BBC puts new Gaza film on hold amid bias row
A new BBC Gaza documentary is facing an 'indefinite' delay until a review into a controversial film with links to Hamas has been completed.
The programme, provisionally titled Gaza: Medics Under Fire, follows Palestinian doctors and health-care workers in the war zone, and had been due to air in February.
However, it was pulled after a previous film on Gaza was found to have been narrated by the son of a Hamas government minister.
The contentious documentary, Gaza: How to Survive a Warzone, featured Abdullah al-Yazouri as its teenage narrator, but did not disclose his family's links to the proscribed terror group.
The BBC removed the film from iPlayer amid a backlash, admitting 'serious flaws' in its production, and announced an internal investigation.
The review will look at errors including the payment of £790 by an independent production company, Hoyo Films, to the boy's family.
It has now emerged that the investigation has led to a separate documentary, Gaza: Medics Under Fire, being put on hold.
The film's production company, Basement Films, expressed frustration that its work could be affected by the scandal.
The company, which is not linked to the film under investigation, said it was 'deeply disappointed' with the 'repeated and indefinite delays'.
The documentary includes interviews with Palestinian doctors who survived attacks on hospitals, with some claiming to have been detained and tortured.
'We are desperate for a confirmed release date in order to be able to tell the surviving doctors and medics when their stories will be told,' the production company added.
The BBC said that it would show the film 'as soon as possible' after its review into Gaza: How to Survive a Warzone had finished, but it has not set a date.
A spokesman for the corporation said: 'This documentary is a powerful piece of reporting and we will broadcast it as soon as possible. We have taken an editorial decision not to do so while we have an ongoing review into a previous documentary.
Basement Films is run by Ben de Pear, a former editor at Channel 4 News, who has won Emmy and Bafta awards for his work.
The Times reported that one BBC insider claimed the fallout from the first film had left bosses 'terrified' of showing anything about Gaza, but that others were reportedly relieved that it had been held back.
'The BBC has already done a lot about the suffering of Gazans because of Israel's actions,' the insider told The Times.
The review is being led by Peter Johnston, the BBC's editorial complaints chief. He has interviewed staff and the team behind Gaza: How to Survive a Warzone, but The Times reported that legal issues have slowed its progress.
Ofcom, the broadcasting regulator, has told Dr Samir Shah, the BBC chairman, that it will step in if not satisfied with the internal investigation.
It comes after The Telegraph revealed that the BBC is to appoint an independent figure to investigate allegations of anti-Semitism on its Arabic channel.
On Saturday, Dr Shah also suggested the corporation's wider reporting on the Israel-Gaza conflict would now be reviewed.
Speaking to Times Radio, he said: 'The Arabic service, we are looking at it, we've been examining it. I think this whole business of how we've covered Israel-Gaza is a proper thing to examine thoroughly, which is why we're going to identify... we're going to get hold of an independent figure to look at our coverage.'
BBC sources said a 'thematic review' of its reporting on the Middle East conflict will be 'independent and published in full' for presentation to the board.
Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
4 hours ago
- Yahoo
UK PM Starmer says Kneecap should not perform Glastonbury
UK Prime Minister Keir Starmer on Saturday said it was not "appropriate" for Irish group Kneecap to perform at Glastonbury, one of the country's biggest and most famous music festivals. Asked in an interview by The Sun tabloid whether the Irish rap trio should perform at the iconic festival next week, Starmer responded: "No, I don't, and I think we need to come down really clearly on this. "This is about the threats that shouldn't be made. I won't say too much because there's a court case on, but I don't think that's appropriate," he added. Kneecap has made headlines with their outspoken pro-Palestinian and anti-Israel stance, with one of their members charged with a "terror" offence for allegedly supporting Hezbollah. Last Wednesday, Liam O'Hanna, known by his stage name Mo Chara, appeared in court accused of displaying a Hezbollah flag while saying "Up Hamas, Up Hezbollah" at a concert that took place in London last year. The Iran-backed Lebanese force Hezbollah and the Palestinian militant group Hamas are banned in the UK, and it is an offence to show support for them. Glastonbury festival, attracting hundreds of thousands of music fans from around the world, is set to take place in at Worthy Farm in southeast England next week starting June 25. Kneecap is due to perform on Saturday June 28 on the West Holts Stage. The government had previously called on the organisers of Glastonbury festival to "think carefully" about the band's planned appearance there. The group has been pulled from a slew of summer gigs since, including a Scottish festival appearance and various performances in Germany. During their performances, rapping in Irish and English, Kneecap often lead chants of "Free, free Palestine" and display the Palestinian flag. The group apologised this year after a 2023 video emerged appearing to show one singer calling for the death of British Conservative MPs. But they deny the terrorism charge and say the video featuring the flag has been taken out of context. O'Hanna, Liam Og O Hannaidh in Gaelic, who has been granted unconditional bail, told London's Wide Awake Festival in May the charge was an attempt to "silence us". The group, which shot to fame with their biting, provocative song lyrics and an award-winning docu-fiction based on them, slammed it as "political policing" and "a carnival of distraction". aks/jj


Boston Globe
5 hours ago
- Boston Globe
William Cran, ‘Frontline' documentarian, is dead at 79
He began his career with the BBC, but he mostly worked as an independent producer, toggling between jobs on both sides of the Atlantic. He was most closely associated with WGBH's 'Frontline,' for which he produced 20 documentaries on a wide range of subjects -- some historical, like the four-part series 'From Jesus to Christ' (1998) and 'The Secret Life of J. Edgar Hoover' (1993), and some focused on current events, including 'Who's Afraid of Rupert Murdoch' (1995). Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up He won a slew of honors, including four Emmys, four duPont-Columbia University awards, two Peabodys, and an Overseas Press Club Award. Advertisement In 1986, he produced 'The Story of English,' an Emmy-winning nine-episode series for the BBC and PBS about how English became the world's dominant language. He, with journalists Robert MacNeil, the PBS news anchor, and Robert McCrum, turned it into a book. Mr. Cran produced two multipart documentaries based on books by historian Daniel Yergin: 'The Prize' (1990), a Pulitzer-winning history of oil, and 'The Commanding Heights' (1998, with Joseph Stanislaw), about the history of the modern global economy. Advertisement These were complicated stories, but Mr. Cran was able to frame them around characters and narrative threads that kept viewers engaged over several nights. 'I learned from him that less is more, that the script is not a shortened version of the book, but rather captions to go with the picture,' Yergin wrote in an email. 'He always stuck to the facts, but he always wanted dramatic tension.' Both documentaries were well-received, despite their potentially dry material. 'Using every familiar element of the documentarian's art, producer-director William Cran has created a masterpiece,' The Washington Post wrote of 'The Commanding Heights.' William Cran was born Dec. 11, 1945, in Hobart, on the island state of Tasmania, Australia. His mother, Jean (Holliday) Cran, was a teacher, and his father, John, was a science lecturer. The family moved to London when William was 6. He studied classics at Oxford, and though he knew early on that he wanted to make documentaries, he also dabbled in theater, directing two plays in London. After graduating in 1968, he became a trainee at the BBC, where he rose to producer, using then-novel techniques such as reconstructed scenes, and pursuing new genres including true crime. One early documentary was '1971 Luton Postmaster Murder,' about two men who were wrongly convicted of killing a British postmaster. But Mr. Cran grew tired of being what he called a 'company man,' and left the BBC after eight years. He moved to Toronto in 1976, becoming a senior producer for the Canadian Broadcasting Corp.'s investigative news program 'The Fifth Estate.' Two years later, David Fanning, an executive at WGBH in Boston, reached out to him about a documentary program he was creating called 'World.' Advertisement Mr. Cran flew to Boston for a meeting -- and got stuck in the blizzard of 1978. While holed up at Fanning's home, the two cooked up an idea for Mr. Cran's first documentary for the program, 'Chachaji: My Poor Relation,' a story of modern India told through the family of writer Ved Mehta. 'What was particular about Bill is that each one of his films is different,' Fanning said in an interview, adding, 'He would do these surprising things. He would say: 'I think I want to build a set. I want to build a bedroom in the studio.'' Fanning trusted Mr. Cran so much that in 1983, when 'World' was rebranded as 'Frontline,' with a tighter focus on current events, he asked Mr. Cran to produce its first two documentaries, with the first about corruption in the NFL. The next 'Frontline' subject, '88 Seconds in Greensboro,' probed the 1979 deaths of five people after a pro-communist march was attacked by members of the Ku Klux Klan and American Nazi Party in North Carolina. Four local camera crews had filmed the bloodshed. Mr. Cran and his team 'edited the combined footage into an amazingly complete anatomy of a murder,' wrote TV reviewer David Bianculli in the Akron Beacon Journal. In 1993, Mr. Cran led a 'Frontline' documentary team that looked into possible abuses and compromises by the longtime FBI director in 'The Secret File on J. Edgar Hoover.' The four-part series built a case that Hoover, who led the agency (and its forerunner) from 1924 to 1972, potentially made concessions to organized crime and other groups to avoid public disclosures of his gay relationships. Advertisement 'Our investigation found that this master of political blackmail was wide open to blackmail himself,' Mr. Cran said. 'There is overwhelming evidence that the mob knew it had nothing to fear from Hoover's FBI.' One of Mr. Cran's most historically expansive documentaries, the series 'From Jesus to Christ' (1998), took shape after Fanning met with a WGBH producer, Marilyn Mellowes, who was working on a documentary to bring more cultural and political context to the life of Jesus and the New Testament. Fanning agreed to bring aboard additional resources, including Mr. Cran as a senior producer and director. 'We make no judgment about faith, and we make no judgments about divinity,' Fanning told journalists. The documentary framed the life of Jesus in the wider realities of Roman-controlled Galilee, described by scholars as a center of Jewish resistance and activism. Jesus, meanwhile, was not raised amid a pastoral idyll - as portrayed in some accounts - but mingled with people from across the Roman world and was probably well aware of the political foment around him, the documentary suggested. Mr. Cran's first marriage, to Araminta Wordsworth, ended in divorce. His second wife, Stephanie Tepper, who worked with him as a producer on several films, died in 1997. His third wife, Polly Bide, died in 2003. He married Vicki Barker, a CBS journalist, in 2014. She survives him, as do three daughters from his second marriage, Jessica, Rebecca and Chloe Cran; his sister, Vicki Donovan; and a granddaughter. Many of Mr. Cran's films continue to be watched. 'Two months ago,' Yergin said, 'I was walking up Madison Avenue and someone -- out of the blue, startled to see me -- stopped me to say that watching 'Commanding Heights' had changed his life.' Advertisement Material from The Washington Post was used in this obituary.
Yahoo
6 hours ago
- Yahoo
After reading 'murders and fitba' on STV Shereen Nanjiani never strayed from Scotland
AH, Shereen. Ye ken who we mean. The People's Shereen. Household name an' a' that. Household first name indeed. Shereen Nanjiani used to read the 'murders and fitba'' news on Scotland Today at teatime. Then she went on to present current affairs radio programmes for the BBC. Until last week, that is, when she announced that, after 19 years, she was leaving to 'explore new adventures' and, er, enjoy a nice lie-in. Ach well, she certainly deserves it. Worked hard but it paid off, as she came to be 'much loved', as every newspaper profile acknowledges, on account of everyone finding her warm, nice and trustworthy. One imagines that's what everyone thought on 4 October 1961 when she was born in Elderslie, in the sunshine state of Renfrewshire. She cut her broadcasting teeth on Hospital Radio Paisley in the late 1970s, reading local news cuttings gathered during the week. After graduating from Glesga Yoonie, where she studied philosophy – makes you think, doesn't it? – she became a trainee journalist with STV in 1983, at the age of 22. However, hardly had she got her Biro out of her pocket than she was asked to present the evening bulletin after the regular presenter, Sheena McDonald, called in sick. 'I was aghast and immediately said I couldn't possibly do it,' she told The Herald in 2017. 'This was the main news programme, the big one, with a million viewers.' However, her boss told her reassuringly: 'Don't worry, if you f*** it up you won't be doing it again.' She didn't flip it up. In fact, she was a natural. And she loved it. Live TV: what a buzz! 'It really was a baptism of fire,' she recalled. 'I still hadn't had any training when I started doing the job for real – but I surprised myself how much I enjoyed it.' (Image: Yui Mok) MAKING THE NEWS SOON, she was appointed joint anchor of the main evening programme, and that was her for the next 20 years, reading all the news fit to blurt, as happy families gathered sociably in front of the television. She was Scotland's first Asian-heritage newsreader and, at first, was not chuffed at the channel's press releases majoring on that. 'I remember thinking, 'Oh, is that what you're seeing?' I was quite upset about it. I … wondered whether that was why I got the job. I thought it reeked of tokenism. 'I actually believe I did get the job on my own merits, but I thought it was a bit cynical of them to present me in that way. I spent much of my career railing against it, not wanting that tag to follow me around. And, of course, I was only half-Asian.' However, her feelings on the issue changed when she realised she'd become a role model for a whole generation of Asian Scots. 'So many young Asian people were coming up to me and saying, 'You've no idea what a difference it made seeing your face on TV.'' Of course, she suffered from imposter syndrome. Every genuine professional does. Anyone who doesn't suffer from imposter syndrome is an imposter. Shereen went on to present many programmes for STV, including religious affairs series Eikon, documentary series Secret Scotland, and a number of live debates and election programmes. She also hosted many of The Herald's Scottish Politician of the Year awards. At STV, she covered Lockerbie, Dunblane and the new Scottish Parliament. She also reported from Romanian orphanages after the fall of Communist dictator Nicolae Ceausescu, from South Africa after the election of Nelson Mandela, and from Pakistan after the 9/11 terror attacks. However, after 20 years of presenting in the studio, she told The Herald, 'it was beginning to feel like Groundhog Day and I just wasn't enjoying it so much'. READ MORE: Robert McNeil: I detest yon Romans but I dig excavating their wee fortlets RAB MCNEIL'S SCOTTISH ICONS: John Knox – the fiery preacher whose pal got burnt at the stake Rab McNeil: All this talk about celebs and their neuroses is getting on my nerves GAGA FOR RADIO IN 2006, along with colleagues Jane Lewis and Sarah Heaney, she accepted voluntary redundancy from STV She was looking forward to other exciting projects away from live television, she said. This turned out to be live radio, and it was on the BBC, hitherto her rivals. Nanjiani helmed, as they say, Radio Scotland's Friday lunchtime programme, Scotland Live. She then went on to present Shereen, a live news and current affairs programme broadcast every Sunday morning with a 'lively panel' of commentators, a guest in the headlines, and reviews of the latest TV and streaming releases. Last weekend, having by now earned the double-edged adjective 'legendary' (it hints of both achievement and, er, maturity), she announced she was stepping away from the mic. For noo. She said she'd loved being part of BBC Radio Scotland, where she'd made so many good friends. 'They made me laugh and they made me think' – see, that old philosophy degree was not a total waste of time, after all – 'and it's always been a joy to come to work in the morning.' However, she felt now was the time to 'get my weekends back again, have a lie in, and explore new adventures'. BBC Radio Scotland commissioning editor Heather Kane Darling said it had been a pleasure to work with Shereen over the last 19 years, adding: 'I know our teams will miss working with her, and we thank her for her professionalism and dedication during her time with us.' Outwith her professional career, Shereen has undertaken several voluntary sector roles, including Ambassador for St Vincent's Hospice, Children's Hearing panel member, Tron Theatre board member and chair, and National Theatre of Scotland board member. COPPING LAUGHS SHE once appeared as herself in a memorable episode of BBC police spoof comedy Scot Squad, in which she tried – and failed – to present a harassed Officer Karen with a certificate declaring her one of Scotland's community heroes. The first comment under the relevant YouTube clip reads: 'SHEREEN!!!! LEGEND!!!' My understanding is that the number of exclamation marks indicates the strength of emphasis. In 2019, Shereen was invited to join the British Empire, receiving an MBE at Buckingham Palace from Charles, Prince and later King of England and the Other Bits. Asked by The Herald's Marianne Taylor if she'd ever been tempted to move to London, following in the footsteps of other Scots like Selina Scott, Kirsty Wark and Lorraine Kelly, she replied: 'I've always been very comfortable in Scotland. I suppose I was always comfortable with the Scottish people, too … I like my life here. Maybe I could and should have spread my wings, but I have no regrets.' That's the spirit. Truly a woman with her talking head screwed on.