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'Squid Game' season 3 final trailer hints at the darkest season yet — here's 3 major things I noticed

'Squid Game' season 3 final trailer hints at the darkest season yet — here's 3 major things I noticed

Tom's Guide5 days ago

I have to admit, watching the final 'Squid Game' season 3 trailer hit me harder than I expected. After all the twists, heartbreak, and chaos over the past two seasons, I thought I was mentally prepared for whatever this show could throw at us. Spoiler alert: I wasn't.
The trailer doesn't just tease new games or violence but it also dives deep into the emotional fallout that's been simmering beneath the surface, especially for Gi-hun (Lee Jung-jae), who looks completely unravelled. If you've been following 'Squid Game' from the start, you know it's never just about the competition.
This final teaser ratchets all the tension up to eleven, showing us a Gi-hun who's no longer just a survivor, but a man haunted by his past and consumed by anger. We'll get to see how this all plays out on Netflix starting June 27, 2025.
In this trailer, we get glimpses of mysterious new game styles including a maze-like challenge, ominous rope-jumping (with that eerie doll again), and team splits by color gumballs.
The emotional stakes in the trailer are raised even higher by a heartfelt monologue from Geum‑ja (Player 149), who asks, 'Are you blaming yourself…?' This simple question reflects the heavy burden of guilt and regret that many players carry, making this moment one of the most powerful and humanizing glimpses we've seen so far in 'Squid Game' season 3.
Most strikingly, Netflix included a brief montage of the previous seasons, which instantly makes this final chapter feel much more bittersweet. After watching the trailer a few times, I picked up on three key details that really stood out.
In the trailer, the VIPs make only a brief appearance, shown seated around a luxurious dinner table being served elaborate dishes. The scene is strikingly understated since there's no dramatic spotlight or extended focus on them, which feels intentionally mysterious.
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This subtle reintroduction does, however, feel deliberate, as if the showrunners are building suspense around their role rather than spelling it out. I wouldn't be surprised if they were orchestrating something far more sinister than previous seasons — possibly expanding the games on a global scale or becoming more hands-on in controlling the chaos.
Unlike their previous role as distant spectators indulging in grotesque entertainment, the VIPs' return might mean they are now active players in the unfolding nightmare. Gi-hun and his friends will have to pull off something incredible to stop these powerful figures and end the games for good.
First teased in the post-credits scene of season 2, Chul-su is believed to be a male counterpart to Young-hee — the creepy animatronic girl who presided over the unforgettable Red Light, Green Light game.
Though we never get another look at Chul-su in the trailer, there's a blink-and-you'll-miss-it moment that strongly hints at his role in a new game: an ominous jump rope setup that looks anything but innocent.
Early fan theories speculated that Chul-su and Young-hee might be part of a deadly 'train' game based on the Trolley Problem (which would have the two dolls pretending to be the trains, while the players are forced to lie in their paths).
But from what we see now, it turns out the challenge is likely a warped take on jump rope instead. Still, the presence of both dolls suggests it could involve more than just physical coordination.
One of the most immediate (but obvious) takeaways from the final trailer is just how different Gi-hun looks. Gone is the dazed survivor barely holding it together because what we see now is someone visibly fractured, yet burning with purpose. But it's that exact determination that has fans like me worried.
Some viewers are speculating on Reddit that he might sacrifice himself to save Jun-hee's (Jo Yu-ri) baby, or rather, save all of his friends in a final heroic act. While it seems totally plausible (and realistic) that he would die doing something good, I'm not sure whether the showrunners would actually go through with it considering he's such a beloved character.
However, with his vow to 'put an end to it,' the implication is clear: Gi-hun may be ready to give everything, including his life, if it means stopping the cycle of death once and for all. Whether or not that happens, the emotional groundwork is being laid, and it hurts already.

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The Creator of Scream Has a New Netflix Hit. It's Salty, Soapy, and Fully Adult.
The Creator of Scream Has a New Netflix Hit. It's Salty, Soapy, and Fully Adult.

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  • Yahoo

The Creator of Scream Has a New Netflix Hit. It's Salty, Soapy, and Fully Adult.

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The 8 Best Harlan Coben Books, Ranked
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Yahoo

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The 8 Best Harlan Coben Books, Ranked

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Armani's global aesthetic shines in bohemian Emporio Armani show, though designer misses Milan bow
Armani's global aesthetic shines in bohemian Emporio Armani show, though designer misses Milan bow

San Francisco Chronicle​

time2 hours ago

  • San Francisco Chronicle​

Armani's global aesthetic shines in bohemian Emporio Armani show, though designer misses Milan bow

MILAN (AP) — Giorgio Armani's admiration for other cultures and global aesthetic was on full display at his latest Emporio Armani show, but the designer himself was notably absent. Armani, 90, skipped the customary bow at the Emporio Armani menswear preview for Spring-Summer 2026 during Milan Fashion Week on Saturday, as he recovers at home. His fashion house confirmed his convalescence in advance but did not provide details about his condition. Despite his absence, Armani was deeply involved in shaping the collection, his fashion house said, working closely with Leo Dell'Orco, his longtime menswear director, who took the final bow. Normally, Armani would have posed with the models at the end of the show — another signature moment missing. Bohemian cool for the world traveler The Emporio Armani collection carried a free-spirited, Bohemian air — a vision for the youthful adventurer who balances comfort with style, ornament with utility. Models sported braids or silver beads in their hair, and layered accessories: beaded necklaces, charms, tassels, and fringes. Jackets ranged from softly tailored with sweeping scarf collars — ideal for wind and sun protection — to intricately detailed styles with feather-light touches or loose weaves. Crafted textures and nomadic vibes Natural fabrics like crepe and linen, often left rough to the touch, contrasted with silky prints inspired by Moroccan mosaics. Trousers varied from gently pleated to dramatically ballooned, paired with long, embroidered tunics. The traveler's ensemble was completed with crossbody bags, tapestry duffels, vintage-style suitcases, woven slippers, and straw hats worn low over the eyes, conjuring the image of a man journeying through sun-soaked lands. A sporty take on desert looks For the EA7 Emporio Armani line — his sporty offshoot — Armani leaned into more technical textiles. A desert-inspired capsule collection played out against a soundtrack of howling wind, echoing the stark and elemental feel of the clothes as the models strode through the showroom, which was decorated with sheer curtains. A tribute to Armani's aesthetic origins The show notes described the collection as 'a moment of introspection and identity. Not to pause in contemplation, but to channel new energy into moving forward, while conscious of one's own origins.' Armani returns to 'shapes and attitudes that have always been present, returning to a founding principle of his aesthetic: A genuine interest in other cultures,'' the notes said. Front-row guests included Olympic champion sprinter Marcell Jacobs, actors André Lamoglia, from the Netflix series 'Elite," and Michael Cooper Jr., currently starring in the Netflix series 'Forever,'' and NBA players Kawhi Leonard of the Los Angeles Clippers and Anthony Black of the Orlando Magic.

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