The Gift review – an existential ‘poo-dunnit' that keeps on giving
A cake box arrives in the post, sent special delivery to Colin (Nicholas Burns), a 40-something north Londoner who works in advertising. But inside lies an offence wrapped in cling film that leaves Colin speechless: it is not cake but cack, as his brother-in-law, Brian (Alex Price), points out.
So begins playwright Dave Florez's comedy, which sends Colin spiralling into crisis. His sister Lisa (Laura Haddock) and Brian buzz worriedly around him while he asks soul-searching questions of himself and of the box. Who could have sent it? Rupert from the advertising company, whom Colin recently laid off? Or someone further back whom he wronged at university and school? Who might want to wrong him? And was his gift from a human or animal source?
Colin feels both guilty and angry at the anonymous sender by turns, while Lisa and Brian first encourage him to solve the 'poo-dunnit', then watch his growing obsession with concern.
Snappily directed by Adam Meggido, the scenario is not exactly novel but is hugely amusing, and Florez has clear talent for zinging lines as Colin's conscience catches up with him. 'I have only thought of number one so is this number two?' he wonders.
The set, designed by Sara Perks, is a pale grey kitchen cum living room which looks like the backdrop for a sitcom. The idea as a whole is reminiscent of the 00s American sitcom My Name Is Earl, with similar questions about guilt, regret and karma.
The attempts to hit more serious notes are not always as successful as the humour. But the delivery of the box is the starting gun for an existential unravelling, and then a reset, for Colin. The production loses some of its potency in the last half hour, and the final act ties too neat a bow, as if keen to stave off Colin's darkness. But it does not matter when the script is so entertaining and the actors hit all the comic beats. It is silly and strangely warming stuff.
At Park theatre, London, until 1 March
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
an hour ago
Cyprus' lyrical duelists spit fierce rhymes as they battle it out to the licks of a fiddle
LARNACA, Cyprus -- Lyrical duelists in Cyprus spit rhymes in head-to-head contests, keeping alive a tradition known as 'tsiattista' that emerged centuries before the likes of Kendrick Lamar and Drake. Konstantinos Christou Grilias and Adamos Peratikos are among a new group of poets in this Mediterranean country who battle it out live on stage to the rhythms of the lute and fiddle. The battles are fierce, but you won't find any Kendrick-Drake style beef. Tsiattista made UNESCO's list of Intangible Cultural Heritage in 2011. The similarities with American hip-hop diss songs and battle rap are many: two duelists using their wits and turns of phrase to boast how superior they are, giving opponents a schooling in an onslaught of lyrical beatdowns. It's complete with assertive gestures and the hands-behind-the-back patience of the poet waiting to pounce. 'Even if you'd been a paramedic, I'd send you to hospital with a heart attack,' Peratikos told one adversary — a line with more snap in the Cypriot Greek dialect, whose syntax is akin to ancient Greek. Grilias dissed his opponent as a lightweight and a laughingstock. The audience of hundreds along a seaside promenade murmured in approval. Tsiattista battles which have been around since at least the end of the 19th century, are undergoing a bit of a revival, thanks to performers like Grilias and Peratikos. 'We urge other kids who like it to come along to safeguard this institution,' said Peratikos, 41. 'The goal isn't about awards, the goal is to keep tradition alive.' The 44-year-old Grilias said he's never really delved into the world of Kendrick Lamar or Jay-Z. 'Honestly, I've never listened to rappers. They told me that they battle in their own language, in their own way,' Grilias said as he prepared for a tsiattista duel at the peak of a festival for the Orthodox Christian Pentecost. 'Rappers don't know where Cyprus is," he added. The new group of performers, known as tsiattistaes, started to replace the older generation about 15 years ago at the premier competition in Larnaca during the annual Pentecost festival known as Kataklysmos, said ethnomusicologist Nicoletta Demetriou, who is director of the island nation's Music Archive. The new generation includes women, though few participate because of lingering social exclusion, Demetriou said. The current tsiattista format of a two-verse rhyme with a total of 15 syllables was developed in the late 18th to early 19th century, evolving from the introduction of the rhyming verse to the Greek-speaking world in the 15th and 16th centuries, Demetriou said. It draws on a tradition of poets matching wits from the times of Pericles in ancient Greece. The structure and musical accompaniment are simple, so that the rhymes are clear and understandable for both the audience and the adversary. Contests can address a range of themes, but the underlying premise is to determine who's the best at the diss. 'It's usually a fight, meaning 'I'd clobber you, kill you, bury you,' Grilias said. 'But I believe the public likes more a bit of humor, too.' For contestants, it's about who shows up ready, can stay cool and make the fewest mistakes in front of a crowd. 'Truth is, you're stressed, you're under pressure," Grilias said, and 'the person who can best handle this has the advantage.' One useful strategy is guessing how to get into your opponent's way of thinking, predicting possible responses to your lines, Peratikos said. He dismissed AI technology as incapable of coming up with effective rhymes in the Cypriot Greek dialect. 'There are words that we've heard but we don't even know, so there's no way artificial intelligence does,' Peratikos said. At the end of a long night of battling, Grilias and Peratikos finished fourth and fifth, respectively. A judging panel composed of men and women determined the winners. The two contestants took their places in stride. 'We're all friends, that's what's important,' Grilias said.
San Francisco Chronicle
2 hours ago
- San Francisco Chronicle
Cyprus' lyrical duelists spit fierce rhymes as they battle it out to the licks of a fiddle
LARNACA, Cyprus (AP) — Lyrical duelists in Cyprus spit rhymes in head-to-head contests, keeping alive a tradition known as 'tsiattista' that emerged centuries before the likes of Kendrick Lamar and Drake. Konstantinos Christou Grilias and Adamos Peratikos are among a new group of poets in this Mediterranean country who battle it out live on stage to the rhythms of the lute and fiddle. The battles are fierce, but you won't find any Kendrick-Drake style beef. Tsiattista made UNESCO's list of Intangible Cultural Heritage in 2011. The similarities with American hip-hop diss songs and battle rap are many: two duelists using their wits and turns of phrase to boast how superior they are, giving opponents a schooling in an onslaught of lyrical beatdowns. It's complete with assertive gestures and the hands-behind-the-back patience of the poet waiting to pounce. 'Even if you'd been a paramedic, I'd send you to hospital with a heart attack,' Peratikos told one adversary — a line with more snap in the Cypriot Greek dialect, whose syntax is akin to ancient Greek. Grilias dissed his opponent as a lightweight and a laughingstock. The audience of hundreds along a seaside promenade murmured in approval. Tsiattista battles which have been around since at least the end of the 19th century, are undergoing a bit of a revival, thanks to performers like Grilias and Peratikos. 'We urge other kids who like it to come along to safeguard this institution,' said Peratikos, 41. 'The goal isn't about awards, the goal is to keep tradition alive.' The 44-year-old Grilias said he's never really delved into the world of Kendrick Lamar or Jay-Z. 'Honestly, I've never listened to rappers. They told me that they battle in their own language, in their own way,' Grilias said as he prepared for a tsiattista duel at the peak of a festival for the Orthodox Christian Pentecost. 'Rappers don't know where Cyprus is," he added. The new group of performers, known as tsiattistaes, started to replace the older generation about 15 years ago at the premier competition in Larnaca during the annual Pentecost festival known as Kataklysmos, said ethnomusicologist Nicoletta Demetriou, who is director of the island nation's Music Archive. The new generation includes women, though few participate because of lingering social exclusion, Demetriou said. The current tsiattista format of a two-verse rhyme with a total of 15 syllables was developed in the late 18th to early 19th century, evolving from the introduction of the rhyming verse to the Greek-speaking world in the 15th and 16th centuries, Demetriou said. It draws on a tradition of poets matching wits from the times of Pericles in ancient Greece. The structure and musical accompaniment are simple, so that the rhymes are clear and understandable for both the audience and the adversary. Contests can address a range of themes, but the underlying premise is to determine who's the best at the diss. 'It's usually a fight, meaning 'I'd clobber you, kill you, bury you,' Grilias said. 'But I believe the public likes more a bit of humor, too.' For contestants, it's about who shows up ready, can stay cool and make the fewest mistakes in front of a crowd. 'Truth is, you're stressed, you're under pressure," Grilias said, and 'the person who can best handle this has the advantage.' One useful strategy is guessing how to get into your opponent's way of thinking, predicting possible responses to your lines, Peratikos said. He dismissed AI technology as incapable of coming up with effective rhymes in the Cypriot Greek dialect. 'There are words that we've heard but we don't even know, so there's no way artificial intelligence does,' Peratikos said. At the end of a long night of battling, Grilias and Peratikos finished fourth and fifth, respectively. A judging panel composed of men and women determined the winners. The two contestants took their places in stride. 'We're all friends, that's what's important,' Grilias said.
Yahoo
14 hours ago
- Yahoo
If You Had Wealthy (Or Famous) Classmates In High School Or College, Tell Us What Your Experience Was Like
Everyone has classmates they remember — and if you went to a school with wealthy students, you might have wild stories and secrets from those years of rubbing shoulders with the rich. So, if you went to a top school with wealthy or famous peers, we want to hear about your experience. Related: Your Wedding Preferences Will Reveal Your Inner Disney Princess Like, maybe you went to an elite high school and saw firsthand how much money your classmates would spend on everything — from designer clothes to luxury vacations. Related: Most People Can't Ace This US Geography Good Luck! Perhaps you went to a private school in a super wealthy area and became close friends with the rich — and you have wild stories about the parties or drama they would get into. Mayyybe you had some wholesome encounters with your wealthy classmates who had famous parents that completely changed your perspective of them. Or perhaps you attended an Ivy League university and even had celebrity classmates — and you have some juicy stories of what they were really like. Tell us about your experience going to school with the wealthy or famous — and what surprised you the most — in the comments. Or, if you prefer to remain anonymous, feel free to use the form below. Your response could be featured in an upcoming BuzzFeed Community post. Also in Community: Your McDonald's UK Order Will Reveal The Perfect Summer Activity For You Also in Community: I'm Sorry, But Every American Should Be Able To Pass This Basic-Level US States Quiz Also in Community: Which Disney Princess Are You? Build A $500 Outfit To Find Out
