Why the Internet Thought Elmo Was Laid Off From Sesame Street
Originally appeared on E! Online
Elmo won't be getting unemployment benefits just yet.
After President Donald Trump signed an executive order slashing funding to PBS and NPR, which could jeopardize the future of Sesame Street, a viral LinkedIn post shared that Elmo was out of a job. However, it was simply a parody account, Sesame Workshop confirmed to Deadline May 8.
"Unfortunately, Elmo was recently laid off because of the federal budget cuts," the now-deleted post circulating on social media began. "Elmo worked at Sesame Street for 45 years. Elmo is sad. Elmo loved his time at Sesame Street."
The fake Elmo also expressed how much he is "going to miss" his friends Big Bird, Cookie Monster, Ernie, Bert, Abby, Grover and Count because they "made Elmo's day so much better."
Like any unemployed person on the networking app, the message went on to highlight Elmo's skills like being able to "recognize the letter E, spell his name, feel empathy, sing 'Elmo's Song' and ask how you are doing."
The post also urged users to reach out to their "local congressperson to save Public Media."
More from E! Online
Pregnant Jessa Duggar Addresses Claim She and Ben Seewald Are 'Breeding Like Rabbits'
Shirtless Jason Kelce Shows Off Almost 30-Pound Weight Loss Transformation Since NFL Retirement
Rose McGowan Shares Life Update 5 Years After Leaving Hollywood for Mexico
E! News has reached out to Sesame Workshop for comment and has not yet heard back.
Following the LinkedIn update, a rep for the organization told Deadline in a May 8 statement, "Sesame Workshop and PBS have a shared commitment to using the power of public television to bring critical early learning to children across the country."
"For more than half a century, we have been proud to partner with them to bring Sesame Street's beloved characters and research-based curriculum to families nationwide," the message continued. "We remain firmly in support of the vital public investment that allows PBS to continue this important work."
Among the cuts to the Corporation for Public Broadcasting, which backs NPR and PBS, included the termination of a federal grant program that provided $23 million for children's educational TV shows and games.
"Nearly every parent has raised their kids on public broadcasting's children's content," President and CEO of CPB Patricia Harrison said in a May 6 press release. "For the past 30 years, Ready To Learn-funded PBS KIDS content has produced measurable, real-world impacts on children's learning."
The message continued, "Ready To Learn has received strong bipartisan support from Congress for the last 30 years because of the programs' proven educational value in advancing early learning skills for all children."
For the Trump administration's part, the spokeswoman for the Department of Education Madi Biedermann told The New York Times that the administration would not fund "divisive ideologies and woke propaganda."
For the latest breaking news updates, click here to download the E! News App
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
'We Are F**ked!: John Oliver Wades Through 'The S**t' We're Now 'Drowning In'
'Last Week Tonight' host John Oliver on Sunday sounded the alarm over the rapid rise of artificial intelligence-generated content that is increasingly appearing online. At one point, he summed it up: 'We are fucked!' Oliver explained how the explosion of new AI tools has made it easier than ever to produce so-called 'AI slop,' the low-quality music, images, videos and even news articles that are now dominating people's social media feeds. It's 'the newest iteration of spam' and is making some platforms 'unusable' because of their sheer volume, Oliver lamented. Many users don't realize the content isn't even real and 'bad actors' are also seizing on some of it, he added, pointing to when then-presidential candidate Donald Trump last year falsely dismissed photos of big crowds at a Kamala Harris campaing event as being AI-generated. 'We're going to be drowning in this shit for the foreseeable future,' Oliver warned. The comedian acknowledged there's no easy fix. AI models are often trained on the work of real-life creators, effectively ripping them off, he noted. He didn't offer a solution but did suggest 'a petty way' to seek revenge, by making genuine art by stealing from the slop. Find out how he did that here: Kayleigh McEnany's 'Every Dictator' Take On Trump Iran Strike Draws Online Fire Critics Point Out Glaring Contradiction In Trump's Iran 'Regime Change' Post JD Vance Roasted For Line That Inadvertently Seemed To Insult Trump Marjorie Taylor Greene Rages Against Trump Iran Strike With Chilling Warning


Buzz Feed
10 hours ago
- Buzz Feed
21 Wholesome "Childish" Habits Adults Refuse To Give Up
Recently, Reddit user u/TroubleEarly7249 asked, "What's your 'I don't care how old I am, I'm still doing this' thing?" So, according to adults, here are some of their favorite "childish" things that they'll never stop doing: "Going down the slide when I bring my kids to the playground." "I'll forever drink Capri-Suns and eat popsicles. My Asian immigrant parents say it's childish of me." "Drinking chocolate milk." "Enjoying silly little craft projects. I, for instance, find it relaxing to lie on my stomach on the floor and do Perler bead art in my spare time. Like these owls. I'm 33 years old and have been told I'm too old for this, but it's honestly like meditation to me after work." "Whenever I move out to my own place, I'm gonna get myself a really nice wooden train set; playing with trains has always been so fun and calming to me, and I can't wait." "Neopets! I don't have my account from my childhood, but I made a new one a few years back with the same animal Korbat (the mouse/bat) I had. It really relaxes me on my lunch break; I feed him an omelet while I eat as well. "I'm 50, and I build houses in The Sims. No shame. Also, I'm currently re-reading the Chronicles of Narnia because everything's rubbish and I want to be happy." "I always wear hair clips. I don't care about my age! Hair clips are fun! I will forever keep up with the glitters and the sparkles!" "Dressing up how I want to and having fun with my hair, makeup, clothing, etc. I currently have red highlights in my hair, and I still feel badass at 39 years old." "I will still sometimes get up at six in the morning on Sundays, sit in the living room, and watch TV while eating stuff that's technically not breakfast food." "Having a 'kid's dinner' brings me so much joy. It's easy, it's tasty, and I can upgrade my drink to a white wine now." "Video Games." "I still enjoy stepping on crunchy leaves. There's something so satisfying about the sound and the feel. It brought me so much joy as a kid, and it still does as an adult." "I still watch Arthur reruns! It's literally on PBS kids, but I still think it's hilarious and nostalgic." "Sleep with my stuffed animal." "Coloring. It's relaxing and gets me off my phone." "Building Lego sets." "Ballet. I hope to be en pointe by next year!!!" "EDM shows. I will be the rave grandma one day!" "Riding the shopping cart through the parking lot like it's a scooter." And finally, "Blasting music in the car and singing my heart out. I don't care if I get weird looks." What other "childish" things do you still do that really aren't childish at all? Let us know in the comments!


Boston Globe
a day ago
- Boston Globe
William Cran, ‘Frontline' documentarian, is dead at 79
He began his career with the BBC, but he mostly worked as an independent producer, toggling between jobs on both sides of the Atlantic. He was most closely associated with WGBH's 'Frontline,' for which he produced 20 documentaries on a wide range of subjects -- some historical, like the four-part series 'From Jesus to Christ' (1998) and 'The Secret Life of J. Edgar Hoover' (1993), and some focused on current events, including 'Who's Afraid of Rupert Murdoch' (1995). Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up He won a slew of honors, including four Emmys, four duPont-Columbia University awards, two Peabodys, and an Overseas Press Club Award. Advertisement In 1986, he produced 'The Story of English,' an Emmy-winning nine-episode series for the BBC and PBS about how English became the world's dominant language. He, with journalists Robert MacNeil, the PBS news anchor, and Robert McCrum, turned it into a book. Mr. Cran produced two multipart documentaries based on books by historian Daniel Yergin: 'The Prize' (1990), a Pulitzer-winning history of oil, and 'The Commanding Heights' (1998, with Joseph Stanislaw), about the history of the modern global economy. Advertisement These were complicated stories, but Mr. Cran was able to frame them around characters and narrative threads that kept viewers engaged over several nights. 'I learned from him that less is more, that the script is not a shortened version of the book, but rather captions to go with the picture,' Yergin wrote in an email. 'He always stuck to the facts, but he always wanted dramatic tension.' Both documentaries were well-received, despite their potentially dry material. 'Using every familiar element of the documentarian's art, producer-director William Cran has created a masterpiece,' The Washington Post wrote of 'The Commanding Heights.' William Cran was born Dec. 11, 1945, in Hobart, on the island state of Tasmania, Australia. His mother, Jean (Holliday) Cran, was a teacher, and his father, John, was a science lecturer. The family moved to London when William was 6. He studied classics at Oxford, and though he knew early on that he wanted to make documentaries, he also dabbled in theater, directing two plays in London. After graduating in 1968, he became a trainee at the BBC, where he rose to producer, using then-novel techniques such as reconstructed scenes, and pursuing new genres including true crime. One early documentary was '1971 Luton Postmaster Murder,' about two men who were wrongly convicted of killing a British postmaster. But Mr. Cran grew tired of being what he called a 'company man,' and left the BBC after eight years. He moved to Toronto in 1976, becoming a senior producer for the Canadian Broadcasting Corp.'s investigative news program 'The Fifth Estate.' Two years later, David Fanning, an executive at WGBH in Boston, reached out to him about a documentary program he was creating called 'World.' Advertisement Mr. Cran flew to Boston for a meeting -- and got stuck in the blizzard of 1978. While holed up at Fanning's home, the two cooked up an idea for Mr. Cran's first documentary for the program, 'Chachaji: My Poor Relation,' a story of modern India told through the family of writer Ved Mehta. 'What was particular about Bill is that each one of his films is different,' Fanning said in an interview, adding, 'He would do these surprising things. He would say: 'I think I want to build a set. I want to build a bedroom in the studio.'' Fanning trusted Mr. Cran so much that in 1983, when 'World' was rebranded as 'Frontline,' with a tighter focus on current events, he asked Mr. Cran to produce its first two documentaries, with the first about corruption in the NFL. The next 'Frontline' subject, '88 Seconds in Greensboro,' probed the 1979 deaths of five people after a pro-communist march was attacked by members of the Ku Klux Klan and American Nazi Party in North Carolina. Four local camera crews had filmed the bloodshed. Mr. Cran and his team 'edited the combined footage into an amazingly complete anatomy of a murder,' wrote TV reviewer David Bianculli in the Akron Beacon Journal. In 1993, Mr. Cran led a 'Frontline' documentary team that looked into possible abuses and compromises by the longtime FBI director in 'The Secret File on J. Edgar Hoover.' The four-part series built a case that Hoover, who led the agency (and its forerunner) from 1924 to 1972, potentially made concessions to organized crime and other groups to avoid public disclosures of his gay relationships. Advertisement 'Our investigation found that this master of political blackmail was wide open to blackmail himself,' Mr. Cran said. 'There is overwhelming evidence that the mob knew it had nothing to fear from Hoover's FBI.' One of Mr. Cran's most historically expansive documentaries, the series 'From Jesus to Christ' (1998), took shape after Fanning met with a WGBH producer, Marilyn Mellowes, who was working on a documentary to bring more cultural and political context to the life of Jesus and the New Testament. Fanning agreed to bring aboard additional resources, including Mr. Cran as a senior producer and director. 'We make no judgment about faith, and we make no judgments about divinity,' Fanning told journalists. The documentary framed the life of Jesus in the wider realities of Roman-controlled Galilee, described by scholars as a center of Jewish resistance and activism. Jesus, meanwhile, was not raised amid a pastoral idyll - as portrayed in some accounts - but mingled with people from across the Roman world and was probably well aware of the political foment around him, the documentary suggested. Mr. Cran's first marriage, to Araminta Wordsworth, ended in divorce. His second wife, Stephanie Tepper, who worked with him as a producer on several films, died in 1997. His third wife, Polly Bide, died in 2003. He married Vicki Barker, a CBS journalist, in 2014. She survives him, as do three daughters from his second marriage, Jessica, Rebecca and Chloe Cran; his sister, Vicki Donovan; and a granddaughter. Many of Mr. Cran's films continue to be watched. 'Two months ago,' Yergin said, 'I was walking up Madison Avenue and someone -- out of the blue, startled to see me -- stopped me to say that watching 'Commanding Heights' had changed his life.' Advertisement Material from The Washington Post was used in this obituary.