Sophie Willan and Bolton Wanderers at centre of Lowry 360 experience
As part of its 25th anniversary celebrations, The Lowry is staging a free, immersive experience based on L S Lowry's painting Going to the Match.
Developed with world-renowned creative studio Layers of Reality, Lowry 360 surrounds audiences with the sights and sounds of Going to the Match, transporting them into the painting before they can experience the original painting firsthand.
Visitors enjoying the Lowry 360 experience (Picture: Michael Pollard)Going to the Match painted in 1953, is arguably one of Lowry's best known works and depicts crowds heading to Bolton Wanderers Burnden Park.
The six-minute audio-visual experience uses super-high resolution animation and features an evocative narration from Bolton's BAFTA-winning writer and performer Sophie Willan.
Sophie, who created and stars in the TV comedy series Alma's Not Normal, was supported by the Lowry's Artist Development Programme early in her career.
Julia Fawcett, Chief Executive of Lowry said: 'The reaction to Lowry 360 since it was launched has been wonderful, with visitors responding with real emotion and joy to the experience of being transported into Going to the Match and then being able to view the real painting afterwards.
'This is one of the most ambitious and exciting projects we have ever undertaken.
'Working in partnership with the brilliant Layers of Reality we have transformed our gallery space, bringing to life an unforgettable experience that we hope will encourage new audiences to discover L S. Lowry's jobs" target="_blank">work as well as delighting those already familiar with our collection.
L S Lowry's Going to the Match on display (Picture: Michael Pollard)'When we acquired Going to the Match in 2022, our goal was to keep it on public view and free to access. Now, through this immersive experience, we can share this remarkable and iconic painting with even more people.
'And to open up the arts to as many people as possible, we're making this experience completely free - a special gift to audiences in our 25th year, ensuring everyone can take part and be inspired.'
The 25th anniversary programme features world-class shows and exhibitions to fill the Salford venue's theatres and galleries including a free exhibition of Quentin Blake's illustrations, featuring his most beloved characters and the regional premiere of James Graham's Olivier Award winning play, Dear England which opens on May 29.
Although Lowry 360 and the Quentin Blake exhibition are free, booking a slot is recommended.
For details visit www.thelowry.com
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
UPI
4 hours ago
- UPI
Russell Crowe confirms 'Highlander' casting
June 21 (UPI) -- Oscar-winning Gladiator, A Beautiful Mind and Thor: Love and Thunder star Russell Crowe has joined the ensemble of the new remake of the classic 1986 fantasy film, Highlander. "Yes... it's true... I shall be returning to the highlands... with a sword... it has been a few centuries..." there can be only one," Crowe wrote on X Saturday. The actor's post included a link to a Variety report about the casting news. Crowe will play the mentor to Henry Cavill's Scottish title character in the film about immortal warriors. The movie is being directed by Chad Stahelski and is expected to be released theatrically in 2026. Christopher Lambert and Sean Connery starred in the original. Penn siblings, Russell Crowe attend Rome Film Festival
Epoch Times
6 hours ago
- Epoch Times
‘Our Town': The Nearly Unbearable Beauty of Life
NR | 1h 30m | Drama | 1940 Human life is meaningful only when it's relational. Only by treasuring life's moments in togetherness do birth, aging, and death become worthwhile. That's the point of director Sam Wood's film, 'Our Town' (1940), inspired by Thornton Wilder's Pulitzer Prize-winning play of the same name.
Tom's Guide
11 hours ago
- Tom's Guide
I finally binged 'The Bear' to catch up before season 4 — and it's transformed how I watch TV
In the fast-paced world of streaming, the newest releases tend to steal the spotlight. The best streaming services like Max, Netflix, and Disney Plus constantly push their latest shows and movies to the forefront. But that makes it hard to catch up on all the must-watch TV shows if you're not much of a binge-watcher (guilty) or tend to be skeptical of anything that's universally hyped (also guilty). The latter may sound overly cynical (eh, I can be guilty of that too), but you have to understand that, out here near Chicago, people adore "The Bear." They will not shut up about it. The onslaught of "The Bear" recommendations began with literally the first episode, which includes a one-line shoutout about Rockford, where I'm based, that was the talk of the town for weeks. I wish I was exaggerating. Tired of hearing about how much I just have to watch "The Bear," I finally sat down at the start of the month to check out Hulu's Emmy-winning comedy-drama series. With "The Bear" season 4 premiering on June 25, I doubted I'd be able to catch up in time. And I was wrong. Turns out, binge-watching is for me after all — and my sleep schedule already hates me for it. I severely underestimated how bingeable "The Bear" would be. The hype was all well-deserved. Pretty much from the first episode, I was glued to my couch, devouring all three seasons in just a few short weeks. I can already feel you seasoned binge-watchers shaking your heads — that must be a snail's pace by comparison — but like I said, I don't tend to binge-watch shows. Every once in a while, one like "Yellowjackets" gets its hooks into me, but I thought it was the exception rather than the rule. After two or three episodes, my attention span tends to be on its dying legs; meanwhile, my actual legs are itching to get up and do something else after sitting for so long. I prefer savoring series, taking regular breaks to reflect on what happened, sit with the characters' choices for a bit, and appreciate the pacing or overarching themes. Even the juiciest of cliffhangers are rarely enough to convince me to hit "next episode" once I'm tired of watching TV for the day. But "The Bear" has made a binge-watcher out of me yet. While I considered pacing myself, "The Bear" felt almost tailor-made for a binge. Between the short episode lengths (a bite-sized 30 minutes) and the way each installment plays out like a self-contained stage play, I found myself only hungry for more by the time the credits rolled. Set in Chicago, "The Bear" tells the story of fine-dining chef Carmy (Jeremy Allen White) who returns home to rescue his late brother's floundering restaurant — and it's nothing short of remarkable. The dizzying highs and crushing lows as Carmy whips The Beef into the restaurant he and his brother always dreamed of having are captivating to watch unfold. Part of that secret sauce is how each episode adds new ingredients to play with. Flashbacks that illuminate each character's motivations and struggles. Explosive fights (and there are a lot of those) that reveal more than the characters mean to. Or small moments that add up to heart-wrenching realizations several episodes — or even seasons — later. With its raw, chaotic portrayal of family dynamics and mouth-watering food, I'm not surprised "The Bear's" achieved such cult status. The constant simmer of conflict threatened to burn me out at times, but then a quieter, more reflective episode would reset my palette. I particularly enjoyed season 3's debut episode, "Tomorrow," which completely upended my understanding of who Carmy is with a series of contemplative, devastating flashbacks of his career. I adore it anytime a show makes me fall in love with a character I initially despised, and Ebon Moss-Bachrach's Cousin Richie is one for the history books. He goes from a complete asshole to an asshole worth cheering for. Beneath the bravado and outbursts, he's grieving, insecure, and trying (however messily) to find his place in a world that's evolving without him. One of my favorite moments in the show so far was seeing him belt out Taylor Swift's "Love Story" in the car after coming into his own in season 2. While there's truly no universal rule for how to watch TV shows, "The Bear" has made me reconsider my stance on binge-watching. As much as I prefer giving stories space to breathe between episodes, I can't deny that "The Bear" was improved by devouring its twists and turns in an insatiable marathon. Binge-watching still isn't my default, but for the right show, it can be the ideal way to experience things.
