
'What it means to be a human': Short-but-punchy books dominate International Booker Prize shortlist
ADVERTISEMENT
The International Booker Prize has announced the six books shortlisted for its annual celebration of the best new fiction works that have been translated into English.
Five novels and one short story collection are now in contention for the £50,000 (€58,000) prize. All six finalists will receive £5,000 (€5,800). All prizes are to be split equally between authors and their translators.
The International Booker Prize recognises translators alongside the original authors as equal recipients. As with the
longlist announcement
in February, all the shortlisted authors are first-time nominees with two of the translators having previous nominations. Of this year's 12 nominated authors and translators, nine are women.
Related
Euronews Culture Book Club: Four picks for April
These are the 10 most Instagrammable bookstores in the world, according to a new study
It's the first time in the Prize's history that books from a Danish, Italian or Japanese author has been shortlisted as Solvej Balle,
Vincenzo Latronico
, and Hiromi Kawakami are named for the top gong.
Also marking a first is Banu Mushtaq, the Indian author whose book "Heart Lamp" is the first work written in the South Indian Kannada language to be nominated.
This year's shortlist is unique in that it's made up entirely of books from independent publishers. They're also on the shorter side, with four books coming in at under 200 pages. Two of the books, "Perfection" and "Small Boat" are barely over 100 pages and the longest book "Under the Eye of the Big Bird" is a mere 278 pages long.
Max Porter, chair of the 2025 judges, said the shortlist was made up of 'mind-expanding books' that are a 'vehicle for pressing and surprising conversations about humanity'.
All six nominated shortlisted books
Yuki Sugiura
'Reading 154 books in six months made us feel like high-speed Question Machines hurtling through space,' Porter continued.
'Our selected six awakened an appetite in us to question the world around us: How am I seeing or being seen? How are we translating each other, all the time? How are we trapped in our bodies, in our circumstances, in time, and what are our options for freedom? Who has a voice? In discussing these books we have been considering again and again what it means to be a human being now.'
The announcement of the winner will take place on Tuesday 20 May at a ceremony at the Tate Modern in London, which is celebrating its 25th anniversary this year.
Here are the six shortlisted books:
"On the Calculation of Volume I" by Solvej Balle, translated from Danish by Barbara J. Haveland
The first book in a planned septology by Solvej Balle, one of Denmark's most acclaimed contemporary authors. Tara Selter is stuck in a time loop of the 18th November and as she reaches a year of being in this state, she starts to wonder if there is any way out of her relentless purgatory.
The judges said: 'A life is contained inside the melancholy of an endlessly repeating wintry day. Reading this book is an act of meditation and contemplation.'
"Small Boat" by Vincent Delecroix, translated from French by Helen Stevenson
French author Delecroix wrote "Small Boat" in three weeks based on recordings from a real event in which 27 people died when their boat sank in the Channel in 2021. He creates a damning fictional portrait of the woman who refused to take action when their calls for aid were received.
The judges said: 'An unflinching use of literature to ask the most uncomfortable but urgent question of our time: to what extent are we all complicit?'
ADVERTISEMENT
"Under the Eye of the Big Bird" by Hiromi Kawakami, translated from Japanese by Asa Yoneda
Inspired by the Fukushima Daiichi nuclear meltdown in 2011, Kawakami created this speculative fiction about the future of humanity. Told over the course of eons, we see humanity on the edge of extinction setting into small tribes and interbreeding with aliens.
The judges said: 'A beguiling, radical, mind- and heart-expanding journey into humanity's future. The visionary strangeness is utterly enchanting.'
"Perfection" by Vincenzo Latronico, translated from Italian by Sophie Hughes
One of the most damning indictments of the millennial dream yet. Latronico's taught sociological novel about a couple who are living their ideal life in Berlin underlines the vapidity and bland approach to aspiration and consumerism millennials have as they strive for the same appliances and aesthetics.
The judges said: 'A pitch-perfect, profound and agonisingly well-observed account of the existential malaise of millennial life.'
ADVERTISEMENT
"Heart Lamp" by Banu Mushtaq, translated from Kannada by Deepa Bhasthi
The only short story collection of the shortlisted books. "Heart Lamp" was published in the Kannada language between 1990 and 2023 and brings Banu Mushtaq's career experiences as a journalist and lawyer to a broad variety of stories about community and family.
The judges said: 'Stories about encroaching modernity, as told through the lives of Muslim women in southern India. An invigorating reading experience.'
"A Leopard-Skin Hat" by Anne Serre, translated from French by Mark Hutchinson
Written following author Anne Serre's sister's suicide, "A Leopard-Skin Hat" is a memorial to her. Through just a few short scenes, Serre paints a beautiful portrait of strong-willed young woman and the demons she's faced.
The judges said: 'A masterful lesson in how we remember the lives of those bound up with our own. It holds the fragility of life in its hands with the utmost care.'
ADVERTISEMENT
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Fashion Network
6 hours ago
- Fashion Network
Giorgio Armani, convalescing, will absent from men's shows in Milan
Italian designer Giorgio Armani, "currently convalescing at home", will be absent from his two shows at Milan Fashion Week presenting the men's collections for spring-summer 2026, his fashion house announced on Friday. The 90-year-old designer will therefore not be present at the Emporio Armani show scheduled for Saturday and the Giorgio Armani show scheduled for Monday. "In his absence, Leo Dell 'Orco, head of design for the men's collections, will greet the public at the end of the shows," the house said in a statement. Even in his absence, Giorgio Armani, who "has worked with his usual commitment on the collections to be presented", "will closely follow every step of the shows", it stressed. An empire-builder in the luxury goods industry, "il re Giorgio" ("King Giorgio") is a visionary designer who has distinguished himself in haute couture, ready-to-wear, accessories, perfumes, jewelry, interior design and luxury hotels in cities such as Milan, Paris, New York, Tokyo, Seoul and Shanghai. Rome, June 20, 2025 (AFP)


Fashion Network
9 hours ago
- Fashion Network
In Milan, the preppy pop man of Fiorucci, the inmate of PDF
From a school playground to a prison yard; that's a move that only fashion could make, which it did on Friday evening in Milan, with a sense of humor and casualness. As the heat began to fade, the last two shows of the day shook up Fashion Week, dedicated to the men's collections for Spring/Summer 2026. Two colorful shows offering two totally opposed universes. Fiorucci 's fresh, pop spirit versus PDF's flamboyant, prison-like street style. Fiorucci invited guests to the large courtyard of its Milanese HQ on Friday, in a child-friendly atmosphere with hopscotches chalked on the cobblestones, pop posters pasted on the walls, and large azure sheets decorated with small white clouds hanging from one building to another. The hubbub of children playing outside accompanied guests until the start of the fashion show, which from the outset focused on lightness and carefreeness in a clearly playful vein. For next summer, the Fiorucci men's wardrobe revisits the codes of preppy style in a palette of blue, red, and white, but in a cool, sexy, and slightly romantic version. This man comes dressed in white socks and shorts and a navy sweater. But fringes rippled down his sides, and the rose in his buttonhole was made of red recycled plastic, with a pretty poodle with a sugared-pink bow in a jacquard pattern. Long leather fringes fell sideways down loose white pants, in reference to an archival model by founder Elio Fiorucci. The silhouette was elongated with close-fitting garments. Sweatpants mould the legs, while white cardigans with red and navy braids shrink or were adorned with a heart. Dark blazers were worn over bare-belly tank tops, and jeans were worn in triplicate, protruding from each other at waist height. A canvas shirt-and-pant ensemble was dotted with little poodles. This was definitely the motif of the season. It's everywhere, including on a sky-blue ruffled maxi dress. For women, creative director Francesca Murri mixed and matched polka dots and large stripes, notably in silk midi skirts, blouses, or strapless mini-dresses. Chunky, ruffled leather belts gave volume to the waist on leggings or skin-tight jumpsuits. Fiorucci's early 1980s white-and-red-striped marinière t-shirt was painted onto a model's torso, in a lovely trompe-l'oeil collaboration with artist Janina Zais. "These two years have enabled us to reposition the brand in an accessible luxury segment, where we can compete with brands like Acne Studios or Jacquemus, but with prices 20% lower. Our denim pieces, in particular, are enjoying great success on our e-shop," confided Alessandro Pisani, the brand's general manager, who intends to test the retail channel next year with the opening of pop-ups in Milan, London, and Paris. A change of register with PDF, the sought-after streetwear brand founded in 2023 by Italian designer Domenico Formichetti, which made its debut on the Milanese catwalks last January. In the large courtyard of what looked like a penitentiary, a barbed-wire fence stood in front of one of the yellow cell vans typical of American prisons. Inmates in T-shirts and baggy pants with large black and white stripes played a game of cards or chess in a corner, while others kicked a ball around a basketball hoop or work out, showing off their tattoos. The stage was set. The "Free-Dom" show imagined by Domenico Formichetti could begin. For the designer, the idea was to free the thoughts, ideas, and creativity often locked away in one's head. With beanies or caps secured on their heads, his bad boys wore baggy pants or shorter-legged but very baggy styles, as well as oversized jogging suits that fell below their buttocks, allowing their underpants to protrude, with t-shirts or sweatshirts featuring crazy graphics. The prison theme ran through the collection, with wide stripes inspired by American prison uniforms. Pants and jackets were also printed with brick mosaics reminiscent of prison walls. They also sported leather jackets and vinyl ensembles, Varsity jackets, and terrycloth American football jerseys. Originally from Chieti in central Italy's Abruzzo region, Formichetti moved to Milan twelve years ago. Before PDF, he founded his first streetwear brand, Formy, a little more basic, which he stopped in 2022 to embark on this new adventure. His new brand, made in Italy in his native region, has won over some sixty multi-brand retailers worldwide, as well as rappers.


Fashion Network
17 hours ago
- Fashion Network
Elsewhere in Milan menswear: Ralph Lauren, Brioni, Corneliani, Church's
Milan menswear may have lost a fair few major runway shows, but the Italian fashion capital was still crammed with dynamic presentations this weekend: , Brioni, Corneliani and Church 's. Ralph Lauren: Classy cocktails, nattily nautical First prize for the smoothest presentation, and cocktails, in Milan goes to Ralph Lauren, from the entrance to the courtyard to the drinks to the collection. Ralph's famed steel Bugatti 35 greeted guests to his elegant Milan show space, a Rationalist-style mansion from the 1930s. One then could waft around on suitable refreshments — from a Sundowner to a spicy Margarita — before checking out the latest clothes. Primarily displayed in the colonnaded courtyard were a score of lothario models posing in the center. The space was revamped with 40-foot-high ecru curtains and palm trees to add a tropical touch. For fall, Ralph showed textured blazers, soft knits and rich blends of silk and linen. Understated luxury with smart functional details and modern, relaxed tailoring. Lauren wants his gents in a creamy color palette — ecru, beige, caramel or lightest khaki — this fall, ideally in looks anchored by leather woven sandals. 'For Spring 2026, our expedition to the world's most beautiful textiles nods to today's collection is the quintessence of timeless style, where craftsmanship meets a passion for adventure,' explained Ralph in his program. While inside his baronial-style lounge, Lauren played on maritime elegance with linen and cotton double-breasted admiral's blazers and cool crew cable sweaters accessorized with blue and white striped knits. Classic espadrilles and chrome details reflected a happy meeting of maritime heritage and luxury craftsmanship. Brioni: This is as light as it gets A moment of grace — and extreme levity — at Brioni, which was presented inside a recently restored palazzo that once belonged to the famed clan of Casati, whose Maria Luisa Casati — artist muse and style icon — inspired one of John Galliano 's greatest shows for Dior in 1998. In an era where men's clothes grow lighter and lighter, no brand creates such seemingly weightless clothes as Brioni. As models strolled around the charming, cloistered courtyard in whisper-thin silk suits in shades of Prussian gray, sienna red or rust — this season's surprisingly most in hue. Though the biggest news hung on stockmen placed in a gallery of marble Renaissance busts — like a remarkable black tuxedo composed of inch-wide horizontal black silk ribbons hand-sewn together to create a unique new iridescence. 'I think it is important to remind people just how skillful our craftspeople are. This jacket took 14 days to create,' underlined Brioni designer Norbert Stumpfl. Beside that stood a perfectly cut pale shawl collar silk-linen tuxedo, which came with a faintly fuzzy finish. Again, a pathbreaking effect was created by adding enzymes to reduce the shine. Both jackets looked very proper on either side of a statue of a distinguished cardinal. Even more distinctive: a final beige tuxedo embroidered in real gold thread with tiny designs of Brioni's famed plant in the Abruzzi region — the Cape Canaveral of men's couture. Corneliani: Casual tailoring rules One well-thought-out menswear brand that is always a good guide to what men will be wearing in six months is Corneliani, which staged a swish display of Spring 2026 clothes on models in mini shows inside a cobblestone courtyard of a palazzo — backed up by various musicians, from a classy pianist to a bluesman on guitar. The big message here was lightening up, and eschewing layering — a series of smart lessons on how to wear a suit and never look uptight. 'We all need a new contemporary way of wearing tailoring,' explained designer Stefano Gaudioso Tramonte, pointing to a very fine super-light wool suit in a caramel hue, paired with a slate gray linen shirt underneath. Both are devoid of lapels and collars. Stefano's main weapons this season are wool, cotton and mohair. There was also plenty of smart fabric innovation — like great knitted linen shirts, or banded collar surgeon's smocks worn with softly cut safari jackets. The message being: lighten up for modern luxury. Church's: The Shanghai Gesture Easily the most elegant accessory display in Milan this weekend was at Church's, which welcomed people into the Piccolo Teatro Studio Melato, an avant-garde brick theater with soaring tubular galleries. Pride of place went to a 1929 Shanghai model, first acquired in Cincinnati and donated to the brand by the son of a grateful customer. Designed as a halfway house between a tasseled golf shoe and a brogue, the original Shanghai No. 1 — carefully protected in a Perspex box — even had Church's logo cut-out soles. A look that helped inspire a great new selection of devilishly aged versions of the Shanghai for today. The key to any great pair of Church's is the brand's famed factory in Northampton, the shoemaking capital of the UK. Recently renovated, the plant is also the source of new shoes made in singular pieces of leather — where the pattern of wingtips is etched by lasers. Few shoe marques anywhere can provide the patina of a pair of Church's — a fact underlined by two gents hand-finishing some classic wingtips on the stage of the theatre. One trimmed the side with small sharp knives and sandpaper; the other applied French polish and mirror gloss from Saphir. Asked how best to shine a great pair of shoes, one gently explained: 'Actually, it's best to use old white T-shirts that have been washed plenty of times. The roughness and impurity are gone, and you get a great finish.'