
World's most popular TikTok star Khaby Lame leaves the US after being detained by ICE
LAS VEGAS (AP) — Khaby Lame, the world's most popular TikTok personality with millions of followers, has left the US after being detained by immigration agents in Las Vegas for allegedly overstaying his visa.
The Senegalese-Italian influencer, whose legal name is Seringe Khabane Lame, was detained Friday at Harry Reid International Airport but was allowed to leave the country without a deportation order, a spokesperson for US Immigration and Customs Enforcement confirmed in a statement.
Lame arrived in the US on April 30 and "overstayed the terms of his visa," the ICE spokesperson said. The Associated Press sent a message seeking comment Tuesday to the email address listed on Lame's Instagram account. He has not publicly commented on his detainment.
His detainment and voluntary departure from the US comes amid President Donald Trump's escalating crackdown on immigration, including raids in Los Angeles that sparked days of protests against ICE, as the president tests the bounds of his executive authority.
A voluntary departure — which was granted to Lame — allows those facing removal from the US to avoid a deportation order on their immigration record, which could prevent them from being allowed back into the US for up to a decade.
The 25-year-old rose to international fame during the pandemic without ever saying a word in his videos, which would show him reacting to absurdly complicated "life hacks." He has over 162 million followers on TikTok alone.
The Senegal-born influencer moved to Italy when he was an infant with his working class parents and has Italian citizenship.
His internet fame quickly evolved. He signed a multi-year partnership with designer brand Hugo Boss in 2022. In January, he was appointed as a UNICEF goodwill ambassador.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
4 days ago
- Korea Herald
Amsterdam honors its own Golden Age sculpture master
AMSTERDAM (AFP) -- Imposing but delicate marble sculptures of Graeco-Roman-style figures grace the vaulted corridors of a huge palace. But this isn't Florence or Rome. This is Amsterdam. As part of celebrations to mark 750 years since the founding of the Dutch capital, the city is unveiling from Wednesday an exhibition dedicated to Artus Quellinus, the 17th century "sculptor of Amsterdam." Virtually unknown outside Flanders in present-day Belgium where he made his name, the city has Quellinus to thank for the decorations on the Royal Palace that dominates the city's iconic Dam Square. Quellinus "lifted our sculpture to a new level" with a fresh style, Dutch art historian Bieke van der Mark told Agence France-Presse. Born in Antwerp in 1606, Quellinus sculpted with marble, as well as ivory and clay. His style, heavily influenced by Flemish baroque painter Reubens, was a complete novelty for the Protestant Netherlands, used to a more sober style at the time. His subjects -- mythological figures, chubby angels, and animals -- are perhaps a nod to the great masters he would have seen while an apprentice in Rome. "Like (17th century Italian master Gian Lorenzo) Bernini, he masters the way the flesh looks, and hands," said Van der Mark. "It's really fantastic," said the 46-year-old, pointing to a statue of the God Saturn devouring his son, whom he holds in his huge veiny hands. Organized by the Amsterdam Royal Palace and the Rijksmuseum, this is the first-ever retrospective devoted to Quellinus, displaying more than 100 of his works from national and international collections. "We spent quite some time to select and to collect, to bring together all these very special works ... to show Quellinus at his best," said curator Liesbeth van Noortwijk. "Because I think he's an artist that deserves that." "We dare to call him the Bernini of the North ... And I think this is no exaggeration," she told AFP. The decorations of Amsterdam's Royal Palace, built as a town hall between 1648 and 1665, remains Quellinus's statement work, with an iconic figure on the roof of Atlas bearing the world on his shoulders. Now, nearly 400 years on, the city hopes the show will raise awareness of the hitherto unrecognized "sculptor of Amsterdam."


Korea Herald
4 days ago
- Korea Herald
No win for King Charles III and Queen Camilla on their return to Royal Ascot
ASCOT, England (AP) — King Charles III and Queen Camilla endured disappointment on the opening day of Royal Ascot as their horse, Reaching High, failed to back up his status as favorite in one of the big races. Going off at odds of 3-1, Reaching High got stuck near the rail and was never in contention to win the Ascot Stakes, finishing in ninth place under jockey Ryan Moore. He was the only runner for the king and queen on the first day of the prestigious, high-end meeting that mixes elite sport on the course with style and fashion off it. Hours earlier, the monarchs arrived at the course at the head of the traditional carriage procession in front of tens of thousands of racegoers. The royal procession is celebrating its 200th anniversary, with the tradition beginning during the reign of George IV in 1825 when the monarch was accompanied by the Duke of Wellington. Writing in Royal Ascot's official program, the king and queen said, "Having experienced the thrill of victory at Royal Ascot ourselves in 2023, we can only wish all those competing this week the very best of luck and that everyone watching has a most enjoyable five days." They will have to wait for their own winner, though, with Ascending triumphing at 20-1. The late Queen Elizabeth II was a passionate owner and breeder of thoroughbreds and had more than 20 Royal Ascot winners during her 70-year reign. Charles and Camilla have taken on her stable of horses and enjoyed their first Royal Ascot winner in 2023, when Desert Hero triumphed in the King George V Stakes.


Korea Herald
7 days ago
- Korea Herald
How light is revealed: James Turrell, Salvo visit Seoul
At Pace Gallery, Turrell reveals light itself through space; at Gladstone, Salvo captures it in paintings inspired by his travels American light master James Turrell is familiar to Korean audiences through his monumental installations at Museum San in Wonju, Gangwon Province, where five of his works, created solely with light and space, offer a meditative experience. The exhibition 'The Return,' at Pace Gallery in Hannam-dong, central Seoul, shows Turrell's five recent installations, including the never-before-seen piece 'Wedgework,' made specifically for the Seoul exhibition. Turrell's exhibition, which runs through Sept. 27, is his first solo show in Seoul since 2008. 'I really wanted people to treasure light. I had hoped to try to use light itself rather than the depiction of it. We are creatures that very much respond to light, and for me, that is where the power of light resides,' Turrell told reporters Wednesday. Spanning three floors of the gallery, the exhibition features a selection of photographs and works on paper that shed light on the artist's process for his installations. Working with the materiality of light and space, Turrell is a key member of the California Light and Space Movement initiated in the 1960s. 'In the end, I am an artist and I want to pass to you a piece of light. I would like to give you this experience of light itself. Not every piece is as successful as another piece. This is how life is … I have to tell you that art has always dealt with things beyond how we normally think of something," Turrell said. Arne Glimcher, Pace's founder and chairman, first met Turrell some 60 years ago, and the gallery has represented the artist since 2002. An online reservation is required to visit the exhibition as the gallery admits only 20 people to each session to prevent congestion. Another exhibition featuring light effects unfolds at Gladstone Gallery in Gangnam-gu, southern Seoul. Italian artist Salvo enjoyed using light effects in his works, some of which evoke sunsets or sunrises, as in the paintings 'Tre Colonne' and 'Forte dei Marmi.' At Gladstone, the exhibition 'Salvo, in Viaggio (Salvo Traveling)' is the Italian master's first solo show in the country. 'It is the first show of his to discuss the theme of a 'journey.' There are many works displayed to the public for the first time as well. I hope many who visit the show can enjoy their time traveling into the unique world of Salvo,' said Norma Mangione, co-founder of Archivio Salvo, at the press opening on May 29. The exhibition spans from 1988 to 2015, the year the artist died. The paintings depict both real and imagined landscapes inspired by the artist's travels across the Middle East, North Africa, Europe and Asia, featuring Salvo's visual aesthetic, characterized by expressive landscapes in vivid color. Beginning with his first trip to Afghanistan in the summer of 1969, Salvo's frequent journeys became a recurring source of inspiration. His paintings depict scenes from areas he lived in or visited, incorporating regional architectural motifs and native plant species, according to the gallery. The exhibition runs through July 12.