
Check out these Guinness World Records achieved in Dubai
Tallest building, deepest pool, biggest picture frame…Dubai doesn't do anything by halves. From massive attractions to quirky records, here are some of the coolest Guinness World Records the city proudly holds. Click through the gallery 3 of 12
The world's longest cantilevered building structure
100m high, this dramatic skybridge stretches 230m between two towers, with 67.3m extending outward into the open air.
The world's deepest indoor pool
Clocking in at a jaw dropping 60m and holding a whopping 14 million liters of water, this epic underwater attraction isn't just a pool, it's a full on adventure. playground for divers. Think sunken city vibes, underwater arcade rooms, and record breaking depths
The world's largest and tallest observation wheel
Anchored on Bluewaters Island, this record breaking wheel towers 250m into the sky, nearly twice the height of the London Eye.
The world's tallest hotel
Soaring 356m across 75 stories and home to 528 rooms, find this gleaming golden tower along Sheikh Zayed Road.
The world's largest picture frame
Located in Zabeel Park, this iconic structure stands 150 metres tall and 95 metres wide, perfectly framing views of Old Dubai to the north and New Dubai to the south. Visitors can walk across the glass floored Sky Deck too.
The world's tallest building
Standing at a staggering 828 metres, the Burj Khalifa holds multiple world records, including the tallest freestanding structure, the highest number of stories, the highest outdoor observation deck (at the top on level 148), and even the world's highest restaurant and lounge (At.mosphere on level 133) It's the ultimate bucket list icon towering over Dubai’s skyline.
The world's longest flower display.
A life sized Emirates A380 covered in over 500,000 flowers and plants. Other record holders include an 18 metre Mickey Mouse floral topiary, the tallest of its kind, and a 1 km long flower wall, creating a dreamy, petal packed stroll through the garden.
The world's highest infinity pool.
Perched atop Palm Tower, this luxe sky pool offers 360 panoramic views of Dubai, from the iconic Palm Jumeirah to the majestic Burj Khalifa and glistening Arabian Gulf.
The largest indoor mall aquarium.
Located inside Dubai Mall, this aquatic wonder holds 10 million liters of water and you can walk through a 48 meter tunnel or book experiences like cage snorkelling and shark dives.
Want to dine above the clouds? Here's your guide to the 16 highest restaurants in Dubai.
Don't miss a thing , follow What's On on Instagram, Facebook and TikTok for the latest news, events and everything in between…
Images: Unsplash and Website
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What's On
7 hours ago
- What's On
Check out these Guinness World Records achieved in Dubai
Tallest building, deepest pool, biggest picture frame…Dubai doesn't do anything by halves. From massive attractions to quirky records, here are some of the coolest Guinness World Records the city proudly holds. Click through the gallery 3 of 12 The world's longest cantilevered building structure 100m high, this dramatic skybridge stretches 230m between two towers, with 67.3m extending outward into the open air. The world's deepest indoor pool Clocking in at a jaw dropping 60m and holding a whopping 14 million liters of water, this epic underwater attraction isn't just a pool, it's a full on adventure. playground for divers. Think sunken city vibes, underwater arcade rooms, and record breaking depths The world's largest and tallest observation wheel Anchored on Bluewaters Island, this record breaking wheel towers 250m into the sky, nearly twice the height of the London Eye. The world's tallest hotel Soaring 356m across 75 stories and home to 528 rooms, find this gleaming golden tower along Sheikh Zayed Road. The world's largest picture frame Located in Zabeel Park, this iconic structure stands 150 metres tall and 95 metres wide, perfectly framing views of Old Dubai to the north and New Dubai to the south. Visitors can walk across the glass floored Sky Deck too. The world's tallest building Standing at a staggering 828 metres, the Burj Khalifa holds multiple world records, including the tallest freestanding structure, the highest number of stories, the highest outdoor observation deck (at the top on level 148), and even the world's highest restaurant and lounge ( on level 133) It's the ultimate bucket list icon towering over Dubai’s skyline. The world's longest flower display. A life sized Emirates A380 covered in over 500,000 flowers and plants. Other record holders include an 18 metre Mickey Mouse floral topiary, the tallest of its kind, and a 1 km long flower wall, creating a dreamy, petal packed stroll through the garden. The world's highest infinity pool. Perched atop Palm Tower, this luxe sky pool offers 360 panoramic views of Dubai, from the iconic Palm Jumeirah to the majestic Burj Khalifa and glistening Arabian Gulf. The largest indoor mall aquarium. Located inside Dubai Mall, this aquatic wonder holds 10 million liters of water and you can walk through a 48 meter tunnel or book experiences like cage snorkelling and shark dives. Want to dine above the clouds? Here's your guide to the 16 highest restaurants in Dubai. Don't miss a thing , follow What's On on Instagram, Facebook and TikTok for the latest news, events and everything in between… Images: Unsplash and Website > Sign up for FREE to get exclusive updates that you are interested in


Khaleej Times
a day ago
- Khaleej Times
Dubai: Viral dance by Indian tourists at Burj Khalifa sparks debate
A group of Indian tourists has stirred a debate after a video showing them doing the Garba on the 124th floor of the Burj Khalifa went viral. Wearing matching yellow outfits, the tourists performed the traditional Gujarati folk dance to the Bollywood song Chogada from the 2018 film Loveyatri. The performance was filmed and shared on Instagram on June 15 by Dubai-based content creator @the_walking_lens_, and has since drawn thousands of views and a wave of mixed reactions. Some viewers praised the group for proudly showcasing Indian culture on a global stage. 'It's sweet to see our culture shining,' one user wrote. But others were critical, calling the dance inappropriate for a crowded tourist spot. 'Why is this glorified? We must learn to respect the sanctity of public spaces ,' one comment read. "RIP civic sense," wrote another user. Watch the video here: View this post on Instagram A post shared by The Walking Lens �| (@the_walking_lens_) Stay up to date with the latest news. Follow KT on WhatsApp Channels. This is not the first time Indian tourists have danced in public spaces abroad. Earlier this month, a group of Indians drew attention in Vienna by dancing Garba on the street to music played by local performers. Social media users noted a growing trend of such impromptu cultural displays, citing other instances including Pangong Lake in India, Times Square in New York, and the streets of London. While some expats defended these acts as harmless and joyful, others argued they can be disruptive. In the Burj Khalifa video's case, critics said the performance may have inconvenienced other visitors and ignored the need to respect shared spaces. 'Perfect example of money can't buy class,' one user commented. A longtime Dubai resident said, "I saw the video. It was lively, but it blocked the viewing area for others. Visitors purchase tickets to enjoy the views, not to navigate around flash mobs." It is not immediately clear if the performance was pre-approved or permitted by Emaar, the Dubai-based real estate developer behind the Burj Khalifa.


Khaleej Times
2 days ago
- Khaleej Times
Addison Rae on her debut album, reinvention, and leaving TikTok stardom behind
A couple of years ago, when Addison Rae went to pitch herself for a deal with Columbia Records, pop stardom was not a guarantee. She was best known as one of TikTok's breakout stars, someone who had used the app to catapult from anonymity to ubiquity, but as a dancer and personality — not a musician. And some early demo recordings she didn't love had recently leaked online, and she wanted to distance herself from them. So instead of presenting a set of sonic ideas, she came into the meeting with a mood board in a binder. First there were the descriptors: words like 'intentional,' 'intense,' 'loud,' 'dance,' 'glitter.' Then there were the colours: aquamarine, hot pink, purple, yellow. And then the screen grabs of superstar live-show touchstones: Britney Spears' 'I'm a Slave 4 U' at the 2001 MTV Video Music Awards, Madonna's Girlie Show tour, and so on. It worked — she landed the deal. But what came next was a conundrum, Rae said in an interview last month on Popcast, The New York Times' music podcast: 'I was like, I know what I want people to feel when they hear my music, but what does that sound like? And what am I going to say?' Those questions set Rae on a year-plus mission of refining her public image, one that was forged in the relentless algorithmic fires of TikTok and that has lately seen her remade as a savvy pop ingenue. Recently, she released 'Addison,' her debut album and one of the year's signature pop releases. It's a breathy, sweaty, urgent album — more a throwback to the sonics of three decades ago than a conversation with contemporary pop. That's because the through line on 'Addison' isn't genre, per se. The music is mostly up-tempo, but in a cool, controlled manner, and the production features frequent little interruptions, places where the songs switch intensities and textures. Rae's vocals are sweet and foggy, as if sung from the outer edge of a dream, but her lyrics are often about the body, about her corporeal presence — a reminder that her career has always been grounded in the physical. And the songs are full of stacked harmonies, creating a warm swaddle of ethereality. But perhaps more meaningful are the music videos, which are steeped in the opulence of girlhood — flirtatious dances and callbacks to vintage glamour, body gems and moping on the beach, expensive gowns and the enticements of illicit substances. In Rae's songs, there are echoes of Lana Del Rey, and also Madonna, but the character she's been developing over the last year is something not quite beholden to any of her influences. What has seemed like the cool-washing of Addison Rae was in fact a kind of molting of an older identity. Rae, 24, was born Addison Rae Easterling and grew up in Louisiana, where she was a competitive dancer from a young age. She began posting on TikTok right at the end of high school. Quickly, she began treating it like a job, sometimes sharing up to eight videos a day, focusing ruthlessly on trending dances and music. 'When I reflect back on that time,' she said, 'I've recognised how much choice and taste is kind of a luxury. 'I was definitely strategic with it,' she added. 'It was a lot about like, 'How am I just going to get out of here?' It wasn't about like, 'Let me show the intricacies of myself right now.'' Pursuing her own taste, whatever that might have been, wasn't an option — 'a sacrifice that had to be made,' she said. Of her peers, Rae has landed the most firmly on her feet, perhaps the only one to truly understand success on the app as a funnel for attention rather than a reflection of a specific skill set. Off the phone screen, she starred in a Netflix film, 'He's All That,' in 2021; she has had a podcast and a makeup line; and she's recently been filming for 'Animal Friends,' a movie with Aubrey Plaza and Ryan Reynolds, due later this year. As far back as 2020, though, Rae was writing and recording music. 'Pretty much from the jump, I was like, 'I don't want to cut demos, I want to write,'' she said. 'So I at least know what I'm doing, or can connect with the things that I'm singing. Especially because I was so new to it.' In 2021, she released her first single, 'Obsessed' — 'Perfectly pulsing, pithy and pleasant Pelotoncore,' The New York Times said — which caused a slight stir, but petered out. 'I actually think one day 'Obsessed' will get its 'Stars Are Blind' moment,' she said, referring to the once-derided, now-embraced Paris Hilton single. Despite the negative feedback, she kept writing. 'I didn't let it get to me that much,' she said. 'Me not stopping writing was kind of me being like, 'OK, well, I'll show you.'' The following year, oodles of her leaked recordings — 'day-one demos, pretty much' — hit the internet. For Rae, it was frustrating, but also free market research. Fans picked their favourites — 'I've actually seen people make CDs,' Rae said — and Charli XCX reached out to ask to contribute a verse on one of them, '2 Die 4.' The leaks turned Rae from a try-hard would-be pop diva into a cult favourite. 'People were like, 'Wait, why do I kind of like this?'' she said, almost bashfully. Eventually, Rae independently released an EP, 'AR,' collecting some of those songs. Rae met Swedish songwriter-producers Elvira Anderfjärd and Luka Kloser, who are part of the powerhouse hitmaker Max Martin's publishing camp, last year after signing her record deal. The first day they worked together, they made the hook for what would turn into 'Diet Pepsi.' 'My biggest goal is to never feel like I'm referencing an exact song or artist,' she said, noting that a mood can be struck by the simple deployment of a familiar-sounding instrument that evokes an era, in this case the early '90s. 'We used an M1 on a lot of the songs,' she said, referring to the Korg instrument, 'and that was a very popular thing that was used on a lot of those great songs that I love.' But when pushed to describe what the pure pop icons she admires — Madonna, Gaga, Britney, Prince, Janet — have in common, her answer was 'commitment.' Which is to say — commitment to a sound, commitment to a style, commitment to a fully inhabited presentation. Her palate has also earned her the respect of some of her elders: Lorde has praised her, Del Rey posted a video listening to 'Diet Pepsi' and Charli XCX invited her to appear on a remix, which included a wild shriek from Rae, one of the defining pop sounds of last year. But rather than coming off like Rae siphoning credibility from her elders, it's actually the more established stars who are cottoning to her, to bask in the glow of her aura. Which is to say — her growing-cult success so far has appeared to answer the question of whether a person who became famous in one arena can ever be cleansed of that fame and offered the opportunity to thrive anew. In essence, whether they can be forgiven. Rae understands, but would rather treat her old life as a steppingstone, not an albatross. Wilder waters await. 'I have this luxury now to be able to play and explore,' she said. 'To be weird or be introspective or be playful and curious and like a chameleon. 'I can do what I want here now — you know?'