
Louis Vuitton's Cruise 2026 Documentary Shows Magical Details You Might Have Missed From The Show
'Have you ever truly experienced a Nicholas Ghesquière show?' asks fashion commentator Tuba Avalon. Now, thanks to a special new documentary, Runway Reflections: Tales from Avignon, you don't have to be a fashion editor to be able to answer yes to that question.
The 16-minute documentary narrated by Avalon takes viewers inside the making of Louis Vuitton's magical Cruise 2026 show in Avignon, France. Filmed in the days leading up to the show, it gives a rare insight into the inner workings of Ghesquière's artistry and what it takes to organise a standout destination fashion show.
Ghesquière's Cruise 2026 show was a fashion moment for the ages, set against the grandeur of Palais des Papes, a UNESCO World Heritage site built in 1335. The designer chose the venue not just for its breathtaking architecture, but for a deeply personal reason – his own encounter with the space during the 2000 'La Beauté in Fabula' art exhibition, where American video artist Bill Viola's installation left a long-lasting mark on him. It was, 'an aesthetic shock… like collisions of time,' Ghesquière recalls. It was a vision that he wanted to echo for his own show.
Ghesquière embraces the theatricality of fashion, believing clothing 'project an image of charisma, accentuating a style, and character,' not just on the runway, but in life, he says. The film also explores his take on 'fashion time travel' as he reinterprets Arthurian mythologies, liturgical embroidery and glam rock at its best.
The film takes us backstage for last-minute fittings and hair and makeup, and introduces us to the talents such as set designers, photographers and other artisans. It also features friends of the brand like K-pop fan favourite Felix and French film director Justine Triet.
Far more than a behind-the-scenes glance, Runway Reflections: Tales From Avignon provides immersive and detailed storytelling, giving an insight into what really goes into making a Louis Vuitton show.
The documentary is available to stream exclusively on YouTube. Click here to watch the full film.
ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Elle
25 minutes ago
- Elle
18 TV Shows You Absolutely Can't Miss This Summer
Sometimes the best getaways are the ones where you don't have to leave your couch—all you have to do is press play. Maybe the destination is a high-pressure kitchen in Chicago, or the upper crust of England in the 1870s, or—for the more gothically inclined—the spooky halls of Nevermore Academy. No matter where you're headed, rest assured there are no lines or bumpy airplane rides involved. There's a lot to watch this summer, both on the big and small screen. If the latter is more up your alley, you just might find your next watch among our recommended titles below. And if you're still catching up on this year's TV offerings, check out our picks for the best TV shows of 2025 so far. And Just Like That...'s third season picked up after the emotional season 2 finale, where Carrie hosted a farewell party for her apartment and Aidan announced he wanted to take a five-year break, for family reasons. Showrunner Michael Patrick King promised in Entertainment Weekly to deliver 'new loves, fresh challenges, and surprising reunions,' plus an exciting twist: the return of Carrie's iconic voiceover as she writes a new book. Follow along as she works on her draft—and her romance with Aidan. New episodes arrive weekly on Thursdays on HBO Max through August 14. Watch Now on HBO Max Based on Edith Wharton's (unfinished) novel of the same name, The Buccaneers follows five young American women in the 1870s who set off across the pond to marry into high society Britain. Kristine Frøseth, Alisha Boe, Aubri Ibrag, Josie Totah, Imogen Waterhouse, Mia Threapleton, and Christina Hendricks star. This season, they are joined by Leighton Meester, in a guest role. Another bonus: Season 2's soundtrack includes Chappell Roan, Taylor Swift, Lady Gaga, Sabrina Carpenter, and more. New episodes arrive weekly on Wednesdays on Apple TV+ through August 6. Watch Now on Apple TV+ Sometimes, a teen drama summer drama just does the trick. We Were Liars, based on E. Lockhart's 2014 bestseller, follows a group of elite teenagers who call themselves 'the Liars.' They're the kind of kids who vacation on a friend's private island in New England every summer. But when their ringleader, Cadence Sinclair Eastman, experiences a mysterious accident, everyone's secrets come to the surface. Watch Now on Prime Video After the first season made a splash on Netflix, season 2 of America's Sweethearts once again takes us behind the curtain of the Dallas Cowboys Cheerleaders franchise, this time focused on tryouts for the 2024-25 season. Meet new stars as they vie for a spot on the iconic squad, dive into the members' personal lives, and follow along as they negotiate for equitable pay. Watch Now on Netflix HBO's The Gilded Age returns for a third season full of even more drama and social intrigue among the elites in 1880s New York. Deadline reports Manhattan's 'society will change drastically' in this installment, and there will be new cast members, including Phylicia Rashad, Brian Stokes Mitchell, Victoria Clark, Dylan Baker, Kate Baldwin, Michael Cumpsty, John Ellison Conlee, Bobby Steggert, and Hannah Shealy. On HBO June 22. After making her debut as Riri Williams in Black Panther: Wakanda Forever, Dominique Thorne returns in Ironheart as the young tech genius, who engineers a super suit that could rival Iron Man's. The series is set in Chicago following the events of the film, and finds Riri and her inventions clashing with Parker Robbins, a.k.a. The Hood (Anthony Ramos). On Disney+ June 24. Attention, chefs! Season 4 of FX's The Bear is set to return this year. It will likely tie up loose ends from the season 3 finale, including Sydney's major career decision, and the restaurant's struggle to earn a Michelin star while balancing Carmy's exacting standards. Fans are also expecting to see the outcome of Carmy's unresolved tension with his staff members, the results of The Chicago Tribune's review, and more on Richie's personal growth, Marcus's dessert innovations, and the future of the partnership with Cicero. On FX and Hulu June 25. The final season of Squid Game promises a face-off between Seong Gi-hun (Lee Jung-jae) and the enigmatic Front Man (Lee Byung-hun), concluding the high-stakes cliffhangers introduced in season 2. Series creator Hwang Dong-hyuk confirmed the news in a letter per Netflix's Tudum, stating, 'The fierce clash between their two worlds will continue into the series finale.' On Netflix June 27. What if you had to choose your bandmates without ever seeing them? That's the premise of Building the Band, Netflix's new reality competition where connection and chemistry are judged purely by sound—until the big reveal. Hosted by AJ McLean, with Nicole Scherzinger mentoring, and Kelly Rowland and the late Liam Payne joining as guest judges, the show brings together aspiring artists to form the next great pop group. On Netflix July 9. Eight years after the finale of Girls, Lena Dunham is back. Her new series Too Much, stars Meg Stalter (the gem of Hacks) as Jessica, a 30-something New Yorker who just underwent a terrible breakup. She decides to turn the page with a new job in London, where she meets Felix (Will Sharpe), who's equal parts attractive and complicated. The cast also includes Michael Zegan, Janicza Bravo, Richard E. Grant, Adele Exarchopoulos, Rita Wilson, Naomi Watts, Andrew Rannells, Emily Ratajkowski, and more. On Netflix July 10. This adaptation of the third book in Jenny Han's The Summer I Turned Pretty series will see Belly's love triangle with Conrad and Jeremiah finally come to a close as she sorts out her feelings about the brothers and makes her choice. 'I know Jenny is really just strong on staying as true to the books as possible and hitting the main points,' Gavin Casalegno (Jeremiah) told People. Kyra Sedgwick, who played Aunt Julia, won't return, but fans can look forward to new twists inspired by Han's novel. On Prime Video on July 16. We've been blessed with another Sterling K. Brown show. The Paradise and This Is Us star leads this new Hulu series as the titular protagonist, an enslaved boy on a sugar plantation in Barbados, who also happens to be a scientific genius. When a traumatic event sends him on the run, his escape turns into a series of travels around the world. This decades-spanning saga is based on the 2018 book of the same name by Esi Edugyan. On Hulu July 23. Fashion gets competitive again this summer as Project Runway kicks off its 21st season with a fresh cast and some familiar faces. Judges Nina Garcia, Law Roach, and Heidi Klum return to the panel, with Christian Siriano back as a mentor. With sharp critiques, high-stakes challenges, and the kind of runway drama that never goes out of style, this season promises to give us plenty to talk about both on and off the catwalk. On Freeform, Hulu, and Disney+ July 31. If you're waiting to see more Seth Rogen on your screen after The Studio, check out his other Apple TV+ comedy, Platonic, co-starring Rose Byrne. The duo play a pair of best friends who 'contend with new mid-life hurdles including work, weddings and partners in crises' in season 2, according to the streamer. Saturday Night Live alums Aidy Bryant, Kyle Mooney, and Beck Bennett are set to guest-star. On Apple TV+ August 6. Season 2 of Wednesday introduces new characters as Jenna Ortega's titular Addams Family character faces darker challenges at Nevermore. The new cast members include Steve Buscemi, Evie Templeton, Owen Painter, Noah Taylor, and Billie Piper, according to Netflix's Tudum. Showrunners Al Gough and Miles Millar told the site they aimed to 'discover some fresh faces as well as invite some acting legends we've always admired to join Jenna and the gang at Nevermore.' And they did exactly that: 'Mission accomplished,' the duo added. Part 1 on Netflix August 6; part 2 on Netflix September 3. Outlander might be nearing its eighth and final season, but Jamie and Claire's universe only continues to grow. This prequel series dives into the equally romantic love stories of their parents, set in the Scottish Highlands in the 18th century and Britain amid World War I. Prepare to see new faces behind familiar names—hello, young Dougal MacKenzie and Murtagh Fraser. On Starz August 8. Noah Hawley, creator of the Fargo series and Legion, is behind this new chapter of the Alien franchise. It's set in the future—the year 2120, to be exact—when a space research vessel crash-lands onto Earth. Wendy, a 'humanoid robot infused with human consciousness,' according to FX, encounters the crash and finds a grave threat to the planet. On FX and Hulu August 12. Grace Van Patten steps into the role of Amanda Knox in this limited series based on Knox's years-long fight to clear her name. Created by This Is Us writer KJ Steinberg and executive produced in part by Monica Lewinsky and Knox herself, The Twisted Tale of Amanda Knox dramatizes the infamous case that began with a study-abroad semester in Italy and spiraled into a global media storm. The result is a psychological drama about protecting one's identity, the search for justice, and who gets to control the narrative. On Hulu August 20.


Atlantic
an hour ago
- Atlantic
The New Old Sound of Adult Anxiety
The often-cited statistic that 50 percent of American marriages end in divorce has long been overstated: The divorce rate started sliding from its historical peak way back in 1980. But the myth of the modern marriage being doomed to fail endures because it was seared into the cultural consciousness—like so much else—by Baby Boomers. After the sexual revolution of the '60s and the legalization of no-fault divorce, they availed themselves of the freedom to leave their spouse—and then parlayed that experience into now-classic movies, books, and rock about going your own way. Boomers' children aren't getting hitched as easily, and those who do are less likely to split up. That's probably a result of living in an ever more individualized, ever less traditional, and ever more expensive society—and of having studied the cautionary tales of their elders. But Millennials do have their version of divorce rock: the softly grooving Los Angeles band Haim. The group's three members have never been married, but their new album, I Quit, cleverly remixes the breakup-music canon for a generation that's wary of tying the knot. Since their 2013 debut, the Haim sisters—Este (39), Danielle (36), and Alana (33)—have gained fame as pop celebrities who are fluent in TikTok and friends with Taylor Swift. Yet, as a rare band in an era of solo stars, they're also a throwback. Haim's songs blend the rollicking chemistry of Fleetwood Mac, the muscular femininity of Heart, and the mystic cheesiness of Phil Collins (with a smattering of new-jack-swing sparkle). But the sisters swap the earnest grandiosity of their influences for cheeky nonchalance, hinting that nothing they sing about is all that serious. In videos, they strut down streets like Tina Turner, except with all of Turner's outsize emoting replaced by smirks. The band's great 2013 single, 'The Wire,' is about ditching a perfectly nice partner, counseling, 'I just know, I know, I know, I know that you're gonna be okay anyway.' Though the band's lyrics have long been preoccupied with breakups, I Quit is the moment these Stevie Nicks disciples attempt their Rumours: a kaleidoscopic and questing pop epic about unraveling commitments (though made in circumstances of sibling solidarity rather than burning tension between bandmates). The three sisters were each single while recording the album, and have marketed that fact by sharing dating horror stories online. The most consequential breakup here is that of the lead singer, Danielle. In 2022, she exited a relationship of nine years with the producer Ariel Rechtshaid, who'd worked on all of the band's previous albums. The split apparently represented both a personal and an artistic unchaining. Danielle told ID magazine that Rechtshaid took a 'searching, labored' approach to recording, whereas I Quit 's lead producer, Rostam Batmanglij, is 'quick' and 'kinetic.' The album's title is meant to convey liberation: 'The exit is also the entrance,' Este said to GQ. The music does feel quite unshackled. Haim's previous and best album, 2020's Women in Music Pt. III, was a delicate jewelbox of sound, but I Quit is all surge and excess. Its songs go on longer, say more, and do more than is expected or, sometimes, advisable. The opening track's grating sample of George Michael 's 'Freedom! '90' feels like the result of a dare; a number of genre digressions—into drum and bass, industrial rock, and shoegaze—are amusing but inessential. The highlights, though, are Haim-ian in the best way: instinctual and playful. Incongruous musical styles join up through ingenious, gliding transitions. The arrangements sizzle and fizzle like Pop Rocks thanks to creative instrumentation and digital editing. The lead single, 'Relationships,' is the album's manifesto: 'I think I'm in love but I can't stand fucking relationships,' Danielle sings. Bickering and restlessness has her running a cost-benefit analysis on her beloved, and the music sounds as confused as she is, rotating from goofy hip-hop to plangent quiet storm to handclap-driven hoedown. Boomers loom in the background: 'Oh this can't just be the way it is / Or is it just the shit our parents did?' Really, it's not the shit her parents did—they're long married with three daughters. The narrator of this song, by contrast, sounds barely tethered, like a Mylar balloon on a fraying string. Which isn't to say she finds a serious relationship painless to sever. The album serves up the expected outpourings of post-breakup grief ('Cry,' whose elegant melody evokes Annie Lennox), anger ('Now It's Time,' which interpolates a pounding riff from U2's Zooropa), and horniness (the country romp 'All Over Me'). But its centerpiece tracks march from ambivalence to … a different kind of ambivalence. The excellent 'Down to Be Wrong' is the confession of someone defiantly leaving the life they've built, all the while maintaining a pit-in-the-stomach terror about the unknown. As the song builds from iciness to fieriness, Danielle conveys a belief in following your own desires—even if you don't fully understand what those desires are, much less where they'll take you. In moments like that, Haim's music attains a newfound sense of drama: the drama of experiencing life as a purely internal, self-directed struggle. The narrators of these songs don't worry about betraying an oath or straying from a traditional role; friends and family figure in only as concerned characters wondering whether their newly single buddy is okay. Everyone seems to agree that happiness, or at least liberation, is the noblest goal. But that prerogative to chase self-actualization at all costs brings with it the dread of failure, as heavy as the booming drums that ground the album's otherwise spry arrangements. At one point, Danielle quotes Bob Dylan in 1965: 'How does it feel to be on your own?' She's repeating a question asked at the dawn of a social revolution whose effects, sonic and spiritual, ripple ever onward.
Yahoo
an hour ago
- Yahoo
Chris Brown enters not guilty plea over alleged bottle attack at London club
The American singer and actor Chris Brown has pleaded not guilty to attempting to cause grievous bodily harm in an alleged bottle attack at a London nightclub. Brown, 36, is accused of attempting to unlawfully and maliciously cause Abraham Diaw grievous bodily harm with intent at the Tape club in Hanover Square, Mayfair. At a plea and trial preparation hearing at Southwark crown court on Friday morning, his co-defendant Omololu Akinlolu, a US national, denied the same charge. Both defendants are further charged with assaulting Diaw, occasioning him actual bodily harm in the incident, on 19 February 2023, and Brown also faces one count of having an offensive weapon – a bottle – in a public place. They were not asked to enter pleas to those charges, and a further court date was set for 11 July. A five- to seven-day trial was scheduled to start from 26 October 2026. Brown arrived at court at 9am to a large group of photographers outside and walked in silence to the building's entrance. About 20 people sat in the public gallery behind the dock, many of them fans of the singer. The Grammy-winning singer was arrested after flying into the UK for the Breezy Bowl XX tour. He was detained by police at about 2am on 15 May at the five-star Lowry hotel in Salford, Greater Manchester. Brown was able to continue with his scheduled international tour after he was freed on conditional bail having agreed to pay a £5m security fee to the court. He performed in Cardiff on Thursday night and is due to play two nights in London this weekend before heading to Manchester, Birmingham and Glasgow, followed by dates in Ireland and elsewhere in Europe.