logo
Gillian Anderson had an epiphany that changed how she saw aging: ‘Why waste time?'

Gillian Anderson had an epiphany that changed how she saw aging: ‘Why waste time?'

Gillian Anderson does not mince words. Speaking about
wellness culture
and the pressure to self-optimize on the podcast 'How To Fail' in 2023, she said in a calm, matter of fact and confident tone: 'I realized that anytime somebody tells me to do something, I'm going to say f—k off.' In a culture where women still feel obliged to be people pleasers, the 56-year-old actress makes being forthright look easy.
When we spoke over video call from the
Cannes Film Festival,
where Anderson was attending L'Oréal Paris' Lights on Women's Worth Award, I asked if she's always been able to set boundaries. 'I was quite a rebellious teenager,' she said. Yet it wasn't until her 40s that she felt able to speak her mind without fear, without worrying about what other people thought. 'It was almost like something that pre-existed but I didn't realize how valuable it was, and that it was something that I could actually vocalize and delight in,' she said. 'There was something that felt really good about having that.'
Gillian Anderson at the L'Oréal Lights on Women Award at the Cannes Film Festival on May 23, 2025.
Anderson has also become more vocal about women's sexual pleasure. A far remove from how most of us came to know her — as brainy, buttoned-up agent Dana Scully from the '90s
TV show
'The X-Files' — this sex-positive persona seemed to be a spillover from her role as a sex therapist on Netflix's 'Sex Education.' When Anderson was nominated for a Golden Globe for her work on the show in 2024, she wore a strapless Gabriela Hearst gown subtly decorated with white embroidered vulvas.
Gillian Anderson at the 2024 Golden Globe Awards in a white gown embroidered with vulvas.
Last year, she published 'Want: Sexual Fantasies by Anonymous,' a collection of women's sexual fantasies which were submitted from all over the world; she also has a functional soft drinks brand, G Spot, which includes the flavour, 'Arouse.'
In this, and in everything she does, Anderson proves that life after 50 is full of possibility. 'I certainly feel that and have been embracing that and really properly leaning into it and taking advantage of it,' she said. 'What's interesting is when I've been asked about it, there's part of my brain that just thinks, 'Well, of course. I mean, why wouldn't it be?''
Still, Anderson said leaving behind her youth wasn't a seamless transition. She experienced two periods of 'deep grief, real sadness and feeling of loss,' one in her late 30s, another in her early 40s, sparked by the realization that she was on the other side of something. In her 40s, she had a mind-altering epiphany: she was the youngest she was ever going to be for the rest of her life. 'It was like, my brain exploded,' she said. 'It's such an obvious thing to say, but at the same time, this is right now. Appreciate where you are right now. Why waste time?'
But she understands why many of us feel apprehensive about what life has in store once we hit the midpoint, and why we delight in witnessing women over 50 in popular culture thrive. 'To see women our age showing that not only is there a next, but it's a really fantastic next is really important,' said Anderson, who recently landed her first beauty contract earlier this year, as a face of L'Oréal Paris's Age Perfect line. 'I encourage women to look forward to this time and not be afraid of this time, but to know that it can be incredibly positive and empowering — actually more empowering than some of the other decades that we've lived.'
Gillian Anderson and Jason Isaacs at a London screening of 'The Salt Path.'
As Anderson has progressed further into her career, she's begun working with more women directors — including on 'The Salt Path,' out later this month. The film, based on writer Raynor Winn's memoir, is a drama about a married couple who walk across the south west coast of England after becoming homeless. It was directed by Marianne Elliott, and the crew was populated with many women, including a producer and the director of photography. 'Anytime I see a woman director, I celebrate it. It's just a very different vibe,' Anderson said, comparing the atmosphere to the 'very male-centred, very macho' sets that she's become accustomed to.
From here, Anderson is feeling ready for whatever is next. 'I'm not afraid of my age or the changes that are happening. I feel proud to be the age that I am,' she said. 'I'm continuing to build and to grow and do what I set my mind to.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

This wild Netflix show is exactly the weekend binge watch I needed — and you should stream it, too
This wild Netflix show is exactly the weekend binge watch I needed — and you should stream it, too

Tom's Guide

timean hour ago

  • Tom's Guide

This wild Netflix show is exactly the weekend binge watch I needed — and you should stream it, too

I wasn't really looking for something heavy when I stumbled onto "Maniac," a Netflix miniseries starring Emma Stone and Jonah Hill. I just wanted something short, maybe a little weird. And that's exactly what I got. "Maniac" is only 10 episodes, but they pack in a lot: sci-fi, dark comedy, mental health themes and trippy visuals that I couldn't get enough of. I had no idea what I was getting into at first. I figured "Maniac" would be another mind-altering show that leans on style over substance. But it really surprised me. The show is funny, sad and totally unpredictable. I kept thinking about it long after it ended, and I've already recommended it to a few friends who love offbeat, character-focused stories. The only problem? "Maniac" is over much too soon. If you're into shows that are a little strange and can actually deliver on their promises of psychedelia, "Maniac" is worth checking out. It's a limited series, so you're not signing up for a huge time commitment — one weekend will do. "Maniac" starts with two strangers who sign up for a drug trial, hoping to fix something they can't quite face on their own. Owen (Jonah Hill) is living with schizophrenia and feeling isolated from his powerful, dysfunctional family. Annie (Emma Stone) is stuck in her own grief, angry and disconnected after a major loss. Neither of them is convinced the trial will help, but it feels like their last option. The experiment promises to help ease their pain by targeting specific memories. It sounds scientific and simple, but that couldn't be further from the truth. When the pills they're given take effect, Owen and Annie are thrown into a series of simulations pulled from their subconscious. These scenes jump across genres and timelines, but what matters most is what they reveal about who they are beneath the surface. As the trial progresses, their paths start to overlap in ways that shouldn't be possible. The more time they spend in these worlds, the more they start to depend on each other, even when they barely understand why. Why are they coming together like this? And what will happen when their paths diverge? On the surface, "Maniac" is about two strangers in a pharmaceutical trial, but it's much more than that. It's an uncomfortable study that explores what makes up a person: Is it their memories? Is it their experiences? Is it an amalgam of all of these things? Hill plays Owen as someone who barely speaks above a whisper, always trying to make himself smaller in every room he's in. Stone's Annie is the opposite. She's guarded, angry and constantly pushing people away. They're very different characters, but the way they slowly start to understand each other is what pulls things into focus. You really get to know Annie and Owen like they're long-lost acquaintances. Sure, there are surreal scenes and reality-bending sequences, but they always circle back to something real, even when the dreamlike memory sequences seem just like that: dreams. How they navigate each segment is like watching a new show every time. You want them to succeed. It's clear that "Maniac" moved others as much as it did me. Over at Rotten Tomatoes, it's holding at an 85% rating out of 17 critic reviews, beyond its 2018 debut. The Guardian's Lauren Carroll Harris appreciated its overall message: "With grimy futuristic production design a la 'Blade Runner' and 'Alien', Maniac actually has something profound to say about the alienation of people today." If you want a limited series that doesn't waste your time or talk down to you, "Maniac" is worth watching. It's thoughtful, strange, and emotionally honest in ways most shows never even attempt. And at 10 episodes, it knows exactly when to stop. It's just unfortunate that there probably will never be any more of it.

'A victim of greed': Bereaved sisters pay tribute to ‘hero' brother who died in the Grenfell Tower fire
'A victim of greed': Bereaved sisters pay tribute to ‘hero' brother who died in the Grenfell Tower fire

Cosmopolitan

timean hour ago

  • Cosmopolitan

'A victim of greed': Bereaved sisters pay tribute to ‘hero' brother who died in the Grenfell Tower fire

On 14 June 2017, a fire broke out in a kitchen at Grenfell Tower in North Kensington, London. It spread at an unprecedented rate, engulfing the 24-storey building and raging for 60 hours as the fire brigade battled to control it. As a result of the 'decades of failure' (uncovered in the seven-year-long inquiry that followed), 72 people heartbreakingly died in Grenfell Tower, with 70 others left injured. Now, a new Netflix documentary examines the factors which led to the fire at Grenfell, as well as paying its respects to those that passed away, speaking to families to hear their stories. One such story on Grenfell: Uncovered is that of Raymond 'Moses' Bernard, who died fighting to protect the other residents amidst the inferno. The 63-year-old grandfather was well-known to the Grenfell community, having lived in the tower block for 30 years. He was beloved around West London in general, his family say, having moved to the UK from the Caribbean in the 1960s, when he was just 16. 'He was known as a sound man,' Ray's sister Jackie recalls to Cosmopolitan UK. 'He went to all the clubs to play Soca music and reggae. He was well-known around Carnival.' 'Ray was a real gentle soul,' agrees younger sister Bernie. 'He was widely known for his generosity and for always putting other people first. 'He had a reputation for being a protector.' While Ray, who lived on the 24th floor of Grenfell, saw the tower block as its home, it didn't mean his flat was without its faults. Bernie, who visited Ray often and also considered Grenfell to be a home from home, said Ray's flat had a leak in its ceiling. However, when Ray (or Bernie, calling on Ray's behalf) complained to the Kensington & Chelsea Tenant Management Organisation, who supervised Grenfell at the time, Bernie explains he was treated 'like an irritation'. 'They were often extremely rude,' Bernie recalls, 'Or they'd tell you they'd get back to you, but more often than not, they didn't. They weren't there to help. In my opinion, they completely forgot their role.' It was particularly worrying, as Ray became less able-bodied as he got older, with his severe arthritis meaning he sometimes walked with a stick. On the night of the fire itself, Bernie wasn't immediately concerned about Ray's safety. She had been called by a friend who lived nearby, who alerted her to the incident. 'It was a big concrete block,' she says. 'There had been fires in the past at Grenfell that had always been contained. So when I first got the call asking whether Ray was home, I wasn't concerned at all. In the UK, your home is meant to be a safe place. I didn't have any idea what was going to transpire. 'I knew something was wrong when my friend rang again and I heard the panic in her voice. When I turned on the TV, I couldn't believe what I was seeing – but I kept telling myself Ray was going to be okay.' However, as part of a refurbishment of the Grenfell Tower block in 2016, the exterior of the building had been clad in an aluminium composite material (ACM) with polyethylene (PE) at its core. PE is highly flammable, which led to the quick spread of the fire. Residents were also not told to evacuate Grenfell; at the time, high-rise buildings in the UK had a 'stay put' policy, as fires were thought to be able to be contained in individual flats. It was a survivor of the Grenfell fire that informed Bernie and Jackie of Ray's bravery on the night of the blaze. While people were standing in hallways, as smoke flooded into their flats, Ray helped those looking for shelter and allowed them into his home which was less impacted at that time. As the smoke started to infiltrate, he let the women and children take refuge in his bedroom, while he kept trying to keep people safe. 'She wanted us to know that Ray was doing everything he possibly could to stop the fire from entering his apartment,' Bernie says, biting back tears. It was thought Ray died by the inhalation of toxic smoke. His body, which was identified via dental records, was found at the foot of his bed, while others found there were huddled on the bed. 'We know that he was the kind of person who would have done everything he could to ease the suffering of the people in his apartment,' Jackie says. It was testament to Ray's character, Bernie adds, that the last conversation she ever had with her older brother was about their mother, who was sick at the time. 'He basically said that our mum was his queen, and we needed to do whatever we can to look after her,' she recalls. 'Our mum passed just a few months after Grenfell. We think she died of a broken heart, as Ray was the favourite son.' Despite the Grenfell Tower inquiry finding a catalogue of failure and errors from the UK government and building authorities, there have been no criminal charges made at the time of writing. While the inquiry's 1700-page report suggested a number of recommendations to be implemented, for Bernie, nowhere near enough has been done to honour those who died in the fire, or for those families left to mourn them. 'For me, nothing's really changed,' she says. 'How could this have happened in the UK? There's still buildings with that cladding on it, and no-one has taken responsibility. The inquiry just showed everyone passing the buck.' Earlier this year, the government announced plans to demolish Grenfell Tower – however, not everyone necessarily wants the building to be removed entirely as it acts as a second memorial site to those who died. 'I understand that the tower has to come down,' Bernie says. 'We need to have a place where we can go to grieve the people that were cremated in that building.' Now, with eight years having passed since Grenfell, both Bernie and Jackie want Ray to be remembered for the hero that he was – but also that his death was entirely avoidable. 'He was a beautiful person,' Jackie says. 'He was caring, loving and giving.' Bernie adds: 'We also want him to be remembered as being a victim of greed, corruption, and dishonesty.' In a statement to Cosmopolitan UK, the Kensington and Chelsea Tenant Management Organisation said: 'We are acutely conscious of the terrible impact that this tragedy has had on the bereaved, the survivors, their relatives, and the broader Grenfell Tower community. We accept that the TMO contributed to this and we are deeply sorry. 'We continue to offer our deepest condolences and sympathies to all those affected. 'We sincerely hope that the findings of the Grenfell Tower Inquiry will lead to safer homes for all those in social housing.' The KCTMO relinquished its role as a housing provider in February 2018 to the Royal Borough of Kensington and Chelsea. It now exists for the sole purpose of supporting the public inquiry and all other legal proceedings resulting from the Grenfell Tower tragedy. There are no staff currently in place who were employed at the time of the tragedy. Kimberley Bond is a Multiplatform Writer for Harper's Bazaar, focusing on the arts, culture, careers and lifestyle. She previously worked as a Features Writer for Cosmopolitan UK, and has bylines at The Telegraph, The Independent and British Vogue among countless others.

3 underrated Netflix shows you should watch this weekend (June 20-22)
3 underrated Netflix shows you should watch this weekend (June 20-22)

Digital Trends

time3 hours ago

  • Digital Trends

3 underrated Netflix shows you should watch this weekend (June 20-22)

Watching shows on Netflix has become the way that many people wind down after long and stressful days. The trouble is that Netflix offers so many options that you might unwind by scrolling through the pages instead of actually picking something. If you'd like to avoid that problem, we're here to help. We've compiled a list of three underrated shows you can check out on the streaming service, with each offering something totally different. Recommended Videos Need more recommendations? Then check out the best new shows to stream this week, as well as the best shows on Netflix, the best shows on Hulu, the best shows on Amazon Prime Video, the best shows on Max, and the best shows on Disney+. BoJack Horseman (2014-2020) An animated horse cartoon doesn't necessarily scream excellence, but BoJack Horseman was one of the most acclaimed shows on Netflix. The series tells the story of a former sitcom actor who, while still wealthy, is now a narcissistic alcoholic who alienates everyone who tries to get close to him. The show explores BoJack's bad behavior and his attempts to improve over the course of six seasons, and it's one of the more inventive, fascinating shows they've ever produced. It's been over for five years, but now is the perfect time to check it out if you missed it back in the day. You can watch Bojack Horseman on Netflix. Good Girls (2018-2021) A brilliant show about three women who take control of their own lives, Good Girls follows two sisters and their best friend as they decide to hold up a grocery store to get each of them out of some financial difficulty. Because they're new to this whole 'doing crimes' thing, the holdup doesn't go perfectly. The trio realizes that the only way they can escape is by working together. Good Girls is hilarious, occasionally thought-provoking, and a wonderful showcase for its three central performers. You can watch Good Girls on Netflix. Narcos (2015-2017) Narcos was a phenomenon when it first aired, but that was almost a decade ago now. The series, which lasted just three seasons, tells the story of the rise of the cocaine trade in Colombia in the late 1980s and follows real-life drug kingpins, including Pablo Escobar. The show, which also followed law enforcement efforts to combat the drug trade, was often riveting drama and anchored by a slew of great actors. Narcos was the type of cop show that we rarely see, and its focus on a particular time period in history gave it the kind of heft few shows can fake. You can watch Narcos on Netflix.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store