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‘The Rookie' season 8: Chenford's future, Monica's deal & key plot questions answered

‘The Rookie' season 8: Chenford's future, Monica's deal & key plot questions answered

Economic Times7 days ago

Season 8 of The Rookie will explore Tim and Lucy's reconciliation, Monica's immunity deal, Oscar's escape, and new character arcs, premiering in 2026 on ABC
Tim and Lucy's relationship status in season 8
Season 7 of The Rookie concluded with Tim and Lucy still separated. Despite reconnecting throughout the season, including intimate moments on Valentine's Day and April Fools', the finale showed a miscommunication. Lucy fell asleep during an important conversation about their future due to her night shift.'I think we've earned where they're going, and the promise of that scene is a corner has been turned,' said showrunner Alexi Hawley. He confirmed the couple will reconcile but declined to reveal specific timing. 'I do think that we've put those characters through a lot on their journey back, and I think we're almost there,' Hawley added.
Also read: The Rookie Season 7: Episode 11 release date, time, plot, where to watch and episode schedule
Lucy's role and night shift timeline Lucy passed the sergeant's exam and began working the night shift, where she managed a team with low engagement. The series showed her excelling in this new role despite workplace challenges. 'How does she get these guys in shape and how does she do her job and all that kind of stuff was really important to show in that episode,' said Hawley. The shift may not last long, as the schedule isolates Lucy from the main cast. 'I think ultimately that obstacle would get old fairly quickly, so it's on us to figure out a way to move past that at some point,' Hawley noted.
Monica's immunity deal and Oscar's escape
The finale saw recurring antagonist Monica secure an immunity deal using sensitive information stolen from a Los Angeles NSA facility. Although LAPD officers are determined to hold her accountable, Hawley acknowledged the limitations. 'I think it's tough with immunity deals especially made at the top of the food chain for anybody lower to affect them. But we'll see. Never say never.'Also read: The Rookie Season 7 Episode 6: See release date, where to watch, what to expect and trailerMeanwhile, Oscar escaped once again after kidnapping Nolan. He murdered two accomplices when unable to pay them, continuing his evasion of law enforcement. Hawley acknowledged the need for resolution. 'In a show full of nemeses for our characters, he's just a really fun one… I would say next season we would need a little bit of resolution on that.'
New characters, Wesley's future, and potential crossovers
Season 7 introduced new rookies with mixed outcomes. Miles (Deric Augustine) was promoted to series regular, while Seth (Patrick Keleher) was written off following serious injuries. The introduction of a new rookie is expected in Season 8. Additionally, Wesley's storyline may expand following D.A. Sean's exit. 'I think that there'll be some interesting story to tell there,' said Hawley. 'So yeah, no, you're not wrong. We're going to keep that going.'
Also read: The Rookie Season 7: Episode 17 release date, time, where to watch, remaining episode schedule and what to expect
Crossover events remain possible, particularly after ABC's past integrations across unrelated shows like 9-1-1 and Doctor Odyssey . While no official announcement has been made, the shared TV universe continues to create new opportunities for narrative expansion.

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Why Anne Burrell stepped down from hosting ‘Worst Cooks in America' before her demise
Why Anne Burrell stepped down from hosting ‘Worst Cooks in America' before her demise

Hindustan Times

time10 hours ago

  • Hindustan Times

Why Anne Burrell stepped down from hosting ‘Worst Cooks in America' before her demise

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Top 10 strongest female anime characters of all time from Naruto to Dragon Ball Super
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Time of India

time17 hours ago

  • Time of India

Top 10 strongest female anime characters of all time from Naruto to Dragon Ball Super

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Love, and other bugs: Deepanjana Pal writes on Materialists
Love, and other bugs: Deepanjana Pal writes on Materialists

Hindustan Times

time18 hours ago

  • Hindustan Times

Love, and other bugs: Deepanjana Pal writes on Materialists

I have a deep-seated aversion to AI-generated content. Even so, watching Chris Evans deliver his heroic monologue in Materialists (2025) made me wish there was a version of Celine Song's new film in which artificial intelligence had scrubbed Evans out and replaced him with Cary Grant. Or a young Shammi Kapoor. Or Gong Yoo (of Train to Busan). Or Richard Ayoade (of The IT Crowd). PREMIUM Even Pascal's crinkly-eyed smile can't plug the gaps. Materialists isn't nearly as heart-wrenching as writer-director Celine Song's last film, Past Lives (2023). Evans is the petard on which Materialists hoists itself. He plays John, the quintessential artist: short on money, but tall in every other way. He is a man of passion and sensitivity; a man who makes love seem easy. Unfortunately, when embodied by Evans, John has all the charm of melting vanilla ice-cream. He doesn't make one want to throw caution to the wind. Instead, he makes an excellent case for warily raising one's standards. It doesn't help that Pedro Pascal plays John's counterpoint, a capitalist Prince Charming named Harry. He lives in a $12 million penthouse in New York, works at a private equity firm. But, most importantly, he has Pascal's crinkly-eyed smile and gift for turning vulnerability into a pheromone trigger. One of the loveliest moments in the film is when Harry crouches to show what he'd look like if he was half a foot shorter, becoming smaller, sadder and more insecure with every lost inch. At the apex of the love triangle is Lucy (Dakota Johnson), a matchmaker who presents herself as an emotional calculator adept at cracking the math of romantic relationships, while also mournfully declaring early on: 'I'm going to die alone.' It's a line that makes everyone laugh, both in the film and outside it, because if someone as radiant as Lucy can't find love, well, what hope is there for any of us? Yet, as Song shows us over the course of Materialists, for all her slaying and sashaying, Lucy is floundering. She keeps repeating how important it is to be practical when looking for a match, but it soon becomes clear that the person she's trying to convince, first and foremost, is herself. Through the film, long-held conventions of gender and romance do little to empower either the men or the women. Meanwhile, even for those who appear to be thriving in the materialist world, marriage appears like the equivalent of a band-aid on a gaping wound: it can't heal the injury, but it can help cover it up. Writer-director Song's boldest play in Materialists is her bid to redefine marriage as an act of romantic agency, wrenching it away from its history as an economic and social contract that commodifies women. In the film, marriage ends up being the most impractical of decisions, taken by two people because they simply can't help themselves. It marks a compromise, not with one's dreams but with societal expectations. At the end of Materialists, Lucy 'settles' for a man whose greatest commendation is that he proposes to her with a ring fashioned out of a plucked flower. The 'loser' emerges as the prize catch. Or would have, if Evans hadn't played John so blandly that everything about him felt trite. Materialists isn't as heart-wrenching as Song's 2023 hit, Past Lives (2023), but it is full of beauty and hope. Much like its key characters, it doesn't check all the boxes, but it does serve as an antidote to cynicism. Song adamantly champions the idea that love at its sweetest and most impractical is a dream worth striving for. In a world full of grief and despair, its decision to celebrate unpretentious romance feels not just refreshing but like a necessary act of defiance. (To reach Deepanjana Pal with feedback, write to @dpanjana on Instagram)

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