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Glenn Close and Billy Porter cast in The Hunger Games: Sunrise on the Reaping, Entertainment News

Glenn Close and Billy Porter cast in The Hunger Games: Sunrise on the Reaping, Entertainment News

AsiaOne4 days ago

Glenn Close and Billy Porter have been cast in The Hunger Games: Sunrise on the Reaping.
The Fatal Attraction actress has signed up to play Drusilla Sickle, the cruel escort to the tributes of District 12, while Billy will play her estranged husband Magno Stift, who serves as the contestants' uninspired designer.
News of their casting was confirmed during Lionsgate's presentation at CineEurope.
It follows the recent news that Succession actor Kieran Culkin will appear in the film as Caesar Flickerman — the character first played by Stanley Tucci in the original Hunger Games films.
Joseph Zada will lead the flick as Haymitch Abernathy — previously portrayed by Woody Harrelson — with Whitney Peak set to portray his girlfriend, Lenore Dove Baird.
Meanwhile, Maya Hawke will play Wiress — the former Hunger Games champion who now serves as a mentor for those in District 12 — while Mckenna Grace has been cast as District 12 Tribute Maysilee Donner.
Jesse Plemons, Kelvin Harrison Jr and Karate Kid: Legends star Ben Wang have also joined The Hunger Games: Sunrise on the Reaping, and will portray Plutarch Heavensbee, Beetee and District 12 Tribute Wyatt Callow, respectively.
Rounding out the cast is Ralph Fiennes, who has signed on to play President Coriolanus Snow — the role previously held by the late Donald Sutherland in the original Hunger Games movies and Tom Blyth in the 2023 prequel The Ballad of Songbirds and Snakes.
In a statement, producer Nina Jacobson said: "We wanted to honour Donald Sutherland by having one of this generation's greatest actors play President Snow 24 years before Katniss Everdeen entered the arena.
"Working with Ralph has been on my bucket list since he traumatised me for life in Schindler's List. It's genuinely a thrill to welcome him to the Hunger Games."
The Hunger Games: Sunrise on the Reaping is set to be directed by Francis Lawrence, who will be working from a script written by Billy Ray.
The blockbuster is being produced by Nina Jacobson and Brad Simpson of Color Force, with Cameron MacConomy serving as executive producer.
The flick is scheduled to hit cinemas in November 2026.
The Hunger Games: Sunrise on the Reaping will be an adaptation of Suzanne Collins' 2025 novel of the same name, and is the second instalment of the author's Hunger Games prequel trilogy.
Set 24 years before The Hunger Games, Sunrise on the Reaping follows 16-year-old Haymitch Abernathy as he's thrust into the brutal 50th Hunger Games, where twice the tributes mean twice the bloodshed.
As he fights to survive, Haymitch begins to uncover the Capitol's darkest secrets — and the true price of rebellion.
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Glenn Close and Billy Porter cast in The Hunger Games: Sunrise on the Reaping, Entertainment News
Glenn Close and Billy Porter cast in The Hunger Games: Sunrise on the Reaping, Entertainment News

AsiaOne

time4 days ago

  • AsiaOne

Glenn Close and Billy Porter cast in The Hunger Games: Sunrise on the Reaping, Entertainment News

Glenn Close and Billy Porter have been cast in The Hunger Games: Sunrise on the Reaping. The Fatal Attraction actress has signed up to play Drusilla Sickle, the cruel escort to the tributes of District 12, while Billy will play her estranged husband Magno Stift, who serves as the contestants' uninspired designer. News of their casting was confirmed during Lionsgate's presentation at CineEurope. It follows the recent news that Succession actor Kieran Culkin will appear in the film as Caesar Flickerman — the character first played by Stanley Tucci in the original Hunger Games films. Joseph Zada will lead the flick as Haymitch Abernathy — previously portrayed by Woody Harrelson — with Whitney Peak set to portray his girlfriend, Lenore Dove Baird. Meanwhile, Maya Hawke will play Wiress — the former Hunger Games champion who now serves as a mentor for those in District 12 — while Mckenna Grace has been cast as District 12 Tribute Maysilee Donner. Jesse Plemons, Kelvin Harrison Jr and Karate Kid: Legends star Ben Wang have also joined The Hunger Games: Sunrise on the Reaping, and will portray Plutarch Heavensbee, Beetee and District 12 Tribute Wyatt Callow, respectively. Rounding out the cast is Ralph Fiennes, who has signed on to play President Coriolanus Snow — the role previously held by the late Donald Sutherland in the original Hunger Games movies and Tom Blyth in the 2023 prequel The Ballad of Songbirds and Snakes. In a statement, producer Nina Jacobson said: "We wanted to honour Donald Sutherland by having one of this generation's greatest actors play President Snow 24 years before Katniss Everdeen entered the arena. "Working with Ralph has been on my bucket list since he traumatised me for life in Schindler's List. It's genuinely a thrill to welcome him to the Hunger Games." The Hunger Games: Sunrise on the Reaping is set to be directed by Francis Lawrence, who will be working from a script written by Billy Ray. The blockbuster is being produced by Nina Jacobson and Brad Simpson of Color Force, with Cameron MacConomy serving as executive producer. The flick is scheduled to hit cinemas in November 2026. The Hunger Games: Sunrise on the Reaping will be an adaptation of Suzanne Collins' 2025 novel of the same name, and is the second instalment of the author's Hunger Games prequel trilogy. Set 24 years before The Hunger Games, Sunrise on the Reaping follows 16-year-old Haymitch Abernathy as he's thrust into the brutal 50th Hunger Games, where twice the tributes mean twice the bloodshed. As he fights to survive, Haymitch begins to uncover the Capitol's darkest secrets — and the true price of rebellion. [[nid:719140]]

Billionaire fatigue: When ridicule is all we have left
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Business Times

time4 days ago

  • Business Times

Billionaire fatigue: When ridicule is all we have left

JUN 6 will go down in my personal history as the first time in 2025 that the news made me smile. Like countless other non-billionaires that day, I had watched, my glee and eyebrows reaching increasing heights, as two billionaires slagged each other off on social media in an intermittently all-caps brawl that culminated gloriously in a since-deleted post name-checking a paedophile. Even as our incredulity about how billionaires conduct themselves has soared this year, our regard for them has never been lower, it seems. There is no study to prove this (no billionaire will fund it), but a new movie, Mountainhead – by Jesse Armstrong of Succession fame – savagely encapsulates our growing contempt for the three-comma club. The film, released last month, revolves around four wealthy friends who are holed up together at a mountain retreat as the world descends into chaos caused by artificial intelligence-generated disinformation being spread through one of the quartet's social media platforms. As these desperately fallible men plot to salvage and exploit the situation, they unravel – both individually and collectively. Watching that is half the fun. BT in your inbox Start and end each day with the latest news stories and analyses delivered straight to your inbox. Sign Up Sign Up The other half is guessing which real-life billionaires the characters are composite depictions of. Armstrong leaves plenty of clues to this end, the characters' dialogue littered with phrases like 'first principles' and 'steel-manning your argument' serving as the obnoxious and frequently used shibboleths of a rather specific circle of tech brotherhood. (First principles prevent me from naming any names.) Somewhere between the earthbound Occupy Wall Street movement and some billionaires' space-bound ambitions, our attitude towards the disproportionately rich and powerful has curdled from envious emulation into resentful derision. 'We're a hundred per cent in the Age of the Pathetic Billionaire,' The New Yorker's Alexandra Schwartz said in a discussion of Mountainhead on the publication's Critics at Large podcast, earlier this month. 'I think that our class of billionaires…some of them…care very much about how the public sees them,' Schwartz said. 'And to win certain kinds of public approval, they try to pass themselves off as cool. I think the yearning to be seen as cool, which is itself a fundamentally pathetic quality, is only more pathetic when you're one of the richest people in the world.' If appearing cool has indeed been the intent of our most visible billionaires, I cannot think of a more unsuccessful campaign since Napoleon's invasion of Russia. Instead, the chattering classes are doubled over at the profound un-coolness of a billionaire face-planting outside his own space capsule, or of one pasty plutocrat challenging another to a cage fight. But if our laughter sounds like it has a tinny, hollow ring to it, you aren't imagining it. It is our remaining refuge – ridicule as an ineffectual coping mechanism while we helplessly watch the uber-wealthy influence election outcomes, gut government departments and manipulate the lens through which we, well, helplessly watch. There was a time when we were sick and tired of all this venality. Now, we're just tired. In Mountainhead, the tech bros ultimately redistribute their wealth – but only among themselves – before going their separate ways, having learnt nothing. At least Napoleon knew when he had overreached. Our real-life billionaires seem convinced that they are just getting started. They might provide plenty of fodder for laughter along the way, but the joke will be on us.

Musical Maybe Happy Ending wins six Tony awards
Musical Maybe Happy Ending wins six Tony awards

Straits Times

time09-06-2025

  • Straits Times

Musical Maybe Happy Ending wins six Tony awards

The triumph of a show with a puzzling title and tough-to-explain themes was a vote of confidence in originality. PHOTO: REUTERS NEW YORK – Maybe Happy Ending, a stirring Broadway musical about two discarded robots who go on a road trip and forge a relationship, won the coveted Tony for best musical on June 8, capping a remarkable journey for a show that faced long odds but won over both critics and fans. The triumph of a show with a puzzling title and tough-to-explain themes was a vote of confidence in originality by an industry often dominated by big-brand intellectual property and big-name Hollywood stars. The musical's prize capped a night in which Broadway rewarded adventurous newcomers: Sarah Snook, the Succession (2018 to 2023) star who played 26 roles in a technologically complicated adaptation of The Picture of Dorian Gray (2025); Nicole Scherzinger, the former member of The Pussycat Dolls who, barefoot and bloodied, delivered a scorching performance in a revival of Sunset Boulevard (2024 to 2025); and Cole Escola, an alt-cabaret performer who imagined Mary Todd Lincoln as an alcoholic who longs to be a chanteuse and turned that zany idea into the hit play Oh, Mary! (2024). The awards were spread out among a diverse array of shows. Maybe Happy Ending, set in a futuristic South Korea, won a night-leading six awards, and Buena Vista Social Club (2025), a musical set in Cuba, finished with four competitive prizes. The awards show took place as Broadway seems finally to be rebounding after a damaging pandemic shutdown. The season that just ended was the highest grossing on record when the figures are not adjusted for inflation. But attendance remains slightly below pre-pandemic levels and very few musicals are achieving profitability. The season's success was attributable in large part to three starry plays whose runs are now ending: Good Night, and Good Luck (2025), Othello (2025) and Glengarry Glen Ross (2025). NYTIMES Join ST's Telegram channel and get the latest breaking news delivered to you.

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