logo
Comedy, community, and the evening star

Comedy, community, and the evening star

Yahoo12-05-2025

In a corner of Seattle where laughter meets resistance and rhythm becomes ritual, a star arose. Their name is dk echo-hawk, but you can also call them by their stage name — the evening star. A celestial being, more closely related to a mountain than a pronoun, but they will accept they, them, she and her. The little Athabascan and Pawnee kid playing in the woods in Alaska has grown into a comedian, musician, DJ, writer, visual artist, host and founder of Indigik'were, formerly known as Indigequeer.
As a kid they grew up as an Ahtna Athabascan between a small Mendaesde village and their school in Delta Junction, Alaska. There was joy, and there was a lot of grief carried through generational trauma, according to echo-hawk. During the Native boarding school era government agents forcibly abducted Native children and sent them to what they called 'boarding schools' hundreds of miles away to places where physical, sexual, cultural and spiritual abuse and neglect were experienced in an effort to 'kill the Indian, save the man' from 1891 until 1978. The generational impact on the mental and spiritual health of of those who experienced the cultural genocide of the 'boarding schools' has often resulted in addiction and high suicide rates among them and their descendants all across Native country.
In a chat in June 2023 with Joey Clift about Native comedy, echo-hawk explained that their favorite Native comedy is 'the thing that my auntie would say at probably a funeral that was the most inappropriate thing you ever heard but you were weeping 10 seconds before that. Now, you're laughing as hard as you possibly can.'
Clift is an award-winning comedy writer and Cowlitz Indian Tribe citizen.
'I admired the aunties who make people laugh after crying because that's what I wanted to do,' echo-hawk told MoPOP + RIZE.
He went on to explain that understanding and making the people around him laugh wasn't just natural for the aunties, it was something that lifted their entire community culturally.
'Performing in the village is like culture,' echo-hawk said. 'You don't do it for money, you just do it because you and your hundred friends need to have a good night, and it's 40 below outside.'
When echo-hawk began getting paid for their comedy in Seattle, they held a mirror up to the world and did not hold back. The history and ongoing genocidal actions against Native people were reflected back to the audience. The style of comedy that echo-hawk became known for, was coined 'punish comedy.'
While it was satisfying to watch white Seattlites squirm during their sets, echo-hawk said that comedy in this format became difficult for their mental health.
'I got kind of famous real fast and I was not ready,' echo-hawk said. 'I am thankful that somewhere in my head I consciously knew that if I pursued this, I might die. I just felt very ungrounded and was falling apart and thankfully had some wherewithal to not do that. But I do understand that it was really empowering. I'm ultimately very impressed with what I was able to do.'
Comedy has been both a weapon and salve. A method of navigating a world on fire and pulling others through with a glittery wink and a red rose colored grin. They pivoted to focus on Indigik'were and their music.
'It is hilarious, it's silly, it's sexy,' echohawk said of Indigik'were. 'There's mistakes, there's mirrors on stage, and I change on stage, and there's altars, and roses, and cheese whiz.'
Indigik'were started in 2022 because echo-hawk wanted a place to feel free to be their authentic self. The first Indigik'were event invited attendees to, 'shake their asses like Columbus never sailed the ocean blue,' and has continued to showcase queer and trans Indigenous joy through their events. It has brought Native people who were also in need of community joy together and has had a larger impact than echo-hawk ever imagined.
'People have told me that the spaces I bring are healing and helped them when they were suicidal or helped them when they had been assaulted and helped them find community and family,' echo-hawk said. 'But when it was starting to happen, I was still just a deeply traumatized kid, and that felt like so much responsibility. I didn't want to be a leader. I just wanted to have a village again.'
And that's exactly what they began building.
Comedy is naturally interwoven into the event planning for Indigik'were in a way that could only come from , including celebrating the anniversary of the death of U.S. Cavalry commander George Armstrong Custer. Custer launched a surprise attack against an encampment of Sioux, Cheyenne and Arapaho along the Little Bighorn River in 1876 and was struck down by a Cheyenne woman. echo-hawk's celebration of the death of Custer included a piñata with Custer's likeness.
'I went to the Battle of the Little Bighorn Reenactment when I was f*cking 13 or something on the road to f*cking Oklahoma and was like, 'Yeah, b*tch!'' echo-hawk said. 'My dad, my big Native dad and me were cheering as Custer got killed. That's just the kind of Native that I am.'
'It's just ingrained in my being to celebrate the death of colonizers always,' echo-hawk continued. '…and I found that humor is the best way to keep a crowd happy and moving and to feel like they're in good hands. Being a host is probably my strongest quality.'
If you've ever been to any of their comedy or Indigik'were events, you'd likely agree. There is always an elaborate storytelling element that shocks, disarms and gets you laughing.
'There's active genocides all over the place,' echo-hawk said. 'There are people who are just trying to recover from those genocides, witnessing other genocides. There are people who went through a genocide, now genocideing. There's all sorts of wild things happening. I don't know how everybody else is processing it without doing crazy things like I'm doing. [Indigik'were] is somatics for me, it's spiritual. It is deeply important to me.'
echo-hawk encourages others to also discover what truly ignites their passion and defiant spirit, something deeply personal and entirely their own — to do what makes you feel free.
'Every day I get to wake up and ask myself, what would the evening star like to look like today?,' echo-hawk said. 'How would I like to be free today? What would I like to try? And the more and more I do that, the more and more I dance, the more and more I sweat, the more I eat healthy and the more and more I don't have to block out parts of life. I have enough space in myself to feel and I highly recommend it. It's doable. It's not easy all the time, but it is doable. I promise you.'
the evening star's next appearance is called Hot Wet Native Summer in Juneau, Alaska for the Lingit AANI Pride Festival. 'As many in this world continue to fight against the beautiful path we are on, it is vital that we come together and show each other our beauty and our strength, to be a testament that we are unconquered!,' an Instagram post shares.
The full length interview can be found here. The interviews were video and audio recorded and saved in the MoPop Online Collections Vault with over 1,000 others.
: In collaboration with MoPop for their 'WA Untold Pop Culture Stories' series, MoPop wanted to focus on the stories of King County pop culture creators in order to ensure that a more accurate representation of culture artists in America are preserved for future generations.
RIZE came to this project hoping to bring varying Indigenous stories, identities and perspectives to the forefront. Oral histories are traditionally how many Indigenous people have passed down culture, customs, and tradition. Through this series, we explore pop culture voices of Indigenous creators in what is now Washington state.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Where to Eat, Drink and Chill in Kauai's Tastiest Beach Town
Where to Eat, Drink and Chill in Kauai's Tastiest Beach Town

Miami Herald

time20 hours ago

  • Miami Herald

Where to Eat, Drink and Chill in Kauai's Tastiest Beach Town

Before traveling to Hawaii for the first time, I spent hours browsing through Instagram and TikTok foodie posts. Gathering ideas for all the delicious meals I'd eat, I had high expectations for the food in Poipu Beach, located on the south shore of Kauai. As it turns out, this island's food scene impressed me even more than expected. From nicer, more sophisticated spots like Red Salt Restaurant to quick bar bites at Kalapaki Joe's, check out these best Kauai food and drink spots on your next visit. These must-visit restaurants in Kauai won't let you down. I love Indian food and will make a point to grab it during any trip. This tucked-away restaurant, "That Indian Place", has excellent food and will adjust to your spice preferences. I ordered the butter chicken (mild) and the chicken sagwala (mild), along with some garlic naan bread. The local atmosphere and outdoor dining patio really made this place stand out as one of my favorite spots to eat throughout the whole trip. Top menu items Mango LassiButter ChickenChicken Tikka MasalaChicken SagwalaPaneer Tikka Stop by Brennecke's Beach Broiler as you stroll along Poipu Beach for a lively, vibrant atmosphere. Locals and visitors alike know this top spot as one of the best places for food and drink on Kauai. While crowded, you can grab some phenomenal bites here as well as tropical-style frozen cocktails. I loved the desserts here too. If you plan on doing some appetizer or bar hopping along the main strip, definitely make this restaurant/bar a must-visit spot. Top menu items Seafood Pupu PlatterMango MadnessLava Lava FlowPineapple Rum Upside Down Cake If you want to try a Loco Moco, stop by Red Salt Restaurant, attached to the beautiful Ko'a Kea Resort. This spot served the best Loco Moco I had while in Hawaii. A Loco Moco is a Hawaiian favorite comfort food, made with white rice, gravy, a hamburger patty, and topped with a fried egg. It sounds interesting, but trust me once you try it, you'll want to order it time and time again. The ocean views from this restaurant also set the scene for a nice meal. Top menu items Lemon Pineapple PancakesLoco Moco Acai Bowl Unlike other islands with numerous national chains, Kauai offers a more locally inspired dining scene. This laid-back, down-to-earth island provides numerous options for fresh, local seafood, including mahimahi, ahi tuna, and ono. The island also has many traditional Hawaiian plates to try. I highly recommend trying at least one classic Hawaiian dish, such as the Loco Moco, during your visit. You'll also find spam musubi almost everywhere, another classic food in Kauai. Where to Stay in Kauai, Hawaii's Gorgeous Garden IsleBest Time to Visit Hawaii: A Month-by-Month GuideUnwind & Recharge: Choosing the Ideal Hawaiian Island for Your Family Getaway10 Dreamy Honeymoon Spots in the USA20 Fun Things to Do in Hawaii with Kids The post Where to Eat, Drink and Chill in Kauai's Tastiest Beach Town appeared first on She Buys Travel. Copyright © 2025 SheBuysTravel · All Rights Reserved

Oscar-winning director Danny Boyle on why he would never make 'Slumdog Millionaire' today
Oscar-winning director Danny Boyle on why he would never make 'Slumdog Millionaire' today

Business Insider

timea day ago

  • Business Insider

Oscar-winning director Danny Boyle on why he would never make 'Slumdog Millionaire' today

British director Danny Boyle has said he wouldn't even think of making a film like " Slumdog Millionaire" today, citing concerns over "cultural appropriation." "I'm proud of the film, but you wouldn't even contemplate doing something like that today. It wouldn't even get financed," he told The Guardian about the hit 2008 movie. The filmmaker won an Oscar for best director for the movie, which follows a young Indian man (played by Dev Patel) as he is given the life-changing opportunity to appear on a local version of "Who Wants to Be a Millionaire?" The film, which won eight Academy Awards, received critical acclaim and was a hit at the box office, but some critics took issue with its portrayal of Indian society. "We wouldn't be able to make that now," Boyle said. "And that's how it should be. It's time to reflect on all that. We have to look at the cultural baggage we carry and the mark that we've left on the world." Boyle said that while he had made efforts "to make a film within the culture," including working with a large local crew, it was still a "flawed method." "You're still an outsider," he said. "That kind of cultural appropriation might be sanctioned at certain times. But at other times it cannot be." "Slumdog Millionaire" was adapted by screenwriter Simon Beaufoy and based on the novel "Q & A" by Vikas Swarup. The film grossed more than $378 million worldwide. Boyle's latest movie, a zombie horror titled "28 Years Later" — part of the "28 Days Later" series — was released in theaters on June 20. In a recent interview with Business Insider, the director discussed his return to the zombie genre and why they shot the film using modern tech like iPhones and drones. "I felt an obligation to take the spirit of the first movie, but be aware that the technology has moved on so much," Boyle said. "Phones now shoot at 4K, which is what a lot of cameras shoot at anyway. And the advantage of using the phones is we were able to be very lightweight," he added.

Danny Boyle: Slumdog Millionaire was cultural appropriation
Danny Boyle: Slumdog Millionaire was cultural appropriation

Yahoo

time2 days ago

  • Yahoo

Danny Boyle: Slumdog Millionaire was cultural appropriation

Danny Boyle has said his hit film Slumdog Millionaire was cultural appropriation. The British director, who also made the films Trainspotting and 127 Hours, said that he was proud of Slumdog Millionaire, but that 'you wouldn't even contemplate doing something like that today'. The 2008 Oscar-winning movie, which Boyle directed, follows the story of a boy from the slums of Mumbai who is one question away from winning the Hindi version of Who Wants to Be a Millionaire?, before being arrested on suspicion of cheating. It was shot in Mumbai, partly in Hindi, and used a local crew, but the award-winning director said he couldn't make it today. He would instead be 'looking for a young Indian filmmaker' to direct the picture, because his directing of the film was 'cultural appropriation'. He told The Guardian on his press tour for the horror film 28 Years Later: 'That kind of cultural appropriation might be sanctioned at certain times, but at other times it cannot be. It wouldn't even get financed. 'We wouldn't be able to make that now. And that's how it should be. It's time to reflect on all that. We have to look at the cultural baggage we carry and the mark that we've left on the world.' He said it was a 'flawed method' because it was filmed by 'outsiders'. 'At the time it felt radical. We made the decision that only a handful of us would go to Mumbai. 'We'd work with a big Indian crew and try to make a film within the culture. But you're still an outsider. It's still a flawed method. Even if I was involved, I'd be looking for a young Indian filmmaker to shoot it.' The film premiered at the 2008 Telluride Film Festival and won eight Oscars at the 2009 Academy Awards, including those for best picture and best director, as well as several BAFTA awards and Golden Globes. It was also a box office hit, making $378 million worldwide on a reported $15 million budget. Speaking about his directorial choices in the interview, Boyle explained: 'I value the popular audience. I believe in popular entertainment. 'I want to push the boat out, but take the popular audience with me.' Elsewhere, he discussed his direction of Isles of Wonder, the opening ceremony of the 2012 London Olympics that featured Daniel Craig as James Bond and the late Queen Elizabeth II. The film, which was a celebration of British culture, also featured the National Health Service, Shakespeare, the Sex Pistols and Windrush migrants. However, Boyle said his 'biggest regret' was not featuring the BBC in it more, saying if he were to do it again he would 'big up' the 'precious' national broadcaster. He said: 'My biggest regret was that we didn't feature the BBC more. I was stopped from doing it because it was the host broadcaster. 'Every other objection, I told them to go f--- themselves. But that one I accepted and I regret that now, especially given the way that technology is moving. 'The idea that we have a broadcaster that is part of our national identity, but is also trusted around the world and that can't be bought, can't be subsumed into Meta or whatever, feels really precious. 'So yeah, if I was doing it again I'd big up the BBC big time. Everything else I'd do exactly the same.' Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store