The Mortician review – so queasy it will stay with you for ever

The smart thing about comparing something to The Jinx is that you're essentially daring viewers to stick with you until the very end. After all, as good as The Jinx was, it didn't reach legendary status until its final few moments, when notorious murder suspect Robert Durst paused an interview with his microphone still on, and muttered a confession while using the toilet.
The Mortician, it has to be said, is pound for pound more staggering than The Jinx. Joshua Rofé's three-part documentary about California cremator David Sconce is a feat of construction, patiently doling out larger and larger transgressions until the whole thing becomes swamped in unimaginable horror. It's the kind of documentary where, when the credits roll, you realise that you haven't drawn breath for several minutes.
As with most true crime documentaries, Sconce's case is a known one. Perhaps you watched it unfold at the time, or perhaps you like to spend your time trawling the darker corners of Wikipedia. This is the downfall of many products of this ilk; they're flashy retellings that add very little of value. The Mortician is not that. The Lamb Funeral Home scandal made enough of a splash to have inspired more than one novel, and yet The Mortician deserves to go down as the definitive version.
On some level, it's the story of a very efficient businessman. As the figure in charge of Pasadena crematorium Lamb Funeral Home, David Sconce was determined to undercut his rivals. He would perform long round-trips around mortuaries in his rundown van, collecting bodies, burning them and returning them for the low, low price of $55. But cremations are slow. It takes from two to three hours to burn a body and let the remains cool enough to safely gather them. So Sconce started burning a few at a time. And then more and more, breaking bones to cram as many as he could into his incinerator. In barely any time at all the business went from performing 194 cremations a year to 8,173, handing bereaved relatives urns scooped from bins brimming with the mixed ashes of countless different people.
Incredibly, it only gets worse from there. To reveal too much would be to spoil the cascade of monstrosities that follow, but it makes for extremely queasy viewing. The thefts, the desecration, the complete detachment between the human life that ended and the wholesale scavenging that followed. It is unbelievably dark.
At the centre of it all is Sconce himself. Met by the documentary crew outside jail, where he had just finished serving a 10-year sentence, Sconce is a weirdly charismatic presence. Described by one talking head as 'Richie Cunningham' from Happy Days, he has a big, open, all-American face, and golly-gees his way through much of his interviews despite the atrocities laid at his feet. At best, he defends his actions with a cold logic – 'People have got to be more in control of their emotions,' he says at one point of the appalled bereaved; 'That's not your loved one any more' – but at worst there's a showboating bravado, as if he can't get enough of his own performance.
And this is ultimately what gets him. The Mortician has received so many comparisons to The Jinx because of how it ends. During an unguarded moment when he believes the camera is no longer running, Sconce appears to admit to something awful. It's left vague, since there's nothing as concrete as Durst muttering that he 'killed them all', but it's still enough for Rofé to publicly encourage renewed investigation.
However, while the climax will grab all the headlines, the journey is just as important. The Mortician isn't only about one grim individual who did horrendous things to thousands of corpses; it's about the dehumanising effects of unfettered capitalism and our own relationship to death. In the cold light of day, how should we treat the people we love once they are gone? Is the dignity we afford their bodies purely ceremonial? Do they simply become matter to be disposed of by whatever means necessary?
It is a harrowing journey to get to the end of the programme – the faint of heart should be warned that the series includes talk of concentration camps, infants, organ harvesting and something nefariously referred to as 'popping chops' – but it's worth it. The Mortician is so much more than a gussied-up Wikipedia page. It's something that is unlikely to ever leave you.
The Mortician is on Sky and Now in the UK. In the US, it airs on HBO and Max. In Australia, it airs on Max

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