
Napoleon's iconic bicorne hat and personal treasures expected to fetch millions in Paris
PARIS: After Hollywood's 'Napoleon' exposed the legendary emperor to a new generation, over 100 relics — which shaped empires, broke hearts and spawned centuries of fascination — are on display in Paris ahead of what experts call one of the most important Napoleonic auctions ever staged.
His battered military hat. A sleeve from his red velvet coat. Even the divorce papers that ended one of history's most tormented romances — with Josephine, the empress who haunted him to the end.
Two centuries after his downfall, Napoleon remains both revered and controversial in France — but above all, unavoidable. Polls have shown that many admire his vision and achievements, while others condemn his wars and authoritarian rule. Nearly all agree his legacy still shapes the nation.
'These are not just museum pieces. They're fragments of a life that changed history,' said Louis-Xavier Joseph, Sotheby's head of European furniture, who helped assemble the trove. 'You can literally hold a piece of Napoleon's world in your hand.'
From battlefields to boudoirs
The auction — aiming to make in excess of 7 million euros — is a biography in objects. The centerpiece is Napoleon's iconic bicorne hat, the black felt chapeau he wore in battle — with wings parallel to his shoulders — so soldiers and enemies could spot him instantly through the gunpowder haze.
'Put a bicorne on a table, and people think of Napoleon immediately,' Joseph said. 'It's like the laurel crown of Julius Caesar.'
The hat is estimated to sell for at least over half a million dollars.
For all the pageantry — throne, swords, the Grand Eagle of the Legion of Honor — the auction's true power comes from its intimacy. It includes the handwritten codicil of Napoleon's final will, composed in paranoia and illness on Saint Helena.
There is the heartbreakingly personal: the red portfolio that once contained his divorce decree from Josephine, the religious marriage certificate that formalized their love and a dressing table designed for the empress. Her famed mirror reflects the ambition and tragedy of their alliance.
'Napoleon was a great lover; his letters that he wrote are full of fervor, of love, of passion,' Joseph said. 'It was also a man who paid attention to his image. Maybe one of the first to be so careful of his image, both public and private.'
A new generation of exposure
The auction's timing is cinematic. The 2023 biopic grossed over $220 million worldwide and reanimated Napoleon's myth for a TikTok generation hungry for stories of ambition, downfall and doomed romance.
The auction preview is open to the public, running through June 24, with the auction set for June 25.
Not far from the Arc de Triomphe monument dedicated to the general's victories, Djamal Oussedik, 22, shrugged: 'Everyone grows up with Napoleon, for better or worse. Some people admire him, others blame him for everything. But to see his hat and his bed, you remember he was a real man, not just a legend.'
'You can't escape him, even if you wanted to. He's part of being French,' said teacher Laure Mallet, 51.
History as spectacle
The exhibition is a spectacle crafted by celebrity designer Jean-Charles de Castelbajac, famed for dressing Lady Gaga and Pope John Paul II.
'I wanted to electrify history,' Castelbajac said. 'This isn't a mausoleum, it's a pop culture installation. Today's collectors buy a Napoleon artifact the way they'd buy a guitar from Jimi Hendrix. They want a cabinet of curiosities.'
He's filled the show with fog, hypnotic music and immersive rooms. One is inspired by the camouflage colors of Fontainebleau. Another is anchored by Napoleon's legendary folding bed. 'I create the fog in the entrance of the Sotheby's building because the elements of nature were an accomplice to Napoleon's strategy,' the designer said.
Castelbajac, who said his ancestor fought in Napoleon's Russian campaign, brought a personal touch. 'I covered the emperor's bed in original canvas. You can feel he was just alone, facing all he had built. There's a ghostly presence.'
He even created something Napoleon only dreamed of. 'Napoleon always wanted a green flag instead of the blue, white, red tricolore of the revolution,' he said, smiling. 'He never got one. So I made it for Sotheby's.'
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Arab News
7 hours ago
- Arab News
Napoleon's iconic bicorne hat and personal treasures expected to fetch millions in Paris
PARIS: After Hollywood's 'Napoleon' exposed the legendary emperor to a new generation, over 100 relics — which shaped empires, broke hearts and spawned centuries of fascination — are on display in Paris ahead of what experts call one of the most important Napoleonic auctions ever staged. His battered military hat. A sleeve from his red velvet coat. Even the divorce papers that ended one of history's most tormented romances — with Josephine, the empress who haunted him to the end. Two centuries after his downfall, Napoleon remains both revered and controversial in France — but above all, unavoidable. Polls have shown that many admire his vision and achievements, while others condemn his wars and authoritarian rule. Nearly all agree his legacy still shapes the nation. 'These are not just museum pieces. They're fragments of a life that changed history,' said Louis-Xavier Joseph, Sotheby's head of European furniture, who helped assemble the trove. 'You can literally hold a piece of Napoleon's world in your hand.' From battlefields to boudoirs The auction — aiming to make in excess of 7 million euros — is a biography in objects. The centerpiece is Napoleon's iconic bicorne hat, the black felt chapeau he wore in battle — with wings parallel to his shoulders — so soldiers and enemies could spot him instantly through the gunpowder haze. 'Put a bicorne on a table, and people think of Napoleon immediately,' Joseph said. 'It's like the laurel crown of Julius Caesar.' The hat is estimated to sell for at least over half a million dollars. For all the pageantry — throne, swords, the Grand Eagle of the Legion of Honor — the auction's true power comes from its intimacy. It includes the handwritten codicil of Napoleon's final will, composed in paranoia and illness on Saint Helena. There is the heartbreakingly personal: the red portfolio that once contained his divorce decree from Josephine, the religious marriage certificate that formalized their love and a dressing table designed for the empress. Her famed mirror reflects the ambition and tragedy of their alliance. 'Napoleon was a great lover; his letters that he wrote are full of fervor, of love, of passion,' Joseph said. 'It was also a man who paid attention to his image. Maybe one of the first to be so careful of his image, both public and private.' A new generation of exposure The auction's timing is cinematic. The 2023 biopic grossed over $220 million worldwide and reanimated Napoleon's myth for a TikTok generation hungry for stories of ambition, downfall and doomed romance. The auction preview is open to the public, running through June 24, with the auction set for June 25. Not far from the Arc de Triomphe monument dedicated to the general's victories, Djamal Oussedik, 22, shrugged: 'Everyone grows up with Napoleon, for better or worse. Some people admire him, others blame him for everything. But to see his hat and his bed, you remember he was a real man, not just a legend.' 'You can't escape him, even if you wanted to. He's part of being French,' said teacher Laure Mallet, 51. History as spectacle The exhibition is a spectacle crafted by celebrity designer Jean-Charles de Castelbajac, famed for dressing Lady Gaga and Pope John Paul II. 'I wanted to electrify history,' Castelbajac said. 'This isn't a mausoleum, it's a pop culture installation. Today's collectors buy a Napoleon artifact the way they'd buy a guitar from Jimi Hendrix. They want a cabinet of curiosities.' He's filled the show with fog, hypnotic music and immersive rooms. One is inspired by the camouflage colors of Fontainebleau. Another is anchored by Napoleon's legendary folding bed. 'I create the fog in the entrance of the Sotheby's building because the elements of nature were an accomplice to Napoleon's strategy,' the designer said. Castelbajac, who said his ancestor fought in Napoleon's Russian campaign, brought a personal touch. 'I covered the emperor's bed in original canvas. You can feel he was just alone, facing all he had built. There's a ghostly presence.' He even created something Napoleon only dreamed of. 'Napoleon always wanted a green flag instead of the blue, white, red tricolore of the revolution,' he said, smiling. 'He never got one. So I made it for Sotheby's.'


Al Arabiya
9 hours ago
- Al Arabiya
Napoleon's World Is on Display for a Landmark Auction, From Divorce Papers to His Iconic Hat
After the Hollywood epic Napoleon exposed the legendary emperor to a new generation two years ago, over 100 relics – which shaped empires, broke hearts, and spawned centuries of fascination – are on display in Paris ahead of what experts call one of the most important Napoleonic auctions ever staged. His battered military hat. A sleeve from his red velvet coat. Even the divorce papers that ended one of history's most tormented romances – with Josephine, the empress who haunted him to the end. Two centuries after his downfall, Napoleon remains both revered and controversial in France – but above all, unavoidable. Polls have shown that many admire his vision and achievements, while others condemn his wars and authoritarian rule. Nearly all agree his legacy still shapes the nation. 'These are not just museum pieces. They're fragments of a life that changed history,' said Louis-Xavier Joseph, Sotheby's head of European furniture, who helped assemble the trove. 'You can literally hold a piece of Napoleon's world in your hand.' From battlefields to boudoirs, the auction – aiming to make in excess of 7 million euros (7.5 million) – is a biography in objects. The centerpiece is Napoleon's iconic bicorne hat, the black felt chapeau he wore in battle – with wings parallel to his shoulders – so soldiers and enemies could spot him instantly through the gunpowder haze. 'Put a bicorne on a table and people think of Napoleon immediately,' Joseph said. 'It's like the laurel crown of Julius Caesar.' The hat is estimated to sell for at least over half a million dollars. For all the pageantry – throne, swords, the Grand Eagle of the Legion of Honor – the auction's true power comes from its intimacy. It includes the handwritten codicil of Napoleon's final will, composed in paranoia and illness on Saint Helena. There is the heartbreakingly personal: the red portfolio that once contained his divorce decree from Josephine, the religious marriage certificate that formalized their love, and a dressing table designed for the empress. Her famed mirror reflects the ambition and tragedy of their alliance. 'Napoleon was a great lover; his letters that he wrote are full of fervor, of love, of passion,' Joseph said. 'It was also a man who paid attention to his image. Maybe one of the first to be so careful of his image, both public and private.' The auction's timing is cinematic. The recent biopic grossed over 220 million worldwide and reanimated Napoleon's myth for a TikTok generation hungry for stories of ambition, downfall, and doomed romance. The auction preview is open to the public, running through June 24, with the auction set for June 25. Not far from the Arc de Triomphe, a monument dedicated to the general's victories, Djamal Oussedik, 22, shrugged: 'Everyone grows up with Napoleon, for better or worse. Some people admire him, others blame him for everything. But to see his hat and his bed, you remember he was a real man, not just a legend.' 'You can't escape him even if you wanted to. He's part of being French,' said teacher Laure Mallet, 51. The exhibition is a spectacle crafted by celebrity designer Jean-Charles de Castelbajac, famed for dressing Lady Gaga and Pope John Paul II. 'I wanted to electrify history,' Castelbajac said. 'This isn't a mausoleum; it's a pop culture installation. Today's collectors buy a Napoleon artifact the way they'd buy a guitar from Jimi Hendrix. They want a cabinet of curiosities.' He's filled the show with fog, hypnotic music, and immersive rooms. One is inspired by the camouflage colors of Fontainebleau. Another is anchored by Napoleon's legendary folding bed. 'I create the fog in the entrance of the Sotheby's building because the elements of nature were an accomplice to Napoleon's strategy,' the designer said. Castelbajac, who said his ancestor fought in Napoleon's Russian campaign, brought a personal touch. 'I covered the emperor's bed in original canvas. You can feel he was just alone, facing all he had built. There's a ghostly presence.' He even created something Napoleon only dreamed of. 'Napoleon always wanted a green flag instead of the blue, white, and red tricolor of the revolution,' he said, smiling. 'He never got one. So I made it for Sotheby's.'


Al Arabiya
a day ago
- Al Arabiya
Movie Review: In '28 Years Later,' a Zombie Pandemic Rages On
Most movies are lucky to predict one thing. Danny Boyle's 2002 dystopian thriller '28 Days Later' managed to be on the cutting edge of two trends–albeit rather disparate ones: global pandemic and fleet-footed zombies. Add in Cillian Murphy, who had his breakout role in that film, and '28 Days Later' was unusually prognostic. While many of us were following the beginnings of the Afghanistan War and 'American Idol,' Boyle and screenwriter Alex Garland were probing the fragile fabric of society and the potentially very quick way, indeed, horror might come our way. Boyle always maintained that his undead–a far speedier variety of the slow-stepping monsters of George A. Romero's 'Night of the Living Dead'–weren't zombies at all but were simply the infected. In that film and its 2007 sequel '28 Weeks Later' (which Juan Carlos Fresnadillo helmed), the filmmakers have followed the fallout of the so-called rage virus, which emptied London in the first film and brought soon-dashed hopes of the virus' eradication in the second movie. Like the virus, the '28 Days Later' franchise has proven tough to beat back. In the new '28 Years Later,' Boyle and Garland return to their apocalyptic pandemic with the benefit of now having lived through one. But recent history plays a surprisingly minor role in this far-from-typical, willfully shambolic, intensely scattershot part three. The usual trend of franchises is to progressively add gloss and scale. But where other franchises might have gone global, '28 Years Later' has remained in the UK, now a quarantine region where the infected roam free and survivors–or at least the ones we follow–cluster on an island off the northeast of Britain connected to mainland by only a stone causeway that dips below the water at high tide. Boyle and cinematographer Anthony Dod Mantle, who innovatively employed digital video in '28 Days Later,' have also turned to iPhones to shoot the majority of the film. Boyle, the 'Slumdog Millionaire' 'Trainspotting' filmmaker, is an especially frenetic director to begin with, but '28 Years Later' is frequently, gratingly disjointed. It's a visual approach that, taken with the story's tonal extremes, makes '28 Years Later' an often bumpy ride. But even when Boyle's film struggles to put the pieces together, there's an admirable resistance to being anything like a cardboard cutout summer movie. The recent event that hovers over '28 Years Later' is less the COVID-19 pandemic than Brexit. With the virus quarantined on Britain, the country has been severed from the European continent. On the secluded Holy Island, 12-year-old Spike (Alfie Williams, a newcomer with some sweetness and pluck) lives with his hunter father, Jamie (Aaron Taylor-Johnson), and bedridden mother, Isla (Jodie Comer). The scene, with makeshift watchtowers and bows and arrows for weapons, is almost medieval. Jamie, too, feels almost like a knight eager to induct his son into the village's ways of survival. On Spike's first trip out off the island, his father–nauseatingly jocular–helps him kill his first infected. Back inside the village walls, Jamie celebrates their near scrapes and exaggerates his son's coolness under pressure. Other developments cause Spike to question the macho world he's being raised in. 'They're all lyin', Mum,' he says to his mother. After hearing of a far-off, supposedly deranged doctor whose constant fires mystify the townspeople, Spike resolves to take his mother to him in hopes of healing her unknown illness. Their encounters along the way are colorful. Ralph Fiennes plays the doctor, orange-colored when they encounter him; Edvin Ryding plays a Swedish NATO soldier whose patrol boat crashed offshore. Meanwhile, Comer is almost comically delusional, frequently calling her son 'Daddy.' And the infected? One development here is that while some remain Olympic-worthy sprinters, other slothful ones, nicknamed 'Slow-Lows,' crawl around on the ground rummaging for worms. Buried in here are some tender reflections on mortality and misguided exceptionalism, and even the hint of those ideas makes '28 Years Later' a more thoughtful movie than you're likely to find at the multiplex this time of year. This is an unusually soulful coming-of-age movie considering the number of spinal cords that get ripped right out of bodies. It's enough to make you admire the stubborn persistence of Boyle in these films, which he's already extending. The already-shot '28 Days Later: The Bone Temple' is coming next, near from director Nia DaCosta, while Boyle hopes '28 Years Later' is the start of trilogy. Infection and rage, it turns out, are just too well suited to our times to stop now. '28 Years Later,' a Sony Pictures release, is rated R by the Motion Picture Association for strong bloody violence, grisly images, graphic nudity, language and brief sexuality. Running time: 115 minutes. Two stars out of four.