logo
Dead elephants and feral sea lions: how poisonous algal blooms harm the planet

Dead elephants and feral sea lions: how poisonous algal blooms harm the planet

Irish Examiner10-06-2025

Before the elephants collapsed, they walked in aimless circles. Some fell head first, dying where they stood moments earlier; their carcasses scattered near watering holes across the Okavango delta. The unexplained deaths in May 2020 alarmed conservationists. By July, at least 350 elephants had died and nobody knew why.
'The animals all had their tusks, so poaching was unlikely. A lot of them had obviously died relatively suddenly: they had dropped on to their sternums, which was indicating a sudden loss of muscle function or neural capacity,' says Niall McCann, director of the conservation group National Park Rescue.
Nearly five years later, in November 2024, scientists finally published a paper indicating what they believe to be the reason behind the deaths: toxic water caused by an algal bloom.
A sudden shift between dry and wet conditions in 2019 and 2020 created perfect conditions for cyanobacteria that release toxins lethal to the elephants, although the researchers could not make definitive conclusions as samples were not taken quickly enough in 2020 due to the pandemic.
Foul-smelling algae along the St Lucie River in Stuart, Florida, in 2016. The algae spoiled coastal waterways and closed beaches. Photo: Joe Raedle/Getty
'Blooms' are a rapid increase in the amount of algae, often occurring in shallow, slow-moving warm water. They can transform a sea, lake or river into a mass of green, yellow, brown or even red, sometimes for several weeks. Not all blooms are harmful – many sustain important fisheries.
But sometimes algae forms such a thick layer that it blocks out sunlight in critical habitats; others can release harmful toxins. When the algae die, they rapidly deplete oxygen in water – often creating 'dead zones' where few fish can survive.
As the Earth warms, harmful algal blooms are on the rise – even creeping into polar waters. They are driven by a mixture of pollution from agriculture, run-off from human waste and, increasingly, global heating – sometimes with dramatic consequences for wildlife and humans.
As they spread, they are changing the colour of the world's lakes, rivers and oceans. Nearly two-thirds of all lakes have changed colour in the past 40 years, according to a recent study.
A third are blue – but as temperatures warm, they are likely to turn a murky green or brown, other research has found. The planet's oceans are turning green as they warm, a result of absorbing more than 90% of excess heat from global warming.
A satellite image of algal blooms in Lake Saint Clair on the US-Canadian border in 2015, showing the run-off from farms compared with the clear Detroit shoreline to the west. Photo: Nasa
At sea, the size and frequency of blooms in coastal areas has risen by 13.2% and 59.2% respectively between 2003 and 2020, according to a 2024 study.
In freshwater systems, blooms became 44% more frequent globally in the 2010s, according to a 2022 global assessment of 248,000 lakes. The rise was largely driven by places in Asia and Africa that remain reliant on agricultural fertiliser. While progress has been made in North America, Europe and Oceania to stabilise blooms, the climate crisis has driven their resurgence in some freshwater systems.
The fertilisers that people use to grow plants – including reactive nitrogen and phosphates – also supercharge algal growth. As they are washed off fields and pour into water bodies around the world, they significantly alter how ecosystems function.
'Humans are today loading more reactive nitrogen into the biosphere than the natural cycle [is],' said Johan Rockström, director of the Potsdam Institute for Climate Impact Research. He was co-author of a 2023 assessment that found that humanity had now gone far beyond the planet's natural limits for nitrogen and phosphorus.
'We need to reduce the supply of reactive human nitrogen by over 75%. It's a dramatic change and there's a lot of scientific debate about this,' he says.
'Most agricultural scientists say that it is not possible because we cannot feed humanity.
We have a contradiction here: is our first objective to keep the planet's freshwater systems, coastal zones, ecosystems and climate stable – or is it to feed humanity?
Others warn that it is not a simple choice between food and the environment. In northern Norway, repeated algal blooms have wiped out millions of farmed salmon and cod in recent years. A single bloom killed more than seven million salmon in 2019. This year, another has wiped out up to a million more fish.
In March, a teenager was attacked by a 'feral' sea lion off the coast of southern California, where there has been an increase in aggressive behaviour from the animals linked to a large algal bloom, which can poison and induce seizures in the mammals due to the domoic acid neurotoxin it produces.
A dead fish is floating in the foul-smelling algae in Florida's St Lucie River in July 2016. Low levels of oxygen, or hypoxia, suffocate fish. Photo:While there are signs that the bloom is waning, it was the fourth consecutive year that California had experienced a significant outbreak.
However, not everything dies in a dead zone. Once the putrid expanse of algae has dispersed and those that can swim away have left, aquatic species better adapted to low levels of oxygen, or hypoxia, move in. This has led to a boom in jellyfish numbers in many parts of the world.
Denise Breitburg, of the Smithsonian Environmental Research Center, has studied Chesapeake Bay, the largest estuary in the US to experience algal blooms, for decades, says: 'The jellyfish we have here are way more tolerant of low oxygen in the water than species they would be competing with for food. They become more efficient predators and can utilise habitat that fin fish are excluded from.'
PORT MAYACA, FL - JULY 13: A sign warns of Blue-Green algae in the water near the Port Mayaca Lock and Dam on Florida's Lake Okeechobee in July 2018. Photo:As the world heats, the disruptions that algal blooms cause to ecosystems will be hard to stop, experts warn. Prof. Donald Boesch, who helped first identify the dead zone in the Gulf of Mexico, which last year reached 17,000 sq km, the 12th largest in 38 years of records, says the process will get worse if the world does not prevent rising temperatures.
'As the liquid heats up, its ability to dissolve gases is reduced, so it holds less oxygen. Warmer surface waters can increase the stratification of layers in the ocean. It means that the warmer waters at the surface are less dense than the bottom waters, so they don't get mixed up.
'It's going to get worse,' says Boesch.
The Guardian

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Sex drug Viagra has surprising new health benefit and could help 3 million ageing Brits, say scientists
Sex drug Viagra has surprising new health benefit and could help 3 million ageing Brits, say scientists

The Irish Sun

time19 hours ago

  • The Irish Sun

Sex drug Viagra has surprising new health benefit and could help 3 million ageing Brits, say scientists

SEX aid pill Viagra helps stiffen your skeleton, a study suggests. The little blue tablet was found to increase production of vital bone cells — so could one day prevent back pain and fractures in old age. Advertisement Researchers found sildenafil, which is branded as Viagra, helped human stem cells transform into osteoblasts, the bone-building cells. These are vital as the human skeleton regenerates and is completely replaced roughly once every ten years. As we age, we lose more bone than we build, increasing the risk of breaks or osteoporosis, which makes bones brittle and painful. The Peking University team's follow-up tests on mice also suggested sildenafil would prevent bone loss. Advertisement READ MORE ON VIAGRA Dr Menglong Hu and Dr Likun Wu said: 'Our findings offer new insights into the physiological effects of the medicine. 'Sildenafil enhanced stem cell osteogenic differentiation and inhibited bone loss ­— it may usefully treat osteoporosis.' More than three million Britons suffer drugs . They said: 'Any new drug must be evaluated. This is time-consuming, expensive and risky. But sildenafil is approved and safe.' Advertisement Most read in Health Exclusive Studies have since suggested it might also reduce dementia risk. Why You Should Think Twice Before Popping Viagra Just For Fun (1) 1 Viagra could be useful in treating osteoporosis, scientists now believe Credit: Getty

Nasa spacecraft around the Moon photographs crash site of Japanese lunar lander
Nasa spacecraft around the Moon photographs crash site of Japanese lunar lander

Irish Examiner

timea day ago

  • Irish Examiner

Nasa spacecraft around the Moon photographs crash site of Japanese lunar lander

A Nasa spacecraft around the moon has photographed the crash site of a Japanese company's lunar lander. Nasa released the pictures on Friday, two weeks after ispace's lander slammed into the moon. The images show a dark smudge where the lander, named Resilience, and its mini rover crashed into Mare Frigoris or Sea of Cold, a volcanic region in the moon's far north. A faint halo around the area was formed by the lunar dirt kicked up by the impact. Nasa's Lunar Reconnaissance Orbiter captured the scene last week. The crash was the second failure in two years for Tokyo-based ispace. Company officials plan to hold a news conference next week to explain what doomed the latest mission, launched from Cape Canaveral in January.

'It's four or five seconds a week per animator': The maker's of Pixar's new film, Elio
'It's four or five seconds a week per animator': The maker's of Pixar's new film, Elio

Irish Examiner

time2 days ago

  • Irish Examiner

'It's four or five seconds a week per animator': The maker's of Pixar's new film, Elio

Three decades ago, a new animation studio prepared to release their first-ever feature film in cinemas, a buddy movie featuring a quirky cowboy and a space superhero. The fledgling studio was called Pixar and their first release — Toy Story —broke the mould for animated storytelling and changed the course of movie history. Almost thirty years after the world fell in love with Andy's toys and other Pixar classics, their 29th feature film comes to our big screens. Elio, the tale of a space-obsessed boy who finds himself accidentally beamed into outer space — where he's mistaken for Earth's chief ambassador — sends its protagonist on a intergalactic voyage of self discovery. While it might not quite scale the heights of classics like Monsters, Inc, Up or Wall-E, Elio again blends the intimate with the universal in a richly detailed tale. It all comes about through years of story building and preparation, attention to detail and animators who spend dozens of hours creating just a few seconds of film footage over the course of their work at Pixar's studios in California. 'The logistics are a big part of my job,' says Elio's producer Alice Mary Drumm. 'For Elio, we probably had about 250 people at the peak of the crew, but we had over 400 people involved throughout the film. Almost everyone at Pixar touches the film in some way, and there are 1,200 of us. The average animator is animating about five, five and a half feet a week, which is basically one shot. It's four or five seconds a week per animator, maybe a little less. At our peak, we are probably going through one or two minutes of animation a week.' It's the kind of painstaking craftwork that makes Pixar best in show in a golden era for animated filmmaking. Featuring subtle nods to sci-fi classics like Alien and Close Encounters, and a backstory involving Nasa's Voyager space probe, Elio tells the story of a recently orphaned boy who has a loving but testing relationship with his aunt. He's a space-obsessed boy with a lively imagination who has long dreamed of encountering alien life - so he's thrilled when he's accidentally beamed up into outer space. Elio arrives at the Communiverse, an interplanetary organisation with representatives from various galaxies, and is mistaken as Planet Earth's leader. But when he's tasked with helping prevent the fearsome and powerful Lord Grigon from seizing control of the Communiverse, he needs to get savvy fast with the help of his eccentric sidekick, Glordon. When Elio's wish to be abducted by aliens actually comes true, he meets an array of space inhabitants, including Glordon, the tender-hearted son of a fierce warlord ruler. Taking on a sci-fi movie means creating two very different worlds within one movie, and Pixar's production team got to work, says director Domee Shi. 'Tackling a sci-fi movie, you can basically design the alien world to look like anything, the sky's the limit, and that's kind of daunting. Production designer Harley Jessup and his art team did such an amazing job with finding the look and feeling of the Communiverse. He really challenged himself and the team to design a space that we've never seen before in any of our movies at Pixar, but also in other sci fi movies from other studios. 'A good North Star for us was thinking about space as this aspirational wish fulfilment for Elio, a lonely boy on Earth who feels like an alien. The moment that he arrives in space, it has to be the opposite feeling of how he felt on Earth. If Earth was desaturated, cold, and he felt visually boxed in, then space is huge, colourful, vibrant, full of organic shapes and alien designs that are not humanoid at all, but still feel quite friendly and appealing.' From the antics of superhero family The Incredibles to the happy/sad emotional rollercoaster that was Inside Out, as the studio approaches its 30th year, almost everyone has an opinion on the former movie they hold closest to their hearts, which tale resonated with them the most as they watched on the big screen for the first time. They include, it emerges, the filmmakers themselves. 'I grew up watching Pixar movies, and they were some of the first times I experienced cinema that could change me,' says Madelaine Sharafin, making her feature directorial debut with Elio, who was a toddler when Toy Story debuted in cinemas. 'I hadn't realised that a person can watch a movie and come out feeling incredibly different about themselves and about the world, or even that a movie could make somebody cry. 'The one that really changed things for me was watching Monsters Inc, which I think is one of my favourite movie endings of all time (when Sully and his best friend Boo are reunited). I think it's brilliant. I would finish the movie, and then I'd immediately restart it, because I was so moved. I didn't want to leave that feeling.' Mary Alice Drumm, Domee Shi and Madeline Sharafian attend the UK gala screening of Elio. Picture: Tim P Whitby/Getty Looking back for director Domee Shi, it was the opening moments of Up, in which a grumpy and heartbroken widower takes to the skies — not knowing he had a stowaway on board — that first resonated. 'Pixar films, they just felt different than other animated films,' says Shi. 'Because they always have such an emphasis on good story, and they really treat animation like a medium, not a genre. They never shy away from telling stories with deeper or more adult themes, and you always walk away from a Pixar film feeling a little bit changed in some way, and that's our hope with Elio too. 'The film that impacted me the most was probably Up just because I bawled my eyes out when I watched the first 10 minutes of it. There were no words spoken, but you got the sense of an entire relationship, marriage, a life. It was just amazing to see, like pure visual storytelling on the big screen.' For producer Alice Mary Drumm, it was the studio's imagination in bringing audiences a movie where the central character was a rat that resonated. 'There are so many great movies,' she says. 'Ratatouille, for me, was one — it's just incredible that any studio would make a movie about rats in a kitchen. It's such a crazy idea, and I think that encapsulates Pixar for me, that there's such creative freedom and such belief, while also holding the bar. It's about story and character, whether it's a rat, whether it's aliens, as long as we're focusing on that, and then we use animation, because we can do anything in animation. Those are the things that I think help us keep our compass at Pixar.' Elio is in cinemas from Friday, June 20

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store