
‘Jesse Armstrong injects steroids into how people use and abuse power': Cory Michael Smith, Ramy Youssef on working with Succession creator in Mountainhead
Succession creator Jesse Armstrong, who produced and wrote the Emmy Award-winning show, is all set to make his directorial debut with Mountainhead, a film also about a pack of crazy, perverse, self-consumed billionaires. Four of the wealthiest billionaires of America meet at a weekend villa on a mountain head as the world goes to war, thanks to their capitalistic excesses. The title is a cheeky take on Ayn Rand's 1943 seminal book The Fountainhead, and a character even refers to the interior designer of the mountain-head villa as Ayn Bland.
In an exclusive interview with SCREEN, Cory Michael Smith and Ramy Youssef, who play two of the four billionaires, talk about working with Jesse Armstrong, the tone-deafness of the modern billionaire, and how Elon Musk-like tech billionaires are shaking things up.
I love the scene in which the four of you, all billionaires, scale up a snow-clad mountain, write your respective net worth on your bare chests, and then scream that at the top of your lungs. Do you feel like a billionaire needs to have a bit of crazy in them?
Cory: (Laughs) That's a great question! Do they need to be? No, they can be. That much money just protects you from your own behaviour and failures. Not physically, if you mess up your money, otherwise in terms of personal behaviour, you're allowed to do a lot, which is a problem.
Ramy: Ya, you're allowed to remain a child or whatever it is that you want. And I just want to tell you that the scene, that you describe so brilliantly, it was so cold! And I just want you to know that.
After watching Succession and working with him in Mountainhead, what is it about Jesse Armstrong that he gets the elite, the entitled, the wealthy so right?
Ramy: He knows how people talk. That's really interesting because that's not how he talks. He's not writing what he knows. He's one of the kindest people I've worked with, especially considering how brilliant he is. It's all in the dialogue. We get scripts all the time to act in, and usually it takes what, 15 pages to figure out what it is. With Jesse, you'll have it known in five minutes. Because it's so clear.
Cory: Yeah, and he injects steroids in the way people use and abuse power. He's able to write it in a really disturbing and entertaining way, unlike anybody else.
I read a review which referred to Mountainhead as 'White Lotus winter retreat.' Do you see that parallel? And how do you think the singular setting of a luxurious villa atop a snow mountain add to the film's themes?
Ramy: People just tend to compare things with other things that just came out because our memories are getting shorter by the moment. So I don't see that link, but what I do see is the isolation allows these guys to not want to confront their feelings. But because there's an actual and a metaphorical blizzard around them, they're confined to face their feelings in a way they don't want to. That makes the pressure cooker really unique and fun.
Cory: And unlike The White Lotus, and to the disappointment of a lot of viewers, it's also not very romantic (laughs).
Also Read | Succession: Bidding goodbye to one of the greatest television dramas of our time
Cory, your character in the film defends the misinformation on his social media platform Tram (Twitter + Instagram?) by arguing that when movies were first made, the audience thought the train on the screen is going to hit them. But the solution was not to stop making movies, but make as many, and of different kinds. Do you agree with that justification?
Cory: Generally, if you barrage people with so much information, it confuses, scares, and irritates them. They get a little sensory overload. They can't process all of it. Ya, we see that happening in our culture in a lot of respects.
Ramy: Yeah, and I don't believe in trying to stop technology, mainly because that's impossible. So I'm an accelerationist to a level. But we'll have to figure out our own boundaries in terms of technology. We needed to do that even before this AI boom anyway. I think people will look back at this time and get shocked at how much we were on our phones because there'll be a new etiquette, a new way of interacting with these things. Hopefully, in a place where there isn't any tech at all. That's the best option!
Cory: That's so optimistic I may have to choose not to believe it.
Mountainhead drops on Jio Hotstar this Sunday on June 1.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Business Standard
24 minutes ago
- Business Standard
"The Most Important Thing About Art is Freedom," says AR Rahman at IGF London 2025
PRNewswire London [UK], June 23: In a deeply personal and expansive conversation at the final day of India Global Forum London 2025 at Taj St. James' Court, Academy Award-winning composer AR Rahman urged artists, institutions, and governments alike to nurture creative freedom and cultural innovation. * Oscar-winning composer on scent cinema, AI, and the reinvention of Indian music culture "In cinema for over 40 years now, I was bored with the same rectangle form," Rahman confessed. "It's just seeing and hearing--what else can we do?" That question sparked Le Musk, Rahman's pioneering immersive project which brings scent, touch, and narrative together. "The idea came from my ex-wife who loved perfumes. I thought, why not create a theatre experience with perfume and haptics?" Now coming to London for a year, Le Musk is more than a film--it's an artistic manifesto, showcasing Rahman's continued defiance of convention. The fireside chat turned from personal to philosophical, as Rahman explored the urgent need to preserve traditional Indian music, asking: "Where is the next shehnai player? Where is the next Bismillah Khan Sahib? Unless we find them, recognize them, and let the world see them--they'll vanish. That's where the inspiration for JHAALA came in." JHAALA, Rahman's initiative to platform and preserve Indian classical arts, seeks to make the invisible visible--through technology, talent discovery, and global exposure. On artificial intelligence, Rahman struck a balanced note of caution and curiosity: "AI is like Frankenstein--it just steals from human experiences, human knowledge, human art, and then puts together multiple thoughts. It's copied from us. And now it gets faster, because we feel with emotion--and it just runs on data." "We should use it for what it is--for speeding up the mundane. Don't fear it, use it." Beyond technology, Rahman called for a national cultural renaissance: "If you look at South Korea and K-pop, it emerged in the last 10 years because of government involvement and economic growth. It was a collective movement. That needs to happen with Indian music too. We need to reinvent the wheel." Throughout the session, one sentiment rang clear: true art is unbound by formats, expectations, or institutions. "The most important thing about art is freedom," Rahman stated. "You can't do that with a film studio." He ended with a reminder of music's enduring universality: "Music transcends religion. It heals. It connects. It's a shared soul." IGF London 2025's closing conversations made one thing certain: in a world fractured by algorithms and agendas, it is artists like Rahman who restore harmony--not just in sound, but in society. The forum forms part of IGF London 2025. With over 100+ speakers, 1000 participants, and events across iconic venues in London, IGF London 2025 encompasses a spectrum of topics - from technology and trade to culture and commerce. This year's edition marks a powerful milestone - a decade since Prime Minister Narendra Modi's landmark 2015 visit to the UK, and the two nations have finalised the long-awaited Free Trade Agreement. IGF London is the first major international platform to celebrate and analyse this historic achievement, unlock new opportunities that emerge from its conclusion, and shape the next phase of UK-India collaboration. About India Global Forum India Global Forum tells the story of contemporary India. The pace of change and growth India has set itself is an opportunity for the world. IGF is the gateway for businesses and nations to help seize that opportunity. To know more, click here Social Media Handles & Hashtag to Follow Twitter: @IGFUpdates & @manojladwa LinkedIn: India Global Forum #IGFLondon Logo -


Time of India
37 minutes ago
- Time of India
Ram Charan "Breathes fire" in night action sequence for 'Peddi': Cinematographer Rathnavelu
Global star is currently shooting his upcoming pan-India film, 'Peddi' directed by Buchi Babu Sana. Recently reports suggest the makers have wrapped up their key sequences and the shoot is progressing at a perfect pace. Tired of too many ads? go ad free now In a recent update, the cinematographer of the film, R. Rathnavelu, shared that the team has completed filming an intense night action sequence. According to a report by IANS, Rathnavelu described the sequence as "terrific" with "gritty visuals," adding that Ram Charan "breathes fire" in the scenes. This update comes shortly after the makers completed another major high-octane train stunt sequence shot on a massive set in Hyderabad. The report also suggests that the sequence was a first-of-its-kind effort in Indian cinema. Ram Charan reportedly also performed several risky stunts during the shoot, which wrapped up on June 19. Rathnavelu, who previously worked with Ram Charan in 'Rangasthalam', shared his excitement at the energy the actor brings to the screen in this new avatar. The film is a rural sports drama film featuring Ram Charan in a rugged and intense avatar. It also includes Bollywood's as the female lead, with veteran actors Shiva Rajkumar, , and 'Mirzapur' fame Divyendu Sharma playing crucial roles. The first glimpse of 'Peddi' was released earlier this year. Ram Charan is seen in a rugged look with long hair, a beard, and a scarred face playing cricket and asserting his fierce spirit. Oscar-winning composer A.R. Rahman is scoring the music for this big-ticket entertainer. The movie is announced to release on March 27, 2026.


Indian Express
3 hours ago
- Indian Express
Anupamaa set destroyed in massive fire, cine workers body president claims fire safety norms flouted on Rupali Ganguly's show
A massive fire broke out on the sets of Rupali Ganguly's show Anupamaa at 5 am this morning. While the shooting was scheduled to begin at 7 am, preparations for the same were underway. However, the fire engulfed the entire set a couple of hours before the cameras could roll. Luckily, no casualties were reported, but a few workers and crew members were on the set when the incident occurred. The All India Cine Workers Association (AICWA) confirmed the news on social media. AICWA's president, Suresh Gupta, also spoke to SCREEN, claiming negligence on the part of producer Rajan Shahi. Gupta said, 'A massive fire did break out on the Anupamaa set in Filmcity this morning. The fire brigade reached the scene an hour after the fire erupted. The entire set was made of wood and was surrounded by other sets, which were also made of wood. The reason why the set caught fire is that the producer and production house weren't complying with fire safety norms just to save a little money.' Also Read: Anupamaa's Manish Goel shuts down rumours of a rift with Rupali Ganguly. Watch A post shared by SCREEN (@ieentertainment) He claimed that this is a recurring problem. 'Every year, they put the lives of thousands of workers at stake, and the workers risk their lives because they don't get work every day. Film City's MD, or no other official, ever bothers to check the fire safety measures on set. As the AICWA President, I demand Maharashtra CM to investigate the matter and also check if no one lost their life, because they always cover up this,' he said. A post shared by SCREEN (@ieentertainment) Suresh also pointed out that the situation could have been catastrophic had there been more members on the set. A source close to the show also confirmed the news about the fire and that no casualties occurred. The source also shared that the incident happened when no one was there on the set. The show's producer, Mr Rajan Shahi, is yet to issue an official statement on the incident. Last year, a 32-year-old crew member was electrocuted on the sets of Anupamaa. In a statement, the makers later claimed that he was the camera attendant who mistakenly picked both the light rod and camera together when he was not wearing any footwear. 'The DOP present on the set said that it was purely a human error. He was immediately taken to the hospital and given instant medical help but, unfortunately, we lost him. It was deeply saddening. In response, immediate arrangements were made to send flight tickets to the family members of the deceased, who were urgently called from Patna. All necessary legal formalities were also promptly addressed,' the statement read. Nawaz Kochra is an enthusiastic entertainment journalistic for the last 9 years, he has been a known face and successfully worked with some big publications. At Nawaz majorly covers TV and OTT and also does video interviews. Having the best conversations with celebrities is what Nawaz loves. ... Read More