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Olympic balloon rises again in Paris

Olympic balloon rises again in Paris

Gulf Today6 hours ago

A giant balloon that became a popular landmark over the skies of Paris during the 2024 Olympics rose again Saturday evening, as Parisians celebrated an annual street music festival.
As locals danced to live music in and around the Tuileries garden in central Paris, the balloon made its return on a hot summer evening.
Organisers are hoping it will once again attract crowds of tourists.
During the Games, the Olympic cauldron was tethered to the balloon, flying above the Tuileries garden at sunset every day. Thousands flocked to see the seven-metre (23-foot) wide ring of electric fire.
Last summer's version "had been thought up to last for the length of the Olympic and Paralympic Games," said Mathieu Lehanneur, the designer of the cauldron.
After President Emmanuel Macron "decided to bring it back, all of the technical aspects needed to be reviewed", he told the media on Thursday.
Lehanneur said he was "very moved" that the Olympic balloon was making a comeback.
US band Major Lazer's Walshy Fire (right) and Brazilian singer Anitta perform during a concert as the Paris 2024 Olympic cauldron tethered to a balloon flies above the stage set in the Tuileries garden during France's annual street music festival, the Fete de la Musique, in Paris on Saturday. AFP
"The worst thing would have been for this memory to become a sitting relic that couldn't fly anymore," he said.
'Make the flames dance'
The balloon's return on Saturday kicks off a daily appearance each evening until September 14 -- a summer staple every year until the 2028 Los Angeles Games.
"For its revival, we needed to make sure it changed as little as possible and that everything that did change was not visible," said Lehanneur.
With a decarbonated fire patented by French energy giant EDF, the upgraded balloon follows "the same technical principles" as its previous version, said director of innovation at EDF Julien Villeret.
The improved attraction "will last ten times longer" and be able to function for "300 days instead of 30", according to Villeret.
The creators of the balloon also reinforced the light-and-mist system that "makes the flames dance", he said.
People watch as the Paris 2024 Olympic cauldron tethered to a balloon flies above the Tuileries garden at sunset during France's annual street music festival, the Fete de la Musique, in Paris on Saturday. AFP
Under the cauldron, a machine room hides cables, a compressor and a hydro-electric winch.
That system will "hold back the helium balloon when it rises and pull it down during descent", said Jerome Giacomoni, president of the Aerophile group that constructed the balloon.
"Filled with 6,200 cubic meters of helium that is lighter than air," the Olympic balloon "will be able to lift around three tonnes" of cauldron, cables and attached parts, he said.
The Tuileries garden is where French inventor Jacques Charles took flight in his first gas balloon on December 1, 1783.
He followed in the footsteps of the famed Montgolfier brothers, who had just nine days earlier elsewhere in Paris managed to launch a similar balloon into the sky with humans onboard.
The website vasqueparis2024.fr is to display the times when the modern-day balloon will rise and indicate any potential cancellations due to weather.
Agence France-Presse

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Olympic balloon rises again in Paris
Olympic balloon rises again in Paris

Gulf Today

time6 hours ago

  • Gulf Today

Olympic balloon rises again in Paris

A giant balloon that became a popular landmark over the skies of Paris during the 2024 Olympics rose again Saturday evening, as Parisians celebrated an annual street music festival. As locals danced to live music in and around the Tuileries garden in central Paris, the balloon made its return on a hot summer evening. Organisers are hoping it will once again attract crowds of tourists. During the Games, the Olympic cauldron was tethered to the balloon, flying above the Tuileries garden at sunset every day. Thousands flocked to see the seven-metre (23-foot) wide ring of electric fire. Last summer's version "had been thought up to last for the length of the Olympic and Paralympic Games," said Mathieu Lehanneur, the designer of the cauldron. After President Emmanuel Macron "decided to bring it back, all of the technical aspects needed to be reviewed", he told the media on Thursday. Lehanneur said he was "very moved" that the Olympic balloon was making a comeback. US band Major Lazer's Walshy Fire (right) and Brazilian singer Anitta perform during a concert as the Paris 2024 Olympic cauldron tethered to a balloon flies above the stage set in the Tuileries garden during France's annual street music festival, the Fete de la Musique, in Paris on Saturday. AFP "The worst thing would have been for this memory to become a sitting relic that couldn't fly anymore," he said. 'Make the flames dance' The balloon's return on Saturday kicks off a daily appearance each evening until September 14 -- a summer staple every year until the 2028 Los Angeles Games. "For its revival, we needed to make sure it changed as little as possible and that everything that did change was not visible," said Lehanneur. With a decarbonated fire patented by French energy giant EDF, the upgraded balloon follows "the same technical principles" as its previous version, said director of innovation at EDF Julien Villeret. The improved attraction "will last ten times longer" and be able to function for "300 days instead of 30", according to Villeret. The creators of the balloon also reinforced the light-and-mist system that "makes the flames dance", he said. People watch as the Paris 2024 Olympic cauldron tethered to a balloon flies above the Tuileries garden at sunset during France's annual street music festival, the Fete de la Musique, in Paris on Saturday. AFP Under the cauldron, a machine room hides cables, a compressor and a hydro-electric winch. That system will "hold back the helium balloon when it rises and pull it down during descent", said Jerome Giacomoni, president of the Aerophile group that constructed the balloon. "Filled with 6,200 cubic meters of helium that is lighter than air," the Olympic balloon "will be able to lift around three tonnes" of cauldron, cables and attached parts, he said. The Tuileries garden is where French inventor Jacques Charles took flight in his first gas balloon on December 1, 1783. He followed in the footsteps of the famed Montgolfier brothers, who had just nine days earlier elsewhere in Paris managed to launch a similar balloon into the sky with humans onboard. The website is to display the times when the modern-day balloon will rise and indicate any potential cancellations due to weather. Agence France-Presse

Dine Above It All – Discover Level 9 at FIVE LUXE
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Japan's high-tech sunscreens tap into skincare craze
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Japan's high-tech sunscreens tap into skincare craze

When YouTuber Hannah Price set out to compare Japanese and Australian sunscreen, she wasn't expecting her deep dive into the subject to rack up over two million views. The huge number of people poring over Price's video shows the growing interest in skincare products from Japan, much like the K-beauty phenomenon from South Korea. It includes sun protection, increasingly recognised as a daily essential by influencers who want to shield their skin from ageing and enthuse about the lightweight texture of Japanese brands. Companies that have perfected their secret formulas want to capitalise on booming demand, including by building factories overseas and selling to Japan's record influx of foreign tourists. Price, 32, fell into a "year-long rabbit hole" while making her video, learning about everything from SPF science to cultural attitudes to sun exposure. "I always loved Japanese sunscreen, since I first moved to Japan in 2012," she told the media at her studio in Tokyo. "I remember trying it for the first time and thinking, 'this is so much better than anything I tried in Australia'," her home country where sun cream felt "thick, sticky, greasy". "I thought that the video would be popular... but I wasn't expecting it to reach as far" as it did, Price said. The habit of regular sunscreen use is spreading, especially among younger generations, said Takuya Wada, who works in marketing for Japanese chemical and cosmetics firm Kao. "There are no borders when it comes to obtaining information on social media, especially Instagram and TikTok," he said, adding that influencer posts have a "very large" impact on global sunscreen sales. This photo shows Takashi Fukui speaking in an interview at the company's research lab in Tokyo. AFP 'Beautifully white' The global skincare market was worth more than $115 billion in 2024 and is expected to grow to $194 billion by 2032, according to Fortune Business Insights. A boom in celebrity skincare brands has contributed to the industry's growth -- with A-listers like Kylie Jenner using social media to share their beauty routines, including sun protection, with hundreds of millions of followers. When it comes to sunscreen, country-specific regulations mean no single company dominates the field, as the entry barriers to new markets are higher. Kao's main sunscreen brand Biore UV is ranked 10th worldwide for sales, and second in Asia -- competing with the likes of L'Oreal and Beiersdorf, and Japanese rivals such as Shiseido. The company wants sales from sun protection to reach 35 billion yen ($240 million) in 2027, up 1.6 times from 2023. It plans to boost overseas production by opening three new sunscreen factories, in Indonesia, Brazil and Germany. It is technically difficult to develop formulas that block the rays effectively with a smooth texture, as demanded by Japanese consumers, said Takashi Fukui, research and development director for Kao skincare products. But using scientific know-how to strike this tricky balance is what makes Kao "different from other European or American makers". In Japan, a cultural obsession with light skin dates back to the sixth century and using white powder imported from China later became a status symbol among nobility. Fair skin indicated a life away from outdoor labour and sun exposure, and an old Japanese proverb says "white skin covers the seven flaws". In the 1990s, people began using sunscreen or other cosmetics to avoid tanning -- a trend dubbed "bihaku", or beautifully white. These days, Japanese women use sunscreen as everyday protection against sunspots and ageing, caused when UV rays penetrate into the skin, said Fukui. Winter sun Tans have long been fashionable in Western countries, but awareness of skin cancer risks is rising, making sunscreen an important healthcare product there, Fukui said. One fan of Japanese brands is Thai skincare influencer Suari Tasanakulpan, who calls them "lightweight" compared to "heavy and uncomfortable" Western offerings. "There are always new technologies and innovative textures that are often ahead of other countries," the 40-year-old, who reviews sunscreens on YouTube, told the media. At an outlet of drugstore chain MatsukiyoCocokara in Tokyo's Shibuya district, around 90 sunscreen products are lined up on the shelves. "Sales of sunscreen is improving year on year," said Takeshi Otsuki, deputy manager of the chain's cosmetic division. "More people are using sunscreen on a daily basis these days, so their needs are becoming more diverse," he said. The number of male customers is also increasing, and Japanese sunscreens are very popular with overseas tourists who buy them in multipacks, Otsuki said. While summer is high season, sunscreen is popular year-round, because Japan has a "relatively high number of sunny days in the winter, and the sunlight hours are long". YouTuber Price now uses both Japanese and Australian sunscreen, depending on the occasion. She sees the rise in education about sunscreens worldwide as a win-win situation. It "means you're going to be better protected in general, which is great for everyone", she said. Agence France Presse

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