Diddy Judge Chastises Defense for Moving Too Slowly While Questioning Pregnant Cassie
The New York judge presiding over ' trial is asking the defense to speed up their questioning of .
According to The New York Times, Judge Arun Subramanian asked the defense to finish cross-examination of Cassie, who is eight and a half months pregnant, on Friday, May 16, so that she can be done with her testimony ahead of the weekend.
Subramanian asked the defense to try to 'streamline' the questioning as much as possible.
During court on Thursday, May 15, the defense reportedly pushed back, provoking a response from the judge.
Cassie's Life After Diddy: A Guide to Her Family, Including Her Husband and 2 Kids
'In what universe did you not understand that this was important?' Subramanian asked.
While Diddy's defense team said it intends to finish by the end of the week, they couldn't make any promises. Subramanian, however, reminded all parties that there had been discussions for weeks about how Cassie 'needed to be off the stand by the end of the week.'
During Thursday's cross-examination, the defense presented Cassie — who shares daughters Frankie, 5, and Sunny, 4, with husband Alex Fine — with long pages of material that she had to sift through during questioning.
Inside sources with the prosecution described to Us Weekly how 'cross-examination is supposed to be the most exciting part,' with rapid-fire questions.
At one point, the defense stumbled over a question when they asked, 'Would you say he was a high-functioning addict? Uh — withdrawn.'
Subramanian also appeared to get impatient at one point, telling the defense, 'I don't know what you were going to say, but you can rephrase anyway.'
For the first part of the day, Cassie seemed more bubbly and at times sillier than in previous courtroom appearances. At one point, she let out a laugh when she testified, 'I would say [Diddy's] had a big impact on fashion over the decades. People think he has good taste.'
On Tuesday, May 13, Cassie took the stand for the first time and described the start of her relationship with Diddy. During her testimony, Cassie alleged that the rap mogul had raped her. (He has denied allegations of rape.)
Cassie Reportedly Set to Testify in Diddy Trial: Revisit Her Shocking Allegations
She also detailed alleged freak offs and an opioid addiction she developed in the relationship.
Cassie met Diddy around 2005 when she was 19 and later signed a 10-album record deal with his label. They officially began dating in 2007 and were on and off until 2018.
Following their breakup, Cassie accused Diddy of abuse that allegedly occurred during their relationship. In November 2023, she filed a lawsuit against the rapper where she alleged the music mogul raped and sexually abused her. One day after the singer filed her lawsuit, the exes settled out of court. Diddy denied all allegations in the suit. Cassie revealed on Wednesday, May 14, that the settlement was for $20 million.
Diddy Trial Begins in New York City: Daily Updates From Inside the Courtroom
In September 2024, Diddy was arrested on charges of sex trafficking, racketeering conspiracy and transportation to engage in prostitution. He has vehemently denied all allegations and pleaded not guilty.
'We are disappointed with the decision to pursue what we believe is an unjust prosecution of Mr. Combs by the U.S. Attorney's Office,' Diddy's attorney Marc Agnifilo said in a statement at the time of his client's arrest. 'He is an imperfect person, but he is not a criminal. To his credit Mr. Combs has been nothing but cooperative with this investigation and he voluntarily relocated to New York last week in anticipation of these charges. Please reserve your judgment until you have all the facts. These are the acts of an innocent man with nothing to hide, and he looks forward to clearing his name in court.'
Since his arrest, Diddy has been held at the Metropolitan Detention Center in Brooklyn, New York. His four requests for bail were denied.
If you or someone you know has been sexually assaulted, contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673). If you or someone you know is experiencing domestic violence, please call the National Domestic Violence Hotline at 1-800-799-7233 for confidential support. If you or someone you know is a human trafficking victim, contact the National Human Trafficking Hotline at 1-888-373-7888.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
26 minutes ago
- Yahoo
‘People Are Going To See Something They've Never Seen Before': How Pixar's Next Hit Film Was Made
Fans of laughing out loud one moment and crying into your popcorn bucket the next are in for a treat with Pixar's latest release. Elio is the newest offering from the award-winning animation studio, centring around a lonely boy who becomes obsessed with the idea of being abducted by aliens – and gets more than he bargained for when his dream comes true. As has come to be expected from the studio that gave us the likes of Inside Out, Coco and Toy Story 3, Elio dives into some pretty hefty themes, exploring everything from loneliness and grief to toxic masculinity, all with Pixar's signature sense of humour and adventure to keep younger viewers as gripped as everyone else in the cinema. In the lead-up to the film's release, we spoke to directors Madeline Sharafian and Domee Shi about how sci-fi horror had a surprising influence on Elio, creating something people have 'never seen before' with their unique take on space and releasing an original film in the current sea of sequels and live-action remakes at Walt Disney Studios… Right at the beginning of the film, there's a key scene soundtracked by Talking Heads' Once In A Lifetime. Why was that song chosen, and how easy was it to get? Madeline Sharafian: That scene and that song were in the film from the beginning that Domee and I started. That montage of Elio going out to the beach every day, desperately trying to be abducted, was almost the way that we explored his character as we changed his motivations to wanting to be abducted by aliens. And I think the song was [Domee's] idea of just a way to showcase that he's stuck in this cycle, and he wants to get out. It was a great idea. Domee Shi: Yeah, I always loved that song, I always felt like David Byrne kind of gave off alien boy vibes as well. And the way that the song starts always sounded kind of synthy and celestial and spacey in some way. I felt like there was a connection between Byrne and Elio, and it felt like a cool needle drop choice to put in this montage where we're introduced to Elio's obsession with getting abducted, but being unable to, every single day that went by. MS: It helped a lot that Pete Docter and Jim Morris, our company leadership, really like that song. So I do think that kind of helped us hang onto it and get it for the final, and we're very grateful that we got to keep it. It adds so much to the scene. DS: There was one moment where we did try another song… MS: Oh god, yeah… DS: I was like, 'what about Beastie Boys' Intergalactic?'. And then we tried that for a minute and we were like, 'no, I think we miss Talking Heads', and we went back to that. And also I feel like I haven't really seen [Once In A Lifetime] used a lot in media, in like TV or movies, whereas Intergalactic is used quite a lot. I love that song, though! But yeah… Something else people are going to pick up on is Elio's eyepatch. It really works as a plot device later in the film, but was that always going to be there, or were other ideas explored? MS: It was always an eyepatch, I'm pretty sure. I mean, the eyepatch was there in Adrian Molina's original version [Coco writer and director Adrian Molina originally conceived the idea of Elio to helm the film himself, but left the project halfway through to focus on Coco 2, at which point Madeline and Domee took over as lead directors]. When we took the story, we loved [the eyepatch], just as a way that it supports Elio's feeling of otherness, when he's on Earth, he feels even more out of place. And when he goes to space, all of a sudden, he looks like a dashing space sci-fi captain with this cape and his eyepatch, and the aliens love it, it's like '[you have] one eye, [I have] one eye, this is amazing'. All of a sudden it's accepted and loved. DS: Yeah, it's been great seeing the response to Elio's eyepatch online and with audience members that have come up to us and thanked us for including a kid with an eyepatch – it is something that kids do deal with, and it makes them feel othered. And it sucks! To have a sci-fi hero in a Pixar movie sporting one and looking cool I think is very empowering. Let's talk about the look of the film – sci-fi is a huge genre and even within the Disney and Pixar canon, we've been to space a few times. How did you decide what your version of space was going to look like, and what was going to set the Elio universe apart? MS: Pixar has done two sci-fi movies already [2008's Wall-E and 2022's Lightyear] and Harley Jessup, our production designer, really wanted to shoot for a version that we've never seen. So, he knew that the Communiverse needed to be this sort of beautiful almost Utopia, that there would be aliens from all over the universe gathering there, and almost designed it, one of his very first pieces of production art that I saw that I fell in love with, it was kind of glittering in the sky, almost like a disco ball – the way the lights shimmer on it were like a disco ball. We ended up taking that and putting it in the [finished film], we were like, 'we need to hang onto that'. So, it's bright, it's colourful, it's also softer and round, which I do think is very different from other sci-fi movies. And everything – even the technology – feels very organic, and kind of squishy and alive, which I think gives it a very unique identity. DS: Yeah, all of it points to Elio just truly feeling like he belongs there, and that he doesn't want to leave when he first arrives. And I also love that Harley challenged our character designer to design non-humanoid-looking aliens, and kind of look at deep-sea, underwater creatures for reference. We went with designs that you couldn't possibly do with humans in a costume, right? MS: Yeah, because live-action, especially some of the classics are a little bit limited by that. Like, the alien in Alien is a guy. Really awesome, though, but we were like, 'we're in an animation, we can do whatever we want, so let's make sure that our aliens are taking advantage of what we can do'. Some parts of the film are quite intense and surprisingly quite scary – especially for a Disney film. Was there much pushback because of that? DS: I mean, we were excited to explore other aspects of the sci-fi genre that maybe you don't usually see in a Disney and Pixar movie. We're both sci-fi horror fans, and I think there's a good balance between scary and fun – like a fun scary. There's a sweet spot that you can hit, and we tried to do that with all the scenes with Elio's clone, really pushing the clone's friendliness, but also upping the weirdness and the horror surrounding him, from Olga's point of view where she's slowly realising, 'am I living with a clone?'... MS: …which is a pretty crazy realisation for her! Especially since she starts off the movie as a sceptic of aliens, she doesn't really believe that they're out there, so to take her to becoming a believer… we almost talked about her B-story as in, 'she's in a totally different kind of movie', she is in a pod person movie, and I thought it was fun that we treated her sections almost like a different genre, a little bit. DS: And you know… we'll fine-tune the execution of it, just to make sure that the music isn't too crazy and the sound effects don't give you too much of a heart attack and we release the tension immediately with a joke or a gag or something. But I don't know – I remember being a kid and loving movies like A Nightmare Before Christmas and Coraline, where there is like a fun scare. I feel like the original Monsters Inc. taps into that a little bit, too. Elio is coming out at an interesting time for Walt Disney Studios, where there area lot of films coming up that are either sequels, live-action remakes and other ideas based on existing IP, so it's great to see an original story coming from the studio, too. Is that something that's important to you both as filmmakers? MS: Yeah! DS: Definitely. MS: And it's important to Pixar, too, I think. Even though we release our own sequels [Inside Out 2 was the biggest film of 2024, with follow-ups to Toy Story, Coco and The Incredibles currently in the works at the studio], we do talk a lot about how important originality is to us, just as a filmmaking culture, we have a lot of originals coming [Pixar's next release, Hoppers, is slated for 2026, followed by Gatto in 2027] and I would say, whether they're sequels or originals, we hold ourselves to the same standard for both. And our main goal is just to make incredible movies, and amazing stories. I love originals – but Toy Story 3 is one of my favourite movies that Pixar has ever made! So, as long as we're holding that standard of storytelling, hopefully we can make any kind of movie great. But it is exciting to have an original coming out. I think we're the only original [Disney film] coming out this summer, which is so wild [the studio also has sequels to Freaky Friday and Tron coming later in 2025, with live-action remakes of Snow White and Lilo & Stitch having also been released earlier in the year, while Marvel projects have included Captain America: Brave New World, Thunderbolts* (which featured a main cast of existing characters) and the new reboot of The Fantastic Four]. I hope people enjoy [Elio] and they're going to see something they've never seen before – and that's really exciting, and worth seeing in a theatre. Elio is in cinemas now. Watch the trailer for yourself below: Lilo & Stitch Remake Director Addresses Backlash Over The New Film's Changed Ending 'Sobbing, Screaming, Traumatised': Frozen's Josh Gad Opens Up About Olaf's Axed Death Scene Snow White Remake Faces Yet More Criticism Over CGI Characters
Washington Post
40 minutes ago
- Washington Post
What to Stream: 'The Bear,' Lorde, 'Smoke,' 'A Minecraft Movie,' 'Nosferatu' and Nelly and Ashanti
The Jack Black-led movie phenomenon 'A Minecraft Movie' and Lorde's fourth studio album, 'Virgin,' are some of the new television, films, music and games headed to a device near you. Also among the streaming offerings worth your time, as selected by The Associated Press' entertainment journalists : All 10 episodes of season four of FX's 'The Bear' drop Wednesday, Nelly and Ashanti get their own reality show and Bill Skarsgård leads an update of the 1922 silent vampire classic 'Nosferatu.'
Yahoo
41 minutes ago
- Yahoo
Steam's store now lets you search for games by accessibility features like 'narrated game menus' and 'adjustable difficulty', and more than 5,000 games have already added their accessibility details to the database
When you buy through links on our articles, Future and its syndication partners may earn a commission. Back in April, Valve announced the Steam store would start highlighting accessibility features on games' store pages. And now, it has. Not only can you see them in the sidebar beneath the controller support section for selected games, you can also search the store by individual accessibility features. "This update comes after gathering valuable feedback from developers as well as players with disabilities," Valve says in its blog post announcing the news, "and over 5,000 applications have added details about their accessibility support (with more developers updating their games each day)." On Steam's search page you can select "narrow by accessibility feature" to bring up a bunch of toggles like "playable without timed input" and "color alternatives". If you know anyone who has ever bought a puzzle game and had to refund it because the puzzles demand you can tell colors apart but won't let you tweak what those colors are, you'll know why the latter's important. Some accessibility features, like "save anytime" and "adjustable text size" are good for everyone to know in advance—they're just nice things to have. A variety of games, mostly newer ones, have already added accessibility features to their store page. Baldur's Gate 3, for instance, boasts 10 of them, from "adjustable difficulty" to "playable without timed input". Here's a full list of the options, with explanations of exactly what they mean. Gameplay Adjustable Difficulty: Players can adjust gameplay difficulty. Save Anytime: Players can save gameplay using both automatic and manual saves. Saving can be performed at any point in the game. Visual Adjustable Text Size: Players can adjust text size. (In-game text, menu text, character dialog text, subtitle text) Subtitle Options: Players have options to customize the display of subtitles for all spoken content and essential audio information. Color Alternatives: Gameplay doesn't rely on colors to communicate important information, or players have an option to adjust colors used for distinguishing information. Camera Comfort: Players have an option to adjust or disable uncomfortable camera movement such as screen shaking, camera bob, or motion blur, or the game doesn't feature these effects. Audio Custom Volume Controls: Players can adjust the volume of the audio. Different types of audio can be muted independently from each other. Narrated Game Menus: Players can listen to game menus with narrated audio. Stereo Sound: Players can identify how far to the left or right sounds are coming from. Surround Sound: Players can identify how far in any direction sounds are coming from. Input Keyboard Only Option: Players can play the game with just a keyboard and no other additional input mechanisms such as a mouse or controller. Mouse Only Option: Players can play the game with just a mouse and no other additional input mechanisms such as a keyboard or controller. Touch Only Option: Players can play the game with just touch controls and no other additional input mechanisms such as a mouse, keyboard or controller. Playable without Timed Input: Players have an option to adjust gameplay to not require precisely timed button presses ("quick time events") or gameplay does not require such button presses. Text-to-speech: Text chat can be narrated out loud in real time. Speech-to-text communications: Voice chat can be read as a text transcript in real time. Baldur's Gate 3 romance: Who to pursueBaldur's Gate 3 multiplayer: How co-op worksBaldur's Gate 3 endings: For better or worseBaldur's Gate 3 multiclass builds: Coolest combosBest RPGs: The greatest you can play now
