The Best Albums of 2025, So Far
From Central Cee and Little Simz to Miley Cyrus and Xzibit, we parse through the best music of 2025.
We are halfway through 2025, and what a year it's been so far.
If anything, it's been a year of firsts: PSG finally took home the coveted Champions League crown — all without Messi, Neymar, or Mbappé — Tottenham won a trophy (OK maybe not a first, but a first in a long while), and Naomi Girma became the first million-dollar women's footballer when she joined Chelsea. Oh, and the revamped and expanded Club World Cup is underway.
Advertisement
It's been a bit less 'first' centric in the music world, however.
Kendrick Lamar is dominating the summer with his Grand National tour, but, after 'Not Like Us' was inescapable last year, we don't exactly have a song of the summer for 2025. A year out from K.Dot's beef with Drake, is it safe to say the closest thing we have to a summer anthem is 'Nokia?' C'mon, it is seriously infectious.
Besides those two superstars, other artists from across the world have put their mark on 2025. Little Simz and Central Cee are holding it down for the United Kingdom while we await albums from Dave and Skepta. Stateside, we got a surprise announcement that Clipse is releasing a new project, which will certainly feed the streets, and we are patiently waiting for projects from a range of artists, including AmirSaysNothing and A$AP Rocky.
Advertisement
Even though anticipation is high for what the rest of the year has to offer, there has been a variety of music, from Memphis rap to pop-rock, that has impressed us through June.
Here's Urban Pitch's best albums of 2025 so far…
Little Simz — Lotus
Little Simz reasserted herself as one of the preeminent artists in today's music landscape with her new album, Lotus. She has always experimented with sound and her latest offering is a blend of alternative rock, fierce bars, and soulful piano all with the theme of blooming from the mud.
She made this statement without her good friend and right-hand producer, Inflo. Together, they crafted incredibly artful projects, including her Mercury Prize-winning album, Sometimes I Might Be Introvert, and its follow up, No Thank You. Earlier this year, Little Simz sued Inflo over a $2.2 million loan he didn't repay.
Simz' pain at the broken friendship is evident throughout Lotus. It's clear 'Thief' is dedicated to the betrayal and the musical conversation. 'Blood' with fellow British MC Wretch 32 is about a falling out with a brother figure. The line 'You're not for the culture, you're just for the cult' on 'Hollow' is especially scathing.
Advertisement
There's also no Cleo Sol, another frequent collaborator and Inflo's wife, on Lotus either. The singer and Little Simz created bright moments like 'Woman' and 'Selfish,' but the features on the new album were still plenty strong.
Nigerian singer Obongjayar, who also assisted her with the critically-acclaimed 'Point and Kill,' appears on two tracks, including the riveting 'Flood.' 'Blue' with the one and only Sampha touches the heart. The love song 'Only' with Lydia Kitto is lighthearted and, combined with the playful 'Young,' they bring balance to the heaviness of the album. The single 'Free' remains the firm beacon of hope. That's what makes Little Simz so magical is that even though she has been through so much, including racism, sexism and the betrayal of a friend, she maintains the brightest of smiles while assuring fans that if she can come out on top, they can too.
Xzibit — Kingmaker
The King is back! Xzibit released his first album in more than a decade in the form of Kingmaker. The project is thoughtful and fierce as the West Coast veteran reflects on the importance of keeping real ones in your circle and dominating your space while staying grounded by family and faith.
Advertisement
The production is signature West Coast (DJ Battlecat's beat for 'Shut Yo Mouth' is iconic) sprinkled with cinematic soundscapes, reflective reverbs and a bit of jazz. There's a variety of guests, including Dr. Dre, Busta Rhymes, Ice Cube, Compton Av, JasonMartin, Lorine Chia, and X's fellow Serial Killers member B-Real. Jenn Em's smooth vocals bring 'Been a Long Time Pt. 2' to a lighter place as Xzibit confronts those who called his career over. Tre Capital, Xzibit's son, is featured on 'End of the Day' for his first official placement on one of his dad's albums and he brings his own vulnerability to elevate the project.
The title track and album closer showcases Xzibit rapping with a fierce hunger to share his message. It's clear that this music isn't for himself, but for others who need to hear encouragement to live in their own sense of purpose and peace. It's quite a beautiful thing.
Aminé — 13 Months of Sunshine
Aminé released his first solo album since 2021's TWOPOINTFIVE, and the Portland, Oregon artist delivered. Showcasing how he's grown creatively from his breakout hit, 2017's 'Caroline,' Aminé presents 13 Months of Sunshine as 16 tracks of groovy goodness and a tribute to his Ethiopian heritage.
Advertisement
The African country utilizes the slogan to let the world know summer doesn't stop there. There are clips of Aminé's father offering life lessons throughout the project that make it extra heartfelt. The singles 'Vacay,' 'Arc De Triomphe' and 'Familiar' are all here. But 'Feels So Good' lives up to its name and 'Be Easier On Yourself' is a reminder to self — and to others — to do just that. 'Doing The Best I Can' is a standout track where Aminé's father talks about his effort to lead the family and the artist then offers his own reflection on the sentiment over a stripped down piano track. The album might feel a little literal, but sonically it's engaging and overall it's uplifting, exactly what sunshine is supposed to do.
Miley Cyrus — Something Beautiful
Miley Cyrus' artistry has gone through many phases from her Hannah Montana days to her pop reign and her brief foray into hip-hop all while holding onto her country roots, but she seems to have found confidence in embracing the unexpected on Something Beautiful. The album comes off 2023's Endless Summer Vacation that featured the anthem 'Flowers' and reflective 'Used To Be Young.'
Advertisement
The new project is pure drama and is bolstered by instrumental moments that don't just fill space, but create clear emotions as Cyrus showcases how she's embraced the fact that she doesn't fit into a box. The transitions are immaculate as the album weaves between genres.
The title track is jazz-infused with horns and a gentle bass line that is interrupted by crashing guitar riffs as Cyrus declares her obsession for a love interest. There is a clear '80s pop influence with braggadocious synth-heavy tracks like 'Walk of Fame' and 'Every Girl You've Ever Loved,' which comes with a superstar appearance from Naomi Campbell. 'Easy Lover' has a tinge of blues as Cyrus wrestles with affection that is equal parts addicting and toxic. She bares her soul on the snappy 'Golden Burning Sun' where she daydreams about a lover and 'More To Lose' draws listeners in when she relatably croons 'My tears are streamin' like our favoritе show tonight, tonight / Memories fade likе denim jeans.'
Something Beautiful is a thrilling sonic journey that is a raw singular journey that also invites others to be our own beautiful selves no matter what that definition might be.
Bad Bunny — DeBÍ TiRAR MáS FOToS
Bad Bunny made DeBÍ TiRAR MáS FOToS as a tribute to his Puerto Rican heritage. The album title translates to 'I should have taken more photos' and is about capturing moments. Benito traded in commercial pop sensibilities for a return to his roots and the musical voyage is utterly contagious.
Advertisement
The opener, 'NUEVAYoL,' is an immediate departure from his signature sound and jumps into a fiery salsa, but it invites the listener into who he is as an artist and bridges the gap between the concrete jungle of New York and the bright playas of Puerto Rico. It's not long before 'VOY A LLeVARTE PA PR' features reggaeton and draws listeners in with repeated lines like 'Voy cazando y muero perreando,' a reference to pioneering Puerto Rican reggaeton duo Angel & Khriz and their early 2000s song, 'Cazando Voy.' Another standout reggaeton track is 'KETU TeCRÉ' where Bad Bunny flexes his vocals as he has second thoughts about a girl he got involved with with a witty reference to Toy Story.
Elsewhere, 'BAILE INoLVIDABLE' or 'Unforgettable Dance,' has an outer space feel before jumping into lively horns. 'WELTiTA' with Chuwi's gentle vocals is smooth and feel-good. The plucky strings of 'TURiSTA' are inviting as Bad Bunny ponders a woman who was just a 'tourist' in his life, reflecting the greater conversation of what it means to visit a beautiful place like Puerto Rico versus calling the place home. 'VeLDÁ' ends with a looming soundscape that would fit right into Vince Staples' divisive Big Fish Theory album. 'DtMF' is the title track with a communal feel featuring bomba drums and a crowd of voices joining Bad Bunny as he reflects on his journey.
When Bad Bunny announced the tour for DeBÍ TiRAR MáS FOToS, there weren't any United States dates. Some people were confused as to why he wouldn't capitalize on such a lucrative market. But it's a further extension of the theme that Bad Bunny is doing what he wants to for himself and his people.
Key Glock — Glockaveli: The Don
Key Glock had his work cut out for him when he named his album Glockaveli: The Don, based on Tupac's posthumous classic The Don Killuminati: The 7 Day Theory, which was released under the pseudonym Makaveli. The Memphis rapper doesn't exactly have the same reputation as the late legend, who lives on in history as a street poet with uplifting songs like, 'Keep Your Head Up' and 'Dear Mama.' But Key Glock shows a new level of artistry with this project.
Advertisement
He taps into a higher power right away with the intro track, 'Hallelujah,' which is backed by a choir as he raps about getting money like his late mentor, Young Dolph, taught him to and he compares himself to Jesus Christ for how he gives back to his community. Glock showcases his signature fierce flow throughout with the backdrop of thumping 808s and smooth trap snares. There's no shortage of motivational bangers ('No Sweat,' 'Again'), but the soulful samples (Rickie Boger's 'Slow Down' on the title track and Erykah Badu's 'Didn't Cha Know' on 'Badu') and ethereal background vocals ('Made a Way' and 'Don Dada') help bring the project from the trenches to a spiritual place.
E.M.E — Foreigner
Afrobeats is the hottest genre in the world right now and Denver-based and Nigeria-bred E.M.E is the rising star to watch. His debut album, Foreigner, is solid. The project opens with a word from his mother about how E.M.E was born sickly and now is a miracle walking into his destiny. From there, fast-paced rhythms and E.M.E's strong, smooth vocals take listeners on a journey through love, home and finding your purpose.
Advertisement
The single 'One Day' is a standout track that's slowed down a bit as E.M.E envisions his ascent in the industry and how he is going to be a well-known name. The fame won't be for himself, but for the Believers — his friends, family and fans — who he wants to inspire to live out their dreams. E.M.E is a student of the game and on 'Movie,' he references J Hus' hit song 'Did You See' while giving some insight into his life overcoming struggle but now enjoying a life of luxury. Later on 'Don Dada,' there's another cool reference to Gucci Mane's 'Wasted' where he spits the iconic line 'Rockstar lifestyle, might not make it.' There are more reflective moments on 'Lost Souljah' and 'Back to Sender.' 'Yey Yey' is bolstered by a booming bass that rivals YG's 'BPT' while Danae Simone's soothing voice on 'Soul Ties' balances out the project nicely.
Central Cee — Can't Rush Greatness
Central Cee took three years between his popular mixtape, 2022's 23, and his debut album, Can't Rush Greatness. That's an eternity in today's rap game. He has been far from silent since then, but the title of Can't Rush Greatness lets fans know that he took this moment seriously and held himself to high expectations while resting in the confidence of what he's already built. And Cench put out a valiant effort.
Advertisement
Can't Rush Greatness is bolstered by the Shepherd's Bush rapper's penchant for making hits while embracing his role as the bridge between the United Kingdom and United States. 'GBP' with 21 Savage and 'Band4Band' with Lil Baby have been inescapable this year, but 'Ten' with Skepta and 'CRG' with Dave are equally impressive and show that Central Cee hasn't forgotten his roots. Besides relying on his ability to create bangers, Cench showcased his vulnerability on songs like the mesmerizing 'Limitless,' which interpolates Skepta's 'Bullet From a Gun,' and the dynamic 'Walk In Wardrobe,' produced by Dave. The way Central Cee expresses range on Can't Rush Greatness while staying true to the confidence and swagger that got him here make the album one of the best so far this year.
Alright!
Mereba — The Breeze Grew a Fire
A lot has happened in Mereba's life since the 2019 release of her debut album, The Jungle is the Only Way Out. Perhaps most significantly, she became a mother. The singer released an emotive project in her return to music via The Breeze Grew a Fire. The album was fittingly released on Valentine's Day and explores several types of love between romantic partners and family. The lead single and album opener, 'Counterfeit,' is bouncy and upbeat with a witty message about the importance of authenticity in relationships. From there, the project is simply smooth as it slinks between the funky 'White Doves,' the ethereal 'Out of the Blue' and the mesmerizing 'Hawk' where she spits a few bars. Mereba proves herself as a true artist who draws her audience into her heart and soul.
Ovrkast. — While the Iron is Hot
East Oakland rapper and producer Ovrkast. released quite an exciting half-hour of music in the form of his sophomore album, While the Iron is Hot. While he's established himself as a master of the lo-fi sound, this album jumps into the action right away with the dizzying jazzy 'HOT!' Then 'truth?' gives a glimpse into the purpose of the album as Ovrkast. spits about finding his place in the world.
Advertisement
The beat drop on 'Small Talk' is impeccable and the thumps of the bass and gritty sample of Biggie Smalls' 'Gimme The Loot' are balanced perfectly by soft horns and Samara Cyn's ethereal voice. The rest of the project has a fairly chill vibe with lots of piano and a prayer of protection at the end of 'SPIKE LEE.' But there's moments of hype like the energetic 'MAVKAST!' with North Carolina MC Mavi and the slap-tastic 'Strange Ways' with the illustrious Vince Staples.
There's so many sonic layers on While the Iron is Hot and only one song is more than three minutes long. Ovrkast. is on track to be in the conversation of this generation's genre-bending artists like Little Simz, Tyler, The Creator, and Pharrell.
Wretch 32 — HOME?
While Wretch 32 might not get the commercial acclaim as some of his peers or the new rap stars, his place in UK rap history is cemented. After nearly two decades in the game, he doesn't have much to prove and it's evident on HOME? that he feels a sense of belonging and freedom at this point in his career. But the question mark in the title shows the conversation is ongoing as he considers his role as a father, artist, and son of immigrants.
Advertisement
The album isn't even really a rap album. It opens with the cinematic 'Transitional Chapter' featuring fierce drums and soulful horns. There's lots of feel good vibes paying homage to Wretch 32's Jamaican heritage. Skip Marley gives a major co-sign with his appearance on 'Nesta Marley' complete with a reference to Dido's 'Thank You' as a reminder that 'It's not so bad.' The rap moments are fierce and worthy of conversation. 'Seven Seater' with Mercston and Ghetts is fire. The single 'Black and British' with Little Simz and Benjamin A.D analyzes the complexity of identity and is another standout track.
'Home Sweet Home' is a fitting semi-title track where Wretch 32 and Grime vet Kano trade thoughtful verses about not feeling at home in England. Kano utilizes soccer to ponder nationalism and race, saying he would rather rep Jamaica's Reggae Boyz than England's Three Lions. He also reflects on how Bukayo Saka and Marcus Rashford must feel as Black players, especially after receiving plenty of racial abuse following their performances at the 2020 EURO finals.
The line 'go black home, you'll be all white in the morning' shows why Kano is one of the best to ever do it. One of Wretch 32's lines on 'Me & Mine' might summarize the whole project. 'Although I had the choice of choosing Ps, I chose peace of mind.' Wretch 32 has probably had his fair share of opportunities to sell out in his career, but here he stands with confidence and clarity that money can't buy.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Fox News
an hour ago
- Fox News
Miley Cyrus turns heads in barely-there ensemble during Parisian night out
Miley Cyrus showed off her toned abs when she stepped out in Paris wearing a sheer dress. The 32-year-old former Disney star was photographed outside her hotel as she left for a night out on the town in a light blue sheer Jean Paul Gaultier gown that featured a coned bra covered in peacock feathers. She accessorized the look with black underwear that was visible through the fabric, black leather opera gloves and knee-high brown sandals with cutouts. She styled her hair in big messy curls and opted for minimal makeup. The actress shared photos of the look on her Instagram, captioning the post, "Paris is the place for me… I love you all." "This look is one of my favorites you've ever done," one fan wrote in the comment section with a heart-eyed emoji. Another added, "What a queeennnn," while a third chimed in with "You are THAT LEGEND." Fans of the actress also couldn't hold back their excitement at having seen Cyrus perform on stage with Beyoncé as part of her "Cowboy Carter" tour in Paris. The two sang the song "II Most Wanted," on which Cyrus collaborated with Beyoncé. "Thank You for singing Most wanted with Beyoncé Today," one fan wrote in the comments section, while another added, "Omg you did it II most wanted." The actress has been spotted in a number of showstopping outfits during her time in Paris, including a knit leopard print Valentino dress with a fringe collar and a vintage black Patrick Kelly dress with rhinestones in the shape of the Eiffel Tower. Cyrus is in Paris to promote her latest visual album, "Something Beautiful," and its accompanying film, which premiered earlier this month at the Tribeca Film Festival. As part of the promotional tour, she performed at Spotify's Billions Club Live, hosted at Maxim's de Paris, where she sang two of her biggest hits, "The Climb" and "We Can't Stop." She took the stage in a vintage 1992 sequined Mugler minidress, which mixed light and dark shades of blue. When discussing her latest album on "Jimmy Kimmel Live!" in May, Cyrus opened up about how filming one of the music videos for her visual album ended with her in the ICU after her "leg began to disintegrate" after filming. "And then the doctor goes, 'Do you have any idea why you would have such a brutal infection on your kneecap?'' she said on the show. "To have a surgeon look at you and say, 'Yuck.' … They open up cadavers. They see inside the guts of humans, and they're looking at me, telling me I'm disgusting. And they do brain operations."
CNN
an hour ago
- CNN
A clash of English and Brazilian teams in Philadelphia shows off exactly what FIFA wants from the Club World Cup
The scenes in Philadelphia on Friday were exactly what FIFA wanted when they came up with this super-sized version of the Club World Cup. A clash of soccer cultures was on full display as Brazilian club CR Flamengo took on English giants Chelsea at Lincoln Financial Field. Under a beautiful early summer afternoon sun, the Linc – a venue no stranger to noise as the home of the Philadelphia Eagles – was positively bouncing as 54,000 fans screamed their lungs out. The Flamengo fans, fresh off one of their club's best seasons in recent memory, having captured the Brazilian Supercopa and the Campeonato Carioca, were making unbelievable noise from the moment they filled in the stadium's northern end. The few fans in Chelsea blue who purchased tickets among them must have realized fairly quickly they were in for a long day. The bizarre mix of world football and American football was once again clashing early in the game. FIFA President Gianni Infantino has likened this tournament and next year's World Cup as the equivalent of three or four Super Bowls every day for a month, and his organization has undoubtedly tried to bring a little of that American flair to the world's game. The starting lineups for each team were introduced individually to pounding music – a far cry from the understated team walkouts that generally mark the start of soccer matches around the world. When music shook the concrete of the stands, it seemed like most of the fans – both those in black and red and blue and white – were simply waiting for things to quiet down so they could start singing once again. And sing they did – particularly the Flamengo fans, who seemed to hardly take a breath. Each forward attack was met by screams, urging their players. Whistles and boos met Chelsea possessions and when Pedro Neto scored the opening goal for the Blues in the 13th minute, the cheers from the blue end of the field were overtaken by the screams of rebuttal from the Flamengo fans scattered around this massive stadium. Neto's goal was also followed by an ear-splitting playing of Blur's 'Song 2.' The soccer purists in the London club's end were surely aghast at the playing of music to celebrate a goal – another very American trend that has increasingly been used by clubs around the world, much to the chagrin of hardcore supporters. Chelsea manager Enzo Maresca said the atmosphere at the team's first match in Atlanta on Monday was 'a bit strange' as they played in front of a mostly empty Mercedes-Benz Stadium. While this tournament, as the Confederations Cup once did in a previous era, serves as a chance for the World Cup host nation to iron out the details before the world arrives for the quadrennial tournament, the match was seen as a possible sign that FIFA's new competition was falling flat in the USA. The crowd in Philly will have eased those fears. Despite being a 3 p.m. ET start on a work day, much of the stadium was filled – though large portions of the eastern stands, fully in the sun on this warm June day, were empty – and the noise was something to behold. For a tournament that critics have said means nothing, the Flamengo fans at times sounded like a hair dryer directly into the ears. Their players played with the same effort and fire that their supporters were showing in the seats. And for a team that just endured a long Premier League season in which they fought for qualification to the UEFA Champions League, Chelsea didn't exactly seem to be treating this as a stateside summer vacation. Neto celebrated his goal by pointing to the name on the back of his shirt in front of the Flamengo fans and the referee's denial of a penalty after Enzo Fernandez was knocked over in the box brought impassioned complaints to the referee. Any other thoughts about whether this competition mattered to the players on the field vanished in the 54th minute when Flamengo's Gerson shot from the left side of the box. The attempt took a deflection and trickled toward goal. Chelsea keeper Robert Sanchez threw himself at the ball, colliding with the goal post as Gonzalo Plata tried to tap in Flamengo's first goal. The shot went wide and Sanchez and Plata both ended up lying in pain on the turf. It was full-commitment – the kind of stuff one expects to see next year when this stadium hosts five World Cup group games and a Round of 16 knockout match. A massive save from Sanchez in the 61st minute sent supporters from both teams upward from their seats as the Flamengo supporters sensed a goal was coming. And it was Bruno Henrique, who had entered the game only minutes earlier as a second-half substitute, who showed a true goal poacher's instincts by tapping in Plata's header to send the black-and-red kitted fans into hysterics in the 62nd minute. The stadium shook with their jumping and black and red smoke soon filled the air above the northern end of Lincoln Financial Field as the noise went to 11. A second goal just minutes later – another close-range goal from Danilo off a headed flick from Henrique – resulted in shirts being ripped off and waved in the air as the Flamengo support ascended into something akin to soccer heaven. The atmosphere seemed to be getting deep inside Chelsea's psyche. A rash 68th-minute tackle by Nicholas Jackson, who just entered the game four minutes earlier, on Ayrton Lucas resulted in a straight red card. Chelsea was forced to play the final 22 minutes with 10 men, much to the delight of the bouncing Flamengo fans. A third goal in the 83rd minute iced the game for Flamengo and turned the Linc into Carnival. The strike, powered past Sanchez by Wallace Yan, was the result of the kind of shambolic defending that has plagued Chelsea since its golden generation of players left the squad. The forward took advantage of the Blues' sloppy attempt to clear the ball to bury his shot, setting off a 3-1 victory party in the sunshine that any Brazilian would be proud to attend. It was a sumptuous preview of what this stadium will look – and feel – like next year when 48 countries send their national teams to the US, Mexico, and Canada for the World Cup. The US is not nearly the soccer-crazed nation that Brazil or England are, but Friday's scenes in Philadelphia showed the kind of festival of football heading for North America in a year's time.
CNN
2 hours ago
- CNN
A clash of English and Brazilian teams in Philadelphia shows off exactly what FIFA wants from the Club World Cup
The scenes in Philadelphia on Friday were exactly what FIFA wanted when they came up with this super-sized version of the Club World Cup. A clash of soccer cultures was on full display as Brazilian club CR Flamengo took on English giants Chelsea at Lincoln Financial Field. Under a beautiful early summer afternoon sun, the Linc – a venue no stranger to noise as the home of the Philadelphia Eagles – was positively bouncing as 54,000 fans screamed their lungs out. The Flamengo fans, fresh off one of their club's best seasons in recent memory, having captured the Brazilian Supercopa and the Campeonato Carioca, were making unbelievable noise from the moment they filled in the stadium's northern end. The few fans in Chelsea blue who purchased tickets among them must have realized fairly quickly they were in for a long day. The bizarre mix of world football and American football was once again clashing early in the game. FIFA President Gianni Infantino has likened this tournament and next year's World Cup as the equivalent of three or four Super Bowls every day for a month, and his organization has undoubtedly tried to bring a little of that American flair to the world's game. The starting lineups for each team were introduced individually to pounding music – a far cry from the understated team walkouts that generally mark the start of soccer matches around the world. When music shook the concrete of the stands, it seemed like most of the fans – both those in black and red and blue and white – were simply waiting for things to quiet down so they could start singing once again. And sing they did – particularly the Flamengo fans, who seemed to hardly take a breath. Each forward attack was met by screams, urging their players. Whistles and boos met Chelsea possessions and when Pedro Neto scored the opening goal for the Blues in the 13th minute, the cheers from the blue end of the field were overtaken by the screams of rebuttal from the Flamengo fans scattered around this massive stadium. Neto's goal was also followed by an ear-splitting playing of Blur's 'Song 2.' The soccer purists in the London club's end were surely aghast at the playing of music to celebrate a goal – another very American trend that has increasingly been used by clubs around the world, much to the chagrin of hardcore supporters. Chelsea manager Enzo Maresca said the atmosphere at the team's first match in Atlanta on Monday was 'a bit strange' as they played in front of a mostly empty Mercedes-Benz Stadium. While this tournament, as the Confederations Cup once did in a previous era, serves as a chance for the World Cup host nation to iron out the details before the world arrives for the quadrennial tournament, the match was seen as a possible sign that FIFA's new competition was falling flat in the USA. The crowd in Philly will have eased those fears. Despite being a 3 p.m. ET start on a work day, much of the stadium was filled – though large portions of the eastern stands, fully in the sun on this warm June day, were empty – and the noise was something to behold. For a tournament that critics have said means nothing, the Flamengo fans at times sounded like a hair dryer directly into the ears. Their players played with the same effort and fire that their supporters were showing in the seats. And for a team that just endured a long Premier League season in which they fought for qualification to the UEFA Champions League, Chelsea didn't exactly seem to be treating this as a stateside summer vacation. Neto celebrated his goal by pointing to the name on the back of his shirt in front of the Flamengo fans and the referee's denial of a penalty after Enzo Fernandez was knocked over in the box brought impassioned complaints to the referee. Any other thoughts about whether this competition mattered to the players on the field vanished in the 54th minute when Flamengo's Gerson shot from the left side of the box. The attempt took a deflection and trickled toward goal. Chelsea keeper Robert Sanchez threw himself at the ball, colliding with the goal post as Gonzalo Plata tried to tap in Flamengo's first goal. The shot went wide and Sanchez and Plata both ended up lying in pain on the turf. It was full-commitment – the kind of stuff one expects to see next year when this stadium hosts five World Cup group games and a Round of 16 knockout match. A massive save from Sanchez in the 61st minute sent supporters from both teams upward from their seats as the Flamengo supporters sensed a goal was coming. And it was Bruno Henrique, who had entered the game only minutes earlier as a second-half substitute, who showed a true goal poacher's instincts by tapping in Plata's header to send the black-and-red kitted fans into hysterics in the 62nd minute. The stadium shook with their jumping and black and red smoke soon filled the air above the northern end of Lincoln Financial Field as the noise went to 11. A second goal just minutes later – another close-range goal from Danilo off a headed flick from Henrique – resulted in shirts being ripped off and waved in the air as the Flamengo support ascended into something akin to soccer heaven. The atmosphere seemed to be getting deep inside Chelsea's psyche. A rash 68th-minute tackle by Nicholas Jackson, who just entered the game four minutes earlier, on Ayrton Lucas resulted in a straight red card. Chelsea was forced to play the final 22 minutes with 10 men, much to the delight of the bouncing Flamengo fans. A third goal in the 83rd minute iced the game for Flamengo and turned the Linc into Carnival. The strike, powered past Sanchez by Wallace Yan, was the result of the kind of shambolic defending that has plagued Chelsea since its golden generation of players left the squad. The forward took advantage of the Blues' sloppy attempt to clear the ball to bury his shot, setting off a 3-1 victory party in the sunshine that any Brazilian would be proud to attend. It was a sumptuous preview of what this stadium will look – and feel – like next year when 48 countries send their national teams to the US, Mexico, and Canada for the World Cup. The US is not nearly the soccer-crazed nation that Brazil or England are, but Friday's scenes in Philadelphia showed the kind of festival of football heading for North America in a year's time.
