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Where To Eat In Rome This Summer

Where To Eat In Rome This Summer

Forbes3 days ago

Dinner is served at CasaMora in Rome
Italy remains a top destination for travel this year and the nation's rich culinary heritage is one big reason why. Rome is a city of choices and discoveries, below you'll have your pick of some of the best restaurants in Rome—options that range from local favorites to buzzy rooftop scenes.
CasaMora: Located in Rome's Testaccio neighborhood, an area known for its rich history and vibrant cultural energy—CasaMora is offer an authentic Roman experience for those who seek something less touristy. Founded by the Morabito family, who have over thirty years of catering expertise, CasaMora offers a playful fusion of Roman and Neapolitan cuisines. On any given night you'll find the Morabito family members making the rounds, usually with a dog in tow, making sure guests are enjoying their supplì di pasta, patate e provola (crispy croquette combining pasta, potato, and melted smoked provola cheese) or hand-cut fettuccine with Neapolitan ragù—decadent and slow-cooked to perfection. The menu is not offered in English, so come prepared to interpret. Be sure to order wine, as it's a special focus here. The list features over 200 natural, organic, and biodynamic wines from small-scale, artisanal producers who honor tradition and terroir. Each bottle comes from independent winemakers—many of them family-run operations. Sparkling and Champagne lovers will swoon over the multiple intriguing selections—this list is a bubbly-lovers dream to be sure. Dessert is also not to be missed, especially mama's specialty, the lemon pound cake.
Al Ceppo is a bit of a taxi ride outside of the city center, but well worth it. The open-air grill is where the magic happens delivering sensational char-grilled seafood and meat dishes. Refined, elegant food, intelligent service, and a warm living-room-like ambiance make this one of Rome's top upscale restaurants.
Notos is a vibey, relaxing rooftop oasis at the Six Senses hotel with lovely panoramic views. The Eternal City views come with a list of botanically inspired cocktails and mocktails in a setting defined by lush greenery and the warm glow of Rome's terra cotta rooftops. The newly appointed Executive Chef Fabio Sangiovanni keeps the focus in line with the Six Senses ethos—fresh, seasonal and vibrant. Small bites such as the taco and cod fritter are nicely paired with standout new cocktail programming that also leans into local flavors. Throughout the summer look for live DJ sets and culinary takeovers as well.
Visit Clementino for a leisurely lunch of classics with a modern twist. The dining room's massive plate glass windows look onto the busy Via del Tritone for superior people watching without the exhaust and noise of traffic. Sip a perfectly chilled glass of Italian sparkling wine accompanied by a house specialty of truffle pasta with sausage and mushrooms. Chef Massimo D'Innocenti keeps the focus on the freshest of fresh ingredients prepared with a bit of modern sophistication. Other dishes to try include the Amatriciana with fresh cherry tomatoes, crispy bacon and quality pecorino and the Cannolamisù, a clever and delicious hybrid of Sicilian cannoli with tiramisu.

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What the food is like on a Viking Cruises ocean ship
What the food is like on a Viking Cruises ocean ship

Miami Herald

time2 hours ago

  • Miami Herald

What the food is like on a Viking Cruises ocean ship

Viking Cruises may be a luxury cruise line, but it offers laid-back luxury, at least when it comes to dining. The actual number of choices is fairly limited. There's "The Restaurant," essentially the Main Dining Room, and World Cafe, a buffet, which bother offer breakfast, lunch, and dinner daily. Those are supported by a small grill near the pool, Mamsen's, a unique Nordic-inspired spot which offers waffles, pastries, and other snacks, and a small selection of cookies, pastries, and sandwiches on the first floor at the bar in The Living Room. There's also an Italian specialty restaurants Manfredi's that's open for a dinner and a Chef's Table that serves a fixed menu which changes every three days, It's all very high quality and elegant, but also pretty chill as dress standards are casual, and you don't need reservations at The Restaurant. You won't go hungry, but you also won't find yourself regretting your dining decisions as there's much more fresh fish, chilled seafood, and nightly sushi than on many mass market cruise lines. You can eat well while staying relatively healthy (although the excellent gelato was a nightly temptation). Be the first to see the best deals on cruises, special sailings, and more. Sign up for the Come Cruise With Me newsletter. What the food is like on a Viking Cruises ocean ship (2:20) Transcript: Hey there, cruisers. I am Dan Kline, Executive Editor of Come Cruise With Me. That is And I'm coming to you from my cabin in Viking Jupiter. Things are a little bit different in Viking, and I thought I would want to talk a little bit today about what the food is like. So it's not quite as expansive as if you're on a megaship. There aren't as many places to eat. But basically, there's a main dining room that serves breakfast, lunch, dinner. You do not have to make an appointment. You don't need a time. You can just show up. It might take a minute or two. There is a buffet that does breakfast, lunch, and dinner. Not quite as expansive, but absolutely top-notch. I actually think some of the best food on the ship. Dinner time, not only is there the buffet, which has many of the things the main dining room does, there's also the main dining room, which changes every night. There's an Italian specialty restaurant also included. You just have to make a reservation. And there's a chef's table. The chef's table is a different four-course meal every night. You really want to look at the menu before you go, because it's very specific. There's no substitutions other than for allergies. But everything is world-class. I would say the worst thing on the buffet is as good as any specialty restaurant I've ever been in. And there are things like king crab, shrimp cocktail, sushi every night for dinner. Sign up for the Come Cruise With Me newsletter to save money on your next (or your first) cruise. There's also Mamsen's, which is a sort of Norwegian specialty snack place. And there's sandwiches and waffles and pastries. And it's a little bit weird. There's also tea every day at 4 o'clock, which is a drawn-out British affair. Have done it a couple of times. Absolutely lovely. And there's cookies and pastry on the first floor all day long. So it's not as much as you would eat on another wall. You'll eat plenty. It's not as many choices as the other cruise lines have. But it is all absolutely world-class. We got to tour the galley today. And honestly, I would have eaten off the floor. It was how unbelievably clean it was. And the chef tastes every meal himself. So literally goes through, tastes every single thing they have. They make every day. Chef said to me that he has not been hungry in many, many months. And he does not remember the feeling of being hungry because he has to taste so much food every day. But if you want to come on Viking, food is one of the calling cards. They pick up local ingredients in every market. And they'll do one dish. So we had Aberdeen beef the other day. They usually pick up mussels in one of the stops we were in. But they're actually out of them. That is, of course, the perils of going local. I am Dan Kline. Come cruise with me soon. (The Arena Group will earn a commission if you book a cruise.) Make a free appointment with Come Cruise With Me's Travel Agent Partner, Postcard Travel, or email Amy Post at amypost@ or call or text her at 386-383-2472. Copyright 2025 The Arena Group, Inc. All Rights Reserved

Why this author wrote about creative women as they aged: ‘They made much of less'
Why this author wrote about creative women as they aged: ‘They made much of less'

Los Angeles Times

time9 hours ago

  • Los Angeles Times

Why this author wrote about creative women as they aged: ‘They made much of less'

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After nine years in the trial, she then urged me to take 'a drug holiday' since long-term use of the medication could cause leukemia. I am still on that holiday. An unanticipated old age made me appreciate the wonderful gifts longevity can bestow. In researching your subjects, what do they all share in common? All of my subjects are artists who experienced the losses of aging. They needed canes and wheelchairs and helpers while they suffered the pains of various diseases and regimens. One coped with blindness, another with deafness and still others with the loss of intimates. Yet in the face of such deficits, they used their art to exhibit their audacity, mojo, chutzpah, bravado. They're exemplars of Geezer Machismo. All of your subjects are women, who have a much tougher time in terms of earning respect and attention as they age. Can you speak to the obstacles they had to overcome as they reinvented themselves as artists in their advanced years? The stereotypical old lady is invisible or risible, but we know that many elderly women thrive. My old ladies did not approach their life stories as prime-and-decline narratives. Instead they reinvented themselves. In part, they managed to do this by changing their objectives as artists. They moved from the stage to the page or from elite to popular forms. Some of them underwent religious or political conversions that energized their last years. They fully understood the losses of old age, but they did not settle for less. Instead, they made much of less. What's interesting about these artists is that — contrary, I must admit, to what I thought would have been the case — these women were supported by men who became their benefactors, and helped them to negotiate their careers. Quite a few of the women that I write about were helped by much younger men in their lives, who became facilitators. This is true for George Eliot, Colette, Georgia O'Keeffe, Louise Bourgeoise, Mary Lou Williams and others. Williams, the great jazz pianist, was helped by a Jesuit named Father O'Brien, who helped her get control of her copyrights. Georgia O'Keeffe, in contrast, has been championed by photographer Alfred Stieglitz, but she had to leave him in her midlife to establish her autonomy late in life. He was very controlling, even though he definitely established her reputation. She was aided in her later years by a man young enough to be her grandson. You are an octogenarian, and writing a book isn't easy, as you know. Where do you find the inspiration and the strength to keep going as a creator? What keeps me going is what kept my subjects flourishing in their seventies, eighties or nineties. Any sort of creative activity involves expression, which is a great antidote to depression. It may take the form of sculpting, painting, playing an instrument, teaching a dance routine, making a quilt or a garden, establishing a park or a prize, you name it. Without my two current writing projects, I'd be lost. Even (or maybe especially) in our dismal political climate, ongoing creative projects make each day an adventure. Heather Scott Partington reviews 'Fox,' Joyce Carol Oates' mystery novel about a murdered pedophile. 'Fox has the bones of a potboiler but is supported by the sinew of the author's elegant structure and syntax,' writes Partington . Leigh Haber weighs in on Jess Walter's book 'So Far Gone,' calling the author a 'slyly adept social critic [who has] clearly invested his protagonist with all of the outrage and heartbreak he himself feels about the dark course our world has taken.' Daniel Felsenthal thinks Geoff Dyer's memoir 'Homework' is somewhat meandering, yet 'bursts with working-class pride, a fond and mournful belief in the possibility of the British welfare state.' And Paula L. Woods talked to five mystery writers about the inspirations for their new books. This week, we're talking about hot books with Nat Eastman, the manager of Chevalier's Books on Larchmont Boulevard in Hollywood, the oldest independent bookstore in Los Angeles. What books are selling in the store right now? We've been moving Percival Everett's 'James' and Ocean Vuong's 'The Emperor of Gladness' hand over fist. Thanks to BookTok, Asako Yuzuki's 'Butter' has become a mainstay on our bestseller list. We also had the honor of hosting Bryan Byrdlong for a reading from his debut poetry collection 'Strange Flowers,' and we've been handselling it right and left ever since. What are your perennial sellers? Kaya Doi's series of picture books, 'Chirri and Chirra,' is a smash hit around here. Joan Didion and bell hooks are reliable customer favorites as well. As an indie shop, though, we love the deeper cuts too — whether that's 'Água Viva,' literally any Yoko Ogawa work or something from our zine collection. Are you seeing more young people buying books? Despite all the reports about declining literacy rates among young folk, our children's section makes up a quarter of our sales. We really try to carve out a space for the next generation of readers with programs like storytime, a middle-grade book club and summer-reading punch cards. To us, messy shelves are annoying everywhere except the kids' section!

See inside Coe Hall, a 65-room mansion built by a Gilded Age businessman who was booked on the Titanic's return voyage
See inside Coe Hall, a 65-room mansion built by a Gilded Age businessman who was booked on the Titanic's return voyage

Business Insider

time9 hours ago

  • Business Insider

See inside Coe Hall, a 65-room mansion built by a Gilded Age businessman who was booked on the Titanic's return voyage

The mansion, Coe Hall, was built by William Robertson Coe, an executive who succeeded in the insurance and railroad businesses, and his wife, Mai Rogers, an heiress to a fortune built on Standard Oil money. In fact, Coe was the president of the company that brokered the insurance for the hull of what was known as an unsinkable ship: the Titanic. He was even booked on the return voyage of the Titanic from New York City to England, per the Long Island Press. Coe Hall — the second mansion to be built on the property after the original from 1906 burned down in 1918 — looks like it was transplanted from the English countryside and dropped on the Gold Coast, a stretch of Long Island's North Shore that earned its nickname for the opulent estates built by wealthy families around the turn of the 20th century. That's on purpose, as they wanted to make it seem like the home had been there for decades, making them " old money." During my tour of the property this spring, a docent told me some architectural touches didn't match at the time of construction, as if to give the appearance that the home had been remodeled over the years. In addition to the main house, which was designed by the architectural firm Walker & Gillette, the arboretum is home to beautiful landscaping and gardens designed by the famous Olmsted Brothers, who also designed Central Park and Oheka Castle. Here's what it's like to visit one of the largest Gold Coast mansions left on Long Island. Down the other hallway were the kids' bedrooms. They were all closed, though, because Netflix filmed season three of "The Diplomat" at Coe Hall, and these rooms were used as storage. Coming back down the stairs, I got another look at just how intricate and intentional every detail in the house was. Now it was time to check out the much-revered grounds. Right off the bat, this fountain caught my eye. I also enjoyed this courtyard. The landscaping was by the Olmsted Brothers, who also designed Central Park and Oheka Castle. Near the house, there's a small pond and a bench off a hidden path. It's the perfect spot for quiet contemplation. But the main draws of the backyard are the Blue Pool Garden and the Tea House. Before the pool was here, this area was a tennis court. It took 16 workers to dig out 16,000 square yards of soil to build the sunken pool. At the end of the garden is the Tea House, which was built in 1906. The exterior makes the Tea House look like something out of a fairytale. Can't you just hear someone saying, "Once upon a time"? Rogers entertained her friends in the Tea House on nice days. It looks like the inside of a Tiffany's box. The other structure in this area of the park is the Playhouse, which was built so Natalie, the Coes' daughter, could have a place to play house. As we continued walking around the park, we came to this archway made of pine trees. Walking through it felt like walking through a storybook. On the other side of the archway is the Main Greenhouse, built in 1914. This was originally called the Hibiscus House, but now it's a mixture of tropical plants. One corner of the building was anchored by this giant palm tree. There were plenty of paths to walk down to get the full experience. We then walked the Azalea Walk, one of 13 trails at the Planting Fields. That led us to the other greenhouse on-site, the Camellia Greenhouse, built in 1917. It has the largest collection of camellias under glass in the northeast. However, camellia season is in January, so we missed it. But there were still plenty of flowers and plants to check out in this greenhouse. There are many more gardens to see at Coe Hall, including a rose garden, a hydrangea collection, and a dahlia garden. Walking around Planting Fields and Coe Hall felt like stepping back in time and revealed the remarkable wealth of Gilded Age families. Any history buff should pay it a visit, if they can.

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