logo
Wes Anderson created a ‘Phoenician Scheme' immersive experience at S.F.'s Alamo Drafthouse

Wes Anderson created a ‘Phoenician Scheme' immersive experience at S.F.'s Alamo Drafthouse

If you ever wondered what it's like to be inside a Wes Anderson movie, well, you likely will still be wondering after exploring 'The Phoenician Scheme Immersive Experience.'
The new installation at the Alamo Drafthouse New Mission unveiled Wednesday, June 4, as part of a promotion for the new film ' The Phoenician Scheme ' is more of a vibe than an immersion. But it's admittedly ambitious and kinda fun.
The display at the San Francisco movie house comes just two days before Anderson's latest star-studded project opens in theaters on Friday, June 6, and will be up through June 20. Developed by Alamo and Focus Features, the distributor of the film, the installation was created with input from the director himself along with the film's production designer, Adam Stockhausen, and set decorator, Anna Pinnock.
The movie, which stars Benicio del Toro, Mia Threapleton, Michael Cera, Tom Hanks, Scarlett Johansson and many others, is set in the 1950s and is among Anderson and co-writer Roman Coppola's sweetest films.
Mike Sampson, Alamo Drafthouse's director of field marketing, noted that an installation based on Anderson's last movie, ' Asteroid City ' (2023), was created for the Alamo Drafthouse in New York, but the production design of 'The Phoenician Scheme' demanded an older theater. The New Mission at 2550 Mission St. was built in 1916 and was renovated into an Alamo Drafthouse cinema in 2015.
'We realized that the aesthetics of the film really matched the ornate architecture here in New Mission, and we knew it might be a tougher ask to say that we wanted it to be exclusive here,' Sampson said. 'But once we showed (Focus) the space and did a video walk-through with them, they immediately bought into the vision, and they were on board with having it here and having an exclusive.'
Spanning two floors, 'The Phoenician Scheme Immersive Experience' includes recreations of a train used by characters played by Hanks and Bryan Cranston, and part of the plane used by the billionaire played by del Toro.
The New Mission also is featuring a cocktail menu inspired by the film, with concoctions such as Espresso Human Rights (Casamigos Reposado Tequila, Mr Black Cold Brew Coffee Liqueur, almond orgeat, Averna Amaro and cold brew coffee) and the Hemingway Daiquiri (Don Q Cristal rum, Luxardo Maraschino liqueur, pressed lime and grapefruit juices, and a cherry).

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Gillian Anderson had an epiphany that changed how she saw aging: ‘Why waste time?'
Gillian Anderson had an epiphany that changed how she saw aging: ‘Why waste time?'

Hamilton Spectator

timea day ago

  • Hamilton Spectator

Gillian Anderson had an epiphany that changed how she saw aging: ‘Why waste time?'

Gillian Anderson does not mince words. Speaking about wellness culture and the pressure to self-optimize on the podcast 'How To Fail' in 2023, she said in a calm, matter of fact and confident tone: 'I realized that anytime somebody tells me to do something, I'm going to say f—k off.' In a culture where women still feel obliged to be people pleasers, the 56-year-old actress makes being forthright look easy. When we spoke over video call from the Cannes Film Festival, where Anderson was attending L'Oréal Paris' Lights on Women's Worth Award, I asked if she's always been able to set boundaries. 'I was quite a rebellious teenager,' she said. Yet it wasn't until her 40s that she felt able to speak her mind without fear, without worrying about what other people thought. 'It was almost like something that pre-existed but I didn't realize how valuable it was, and that it was something that I could actually vocalize and delight in,' she said. 'There was something that felt really good about having that.' Gillian Anderson at the L'Oréal Lights on Women Award at the Cannes Film Festival on May 23, 2025. Anderson has also become more vocal about women's sexual pleasure. A far remove from how most of us came to know her — as brainy, buttoned-up agent Dana Scully from the '90s TV show 'The X-Files' — this sex-positive persona seemed to be a spillover from her role as a sex therapist on Netflix's 'Sex Education.' When Anderson was nominated for a Golden Globe for her work on the show in 2024, she wore a strapless Gabriela Hearst gown subtly decorated with white embroidered vulvas. Gillian Anderson at the 2024 Golden Globe Awards in a white gown embroidered with vulvas. Last year, she published 'Want: Sexual Fantasies by Anonymous,' a collection of women's sexual fantasies which were submitted from all over the world; she also has a functional soft drinks brand, G Spot, which includes the flavour, 'Arouse.' In this, and in everything she does, Anderson proves that life after 50 is full of possibility. 'I certainly feel that and have been embracing that and really properly leaning into it and taking advantage of it,' she said. 'What's interesting is when I've been asked about it, there's part of my brain that just thinks, 'Well, of course. I mean, why wouldn't it be?'' Still, Anderson said leaving behind her youth wasn't a seamless transition. She experienced two periods of 'deep grief, real sadness and feeling of loss,' one in her late 30s, another in her early 40s, sparked by the realization that she was on the other side of something. In her 40s, she had a mind-altering epiphany: she was the youngest she was ever going to be for the rest of her life. 'It was like, my brain exploded,' she said. 'It's such an obvious thing to say, but at the same time, this is right now. Appreciate where you are right now. Why waste time?' But she understands why many of us feel apprehensive about what life has in store once we hit the midpoint, and why we delight in witnessing women over 50 in popular culture thrive. 'To see women our age showing that not only is there a next, but it's a really fantastic next is really important,' said Anderson, who recently landed her first beauty contract earlier this year, as a face of L'Oréal Paris's Age Perfect line. 'I encourage women to look forward to this time and not be afraid of this time, but to know that it can be incredibly positive and empowering — actually more empowering than some of the other decades that we've lived.' Gillian Anderson and Jason Isaacs at a London screening of 'The Salt Path.' As Anderson has progressed further into her career, she's begun working with more women directors — including on 'The Salt Path,' out later this month. The film, based on writer Raynor Winn's memoir, is a drama about a married couple who walk across the south west coast of England after becoming homeless. It was directed by Marianne Elliott, and the crew was populated with many women, including a producer and the director of photography. 'Anytime I see a woman director, I celebrate it. It's just a very different vibe,' Anderson said, comparing the atmosphere to the 'very male-centred, very macho' sets that she's become accustomed to. From here, Anderson is feeling ready for whatever is next. 'I'm not afraid of my age or the changes that are happening. I feel proud to be the age that I am,' she said. 'I'm continuing to build and to grow and do what I set my mind to.'

How to Spend 24 Hours Dining and Drinking in San Antonio
How to Spend 24 Hours Dining and Drinking in San Antonio

Eater

time2 days ago

  • Eater

How to Spend 24 Hours Dining and Drinking in San Antonio

Blessed with revered landmarks like the Alamo and theme parks like Six Flags, San Antonio has long been one of Texas's favorite day trip destinations. In recent years, however, the visitor experience has changed vastly. Stumbling around the chain restaurants in the River Walk is out; lingering over an aged bavette is in. A new generation of restaurants like Ladino and Best Quality Daughter centered around Downtown has enhanced the city's surfeit of Tex-Mex. And now, the buzz comes from elegant cocktail bars and new-school ice houses. Whether in town for a quick overnight stay or lingering over an entire weekend, here's the ultimate guide on how to spend at least 24 hours dining and drinking in San Antonio. 8 a.m. Coffee at Gravves Coffee Less for early risers than those who stayed up all night, this coffee shop offers a hangover-friendly black interior and a welcoming, unchipper staff. Along with the usual espresso drinks and cold brews, the funereal parlor pours appropriately goth specialty drinks. The ghostly black sesame latte blends activated charcoal and milk, and the swampy Forest Dweller adds pandan. Food is usually limited to a few spooky pastries, but the business frequently hosts morning pop-ups. 10:30 a.m. Breakfast/Brunch at Con Huevos Taco It's impossible to drive through San Antonio without passing by incredible taquerias, but this Dignowity Hill staple merits a slight detour East. The pillowy flour tortillas wrap up fillings like buttery scrambled eggs, thick bacon, carne guisada, and creamy avocados. Those who don't have room for an afternoon nap window can go for the lighter Lupe — calabazas, black beans, and queso fresco on a spinach and nopales tortilla. Either way, greet the morning with a peppery Michelada or refreshing Topo Chico preparado on the brightly painted picnic tables. 2 p.m. Lunch at the Newstand Sandwiches are lunch classics for a reason, but it is challenging to settle for a fast food log while this Broadway shop ups the ante. Chef Page Pressley starts with house-baked focaccia, then loads the halves with imaginative toppings. There's the Parisian, which is stuffed with white asparagus, truffle honey, Parmesan, arugula, and a black pepper custard, and the Chronicle, whipped roasted beet root creme cheese, sheeted and dressed beet root, hazelnuts, sprouts, fine herbs. The wildest ride is the Gazzette, an improbable mix of stracciatella, mortadella, seasonal fruit, pistachio butter, and arugula. The interior has a contemporary edge, too, with sleek marble and blond wood. An attached vintage store gives diners something to do while waiting for their order. 5 p.m. Happy Hour at Little Death Located in a former service station and graffitied with psychedelic murals, this tiny bottle shop and bar is one of San Antonio's few spots to buy low-intervention wine. Amateur oenophiles shouldn't worry about snobbery: The counter staff can advise based on a favored grape or a vague vibe. Expected wine bar snacks like nuts and cheese make up the permanent window, but the Airstream trailer on site partners with local chefs to offer everything from raw oysters to Palestinian fare. This cozy New American restaurant is the centerpiece of Pullman Market, the Pearl District's food hall and grocer from Austin's acclaimed Emmer and Rye Hospitality Group. The wood-fired menu focuses on Texas ingredients like reserve Akaushi steaks and heritage breed chickens. Expect to find more mischief in the snacks section, where the kitchen features two-bite wonders like buttermilk pie with mustard greens and fennel. If ending the evening early, stop by the wood-paneled lounge for a nightcap like the Midnight Mass, a riff on an espresso martini infused with raspberry miso and yogurt whey. For comforting cuisine that gives a snapshot of San Antonio's culture, consider Best Quality Daughter. As much of an art project as a restaurant, BQD began as a series of pop-ups exploring Chinese American identity. The food, however, never feels academic. Chef and owner Jennifer Hwa Dobbertin turns out witty pan-Asian surprises such as Korean corn cheese egg rolls, mochi cheddar hush puppies, dan dan noodles tossed with wagyu guisada, and a drunken noodle dripping in red curry mole. Even the drinks get inventive, with boozy boba and cleverly named cocktails, like the Over My Dad Body, a combination of Toki Japanese whisky, gentian liqueur, lemongrass syrup, and Thai spice bitters. The Victorian veranda has plenty of outdoor seats for lolling away sunny days, but the four Chinoiserie wallpaper-wrapped dining rooms glow brighter. San Antonio has two days of winter and a thousand days of summer, making chilly desserts a lifeline when the thermometer glows an angry red. This Austin-based mini-chain is a fitting coda to any summertime dinner. The most balmy days call for the pucker of a grapefruit paloma cone made with tequila and a hint of sea salt. Should San Antonio's nightlife scene beckon, power up with an affogato made with local honey and a Madagascar vanilla scoop. 11 p.m. Late Night: Decisions, Decisions Rave into the wee hours at 1912 Nightclub, housed in a historic train station that once served as Selena's 'No Me Queda Mas' video set. Stick to St. Mary's Strip for bar-hopping, where visitors can stumble into honky tonk Lonesome Rose, tiki favorite Holy Diver, and raucous bar Midnight Swim. Should hunger pangs strike, cheeky Downtown smash burger joint Pumpers keeps the party going until midnight. Stroll through the Japanese Tea Garden: This historic park is one of San Antonio's most breathtaking selfie spots. The grounds, converted from a limestone quarry in the early 20th century, include charming stone bridges, a 60-foot waterfall, and spacious ponds filled with hundreds of koi. Those with limited mobility can take advantage of the upper garden by ramp, but the lower garden requires stairs. Shop at Pearl: Adapted from the former site of the Pearl Brewing Company, this mixed-use development nestles some of the city's most unique boutiques among its restaurants and bars. Pick up a bespoke guayabera at Dos Carolinas, stock up on artisan home goods at Rancho Diaz, or browse literary fiction at the Twig Book Shop. On the weekend, take advantage of the farmers' market. Catch a show at Paper Tiger: This mostly outdoor venue books some of the most well-known indie acts in the city, but the weekly lineups are a chance to discover emerging artists. The eclectic schedule pays little mind to genre, making room for country, metal, hip-hop, dream pop, and goth rock. Get a chill up your spine with Sisters Grimm Ghost Tours: Over its more than 300-year history, San Antonio has collected more than a few things that go bump in the night. Visit some of its more notable former citizens during this theatrical tour. Ghost hunters can pick from two experiences: a walking tour downtown or a bus tour venturing through a historic cemetery. Cheer on the San Antonio Spurs: Win or lose, the San Antonio Spurs have one of the most loyal fan bases of any NBA team. When the season ends, the Frost Bank Center also hosts the San Antonio FC and the San Antonio Stock Show and Rodeo. If staying more than 24 hours, these hotels are near San Antonio's cultural, dining, and nightlife hubs. For a truly luxe experience, book an evening at this Pearl District anchor, renovated from Pearl's former brewhouse. The well-appointed rooms are steps away from San Antonio standard-bearers like Brasserie Mon Chou Chou, Ladino, Full Goods Diner, and dessert tasting menu restaurant Nicosi. The hotel itself includes an upscale restaurant, Supper; the chic and bustling bar, Sternewirth; and a library lounge just for guests. Named for its Mediterranean Revival architectural style popular in Cuba in the 1910s, this River Walk boutique hotel is from the Bunkhouse team, who are also behind Marfa's El Cosmico and Mexico City's Hotel San Fernando. Amenities include Ocho, a stunning glasshouse conservatory restaurant overlooking the River Walk; a speakeasy-style bar; and serape robes. Squeezed between Downtown and artsy Southtown, this new kid on the block offers contemporary amenities like a fitness room, complimentary city bikes, and a heated rooftop pool. The onsite Dean's Steaks and Seafood impresses with a 19th-century schoolhouse atmosphere and decadent raw bar. The largest pool Downtown is serviced by Anaqua, its adjacent bar that delivers tropical cocktails and bites with Japanese and Latin influences. The wellness concierge at the spa can recommend services such as dark chocolate wraps, radiofrequency stimulation, or holistic manicures. See More:

Hotline TNT's Will Anderson Talks New York Band's Growing Success: ‘I Feel Like I'm About to Blow Your Minds'
Hotline TNT's Will Anderson Talks New York Band's Growing Success: ‘I Feel Like I'm About to Blow Your Minds'

Yahoo

time2 days ago

  • Yahoo

Hotline TNT's Will Anderson Talks New York Band's Growing Success: ‘I Feel Like I'm About to Blow Your Minds'

Hotline TNT has become synonymous with the burgeoning music scene in the Queens neighborhood of Ridgewood, New York. But for the indie-rock band's latest album, Raspberry Moon, it decamped far from the city to Appleton, Wisconsin. 'It was a full circle for a lot of reasons,' frontman and onetime Wisconsinite Will Anderson tells Billboard from his Ridgewood home, his pet chihuahua perched on his bed behind him. 'Being back in my home state definitely was part of the appeal.' More from Billboard Young Singer Wins Over 'AGT' Judges With Ed Sheeran Cover Ozzy Osbourne's DNA Will Be Sold in Limited Edition Liquid Death Cans Kneecap Launch London Billboard Takeover Ahead of 'Witch-Hunt' Court Appearance For more than a decade, Anderson, 36, has been something of a transcontinental indie-rock journeyman: After one of his former bands, the Vancouver-based Weed, earned some buzz in the mid-'10s, he kept making music as a hobby in Minneapolis – while he pursued a graduate degree to become a guidance counselor – before eventually landing in New York City shortly before the pandemic began. Anderson had already been releasing music under the Hotline TNT moniker for a couple years, but the project blossomed as live music got back up and running in 2021. Fans quickly gravitated to Hotline TNT's debut album, 2021's Nineteen in Love, and Anderson grew his following by picking up coveted support slots for buzzy indie bands like Snail Mail, Momma and Horsegirl. But when Hotline TNT made its Third Man Records debut with its second album, Cartwheel, in late 2023, it exploded. The set of anthemic shoegaze and power-pop gems earned raves from indie-rock tastemakers and catapulted Hotline TNT to the forefront of the genre – even if Anderson wryly shrugs off the success as 'right place, right time.' Which brings the story back to Appleton. When it came time to make another record, Anderson chased down Amos Pitsch, best known for fronting the punk band Tenement, to record it with him at his studio in the Wisconsin town. And in a first for Hotline TNT, whose studio recordings had previously been the work of Anderson alone, the band's touring quartet made the record together, across two sessions totaling a week. So while Raspberry Moon mostly sounds like the Hotline TNT fans already know and love, it pulses with the energy that only a full band can bring to the studio – and has a smattering of adornments, courtesy of Pitsch, that differentiate it from Hotline's previous work. For Anderson, all these small changes added up. 'If you get into a time machine and change one little thing, it could have ripple effects, you know?' he says. 'That's the whole thing. This is very much a snapshot of what happened in this timeline.' How did coming up with other young bands from the region, like Snail Mail and Momma, help Hotline TNT break out a few years ago? Early on, when we played with Snail Mail and Momma, that was a pretty important cosign that made other people took notice – and this was kind of before even we were on streaming services. You initially released exclusively on YouTube, as one long track. Why? It comes up over and over again: 'Why did you do that?' I push back against the narrative that it wasn't accessible – because it was on YouTube. This is, like, the number one most accessible free platform; you don't have to have an account, anything like that. Yeah, it wasn't presented in the way that people are used to consuming music – like, 'I want my Spotify playlist' or whatever – but it's still there. You can still listen to it anytime you want, for free. The choice was aesthetic more than anything. I wanted to present the album in a way that I had curated, basically, which was 'I want the songs to be listened to in this order.' I kind of liked the idea of making it a little bit harder for people to skip around to their favorite songs. Then you signed with Third Man Records. How have they supported you, with and now ? Well, that was the end of the YouTube strategy. [Laughs.] No, they've been great. As you can probably guess, I was pretty hesitant to have anyone besides myself handling the release strategy – or, I mean, there wasn't really a strategy [before], it was just like, I'm doing things the way I want to do it. Getting involved with, for lack of a better word, music industry people, has been a growing process for me. But, overall, they've made it pretty painless. They let me handle the creative side of things: 'Cool, here's a budget. Go do your thing.' I think it's gone pretty well. I love working with them. I hope we can keep doing it for a long time. You're managed by Rusty Sutton and Libby Webster of The Glow Management, which also represents Wednesday and MJ Lenderman – and in Raspberry Moon's liner notes, you thank 'everybody in the Wendesday and Lenderman extended universe.' When did you start working with Rusty? Right before Cartwheel came out. We met him through playing with Jake [Lenderman] and [Wednesday's] Karly [Hartzman]. We're definitely a different lane than those guys, but hopefully we can carve our own path. When I need Rusty's help, he's there for me. He's guided me through a lot of difficult situations, and I appreciate him a lot. You did a big tour supporting Wednesday in early 2024, right after dropped. How did you adjust to playing bigger rooms? That's been easy for me. Not to toot my own horn, but every time we play a big show, I feel like I thrive in those moments. Especially if we're a support band, I feel like I'm like, 'You guys don't know who we are. I'm about to blow your minds. I'm gonna change your night. We're gonna be way louder than the headliner.' If there's heads to convert, that's kind of my favorite setting. I want us to be the headliner, don't get me wrong. But in the meantime, this is how we're gonna play in front of 1,000 people – I have a bit of an antagonist in me that's like, 'You don't think we're gonna be capable, but we are. So, check this out.' Tell me about the decision to record as a full band, rather than on your own. It was just a matter of circumstance, really. It's harder than one might think to find people who are down to tour as much as we do; these four people, including me, were down to do it. They deserve to be a part of every aspect of the band, whether it's recording or songwriting or touring. It's not fair to be like 'Alright, guys, thanks for your work. Now I'm gonna do all the creative stuff with the record.' What do Amos and Tenement mean to you, and what did he add to this record? I met Amos [when he was] playing in a different band, Technicolor Teeth. They were kind of my favorite live band that I had ever seen. I saw them twice, and they blew my mind both times. Tenement I didn't come to till later, but I love all the Tenement records and everything Amos has done. He's got the Midas touch, in my opinion. I wanted to see what happened when he got involved. After we finished tracking everything, I told Amos, 'I want you to go through the whole album and add whatever you hear, on your own.' So a lot of the stuff you hear on this album, we weren't even in the studio. We obviously wrote all the songs and recorded all the guitars and drums and everything, but then, any piano you hear, vibraphone, there's some soaring vocal harmonies – that's all Amos. I kind of wanted him to be like a fifth member of the band for this recording project, and I think he delivered. What's next for Hotline TNT? A lot of touring. Just started demoing for the new album. I know it sounds like, 'Oh, you're already back in the studio?' Like, yeah. I mean, what else are we gonna do? That's the job. It'll take a while for us to have another album, for sure, but I'm already thinking about it and excited about it – but I'm excited to see how this one goes. What's been on Hotline TNT's playlist? Currently, we're all really hooked on this band The Tubs. Really obsessed with both their albums, but the new one [2025's Cotton Crown] especially captured our attention in a major way. We listen to a lot of ML Buch, a lot of Daryl Johns. And then all the classics: Red House Painters, Teenage Fanclub, early My Bloody Valentine. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store