‘The Chosen,' a celebration of Black life and motorcycle diaries for your weekend streaming

Welcome to Screen Gab, the newsletter for everyone who needs a break from politicians' interpretations of the Bible.
The fifth season of 'The Chosen,' the faith-based TV series that has found success releasing select seasons in theaters, has begun its three-week rollout on Prime Video. George Xanthis, who plays John the Apostle, stopped by Guest Spot to discuss the show.
Also in this week's Screen Gab, our streaming recommendations include a documentary that delves into the origin story of New Orleans' first Black Mardi Gras krewe, and the latest installment in the travelogue adventures of actors/BFFs Ewan McGregor and Charley Boorman, known for their motorcycle journeys in 'Long Way Round' and 'Long Way Down.' This time, the pair is riding from McGregor's home in Scotland to Boorman's in England.
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Recommendations from the film and TV experts at The Times
'A King Like Me' (Netflix)
Matthew O. Henderson has made a lively, lovely documentary about the Zulu Social Aid and Pleasure Club of New Orleans, preeminent among the krewes that parade on Mardis Gras. (You will know them by the painted coconuts they toss, their makeup and grass skirts.) It's a history, a celebration and a disquisition, whose interests range from the benevolent societies that provided a form of neighborhood insurance, to the electioneering of men hoping to become that year's king — Louis Armstrong served in 1949 — to surviving racism, Katrina and COVID (or not). The question is raised of whether the Zulus, Black men who have paraded in a sort of altered blackface and 'African' dress for more than 100 years, should give up the long-controversial makeup or preserve it as a generations-old tradition; Henderson doesn't take a side, but lets his subjects have their nuanced say. And as any film about New Orleans must, it's full of music and food, hanging out and dancing in the streets. — Robert Lloyd
'Long Way Home' (AppleTV+)
When 'Outlander' debuted on Starz in August 2014, many Americans were as dazzled by Scotland, with its looming fells, pristine lakes and lyrical accents as they were by the time traveling love story. Since then, Scotland has become the new England, at least on television. Streamers are bursting with all manner of Scottish series, from the classics ('Rebus,' the 2000s original available on BritBox and the remake, on ViaPlay) to the brand new ('Dept. Q' on Netflix). In between are shows too numerous and diverse to name but given my penchant for murder mysteries, it is not surprising that my favorites include: 'Case Histories' (Acorn TV, Tubi), 'Shetland' (BritBox), 'The Loch' (BritBox), 'Karen Pirie' (BritBox) and 'Annika' (PBS) — all of which offer breathtaking scenery, ancient stone edifices and, most important, a glowering, windswept alternative to Los Angeles, particularly in summer That's exactly what I was looking for when I tuned into 'Long Way Home' on Apple TV+.
The fourth installment of Ewan McGregor and Charley Boorman's motorcycle adventures around the world begins at McGregor's Scottish home, winds its way through Scandinavia into the Arctic, thence through the Baltic states and through continental Europe before finishing up back in Scotland. Having no European vacation plans of my own, it seemed a fine visual substitute; McGregor is always a charming screen presence, as is Boorman. It's been five years since they joined forces for 'Long Way Down,' 20 since their first trip in 'Long Way Round,' and watching two 50-somethings hitch themselves onto vintage bikes to embark on a 19,000-mile journey to the Arctic and back is pretty inspiring — even if one of them has a name and face that guarantees a certain starstruck quality from even citizens of rural Finland and both have a multiperson camera crew/backup team should anything go seriously wrong.
Unlike other travelogues, this series does not linger over cuisine, haute or otherwise (there is a continual quest for coffee), aiming instead for a scattering of local crafts, traditions and events. The ever-shifting landscape is, in fact, amazingly beautiful, the people they meet along the way are often quite fascinating. The best parts, of course, are the unexpected bad weather, an unexpected road closure, an impromptu concertand mosquitoes. The bikes grumble and occasionally break down, as do the 50-somethings, which is reassuring to us ordinary folk who get to see the glory of all without having to straddle a motorcycle for two months. At 10 episodes that average 40 minutes, 'Long Way Home' covers a lot of ground in a way that is both slow and speedy. My only complaint? Not nearly enough Scotland. — Mary McNamara
A weekly chat with actors, writers, directors and more about what they're working on — and what they're watching
Season 5 of 'The Chosen,' the TV series about the life of Jesus that became a surprise hit, already played in movie theaters earlier this year, but fans looking for ways to fill prime rest hours can now watch all eight episodes at home. Created by Dallas Jenkins, the faith-based drama has attracted a devoted audience since its premiere in 2017 with its look at Jesus' life and teachings — and has found success leaning into an unconventional distribution strategy, with theatrical releases of Seasons 3 through 5 that have made millions at the box office. The first two episodes of the fifth season, which is titled 'Last Supper' and chronicles the events of Holy Week, are available to stream on Prime Video, with the next three episodes dropping Sunday, before concluding with another three-episode release on June 29. Australian actor George Xanthis, who plays John the Apostle, stopped by Guest Spot via email to talk about the show's success and the Pixar film that's become scripture to him. — Yvonne Villarreal
'The Chosen' is striking a chord with an underserved audience often overlooked by major Hollywood studios. As an actor, did you feel any stigma about venturing into faith-based content? What has the experience of making it — and the response to it — illuminated for you?
I'll start by saying that upon reading the first episode and finding out I was playing a 'fisherman' by the name of 'John,' I actually had no idea the project was faith-based! I think that tells you where this series has found success — it doesn't read or play like something that is strictly faith-based, or something that is attempting to convert you. It's a show about the real people that would have lived through first century Judea, how they battled against crippling Roman occupation and how they found refuge in a peaceful, love-preaching Rabbi. I guess I didn't have time to feel any stigma, and before I knew it, we were a megahit all around the globe!
For the audience, there's often a blurring of lines between performer and role. That would seem to be an interesting dynamic when portraying a figure of faith — how do you grapple with that push and pull of serving as a conduit for someone's relationship to their faith while maintaining your grip on your function as an actor?
The show's success has come from taking these 'saints' in the apostles and bringing them away from the paintings and iconography we recognize and telling an origin story that audiences can relate to. At the end of the day, I am not necessarily depicting a saint as a figure of faith, but rather, I am a fisherman from Capernaum with a hot temperament learning to control his impulses with the lessons of love and compassion his Rabbi is teaching him. It's important to respect people's identification with these figures in whatever way they want to, but for me the best feedback I've received from fans about my portrayal of John has been how they see parts of themselves in John, when he makes mistakes, when he learns from his mistakes, when he makes them AGAIN and so on.
You've played real-life figures like George Stephanopoulos in 'Impeachment: American Crime Story' and John Travolta in an Olivia Newton-John TV biopic. How does your approach and your mission with those known figures compare to what you're striving to achieve with your portrayal of John the Apostle?
I started out in this industry in comedy, both stand-up and sketch comedy. A large part of my comedic success has come from doing impressions and impersonating notable people. When I got the roles of John Travolta and George Stephanopoulos, my process was the same as any impression — find the voice, find the body, mold myself into the people based on what I could see of them and mimic them as well as I could. With John [the Apostle], I'm depicting a real person but I don't have the luxury of watching videos of him. So instead, the character arc helps govern my character building. An eager-to-please 'Son of Thunder' has a short temper, sometimes waning patience but at the center of him is a compassionate soul who always looks out for others he cares about. It means my palate to play with is quite broad, and John's temperament for any given moment usually exists somewhere between these extremes of 'thunder' and 'love.'
What have you watched recently that you're recommending to everyone you know?
The most recent series I finished was 'Peaky Blinders' (Netflix). Being an Australian and part of the Commonwealth, British-based television holds a special place in my heart, and I loved watching Birmingham come to life through the brutal eyes of Thomas Shelby. It's a bucket list item of mine to be in a British film or series watching so much of it growing up. Here's to hoping!
What's your go-to comfort watch, the film or TV show you return to again and again?
There are so many, but becoming a new father, I realized just how much I have watched 'Toy Story' (Disney+) and how much time I still have for that film. I'll still watch it on planes as I make the 14-hour commute between Australia and the U.S. when there's nothing else to watch. Fun fact: I can quote the movie word-for-word from beginning to end. Pick a moment, and I can carry on the movie verbatim — voices, music, sound effects and all!

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25 minutes ago

• Elle

'I Have Zero Straight Men In My Life': Emily Ratajkowski Enters Her Free Era

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Maybe it's motherhood, but it just is what it is,' she says, shrugging. And does she care about what other people think, I ask. 'No,' she answers. 'I don't think I do.' HAIR: Hos Hounkpatin at The Wall Group. MAKE-UP: Emi Kaneko at Bryant Artists. NAILS: Maki Sakamoto at The Wall Group. STYLIST'S ASSISTANTS: Gal Klein and Kenny Paul. ON-SET PRODUCTION: Gigi Guldas Morgan Maher This interview can be found in the July/August issue - available on newsstands now. ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE . The Audacity Of Emily Ratajkowski Lotte Jeffs Lotte Jeffs is the author of five books and their debut novel This Love, about the power of queer friendship, is out now.

Cosmopolitan

32 minutes ago

• Cosmopolitan

America's Sweethearts: Dallas Cowboys Cheerleaders: Where is Victoria Kalina now?

If you're anything like us, you've been busy this week watching America's Sweethearts: The Dallas Cowboys Cheerleaders. The second season of the Netflix docuseries follows another cohort of rookies as they compete to make the cut for a coveted position on the Dallas Cowboys Cheerleaders squad. And, yep, there's some major drama as the competition gets increasingly cut throat. This series saw some amazing character arcs (we'll forever root for Dayton!) but fans of the show might have been missing a certain someone from season we're talking about Ms Victoria Kalina. So, what has Victoria been up to since season one? And where is she now? We get into it below... Victoria Kalina is a former Dallas Cowboys Cheerleader who was featured on the first season of America's Sweethearts. She first tried out in 2018, but didn't make the cut. She then joined the squad in 2019, but took a hiatus in the 2021 - 2022 season to cope with her mental health. Before appearing on America's Sweethearts, she was featured in seasons 13, 14 and 15 of Dallas Cowboys Cheerleaders: Making the Team, a show which aired from 2006 to 2021. In total, she spent four years on the squad and followed in the footsteps of her mother, also a former DCC, who was even friends with the DCC director Kelli Finglass. Throughout the show, she was outspoken about her experiences with depression and disordered eating. She emerged as a fan favourite in season one, however, the show saw her walk away and avoid re-auditioning for another year. Cheerleaders can only be a part of the group for a maximum of five years and, ahead of trying out for her final year, Victoria spoke with Kelly and DCC choreographer Judy Trammell about whether she might expect to occupy a leadership position in the squad. However, the duo indicated that this would be unlikely, leading Victoria to not re-audition. Since leaving the show, Victoria has opened up about the difficult decision to Us Weekly. 'In the meeting, y'all saw five minutes of it, but it was an hour and a half. It was what everybody else saw on Netflix, just longer. Since I wasn't hearing what I wanted to hear, I ultimately was going like, 'Well I'm just gonna hang it up on no now.' But I never wanna make a rash decision. I wanted to sit on it. I wanted to get my mom's opinion. And after talking about it with her, she was like, 'No.' As a fifth year going into auditions, I felt like my place on the team was threatened. As a fifth year — I know leadership is not guaranteed — but you wanna go in like feeling cloud nine [so] you can lead these other teammates.' She continued: 'Anyone in any career position, having four years under your belt, you wanna see where you're going, you wanna see growth. So I just decided to put my time and energy elsewhere.' In an interview with The Cut following her departure from the DCC squad, Victoria shared that she was preparing the audition for the Rockettes, a legendary Radio City dance squad. She revealed on Instagram in April 2025 that she was sadly not cast as a Rockette, writing: "This year is a 'not now' for the Rockettes but I can't wait to continue to push this next year and continue to see what other spectacular things unravel in this magical city". Speaking to The Cut last year, Victoria shared that she was teaching private and group dance classes and had moved to New York City. She still appears to be living in NYC and has a robust social media following (499,000 TikTok followers and 461,000 Instagram followers). On her social channels she posts dance videos, and seems to have a particular soft spot for the discography of fellow dance queen Tate McRae. America's Sweethearts: Dallas Cowboys Cheerleaders is available on Netflix now

Tom's Guide

2 hours ago

• Tom's Guide

I finally binged 'The Bear' to catch up before season 4 — and it's transformed how I watch TV

In the fast-paced world of streaming, the newest releases tend to steal the spotlight. The best streaming services like Max, Netflix, and Disney Plus constantly push their latest shows and movies to the forefront. But that makes it hard to catch up on all the must-watch TV shows if you're not much of a binge-watcher (guilty) or tend to be skeptical of anything that's universally hyped (also guilty). The latter may sound overly cynical (eh, I can be guilty of that too), but you have to understand that, out here near Chicago, people adore "The Bear." They will not shut up about it. The onslaught of "The Bear" recommendations began with literally the first episode, which includes a one-line shoutout about Rockford, where I'm based, that was the talk of the town for weeks. I wish I was exaggerating. Tired of hearing about how much I just have to watch "The Bear," I finally sat down at the start of the month to check out Hulu's Emmy-winning comedy-drama series. With "The Bear" season 4 premiering on June 25, I doubted I'd be able to catch up in time. And I was wrong. Turns out, binge-watching is for me after all — and my sleep schedule already hates me for it. I severely underestimated how bingeable "The Bear" would be. The hype was all well-deserved. Pretty much from the first episode, I was glued to my couch, devouring all three seasons in just a few short weeks. I can already feel you seasoned binge-watchers shaking your heads — that must be a snail's pace by comparison — but like I said, I don't tend to binge-watch shows. Every once in a while, one like "Yellowjackets" gets its hooks into me, but I thought it was the exception rather than the rule. After two or three episodes, my attention span tends to be on its dying legs; meanwhile, my actual legs are itching to get up and do something else after sitting for so long. I prefer savoring series, taking regular breaks to reflect on what happened, sit with the characters' choices for a bit, and appreciate the pacing or overarching themes. Even the juiciest of cliffhangers are rarely enough to convince me to hit "next episode" once I'm tired of watching TV for the day. But "The Bear" has made a binge-watcher out of me yet. While I considered pacing myself, "The Bear" felt almost tailor-made for a binge. Between the short episode lengths (a bite-sized 30 minutes) and the way each installment plays out like a self-contained stage play, I found myself only hungry for more by the time the credits rolled. Set in Chicago, "The Bear" tells the story of fine-dining chef Carmy (Jeremy Allen White) who returns home to rescue his late brother's floundering restaurant — and it's nothing short of remarkable. The dizzying highs and crushing lows as Carmy whips The Beef into the restaurant he and his brother always dreamed of having are captivating to watch unfold. Part of that secret sauce is how each episode adds new ingredients to play with. Flashbacks that illuminate each character's motivations and struggles. Explosive fights (and there are a lot of those) that reveal more than the characters mean to. Or small moments that add up to heart-wrenching realizations several episodes — or even seasons — later. With its raw, chaotic portrayal of family dynamics and mouth-watering food, I'm not surprised "The Bear's" achieved such cult status. The constant simmer of conflict threatened to burn me out at times, but then a quieter, more reflective episode would reset my palette. I particularly enjoyed season 3's debut episode, "Tomorrow," which completely upended my understanding of who Carmy is with a series of contemplative, devastating flashbacks of his career. I adore it anytime a show makes me fall in love with a character I initially despised, and Ebon Moss-Bachrach's Cousin Richie is one for the history books. He goes from a complete asshole to an asshole worth cheering for. Beneath the bravado and outbursts, he's grieving, insecure, and trying (however messily) to find his place in a world that's evolving without him. One of my favorite moments in the show so far was seeing him belt out Taylor Swift's "Love Story" in the car after coming into his own in season 2. While there's truly no universal rule for how to watch TV shows, "The Bear" has made me reconsider my stance on binge-watching. As much as I prefer giving stories space to breathe between episodes, I can't deny that "The Bear" was improved by devouring its twists and turns in an insatiable marathon. Binge-watching still isn't my default, but for the right show, it can be the ideal way to experience things.