruler of Sharjah. 'This is a profound source of encouragement for a form of poetry that had long been absent from the African cultural scene,' he said.
He noted that the fourth edition of the forum will welcome many new poets. Previously, participation was limited to poets from the capital region, but now, the event draws poets from across all regions of Guinea and even from outside the country.
Thanks to the forum, many poets have gained new confidence in their talent and literary voice—especially first-time participants. Dr Imran confirmed that these gatherings have inspired poets with ambitious new horizons and a growing cultural awareness with meaningful impact.
Celebrating poetic beauty in Niger
Dr Amadou Ali Ibrahim, cultural coordinator in Niger, hailed Sharjah as a cultural capital that continues to celebrate the enduring power of poetry, thanks to the unwavering support of His Highness the Ruler of Sharjah. He said the Arabic poetry forums in Africa have been a resounding literary success from the start, leaving a clear cultural imprint across the continent and growing stronger with each edition.
Dr Ibrahim expressed hope that this year's forum in Niger will spotlight new poetic talents and attract a larger audience, particularly among Arabic language students in the country. As in previous years, the event will feature two poetry sessions enriched by critical commentary—offering aesthetic insights into the poems—and a literary lecture exploring the Arabic language and its social dimensions within Niger.
He is optimistic that this edition will see a stronger poetic presence, not only in the number of poets attending from across the country but also in the strength and beauty of the Arabic poems being shared. 'The forum has become a stage for Niger's promising poetic voices to shine and grow,' he said.
Enrichment and empowerment in Nigeria
Dr Omar Adam, coordinator of the Arabic Poetry Forum in Nigeria, highlighted the profound impact of Sharjah's support—under the guidance of His Highness the Ruler of Sharjah—on enriching the cultural scene across Africa. Through the forums, a deeper appreciation for the Arabic language and its literary traditions has taken root in multiple African nations.
He noted that this support has enabled poets to refine their craft, moving beyond traditional forms to embrace modern poetic techniques aligned with global literary currents. The upcoming fourth edition of the poetry forum in Nigeria marks a significant cultural moment, building on the success of previous editions and further promoting Arabic poetry and cross-cultural dialogue.
Thanks to financial and institutional backing from Sharjah's Department of Culture, several Nigerian poets have published Arabic poetry collections—many for the first time—showcasing a flourishing literary presence in the country.
'This year, we've witnessed an unprecedented number of applications, surpassing those of all previous editions combined,' said Dr Adam. 'It's a clear sign of how deeply these forums have energised the creative spirit and helped develop local poetic talent.'
He added that the forum, supported by Sharjah, has spotlighted poetic voices from all regions of Nigeria. 'What began as a symbolic initiative has now become a dynamic platform for Nigerian poets, including those who are not native Arabic speakers, to share their work and connect with the wider Arab literary world. This effort not only preserves heritage but also drives forward a new wave of poetic creativity rooted in rich literary traditions.'
Beyond boundaries: Côte d'Ivoire celebrates Arabic verse
Dr Bamba Issiaka, coordinator of the Arabic Poetry Forum in Côte d'Ivoire, said Sharjah's cultural initiative transcends borders and languages, empowering genuine creativity through sustained support, openness to new voices, and a dynamic blend of literary creation and critique.
He affirmed that the forums serve as a model for cultural collaboration, showing that poetry still holds the power to build bridges and reshape collective awareness. 'The Arabic Poetry Forum has become a major annual cultural event in Côte d'Ivoire, eagerly anticipated by the public,' he said, citing strong participation from university students and the emergence of talented young poets.
According to Dr Issiaka, Sharjah's support does more than offer financial assistance—it maps out a long-term vision for Arabic poetry in Africa. The fourth edition of the forum, he noted, will mark a qualitative leap in the country's cultural scene, with new voices and cities taking part, reflecting the forum's continued growth and expanding reach.
A cultural continuum in South Sudan
Dr Mohammed Maj Riak, coordinator of the Arabic Poetry Forum in South Sudan, described Sharjah's backing of Arabic poetry in Africa as part of a broader cultural vision that embraces creativity in all its forms. This support, he said, helps reaffirm the value of poetry as a means of expressing identity and collective memory.
He noted that the forums have added significant value to South Sudan's cultural landscape. 'For this year's edition, we've widened participation to include poets from different generations and schools of thought, with a discerning and appreciative audience engaging closely with the sessions,' said Dr Riak.
The accompanying events will include literary workshops, critical forums, and public discussions to enhance interaction between poets and audiences. He stressed that the initiative has played a pivotal role in bringing attention to lesser-known voices and given them opportunities to connect with leading figures from the Arab literary world—broadening their cultural horizons and artistic growth.
Tangible momentum in Senegal
Dr Mohamed El Hadi Sall, coordinator of the Arabic Poetry Forum in Senegal, described Sharjah's patronage of Arabic poetry in Africa as a pioneering initiative rooted in a genuine belief in the power of words and their role in bridging cultures. He noted that the support went beyond financial assistance—it was a powerful moral boost that helped elevate local cultural identity and revive interest in Arabic poetry.
'The forums supported by Sharjah created real cultural momentum,' Dr Sall said. 'They opened new spaces for expression and dialogue, allowing a broader audience to engage with poets and their work.' He added that the fourth edition brings greater energy and diversity, with poets from various schools and experiences, along with a rich cultural programme including poetry readings, critical discussions, and parallel artistic performances.
'This year's audience is more engaged and informed than ever, which reflects a growing connection between the public and poetic expression. The event has also drawn strong attention from the cultural community, media, and social networks—clear proof that the forum has become a major annual cultural highlight.'
Sustained support in Benin
Dr Ibrahim Ogboun, coordinator of the Arabic Poetry Forum in Benin, said that no discussion of Arabic poetry in Africa today would be complete without acknowledging the vital role of Sharjah. Through its thoughtful cultural initiatives, the emirate has consistently supported the written word and strengthened its presence in the public sphere.
He explained that Sharjah's support has evolved into a comprehensive cultural project, offering renewed energy to literary platforms across the continent. 'The poetry forums held under Sharjah's patronage are not seasonal events,' Dr Ogboun stressed. 'They have become a genuine driver of the poetic scene, offering space for experimentation, dialogue, and public engagement.'
Speaking about the fourth edition, he added: 'With strong attendance and a wide variety of participants, the forum in Benin is moving confidently toward establishing itself as a leading cultural event in the country. This year's edition will stand out in both format and content, with a larger number of poets and a dynamic series of events including poetry evenings, critical sessions, and open dialogues between creators and a poetry-hungry audience.'
Sharjah's initiative, he said, has opened new doors for local poets and introduced fresh voices to the broader Arab poetic tradition. 'The forum has become a true platform for discovering talent and exchanging experiences. Many poets have spoken about how this opportunity transformed their work—whether through new publishing avenues or invitations to take part in Arab literary festivals.'

Try Our AI Features

Explore what Daily8 AI can do for you:

Learn with AIFact CheckingText to SpeechAI Summary

Related Articles

Gulf Today

13 hours ago

• Gulf Today

Canvas and sky: Reputed artist Andrew Thompson is also an aircraft engineer

Artist Andrew Thompson points out that by profession, he is a Licensed Aircraft Engineer and currently the Maintenance Manager for a Dubai VVIP flight operation. 'I have lived in the UAE for the past 31 years,' he says. Born and raised in Harare, Zimbabwe, he has had a 'very much of a free outdoors childhood,' in Zimbabwe. A self-taught artist with no formal art training, the inspiration for much of his earlier paintings comes from the surroundings he inhabited during the extensive travelling he did due to his work as an Aircraft Engineer. He admires man's many engineering feats from the past in machinery and architecture, and his work often reflect these muses. 'I also find inspiration from the desert sands of Dubai which may seem bleak and featureless to some, but to me they are alive with shapes, shades and colour, constantly shifting and offering something new,' he underlines. He says he is yet an experimentalist with his art, trying different forms, and taking inspiration from other fellow artists. He recently won second prize in the NBF (National Bank of Fujairah) art competition 2025 and is now showing some of his works at Perspectives – II group exhibition at the Capital Club, Dubai, curated by Patricia Millns, where Andrew's works are curated by Bhairavi Mistry of Noora The Divine Spark. Many of Andrews's pieces have found homes in Dubai and abroad. He speaks to Gulf Today Andrew Thompson looks at the world. Which are the unusual places that have inspired you as an artist? The Great Karoo region of South Africa. Vast open vistas of semi-arid country interspersed with flat topped mountains and hills. The earth tones that pop out of the landscape at sunrise and sunset are breathtaking. The Geilo, Norway. The contrast between light and shadow is extreme and when combined with the blue shadows, caught my attention. It reminded me of the desert in the UAE with a random Ghaf tree casting shadows on the sand. What has kept you in the UAE for over three decades? It is the country that has kept me here. It might get hot and there might be too much dust at times, but it is a special place, special people. The UAE also has pride in its identity which I admire, something that many western countries could look on as an example. It has looked after me. Ghaf Tree. What is the advantage of not having formally learned art? Not to be bound by convention, not to be confused with what you are told, as opposed to what you feel. Watercolour was the medium I first chose, and now many years later, I am well immersed in oil painting. It is only now that I listen to other 'formally' trained artists on social media and compare my notes and my experiences. Not all of it I agree with or follow. How has Africa influenced you as an artist? The land influenced me. In my high school years, I spent most of my holidays in the African bush. This probably influenced my senses of listening, smelling and looking. The golden hours just before sunset sitting high up in the hills above my home watching the light and colours change from the sky above to the dark valleys below. Africa has a special feel at this time of the day. Hajar Thunder. Which is the architecture you admire? I admire most architecture, but I think the style that pulls my eye in is Brutalism. It's the combination of big structure and the raw face of concrete. This is enhanced when sunlight creates sharp zones of light and deep shadow. This contrast of light and shade have offered some inspirational ideas for my art. Why are you still an experimentalist as an artist? I think this comes about due to my sporadic spurts of creating pieces of art. I cannot dedicate a period each day to paint. My painting sessions are grabbed when I am not working in my day-to-day profession or spending time with my family. Hence why I believe I am an experimentalist painter. Night Walk. Who are the fellow artists you look up to? Why? Maynard Dixon, an American West landscape painter. His paintings of big open spaces have always made me pause and look long at his work. He was a minimalist landscape artist, who created big open vistas of the American West, using a subdued colour palette. Very similar to the UAE desert landscapes. Another artist is Andrew Wyeth, also an American artist. He was known as a realist in his style. Besides the sands, what is your Emirati muse as an artist? The Ghaf tree. Strong, resilient and silent. When the wind blows, you can hear it whispering quietly to you. It is a complex tree to paint, its canopy is multi-faceted in shape and subtle colour, all balanced on a rough trunk. The time of day also changes its character. They are the ancient sentinels of the sands. The isolation of these trees has always drawn me to them. Wind Whisperer. Is there a link between aircraft maintenance and art? Yeah, I think there is. Both require your hands, your eyes and your brain. You need to be able to 'think' with your hands at the same time as engaging the brain. There is a natural pride when you walk past your finished painting or when you see the aircraft that you have just worked on, takeoff and fly.

Sharjah 24

18 hours ago

• Sharjah 24

UAE strengthens global publishing ties at Beijing Book Fair

This participation in Asia's largest copyrights exchange platform—and the second largest book fair in the world—reflects the EPA's ongoing commitment to empowering Emirati publishers, expanding opportunities for international collaboration, and strengthening the UAE's presence on the global publishing stage. Showcasing diversity and vision The EPA's stand at the fair serves as a vibrant window into the UAE's dynamic publishing landscape, showcasing a unique blend of seasoned expertise and emerging voices in children's literature and educational publishing. Among the participants are publishers who graduated from the 'Onshur' programme—an initiative launched to empower the next generation of publishing entrepreneurs in the UAE by empowering them with professional and technical support. Featured publishers include Hamda Al Baloushi, Manager of Aalamkom Publishing and Distribution, and Treasurer and Board Member of the EPA, Salim Abdulrahman, Managing Director of AlRewaya Publishing, and Ghassan Rabih, representative of Dar Rabie Publishing. Representing the 'Onshur' graduates are Dr. Asmaa Emara, Founder of Dal for Publishing, a publishing house dedicated to innovative approaches to Arabic language education, and Fatema Al Hammadi, Founder of Sohub Publishing and Distribution, which specialises in educational content for people of determination and students with autism. Bridging culture through publishing Running from 18 to 22 June, the Association's programme at the fair features a series of high-level events uniting content creators and publishing professionals from the UAE and China. A key event on the agenda is the 2025 Global Children's Book Forum, centred on the theme 'Integrated Innovation in Children's Books Amid New Realities.' Through this platform, the Association highlighted UAE's pioneering contributions to the global book industry, particularly in advancing children's publishing and fostering a culture of reading among young minds. The event agenda also features a panel discussion titled 'Nurturing Young Minds: Children's Publishing Priorities in the UAE and China,' with participation from publishers, Hamda Al Baloushi and Ghassan Rabih, alongside a group of distinguished Chinese children's publishers. Global messages with a local spirit Commenting on the Association's participation, Rashid Al Kous, Executive Director of the EPA, emphasised that the EPA's presence at major international book fairs represents a strategic opportunity for copyrights exchange, expanding professional networks, and exploring new markets for Emirati and Arabic content. He stated: 'This year, we placed special focus on the UAE's experience in children's publishing—a field that conveys universal messages with a distinctly local spirit, led by young publishers who possess clear vision and genuine passion. By empowering them, we are laying the foundation for a new generation that embodies innovation and authenticity.' He further noted: 'Our participation in the Beijing International Book Fair is an extension of the UAE's broader vision to support creative industries—particularly publishing—as a vital tool for knowledge dissemination and cultural dialogue. Each international platform is an opportunity to project our cultural voice globally and to showcase the wealth of creative potential that the UAE holds. The presence of 'Onshur' graduates at an event of this calibre sends a clear message: the youth are a powerful force shaping the future of Emirati publishing.' Publisher Hamda Al Baloushi described her participation as a significant milestone in her professional journey, highlighting the opportunity it provided for engagement and exchange with publishers from around the world. She added that it had opened new avenues for collaboration and copyrights exchange, particularly in the Asian market. She said: 'Our presence here not only reflects the quality of Emirati content, but also the prominent status that the UAE publishing sector has achieved on the global stage. I am proud to be part of this movement and to represent the UAE at one of the world's most important cultural events.' Ongoing efforts Through its active presence at prestigious international cultural events such as this, the EPA continues to advance its long-term strategic goals—chief among them being the development of the UAE's publishing ecosystem. This is achieved by connecting Emirati publishers with global networks, encouraging content export, and reinforcing the UAE's position as a dynamic hub in the international publishing industry.

Gulf Today

a day ago

• Gulf Today

Renowned Emirati poet Rashid Sharar honoured in a ceremony held in Dubai

Renowned Nabati poet Rashid Sharar is not only a towering literary figure but also a cultural architect whose influence has spanned generations. Revered as one of the UAE's most eloquent voices, Rashid Sharar has played a pivotal role in preserving and promoting traditional Bedouin poetry—locally known as Nabati—while mentoring emerging talents and shaping the literary scene across the GCC. Rashid Sharar, was honored in a special ceremony held at the Majlis Omar Mohamed Zubair Al Marzooqi in the Al Warqaa 3 area of Dubai. The event was organized by members of the Majlis Al Zubair as a gesture of appreciation for his outstanding contributions to modern and contemporary Arabic literature and poetry. The tribute recognized Rashid Sharar's lifelong dedication to enriching the Emirati and Arab literary scene through his unique poetic voice and his role in preserving and evolving Arabic poetic traditions. The gathering brought together literary figures, cultural leaders, and admirers of his work, all celebrating his legacy and the lasting impact he has made on Arabic poetry. Appointed by an Emiri decree from His Highness the Ruler of Sharjah, Rashid Al Sharar founded and led the Sharjah Center for Popular Poetry, which he operated for eleven years. Under his leadership, the center became a hub for nurturing poetic talent and safeguarding the region's oral traditions. Today, it continues that legacy under the name Al Hira Literary Council, still echoing with the voice and vision Al Sharar instilled. For nearly four decades, Rashid Al Sharar has been a prominent producer and presenter of cultural and poetry programs across various platforms, bringing the beauty of verse to homes across the Gulf. His impact extended into print media as well, where he served as editor of literary and poetry sections in several newspapers and magazines, including his most recent role at Kul Al Usra magazine. His contributions have not gone unnoticed. Over the years, he has been awarded numerous medals and honors, a testament to his role in enriching Arab culture. Among the most prestigious was an award bestowed upon him by the late Emir of Kuwait, Sheikh Sabah Al Ahmad Al Sabah, recognizing his lifelong dedication to literature and cultural preservation. Beyond the written and spoken word, Rashid Al Sharar's lyrical genius has reached millions through songs performed by major Arab artists. Voices like Mohammed Abdo, Mohammed Omar, Mehad Hamad, and Aydah Al Menhali have brought his poetry to the musical stage, blending heritage with melody in a way that continues to captivate listeners across generations. Today, Rashid Al Sharar remains a symbol of literary excellence and cultural depth in the UAE. Through poetry, music, mentorship, and media, his work stands as a living bridge between the past's enduring values and the future's unfolding promise.