Resident Evil 9 Lets You Swap Between First-Person And Third-Person Whenever You Want
Resident Evil Requiem, aka the game we are all going to refer to as Resident Evil 9, was revealed during last week's Summer Game Fest. The trailer didn't confirm what perspective Requiem will use, but now we know via a hands-off demo that when Capcom's latest horror game arrives in February 2026, it will feature both a first-person and third-person option.
At Summer Game Fest, Kotaku's Kenneth Shepard attended a hands-off demo of Resident Evil Requiem, which featured a new character, Grace Ashcroft, strapped to a gurney in a decrepit and dirty hospital. We saw Grace in the game's first trailer. During the demo, she escaped from the building, found a lighter, and used a fuse to solve a puzzle. Eventually, without a weapon to defend herself, she ran into some creepy monsters. That's where the demo ended. All in all, pretty standard Resident Evil stuff! The entire demo up to this point was in first-person, similar toResident Evil 7 and Village. But then, at the very end, Capcom reloaded a save file and paused Requiem. They then switched to third-person for a moment before ending the demo.
So we didn't get to see a ton of gameplay in that perspective, but it's clear that Capcom wants everyone to know that this time around, you'll be able to swap between first-person and third-person whenever you want. This is a departure from recent Resident Evil games, which have been first-person only. Some longtime Resident Evil fans didn't like this, and Capcom even added a third-person mode in Village after launch. Requiem launching with this is a big deal and a sign that Capcom is listening to longtime fans, even as it continues to experiment with its long-running series.
Resident Evil Requiem launches on PS5, Xbox Series X/S, and PC on February 27, 2026.
.
For the latest news, Facebook, Twitter and Instagram.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Hamilton Spectator
2 hours ago
- Hamilton Spectator
Montreal's Canada Day parade cancelled for a second year in a row, organizer says
MONTREAL - Montreal has cancelled its once-annual Canada Day parade for the second time in as many years, event organizers announced this week. Chief organizer Nicolas Cowen announced the decision in a news release, citing a number of reasons for the cancellation including potential municipal worker job action, difficult relations with city departments and planning problems. It's the second consecutive year in which Montreal won't have a parade — an event that began in 1977. Thursday's announcement came less than two weeks before Canada Day. 'We understand this news is disappointing to many, especially the families, performers, volunteers, and attendees who look forward to this cherished tradition,' organizers said in a Facebook post. 'The parade has not only been a celebration of Canada but a proud reflection of Montreal's diversity, resilience, and community spirit.' Cowen blamed red tape and politics for the 2024 cancellation, citing issues in securing permits and funding and getting approval from government officials. When the event was last held in 2023, Cowen said he was forced to complete some sets of paperwork multiple times and find 148 last-minute volunteers to satisfy city rules. The event was also cancelled between 2020 and 2022 during the COVID-19 pandemic. Cowen said the parade has become increasingly difficult to organize without disruptions in recent years. According to organizers, the event draws 120,000 spectators. Cowen said he remains hopeful he can mend ties with the city and the parade can return. 'With its cancellation, not only does the city lose a major tourism draw, but Canadian culture itself takes a hit on one of the most important national holidays,' organizers said. A City of Montreal spokeswoman disputes the assertions, saying the organizer failed to submit a project proposal for the parade. 'As was the case last year, the promoter of the Canada Day parade, Nicholas Cowen, did not submit a project application to the City of Montreal, despite the city inviting him to do so on several occasions,' Nicky Cayer said in an email. Cayer says Canada on the Move, a brand new festival, did get a permit and the July 1 free event includes 13 totems — one for each province and territory — over a 1.2 kilometre route through historic Old Montreal. An official annual event at Montreal's Old Port will also go ahead as usual at the Quai de l'Horloge. This report by The Canadian Press was first published June 21, 2025.


San Francisco Chronicle
4 hours ago
- San Francisco Chronicle
The finale after the finale: S.F. Symphony Chorus shines in Verdi's Requiem
Like a baseball game rescheduled after a rainout, there was one more concert on the San Francisco Symphony's season calendar after last week's grand finale with outgoing Music Director Esa-Pekka Salonen. The orchestra staged its makeup performance of Verdi's Requiem on Friday, June 20, a concert that was canceled during the Symphony Chorus' strike in September last year. James Gaffigan generously stepped in to conduct the work, which Salonen would have led in the fall. The program is slated to be repeated on Sunday, June 22, at Davies Symphony Hall. After its extraordinary contributions to Salonen's farewell performance of Gustav Mahler's Symphony No. 2, the Chorus showed it was worth every penny of the anonymous $4 million gift made in the months following the strike. The singers came to the fore not just in the 90-minute Requiem, normally programmed by itself, but in a first part that included three choral pieces by Gordon Getty, himself a generous donor to the Symphony (and a co-founder of San Francisco Classical Voice). Getty's works are genial, melodic and accessible, and Gaffigan, a friend of the composer, led them deftly and with evident care. The Intermezzo from Getty's 2017 opera 'Goodbye, Mr. Chips' begins delicately, with spare lines in the marimba giving way to the harp, then acquiring a more definitive melodic profile in the strings. It's a meditative piece that finds an unexpected climax when the choristers interject a school hymn, almost as if overhead from afar. The Chorus also gave fine performances of 'Saint Christopher' (2024), which features effective writing for voices, and 'The Old Man in the Snow' (2020), a more substantial work in several sections that Getty skillfully sets apart with different instrumentation, including a trombone choir, keyboards and mallet percussion. If the performance of the piece as a whole lacked finesse, their contributions were nonetheless stellar. The singing was artful, from the opening 'Requiem aeternam,' with the sound humming in the air through the nasal consonants, to the explosive 'Dies irae' and the stentorian 'Rex tremendae.' The women made a luminous entrance in the 'Lacrimosa' at the line 'Huic ergo parce, Deus' (Therefore spare him, O Lord), and the whole chorus concluded with the fearful declamation and hortatory final fugue of the 'Libera me.' The singers encompassed the range of Verdi's writing in finely balanced sound that pulled emotion from every chord change. Gaffigan's conducting, however, emphasized drive and the titanic climaxes while shorting the Requiem's poetic side. Certainly, this is a public religious work, conceived as a memorial to Italian art — first to the composer Gioachino Rossini and then, when that initial plan fell through, to author Alessandro Manzoni. But it's not only theatrical. This interpretation was driven by inflexible tempos and a sameness to all of the climaxes and fortissimo outbursts that ultimately became wearing. Though the orchestra played well, earning deserved applause, the performance was missing a sense of transcendence and the overarching struggle of mourning and fear giving way to tranquility and acceptance. The soloists — soprano Rachel Willis-Sørenson, mezzo-soprano Jamie Barton, tenor Mario Chang and bass Morris Robinson — were generally excellent. The notable exception was Chang's effortful 'Ingemisco' prayer, sung without any bloom in the tone and generally unresonant and unconvincing. The violins joined Willis-Sørenson in a moving 'Sed signifer sanctus Michael' (Let the standard-bearer holy Michael), the soprano singing sweetly in one of the score's many standout lyrical moments. If there had been more of those, this Requiem would have been even better.
Yahoo
5 hours ago
- Yahoo
《魔物獵人 荒野》更新文字從複數魔物變單數也能吵?網:以前就是這樣了
Capcom(卡普空)《魔物獵人 荒野》(Monster Hunter Wilds)官方日前宣布,將在 6 月底帶來新魔物的加入,並且首次曝光了「海龍」的一部分截圖。然而最近 Capcom 釋出的更新時程圖中,卻被發現原本預告的魔物是用「複數」,在最新圖片卻變成了「單數」? 相關新聞:《魔物獵人荒野》Steam已跌落「大多負評」,兩大怨言成主因 相關新聞:海龍要來!《魔物獵人 荒野》宣布6月底第2次免費更新,玩家笑稱:就一隻新魔物? 今年 6 月 10 日時,《魔物獵人 荒野》官方英文 X(推特),宣布第二次免費更新將在 6 月底推出,並貼上了「海龍」的一部分截圖。其中在提到新魔物時,用的是「new monsters」,加入了「s」代表複數,讓許多玩家非常期待。 Hunters, Free Title Update 2 will release at the end of this month!We're excited to share with you that TU2 will release at the end of June, bringing new monsters to the hunt, plus layered weapons and other adjustments and improvements announced in the Director's Letter! — Monster Hunter (@monsterhunter) June 10, 2025 然而時間到了 6 月 15 日時,Capcom 再次提醒玩家 6 月底的更新,但附上的更新時程圖中,魔物卻變成了「Monster」,也就是單數的意思,引起部分玩家的討論:「現在"Monster"沒有加"s"了」、「拜託是真的新 Monster"S"。每隔 2、3 個月才一隻新魔物太無聊了」 不過回應中,也有其他人指出,先前《魔物獵人 荒野》公告只要是圖片都不會是複數,只有文字才會加上「s」,原本第一次更新說 1 隻 8 星歷戰王,最後也更新了 5 隻。甚至還有網友貼出挖掘檔案後的發現,貌似不會只有海龍出現,或許是 Capcom 還在藏。 ICYMI, #MHWilds Free Title Update 2 will release by the end of June! Stay tuned for more details to come. — Monster Hunter (@monsterhunter) June 14, 2025