
EXCLUSIVE Famous drummer was killed in private jet crash after posting photo of himself at CONTROLS
A famous drummer has died in a private jet crash that killed at least two people hours after he shared a photo of himself at its controls.
Daniel Williams, formerly of hugely-popular Christian metalcore band The Devil Wears Prada, filmed himself boarding the Cessna 550 at Teterboro Airport in New Jersey late Wednesday night.
The drummer, 39, also shared pictures of him at the controls of the small aircraft, said that he was the 'co-pilot now'. It's unclear if he was joking.
An eerie final post showed him at the plane's controls with the caption: 'Here we gooooo'
The plane, with a tail number of N666DS, took off from Teterboro Airport in on Wednesday at 11.15pm ET, tracking data reveals.
It stopped for fuel in Wichita, Kansas before continuing on to California, where the Cessna ultimately crashed in a quiet military neighborhood in San Diego, close to its intended final destination of Montgomery-Gibbs Executive Airport.
Williams, 39, lived in San Diego, the intended destination of the jet. He left The Devil Wears Prada - a hugely popular Christian metalcore band in 2016 - and became a software engineer.
He shared a snap to his Instagram stories as he boarded the plane in the Garden State late Wednesday night.
Williams told his followers that he was flying with music agent and pilot Dave Shapiro, who, according to aircraft registration records, had just purchased the eight-seater plane in July last year.
On Wednesday, investigators confirmed both people on board the plane died. Eight people were injured, although investigators haven't said if they were on the ground.
Shapiro's friend Ryan Bruce, a music producer, paid tribute to the pair, telling Daily Mail: 'Dave changed mine and a lot of other people's lives and the community he built and the network of bands he has worked with and supported will never forget him.
'Daniel left us a lot of music to remember him by and he was a super sweet guy.'
This picture appears to have been taken before the jet departed from Teterboro Airport in New Jersey on Wednesday at 11.15pm. It is unclear if Williams got off the plane in Wichita or continued onwards to San Diego
Bruce also remembered the pair on his Instagram. He shared a photo of of Williams and his friend Shapiro with the captions 'Rest easy' and heart emojis.
Music executive Terrance Coughlin paid tribute to Williams and Shapiro on X.
He wrote: 'Rest in Peace Dave Shapiro, Daniel Williams, and everyone on that flight. Some of my very first shows were booked through Dave.
'I had a handful of shows with Daniel, always a pleasure to see him play. Gone way too soon.'
Tony Cappocchi, a music agent, paid tribute to Shapiro, telling Daily Mail: 'Dave was a great friend of ours.'
A spokesperson for Sound Talent Group confirmed in a statement to Daily Mail that three of its employees were on the plane.
'We are devastated by the loss of our co-founder, colleagues and friends. Our hearts go out to their families and to everyone impacted by today's tragedy,' the statement read. 'Thank you so much for respecting their privacy at this time.'
It is unclear at this time which Sound Talent Group employees were on the plane.
The Cessna then flew to Colonel James Jabara Airport, landing there at 1:49am CT. It refueled and took off again at 2:36am CT.
The plane had been due to arrive at San Diego's Montgomery-Gibbs Executive Airport just before 4am PT, but never made it to its final destination.
The plane crashed just before 4am into the US military's largest housing neighborhood. Officials say that everyone on board the luxurious plane is feared to have died in the ensuing fireball.
At least 10 houses were burned or hit by debris that spread over a wide area, and cars on both sides of a street went up in flames.
A family of five was hospitalized for smoke inhalation and another person was treated at a hospital for injuries sustained while climbing out of a window trying to flee.
Two others were treated for minor injuries at the scene.
San Diego officials haven't released details about the plane but did confirm the flight had come in from the Midwest.
Flight tracking site FlightAware lists a Cessna Citation II jet scheduled to arrive at the Montgomery-Gibbs Executive airport in San Diego at 3.47am from the small Colonel James Jabara Airport in Wichita, Kansas.
Officials at the Kansas airport said it made a fueling stop in Wichita. The flight originated Wednesday night in Teterboro, New Jersey.
The airport in Teterboro is about 6 miles (10 kilometers) from Manhattan and is used by the rich and famous to fly in and out of New York City on private jets.
In the San Diego neighborhood, the smell of jet fuel lingered in the air hours after the crash while authorities worked to extinguish one stubborn car fire.
First responders described a frightening scene in the aftermath of the crash.
'I can't quite put words to describe what the scene looks like, but with the jet fuel going down the street, and everything on fire all at once, it was pretty horrific to see,' San Diego Police Chief Scott Wahl said.
Chunks of metal from the aircraft littered the street, but no discernible body of the plane could be seen.
Half a dozen fully charred cars sat on the street, and tree limbs, melted trash cans, glass and pieces of white and blue metal were scattered around.
At the end of the block, black smoke billowed as a car continued to smolder while water mixed with jet fuel flowed down the street.
More than 50 police officers responded to the scene within minutes and began evacuating homes. At least 100 residents were displaced to an evacuation center at a nearby elementary school.
Police officers were rescuing multiple animals, including three husky puppies that were rolled away from the crash scene in a wagon.
A few blocks away, families stood in their pajamas in a parking lot waiting for word of when they could return to their homes.
The neighborhood is made up of single-family homes and townhomes. Montgomery-Gibbs airport is about 2 miles away.
San Diego Assistant Fire Department Chief Dan Eddy said it was very foggy at the time the private plane crashed. 'You could barely see in front of you,' he said.
Officials were looking into whether the plane clipped a power line before crashing into the neighborhood. The Federal Aviation Administration said the National Transportation Safety Board will lead the investigation.
In October 2021, a twin-engine plane plowed into a San Diego suburb, killing the pilot and a UPS delivery driver on the ground and burning homes. It was preparing to land at the airport.
In December 2008, a US Marine Corps fighter jet slammed into a house in San Diego's University City neighborhood, causing an explosion that killed four people inside. The Marine Corps blamed the crash on mechanical failure and human error.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Sun
23 minutes ago
- The Sun
Who is Miki Sudo and when did she win Nathan's Hot Dog Eating Contest?
MIKI Sudo has been the world's most successful female competitive eater for more than a decade. The 10-time champ will be back to defend her title at Nathan's Hot Dog Eating Contest in 2025 — here's everything you need to know about her. 5 5 Who is Miki Sudo? Born on July 22, 1985, Miki Sudo is a competitive eater from New York City. In 2014, she defeated Sonya Thomas at the annual Fourth of July Nathan's Hot Dog Eating Contest and continued to win each year from 2014 to 2020. In 2021, she missed the competition because she was pregnant but returned the following year to claim her eighth title after consuming 40 hot dogs and buns. On July 4, 2024, Miki won the competition for the tenth time. Outside of her impressive Nathan's Hot Dog Eating Contest titles, she has also been the Major League Eating's top-ranked female competitive eater since 2014. Miki holds world records in ice cream — downing two gallons in six minutes — and kimchi — getting through a whopping eight and a half pounds in six minutes. When she's not competing, she often updates fans on her life on Instagram, where she has amassed almost 13,000 followers as of June 2025. 5 When did Miki marry Nick Wehry? When Miki isn't training, she can be found spending time with her husband Nick Wehry and their son. Nick is also a competitive eater — ranked fourth in the world by Major League Eating. He holds the record for eating the most hard-boiled eggs, which is 50 in 3.02 minutes. Joey Chestnut gobbles 75 hot dogs in 10 minutes to win 13th Nathan's title as Miki Sudo beats women's wiener-eating record Prior to the 2022 Nathan's Hot Dog Eating Contest, Miki and Nick sat down with ESPN to discuss how they prepared for the performance. During the interview, they revealed that they try to simulate contest conditions as closely as possible, with one of them practicing while the other is on baby duty. "We haven't done a full practice together in a while," said Miki. "Not since 2019? No, 2020." 5 "Usually one of us has to practice and the other one's on baby duty," Nick added. They are the the highest-ranked couple in Major League Eating. Miki and Nick are known for their YouTube channel, The Hungry Couple, which over 6,000 subscribers as of June 2025.


The Guardian
29 minutes ago
- The Guardian
‘It put the fear of God in the audience': the incredible story of how Jaws changed Hollywood
Half a century later, Richard Dreyfuss still won't go in the water. 'I have never done it, not since the film,' the Oscar-winning actor says, 'because you're totally aware of what you're not aware of and you're not aware of anything underneath.' The film is Jaws, whose release 50 years ago on 20 June marked a turning point in both the history of cinema and public perception of sharks. It was the movie that in effect invented the summer blockbuster, paving the way for Star Wars, Jurassic Park and the Marvel Cinematic Universe. It cast sharks in the role of monsters to be feared and killed – but also stimulated interest in marine conservation. Based on a novel by Peter Benchley and directed by Steven Spielberg, Jaws tells the story of a great white shark terrorising the beach town of Amity Island, prompting police chief Martin Brody, marine biologist Matt Hooper and grizzled fisherman Quint to hunt it down. It earned rave reviews from critics and became the first movie to take more than $100m in theatrical rentals. The three men on a boat were Dreyfuss (Hooper), Roy Scheider (Brody) and Robert Shaw (Quint) and the dynamic between them is central to the film's appeal. Today only Dreyfuss is left. Now, 77, sitting in a library at his home in San Diego, California, his memories remain lucid. 'First of all, you have to remember this is not 50 years later,' he says via Zoom. 'This is yesterday.' At first Dreyfuss turned the part down. 'At this lunch meeting he [Spielberg] illustrated the story very well, very vividly, and he said, did you like it? I said, oh, yes. He said, do you want to do it? I said, no, and he said, why? I said, because it's going to be a bitch to shoot. I at that moment was not looking for difficulties. I turned him down in that meeting and then I turned him down again.' But then Dreyfuss saw a rough cut of a film he had just made and thought his performance looked so bad that it might end his career. So he called Spielberg and begged him for the role. Once shooting got under way, it did not go as Dreyfuss had prophesied at that lunch meeting. 'One of the many things that I learned was that it was not a bitch to shoot at all. I would say that there was one word that characterised the shoot and that was waiting. More waiting than anything.' Despite the difficulty and cost, Spielberg insisted on shooting in the open ocean off Martha's Vineyard for the sake of authenticity. The budget ballooned from $4m to $9m. Production went 100 days over schedule and was plagued by the malfunctions of the mechanical shark (nicknamed 'Bruce' after Spielberg's lawyer). At the mention of this, Dreyfuss puts his hands to his mouth to mimic a loudspeaker: ''The shark is not working. The shark is not working. Repeat. The shark is not working.' And then one day you hear this. 'The shark is working! The shark is working!'' He recalls: 'There were three different sharks and three different crews that worked the shark and it was all a disaster. There's a line in the film where Robert says he had these eyes, these doll's eyes, and he did because they were doll's eyes! 'Steven had to conceive of a film which implied the shark rather than show it directly. That was the story of the shoot: the director, Steven, had to rework his conception of the entire movie because he knew he could not show it as brazenly or blatantly as he had assumed. That ultimately made the film a masterpiece.' Spielberg, who was in his mid-20s at the time, has credited director Alfred Hitchcock with influencing his less-is-more approach to building suspense. He also received a mighty lift from composer John Williams, whose two-note theme music initially seemed so simple that Spielberg thought it a joke until he realised its visceral menace. Dreyfuss comments: 'John is an extraordinary composer and it took him no time at all to create a sound picture that could carry the film. You don't see the shark first: you hear it. Under the credits you hear bar-dum, bar-dum, bar-dum, bar-dum and you're seeing that shark moving through the underbrush and I'm telling you, it put the fear of God in the audience and me and everybody.' The British film critic Mark Kermode has argued that Jaws is not about a shark. A case in point is a scene below deck in which Quint recalls how sharks ravaged survivors after the wartime sinking of the USS Indianapolis, providing Quint with a powerful motivation for his hatred of the animals. Enhanced by improvisation captured on tape recorders, it has been described by Spielberg as 'the scene that I'm proudest of in Jaws'. Shaw – who struggled with alcoholism for most of his life – made himself drunk for the scene but it backfired on the first take, Dreyfuss recalls. 'He lost control of himself and he was terribly embarrassed and that only made him drink more and so that day was a terrible humiliation for him. Because I was sitting next to him and in the shot, it was painful. 'That night he called Steven at two or three in the morning and said, how badly did I humiliate myself? Steven said, not fatally. He came in the next morning and he did the scene in one take and he was brilliant.' For decades there have been stories that the palpable tension between Hooper and Quint was not based on acting alone but mirrored personal animosity between Dreyfuss and Shaw. The alleged feud was explored in the recent play The Shark is Broken co-written by and starring Shaw's son Ian. Dreyfuss, however, is adamant this is a myth and one that pains him to this day. 'If you are aware of the stories in and around the filming, you know the 'discovery' of the feud between Robert and myself didn't exist for 25 years,' he says firmly. 'It was not the truth. It was not the fact of our relationship at all. Twenty-five years after the film was over, I found that there was this 'feud' between us. 'What there had been was one day where I was angry at him for stuff. It was one day. To a great extent what happened was that in order to jack up the stories about the film, they re-emphasized the story of this feud, which wasn't real and the people who did it knew it. I resented that for a long time but Robert was already dead by 15 years and there was nothing I could do. 'I cherished his memory and what I was learning from him and I'm not kidding about that. Robert was an extraordinary actor and an extraordinary writer and I could tell you a great number of stories about all of that. But I won't allow anyone to walk away from an interview with Richard Dreyfuss and think that there was reality to the feud.' He and Shaw had even made plans for a future collaboration, Dreyfuss adds. 'We were in the hold of the boat and we were both napping and all of a sudden Robert said, 'I know. I'll play the Ghost to your Hamlet if you play the Fool to my Lear.' I said, 'You've got it. But not for 10 years.' He said, 'Why?' I said, 'Because you'll eat me alive,' and he laughed and said, 'OK.' 'So we had an agreement to make those two pieces and unfortunately he died very quickly. That was a catastrophic feeling, a loss that I knew had changed my future. I could have taken willing advantage of that friendship and I was unable to.' When Dreyfuss first saw the finished cut of Jaws, it made a huge impression. He recalls: 'I was as terrified as if I had never experienced the making of this film. I was completely swept up in the story. It was so much an achievement of film-making and my friend Steven, who's sitting there – I knew that I was watching the crowning of the uncrowned prince of Hollywood.' The movie drew long queues at cinemas and quickly became a cultural phenomenon. 'There was, for the first time, an awareness of how a film could affect all of society. There was not one group, one country, one people who were immune to this. He happened upon something that was so ubiquitous and shared by all people. Wow! Although Steven did that a number of times afterwards in other films, it's easy to spot because of Jaws.' Dreyfuss has never again sat down to watch the whole of Jaws from start to finish, although if he chances on a TV showing that is already under way, he usually sticks with it to the end. And what of the three widely panned sequels? 'They should never have been made and I have absolutely no interest in seeing them. Never have and never will.' Dreyfuss, Shaw and Spielberg were not involved in Jaws 2, released in 1978, but it did star Scheider and Lorraine Gary, playing his wife Ellen Brody as she had in the first film. Gary is now 88 and living in Los Angeles. Speaking by phone, her memories of working with Scheider on Jaws are less than rosy. 'He was very much an isolated human at that point. He smoked; I hate cigarettes. He also spent a tremendous amount of time with one of those tin foil reflector pans, getting his tan. There was very little in common. Years later I was in New York and we ran into each other on Madison Avenue. We talked like real people at that point instead of actors on the set and it was fun – it was very professional.' Typically summer months were quiet for cinemas but Jaws was deliberately timed for when people were at beach resorts and accompanied by the tagline: 'See it before you go swimming!' The film opened on 464 screens in North America and was boosted by a major TV advertising campaign, still unusual at the time and marketing stunts such as themed ice-creams. Gottlieb once observed: 'That notion of selling a picture as an event, as a phenomenon, as a destination, was born with that release.' Did Gary have any sense that Jaws would be such a gamechanger? 'Absolutely not. No clue. It stunned me when it did, what it did and it stuns me now. Every day I get fan mail. I'm an 88-year-old woman. Come on, leave me alone! It's all very strange to me but luckily, it's fun.' Unlike Dreyfuss, the experience did not put her off swimming. Gary has gone scuba diving and come within five feet of a shark. 'I'm not scared of sharks,' she says. 'The only time I was scared by sharks was when I saw my sons and my grandchildren in the ocean and I thought, sooner or later there'll be payback, but there wasn't. I truly do not have a very strong feeling about hurting the reputation of sharks. They deserve to be known for who they are and what they do.' The film's impact on these ancient predators, which date back 450m years – longer than the dinosaurs – is complex and frequently debated. Its official trailer speaks of a 'mindless eating machine' that will 'attack and devour anything', adding: 'It is as if God created the devil and gave him jaws.' Small wonder Jaws instilled widespread fear of sharks, whose population has fallen dramatically since the early 1970s. Spielberg told BBC Radio 4's Desert Island Discs in 2022: 'I truly and to this day regret the decimation of the shark population because of the book and the film. I really, truly regret that.' But the film also sparked engagement in marine science and conservation, a legacy actively pursued by the author Benchley, who died in 2006, and his wife Wendy, who is executive producer of a Nat Geo documentary, Jaws@50: The Definitive Inside Story. In a phone interview, Wendy, 84, comments: 'Jaws tapped into an innate fear of being eaten by a monster. It was a scary book and a scary movie but 90% of the people who read the book or saw the movie got over their fear; 10% never went back in the water.' Benchley had worked as a speechwriter for President Lyndon Johnson over the last two years of his presidency then wanted to get back to freelance writing. The couple were living in Pennington, New Jersey, with two young children and financial pressures but Benchley decided to try writing a book. He had two ideas, Wendy says. 'One was about current day pirates; one about a great white shark that hangs around a town and causes some mischief. I said, oh, honey, I don't think either of these ideas are going to be that great. Thank heavens he didn't listen to me.' Benchley had spent childhood summers sailing, fishing or swimming at Nantucket Island, off the coast of Massachusetts, where the black dorsal fins of sharks could be seen above the surface. 'Now, he knew after he wrote the book, and after people started to do more and more research on sharks, that sharks do not hang around. They don't like human flesh: we're too bony, we don't have enough fat on us. Peter always said, 'I would never write Jaws again because I now know how important this animal is and how magnificent it is.'' Benchley was unsure what to call the book. Wendy says: 'Some suggested titles were pretentious, like Leviathan Rising, and others were very scary, like White Death. Peter's father, who was a wonderful guy and a novelist also, said with his good sense of humour: 'How about What's That Noshing on My Leg?' 'It was down to the wire and Peter said, let's settle on the word Jaws because nobody knows what it means and nobody reads a first book anyway. There was absolutely no expectation that this would be rocketing up the New York Times bestseller list.' Nor did the Benchleys expect it to become a movie. Spielberg had chanced upon galley proofs of the book and been enthralled. The rights were secured by producers Richard Zanuck and David Brown for $150,000, plus $25,000 for a first draft of the script, before the novel had been published (it would sell 5.5m copies before the film opened). Wendy says: 'I do remember when Peter got the phone call in our little house in Pennington. I cried. I thought, our life is ruined because I had known people who suddenly got some wealth and I thought, oh no, but we were a little bit older and we had good, strong families and we had wonderful friends and so our life stayed very solid.' Benchley co-wrote the screenplay, and had a bit part on screen as a reporter, but was relieved when Carl Gottlieb took over the day-to-day writing, including a leavening of humour. The film version removed plot lines from the novel such as a mafia connection and an affair between Hooper and Brody's wife. Spielberg also decided: you're gonna need a bigger shark. Dismayed by the demonisation of sharks, Benchley wrote, narrated and appeared in dozens of TV documentaries about marine life and became a full-time marine conservationist. He and his wife worked for the Environmental Defense Fund. The Peter Benchley Ocean Awards are held each year to celebrate individual excellence in ocean conservation. Wendy says: 'We were horrified that people took this novel and this fictional movie as some kind of a licence to go out and kill sharks and to schedule more shark tournaments. We took this very seriously and began to work on conservation issues.' As awareness has grown, she adds, applications to study marine science have risen at universities around the country. 'That is an outcome of Jaws that people now understand. In fact the ocean community embraces Jaws as a positive for ocean science, ocean research and conservation. 'The other thing that surprised us and relieved us greatly was that Peter began to get thousands of letters from people all over the world who said it was a great book, scary movie, but it intrigued them and they want to know more about sharks. There were so many letters from people wanting to be Hooper, not in a white lab coat sitting doing research but out on the ocean and experiencing not only sharks but other ocean creatures. That was a wonderful feeling.'


Daily Mail
29 minutes ago
- Daily Mail
R Kelly denied release from prison just days after overdose
Disgraced singer R Kelly has been denied release from prison just days after his lawyers claimed he overdosed as a result of a botched murder plot. The former R&B star's legal team filed a motion on June 17 to have him sent to home confinement rather than being behind bars due to the 'imminent' threat to his life. But Judge Martha Pacold ruled that there was 'no legal basis for this court's jurisdiction' and threw the request out. The artist's lawyers claimed last week that Kelly had suffered an overdose after prison guards deliberately gave him too much anxiety medication. They also claimed that the 58-year-old, whose real name is Robert Sylvester Kelly, was forcibly removed from hospital despite doctors finding blood clots in his legs that required surgery. Federal prosecutors rejected these allegations at the time as 'deeply unserious' and said the latest motion made 'a mockery' of the abuse suffered by Kelly's victims. They added that 'every convicted murderer, rapist, and terrorist will have a newfound shot at freedom' if Kelly was to be released from prison. Despite this and the recent rejection to have Kelly sent to home confinement, his lawyer Beau Brindley said he and his legal team would file a new motion based on what he called 'newly discovered evidence.' Mr Brindley said the request would also call for immediate bail 'pending its litigation'. 'We are not surprised by this ruling as we knew that technical jurisdiction would be a challenge under these circumstances,' Mr Brindley told USA TODAY. 'However, we had no choice but to act immediately given explicit evidence of a threat to Robert Kelly's life.' The news organisation said as of June 19, Mr Brindley and his team had not yet filed the new motion. Kelly was allegedly put in solitary confinement 'against his will' in response to a separate filing from his attorneys which claimed three prison officials hatched a plot to have him killed by a white supremacist gang. His legal team cited a sworn declaration from terminally ill inmate named Mikeal Glenn Stine in which he alleged the prison officials asked him to carry out the singer's murder. Kelly requested he be placed on house arrest for his crimes - which included convictions for child pornography and enticing minors for sex. Prosecutors called the attempt to be freed from his sex crimes sentence 'repugnant'. Stine, a member of the Aryan Brotherhood gang, alleged that high-ranking officials in the prison system offered him the opportunity to escape from prison and live out his final months as a 'free man' before his terminal illness kills him. In the filing, it was further alleged that Stine was pressured to carry out the killing in March when he was transferred to Kelly's unit, and was told by staff: 'You need to do what you came here for.' Stine said he stalked Kelly for months as he considered the assassination plot, but changed his mind and told the singer about the plan to kill him, according to the filing cited by The Independent. The singer's attorneys say they became aware of a second plot in June to have a different member of the Aryan Brotherhood kill both Kelly and Stine. Kelly's attorneys have also requested a pardon from President Donald Trump, saying the singer, 'does not have the luxury to wait for vindication from the Courts that will follow the exposure of the corruption at the heart of his prosecutions.' The attorneys previously claimed they 'are engaged in conversations with multiple persons close to the White House and to President Trump'. Kelly was convicted in 2021 and 2022 for racketeering, sex trafficking, child pornography and enticement. A New York City federal court sentenced him to 30 years in prison in 2022 and he was sentenced to 20 years in jail in a Chicago federal court the year after. Evidence at trial in New York included testimony from more than 10 victims, as well as video and DNA evidence. In the Chicago trial it emerged that Kelly enticed multiple underage girls to engage in sexual activity which he recorded. Kelly met his victims in the late 1990s and engaged in sex acts with them when they were as young as 14, 15 and 16 years old before covering up the acts. The singer has been behind bars since July 2019, and is now at the prison that housed late Ponzi schemer Bernard Madoff. He will be 78 when eligible for release in 2045. MailOnline approached The Bureau of Prisons for comment.