Cardi-B puts on a busty display in a bold cowboy outfit as she heads to Beyonce's concert in Paris
Cardi-B put on a busty display in a bold cowboy outfit as she headed to Beyonce's concert in Paris on Sunday.
The Please Me singer, 32, turned heads as she stepped out in a fur corset which featured structure hip pads, a belt and long leather tassels.
She layered her unique country-inspired garment under a matching ankle-length trench coat.
In keeping with her cowboy theme, Cardi-B added inches to her surgically-enhanced frame as she slipped into a pair of matching towering platform heels.
To accessorise, the songstress added a pop of colour with huge teal statement necklace.
Finishing her cowboy themed ensemble, Cardi-B wore a matching fur hat and a long pale blue wig.
Beyonce is currently in Paris performing after she concluded her epic six-night concert run in London on Monday night, breaking her own huge record at Tottenham Hotspur Stadium.
The 43-year-old singer's groundbreaking series of concerts welcomed over 275,000 fans and grossed over £45million (over $61million USD), making it the most tickets and highest gross for any artist in the stadium's history.
Beyoncé also now holds the all-time record at Tottenham Hotspur Stadium for the most concerts performed by any artist.
Her Cowboy Carter Tour shows - held June 5, 7, 10, 12, 14, and 16 - surpassed the benchmark she previously set with five sold-out nights during her Renaissance World Tour in 2023.
This broke her own all-time record for most performances by any artist at the venue.
At the venue she also broke the record for the most ticket sales for any artist - with over 275,000 tickets sold.
It is also the highest grossing concerts for any artist (over £45million) at Tottenham.
The news comes after Beyoncé reportedly 'bowed down' to Mariah Carey and 'packed up her £25k-a-night London penthouse for the diva songstress to move in.'
The singer's groundbreaking series of concerts welcomed over 275,000 fans and grossed over £45M, making it the most tickets and highest gross for any artist in the stadium's history
The If I Were A Boy hitmaker had booked a 12-night stay at the Corinthia while performing at London's Tottenham Hotspur Stadium.
But she allegedly moved out at the weekend when self-confessed diva Mariah, 56, touched down to play at Capital's Summertime Ball on Sunday.
A source told The Sun: 'Superstars as big as Beyonce and Mariah want to stay in only the best hotels.
'Beyonce had been staying in Corinthia's penthouses.
'But when Mariah flew in, Beyonce packed up so Mariah could take over her suites. It was like Beyonce was bowing down to another music queen.'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
an hour ago
- Daily Mail
Samantha Barks welcomes her second child with husband Alex Stoll as she shares a sweet photo of her daughter
Samantha Barks has welcomed her second child with her husband Alex Stoll. The actress, 34, took to her Instagram on Sunday to announce that she has welcomed a daughter, who the couple have named Felicity. She already shares son Raphael, 18 months, with her husband Alex, who she married in June 2022. Samantha shared a sweet black-and-white snap of her in hospital lying with her newborn baby on her chest. Alongside her adorable post, she penned: 'Hello Felicity'. Her friends and family flocked to her comment box to share their congratulations as Amanda Holden penned: 'Congratulations'. Another penned: 'Congratulations sweet girl! Welcome little miss, your mumma is a real life Queen' 'CONGRATULATIONS‼️‼️‼️ Felicity is SOOO PRECIOUS I cannot WAIT to meet her'; 'Congratulations! So beautiful'; 'Oh my goodness!! Huge congratulations ❤️❤️' Samantha first announced her pregnancy in May when she shared the surprise news, as she prepared to take to the stage for the BBC 's VE Day 80th Anniversary concert. She shared the news as she chatted to host Sophie Raworth ahead of her performance, revealing she was 'nearly nine months pregnant.' During the chat, Samantha appeared to let slip the gender of her new arrival, telling Sophie that 'this would be her first adventure' in reference to her unborn baby joining her on stage. Hiding her bump under a black padded coat, Samantha revealed: 'The dress is being steamed, the hair and makeup is ready.' As Sophie noted her bump which was hidden under her coat, the Frozen star added: '[I'm] nearly nine months pregnant so it's going to be me and baby performing for royalty tonight so it's her first adventure.' Her friends and family flocked to her comment box to share their congratulations as Amanda Holden penned: 'Congratulations' Samantha first announced her pregnancy in May when she shared the surprise news, as she prepared to take to the stage for the BBC 's VE Day 80th Anniversary concert The star had taken to Instagram earlier in the month to share a snap of her bump for the first time, as she and Alex enjoyed a beachside babymoon with their son. In January, Samantha was crowned as the winner of The Masked Singer, as she was unveiled as the voice behind the character Pufferfish. Addressing everyone after her unveiling, Samantha said: 'I've had the best time. Underneath the mask, I've been smiling so hard - it's hurting my cheeks! It's been amazing.' Samantha added that after years playing the role of Elsa in the West End production of Frozen, she loved taking on 'new styles' each week and noted she had 'lived a double life' during the 'crazy experience'. Speaking in an interview after being crowned champion, Samantha said of the experience: 'You know what this has been the most fun experience. I've loved this whole secret spy life and I can't believe it's over and I can't believe I won?
Times
an hour ago
- Times
Bruce Springsteen: Tracks II — all seven lost albums reviewed
It is hard to believe but from 1983 to 2018 Bruce Springsteen wrote, recorded, completed and decided not to release a remarkable seven albums. These are not the usual rag-tag collections sold as buried treasure, usually after an artist's death, which turn out to be nothing more than a bunch of demos never intended for public consumption in the first place. These are actual albums, shaped by a sound and a theme, which for one reason or another Springsteen decided to hold back, lock away in a cupboard and forget all about — until now. Back in 1998 Springsteen did release Tracks, a four-CD box set of mostly unreleased songs, but that featured a lot of material already out there. Out of the 83 songs on Tracks II: The Lost Albums, however, 74 are previously unheard. Time to dig in. • Exclusive interview: Bruce Springsteen on his lost albums ★★★★☆Unsure whether to continue in the moody, low-key vein of Nebraska (1982) or release Born in the USA and become the air-punching, denim-clad Eighties rock colossus of legend, Springsteen put together this collection of folky character studies in a garage at his home in the Hollywood Hills. Crime and punishment feature heavily: Jim Deer concerns a former robber reflecting on his lot in prison, Richfield Whistle has the same character struggling to rehabilitate himself once he's out and Fugitive's Dream is about a man whose stable life is derailed by the return of a sinister figure from his misspent youth. Springsteen has written frequently about people who cannot escape their past, mirroring his own attempt to silence inner demons through constant work, and they are all over this bleak, sparse, affecting album. Some of the songs did pop up elsewhere in altered forms, such as Born in the USA's My Hometown and the 1984 B-side Johnny Bye-Bye, a Chuck Berry song rewritten as a reflection on the death of Elvis Presley. For the most part, though, this is a tantalising vision of how Springsteen's life and career could have turned out very differently track: The Klansman ★★★★★In 1994 Streets of Philadelphia, written for Jonathan Demme's Aids movie Philadelphia, went to No 2, giving Springsteen his biggest UK chart hit and reviving his career in the process. He considered releasing an entire album of electronic recordings in the same vein, played out on drum loops and synthesizers, which he had been experimenting with at his new home in Bel-Air, Los Angeles. And he gave free rein to his darkest thoughts in the process. Maybe I Don't Know You is an ominous tale of paranoia, with the unfamiliar sight of a lover's dress sending the narrator down a spiral of jealousy. Blind Spot puts a funky drummer loop and a sampled shout against an oppressive tale of lovers inhabiting each other 'like it was some kind of disease' and the self-explanatory Waiting on the End of the World comes with an ominous siren call. This is deep, revelatory material, a product of inner torment and musical curiosity. That might be why Springsteen held it back, got the old E Street Band back together and put out a greatest hits album track: Maybe I Don't Know You • 50 years with Springsteen: my life working for the Boss ★★★★☆While he was busy returning to socially conscious roots with the sombre 1995 album The Ghost of Tom Joad, Springsteen intended to lighten the mood of that folky collection with a second disc of rockabilly and country songs. So he gathered up an ace session crew, including the pedal steel player Marty Rifkin and the violinist Soozie Tyrell, and cut the whole thing live at his Thrill Hill Beverly Hills home studio. Repo Man, a portrait of the guy who comes to take your car away when you don't keep up the monthly payments, found Springsteen at his most carefree, while Detail Man and Delivery Man are essentially: same tune, different men. Under a Big Sky is a classic heartbreak song in the clean-cut Nashville tradition and the fun Janey Don't You Lose Heart popped up as a Born in the USA-era B-side. It all sounds like the kind of thing you'd want to hear in a honky-tonk on the edge of town: loose, cheerful, not entirely track: Detail Man ★★★★★Inspired by Across the Borderline, Ry Cooder's theme to Tony Richardson's 1982 human smuggling saga The Border, Springsteen recorded an album's worth of tales from the Mexican diaspora, historical, social and magical realist. The Lost Charro tells of a proud former cowboy who finds himself picking fruit in the States, Our Lady of Monroe features a retiring police detective who makes a pilgrimage to a town where the Madonna has been spotted, and Ciudad Juarez depicts drugs and gun smuggling over the Rio Grande. Essentially Springsteen captured the immigrant experience: the dream of going to a place where the streets are paved with gold, only to discover that you might lose more than you'll ever gain. With mariachi brass augmenting a rich tapestry of guitars, keyboards and violins, it must be the most elegant album Springsteen never track: When I Build My Beautiful House • Bruce Springsteen: I knew I'd be a musician. It was my only skill ★★★☆☆The only album in the collection not originally intended as a standalone release, here Springsteen had put together various unused rock songs, chiefly as a way of balancing out the folky introspection dominating elsewhere. That's why it doesn't hang together with the same purpose and cohesion as the others. Still, there are plenty of built-for-stadium belters to enjoy, all of them ready to be revived for the next E Street Band world tour. Rain in the River is the kind of rousing belter Wrecking Ball (2012) is filled with, while You Lifted Me Up is a spiritually inclined singalong with backing vocals from Springsteen's wife, Patti Scialfa, and the E Street Band's Steven Van Zandt. The title track, meanwhile, imagines a place where 'every stray dog would find his way'. This has more in common with the feelgood vibes of Springsteen's concerts than the dark moments captured on so many of his quieter albumsTop track: Rain in the River ★★★★☆Written for a film that was never made — a 'spiritual western', according to Springsteen —Faithless features a rare thing for a man who has dedicated his life to crafting the perfect song: instrumental music. Heavenly choirs, twanging guitars and even a celeste contribute to evoke the dusty, desolate beauty of the desert, where we can only assume the abandoned film was set. There are some great songs too, such as Where You Going Where You From, featuring Springsteen's young children Evan and Sam on backing vocals, and Let Me Ride, a close gospel relation to the live favourite Land of Hope and Dreams. Almost nothing is known about the film that never even got to the shooting stage but Where You Going has a line about crossbows and Hawken guns, and Goin' to California conjures images of saloons, whiskey bottles and twirling señoritas, so we can only imagine this was an abandoned Martin Scorsese project about frontiers people wrestling with God and the Devil. Funnily enough, Springsteen wrote such weighty material on a jolly horse-riding trip with his equestrian daughter in track: Let Me Ride • How Bruce Springsteen's darkest days inspired his biopic ★★★★★Leaving the countryside for the city, ditching his plaid shirt for a tuxedo, the Boss headed to the middle of the road for an elegant collection of songs about love lost, regrets made and lives lived. Writing music with the chordal complexity of Burt Bacharach, singing with the purity of Frank Sinatra, Springsteen set himself the challenge of leaving behind familiar styles for orchestrally enhanced songs on the lonely side of romance. 'She's gone and I carry on,' he mourns on Late in the Evening, while Lonely Town could have come straight from a Broadway musical. Springsteen intended Twilight Hours as a companion piece to the 2019 'countrypolitan' album Western Stars but he decided at the last minute to hold it back — an odd choice given this is such a fully realised exercise in songwriting classicism. From the falsetto climax of Sunliner, to the lonely harmonica opening Dinner at Eight, to the small-town love story turned crime drama in High Sierra — another song about a man who cannot outrun his past — Twilight Hours is the most unSpringsteen-like album that Springsteen ever track: High Sierra Tracks II: The Lost Albums by Bruce Springsteen (Columbia) is out on June 27
The Sun
2 hours ago
- The Sun
Elizabeth Hurley and son Damien join Billy Ray Cyrus on night out as he supports daughter Miley in London
MODEL Elizabeth Hurley and son Damien join music star Billy Ray Cyrus on a night out. The trio were in London's West End to support Billy 's pop star daughter Miley for the launch of her new album and film Something Beautiful. 3 Liz, 60, is dating Billy, 63, and all four were in Covent Garden at the Lost City immersive event. Singer Miley previously said of her father's new relationship: 'I'm being an adult about it. 'At first it's hard, because the little kid in you reacts before the adult in you can go, 'Yes, that's your dad, but that's just another person that deserves to be in his bliss and to be happy'. "My child self has caught up.' The former Disney Channel star said she puts her now-resolved issues down to her closeness to her mother Trish — who had been Billy Ray's second wife after he divorced Cindy Smith in 1991. She told the New York Times podcast: 'My mum really loved my dad for her whole life, and I think being married to someone in the music industry and not being a part of it is obviously really hard. 'I think I took on some of my mom's hurt as my own because it hurt her more than it hurt me as an adult, and so I owned a lot of her pain.' Earlier this month Billy Ray paid tribute to Liz on her birthday writing: "Happy birthday to the love of my life." Elizabeth Hurley shares loved-up new video with Billy Ray Cyrus hinting at MARRIAGE after revealing secret romance 3
