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Press and Journal
07-06-2025
- Entertainment
- Press and Journal
A summer of spectacle and fun: Here's all the events you can look forward at P&J Live
Summer in Aberdeen is going to be a busy one, with P&J Live offering a packed schedule of top events. From sporting stars to retro gigs, collectibles and big business events to major art exhibitions and ice skating, there should be a little something for everyone. The venue is one of the largest events spaces in Scotland. That has helped it attract acts such as Girls Aloud, Peter Kay, Bryan Adams and Olly Murs, Aberdeen Comic Con and Offshore Europe in recent years. Below is a breakdown of some of the biggest events and shows coming to the P&J Live this summer. June 19 Bringing together the best and brightest women in energy for a full-day experience designed to empower, connect and inspire. June 21 A night full of madness, the event combines the traditional game of bingo with a hilarious live show. June 21 The Paw Patrol crew are back and this time they are searching for treasure on an epic adventure. June 28 The international smash-hit tribute show brings all ABBA's number one hits to the stage. It is celebrating its 20th year. July 12 – August 10 An immersive attraction which brings the works of Vincent Van Gogh to life. It combines more than 300 of the post-Impressionist icon's paintings with state-of-the-art technology and a special soundtrack July 13 This event will kick off the new season with exclusive fan experiences, giving attendees unique access to current players, club legends and a packed room of interactive activities. July 17, 18, 19; August 8 A 50-minute Pilates class against the immersive backdrop of Van Gogh's artistic masterpieces. July 18 A two-hour guided painting session with a drink as well as access to the Beyond Van Gogh: The Immersive Experience. July 22, 26; August 2 A 50-minute yoga class against the immersive backdrop of Van Gogh's artistic masterpieces. August 23 Calling all Lego fans, National Brick Events is back in Aberdeen with activities, displays and tutorials. August 24 For the first time ever, Pokemania is coming to Aberdeen offering an unmissable experience for collectors, traders and fans alike. The marketplace will be filled with top vendors and rare cards. September 2–5 The biennial event is committed to advancing the offshore energy sector's transition to a sustainable future. September 11 A black tie dinner for businesses looking to put their sports trivia to the test to be crowned 2025 champions. September 15 Multi-platinum award-winning musician Tom Grennan is coming to the P&J Live, with his concert coinciding with the release of his fourth album, Everywhere I Went Led Me To Where I Didn't Want To Be. September 27–28 Experience high-speed action and full-throttle excitement, as Hot Wheels vehicles are brought to life to perform jaw-dropping stunts. September 30 2000s boybands McFly and Busted face off in an epic battle on stage with classic hits like 'Year 3000', 'Air Hostess', 'Star Girl' and 'Five Colours in Her Hair'. October 3–5 The inaugural caravan, motorhome and outdoor leisure show will be held in Aberdeen this year. October 10 John Bishop will be marking his 25th anniversary in comedy with shows across the UK priced at just £25 per ticket. October 16 An unforgettable, fun-filled family adventure starring Europe's largest walking dinosaurs to ever roam the stage. October 18 A collective of 12 classically trained artists brought together by their love of rock music and immense talent, clad in rock warrior costumes. October 23 The show includes hits like 'Girls Just Wanna Have Fun', 'The Edge of Heaven', 'Tainted Love', 'Love Shack', 'Living on a Prayer', 'The Final Countdown' and 'Don't You Want Me?'. October 24 Michael Starring Ben, the hit theatre production starring the UK's ultimate Michael Jackson tribute star, Ben Bowman, is coming to Aberdeen. October 24 Returning with live performances to celebrate the 50th anniversary of the iconic Pink Floyd album Wish You Were Here. October 31 – November 2 The event's 7th edition will continue its tradition of showcasing the biggest names in CrossFit and Strongman for a weekend of competition and community. The 2024 event brought large crowds and some of the biggest names in feats of strength to the city. November 7 X Factor icons JLS are returning to tour alongside special guest Example. Expect hits such as 'Beat Again', 'The Club is Alive', 'Everybody in Love' and 'She Makes Me Wanna'. November 14 Scottish footballing legends from Aberdeen, Celtic, Dundee United and Rangers will compete head-to-head in an action-packed six-a-side indoor tournament. The Dons were crowned winners during last year's event at P&J Live. November 15 Iconic 2000s boyband Five are back together for the first time in 25 years, performing hits like 'Keep On Movin'', 'Let's Dance' and 'If Ya Gettin' Down'. November 15 A tribute show highlighting the power of Motown, featuring music from Diana Ross, Marvin Gaye, Stevie Wonder and The Temptations. November 22 Produced by The Dubliners' John Sheahan – renowned fiddle player and legendary Irish icon – this new show packs 50 years of songs, stories and craic. November 27-30 Combining some of Disney's most beloved stories including Encanto, Moana and Frozen with the spectactular of ice skating and costumes. December 6 Comedian and presented Jimmy Carr, known for his iconic laugh, is back on tour with his newest show, Laughs Loud. December 7 One of the UK's most beloved British bands Madness is embarking on a tour to celebrate their legendary career with hits like Our House, It Must Be Love, House Of Fun. December 10 The popular Christmas movie is being brought to the stage, with a full orchestra playing the score live-to-film. December 14 Katy Ellis, a self-obsessed 'Swiftie' with an incredible live band and dancers, promises to deliver the most authentic recreation of a Taylor Swift show you will ever see.
The Advertiser
27-05-2025
- Entertainment
- The Advertiser
Never-before-seen Margaret Preston artworks go on show
Two recently discovered paintings by one of Australia's most significant artists are going on show to the public for the first time. Margaret Preston is best known for her distinctively Australian still lifes and printmaking, but while based in Ireland during World War I, she painted two post-Impressionist views of the coast. The oil paintings were held in a private collection in Britain, and even art scholars specialising in Preston's work were unaware the paintings existed, according to Art Gallery of South Australia curator Tracey Lock. The paintings will finally go on public display as part of Dangerously Modern: Australian Women Artists in Europe 1890–1940, currently on at the Art Gallery of South Australia, before opening at the Art Gallery of New South Wales in October. The exhibition is a joint project by both galleries, with art from their collections making up about half the works on show - what's more, the galleries have acquired one of the Preston paintings each. With 50 artists and 220 artworks, Dangerously Modern is billed as the first major exhibition to explore the role of Australian women in modernism internationally. At the turn of the 20th century, waves of women artists left Australia to work overseas, in defiance of social expectations at the time. Not only did these artists contribute to the development of modernism in Europe, they returned home with fresh ideas that helped modernise Australia too. The exhibition title comes from an article by artist Thea Proctor, who returned from London to Sydney in 1921 to find her art described as "dangerously modern". The show also includes work from the likes of Nora Heysen and Grace Cossington Smith, but there are names that are less well known, such as Justine Kong Sing and Stella Marks. Many trailblazing women artists were successful during their lifetimes, only to find themselves written out of art history in the postwar period, said Lock. "Almost overnight - bam! They are erased from the record," she said. Dangerously Modern is no less than an effort to bring these artists back into the historical narrative - and a 65,000-word catalogue with essays from 29 art scholars should help. Lock believes part of the reason women have been left out is that Australian art history (and those writing it) did not value the themes these artists were exploring at the time. Rather than the usual tenets of light, landscape and national identity, women artists such as Anne Dangar were exploring notions of spiritualism, for example. "Our women get lost, they get a bit stuck in some blind spot in Australian art, we don't know what to do with them," said Lock. "Frankly, it's time to change, and show the power of this work." While Australia's state galleries regularly loan works, they do not often collaborate on the design and concept of a show. But when AGNSW and AGSA realised they were preparing similar exhibitions, they decided to work together. There are Sydney artists such Proctor, Dangar and Cossington Smith, as well as Grace Crowley, while South Australian names include Dorrit Black along with Heysen and Preston. "Maybe it's in the water or something, but it turns out Adelaide has produced a number of very talented modern women artists," said Lock. Dangerously Modern is on at the Art Gallery of South Australia until September 7 and will show at the Art Gallery of New South Wales from October 11 until February 2026. Two recently discovered paintings by one of Australia's most significant artists are going on show to the public for the first time. Margaret Preston is best known for her distinctively Australian still lifes and printmaking, but while based in Ireland during World War I, she painted two post-Impressionist views of the coast. The oil paintings were held in a private collection in Britain, and even art scholars specialising in Preston's work were unaware the paintings existed, according to Art Gallery of South Australia curator Tracey Lock. The paintings will finally go on public display as part of Dangerously Modern: Australian Women Artists in Europe 1890–1940, currently on at the Art Gallery of South Australia, before opening at the Art Gallery of New South Wales in October. The exhibition is a joint project by both galleries, with art from their collections making up about half the works on show - what's more, the galleries have acquired one of the Preston paintings each. With 50 artists and 220 artworks, Dangerously Modern is billed as the first major exhibition to explore the role of Australian women in modernism internationally. At the turn of the 20th century, waves of women artists left Australia to work overseas, in defiance of social expectations at the time. Not only did these artists contribute to the development of modernism in Europe, they returned home with fresh ideas that helped modernise Australia too. The exhibition title comes from an article by artist Thea Proctor, who returned from London to Sydney in 1921 to find her art described as "dangerously modern". The show also includes work from the likes of Nora Heysen and Grace Cossington Smith, but there are names that are less well known, such as Justine Kong Sing and Stella Marks. Many trailblazing women artists were successful during their lifetimes, only to find themselves written out of art history in the postwar period, said Lock. "Almost overnight - bam! They are erased from the record," she said. Dangerously Modern is no less than an effort to bring these artists back into the historical narrative - and a 65,000-word catalogue with essays from 29 art scholars should help. Lock believes part of the reason women have been left out is that Australian art history (and those writing it) did not value the themes these artists were exploring at the time. Rather than the usual tenets of light, landscape and national identity, women artists such as Anne Dangar were exploring notions of spiritualism, for example. "Our women get lost, they get a bit stuck in some blind spot in Australian art, we don't know what to do with them," said Lock. "Frankly, it's time to change, and show the power of this work." While Australia's state galleries regularly loan works, they do not often collaborate on the design and concept of a show. But when AGNSW and AGSA realised they were preparing similar exhibitions, they decided to work together. There are Sydney artists such Proctor, Dangar and Cossington Smith, as well as Grace Crowley, while South Australian names include Dorrit Black along with Heysen and Preston. "Maybe it's in the water or something, but it turns out Adelaide has produced a number of very talented modern women artists," said Lock. Dangerously Modern is on at the Art Gallery of South Australia until September 7 and will show at the Art Gallery of New South Wales from October 11 until February 2026. Two recently discovered paintings by one of Australia's most significant artists are going on show to the public for the first time. Margaret Preston is best known for her distinctively Australian still lifes and printmaking, but while based in Ireland during World War I, she painted two post-Impressionist views of the coast. The oil paintings were held in a private collection in Britain, and even art scholars specialising in Preston's work were unaware the paintings existed, according to Art Gallery of South Australia curator Tracey Lock. The paintings will finally go on public display as part of Dangerously Modern: Australian Women Artists in Europe 1890–1940, currently on at the Art Gallery of South Australia, before opening at the Art Gallery of New South Wales in October. The exhibition is a joint project by both galleries, with art from their collections making up about half the works on show - what's more, the galleries have acquired one of the Preston paintings each. With 50 artists and 220 artworks, Dangerously Modern is billed as the first major exhibition to explore the role of Australian women in modernism internationally. At the turn of the 20th century, waves of women artists left Australia to work overseas, in defiance of social expectations at the time. Not only did these artists contribute to the development of modernism in Europe, they returned home with fresh ideas that helped modernise Australia too. The exhibition title comes from an article by artist Thea Proctor, who returned from London to Sydney in 1921 to find her art described as "dangerously modern". The show also includes work from the likes of Nora Heysen and Grace Cossington Smith, but there are names that are less well known, such as Justine Kong Sing and Stella Marks. Many trailblazing women artists were successful during their lifetimes, only to find themselves written out of art history in the postwar period, said Lock. "Almost overnight - bam! They are erased from the record," she said. Dangerously Modern is no less than an effort to bring these artists back into the historical narrative - and a 65,000-word catalogue with essays from 29 art scholars should help. Lock believes part of the reason women have been left out is that Australian art history (and those writing it) did not value the themes these artists were exploring at the time. Rather than the usual tenets of light, landscape and national identity, women artists such as Anne Dangar were exploring notions of spiritualism, for example. "Our women get lost, they get a bit stuck in some blind spot in Australian art, we don't know what to do with them," said Lock. "Frankly, it's time to change, and show the power of this work." While Australia's state galleries regularly loan works, they do not often collaborate on the design and concept of a show. But when AGNSW and AGSA realised they were preparing similar exhibitions, they decided to work together. There are Sydney artists such Proctor, Dangar and Cossington Smith, as well as Grace Crowley, while South Australian names include Dorrit Black along with Heysen and Preston. "Maybe it's in the water or something, but it turns out Adelaide has produced a number of very talented modern women artists," said Lock. Dangerously Modern is on at the Art Gallery of South Australia until September 7 and will show at the Art Gallery of New South Wales from October 11 until February 2026. Two recently discovered paintings by one of Australia's most significant artists are going on show to the public for the first time. Margaret Preston is best known for her distinctively Australian still lifes and printmaking, but while based in Ireland during World War I, she painted two post-Impressionist views of the coast. The oil paintings were held in a private collection in Britain, and even art scholars specialising in Preston's work were unaware the paintings existed, according to Art Gallery of South Australia curator Tracey Lock. The paintings will finally go on public display as part of Dangerously Modern: Australian Women Artists in Europe 1890–1940, currently on at the Art Gallery of South Australia, before opening at the Art Gallery of New South Wales in October. The exhibition is a joint project by both galleries, with art from their collections making up about half the works on show - what's more, the galleries have acquired one of the Preston paintings each. With 50 artists and 220 artworks, Dangerously Modern is billed as the first major exhibition to explore the role of Australian women in modernism internationally. At the turn of the 20th century, waves of women artists left Australia to work overseas, in defiance of social expectations at the time. Not only did these artists contribute to the development of modernism in Europe, they returned home with fresh ideas that helped modernise Australia too. The exhibition title comes from an article by artist Thea Proctor, who returned from London to Sydney in 1921 to find her art described as "dangerously modern". The show also includes work from the likes of Nora Heysen and Grace Cossington Smith, but there are names that are less well known, such as Justine Kong Sing and Stella Marks. Many trailblazing women artists were successful during their lifetimes, only to find themselves written out of art history in the postwar period, said Lock. "Almost overnight - bam! They are erased from the record," she said. Dangerously Modern is no less than an effort to bring these artists back into the historical narrative - and a 65,000-word catalogue with essays from 29 art scholars should help. Lock believes part of the reason women have been left out is that Australian art history (and those writing it) did not value the themes these artists were exploring at the time. Rather than the usual tenets of light, landscape and national identity, women artists such as Anne Dangar were exploring notions of spiritualism, for example. "Our women get lost, they get a bit stuck in some blind spot in Australian art, we don't know what to do with them," said Lock. "Frankly, it's time to change, and show the power of this work." While Australia's state galleries regularly loan works, they do not often collaborate on the design and concept of a show. But when AGNSW and AGSA realised they were preparing similar exhibitions, they decided to work together. There are Sydney artists such Proctor, Dangar and Cossington Smith, as well as Grace Crowley, while South Australian names include Dorrit Black along with Heysen and Preston. "Maybe it's in the water or something, but it turns out Adelaide has produced a number of very talented modern women artists," said Lock. Dangerously Modern is on at the Art Gallery of South Australia until September 7 and will show at the Art Gallery of New South Wales from October 11 until February 2026.
Perth Now
27-05-2025
- Entertainment
- Perth Now
Never-before-seen Margaret Preston artworks go on show
Two recently discovered paintings by one of Australia's most significant artists are going on show to the public for the first time. Margaret Preston is best known for her distinctively Australian still lifes and printmaking, but while based in Ireland during World War I, she painted two post-Impressionist views of the coast. The oil paintings were held in a private collection in Britain, and even art scholars specialising in Preston's work were unaware the paintings existed, according to Art Gallery of South Australia curator Tracey Lock. The paintings will finally go on public display as part of Dangerously Modern: Australian Women Artists in Europe 1890–1940, currently on at the Art Gallery of South Australia, before opening at the Art Gallery of New South Wales in October. The exhibition is a joint project by both galleries, with art from their collections making up about half the works on show - what's more, the galleries have acquired one of the Preston paintings each. With 50 artists and 220 artworks, Dangerously Modern is billed as the first major exhibition to explore the role of Australian women in modernism internationally. At the turn of the 20th century, waves of women artists left Australia to work overseas, in defiance of social expectations at the time. Not only did these artists contribute to the development of modernism in Europe, they returned home with fresh ideas that helped modernise Australia too. The exhibition title comes from an article by artist Thea Proctor, who returned from London to Sydney in 1921 to find her art described as "dangerously modern". The show also includes work from the likes of Nora Heysen and Grace Cossington Smith, but there are names that are less well known, such as Justine Kong Sing and Stella Marks. Many trailblazing women artists were successful during their lifetimes, only to find themselves written out of art history in the postwar period, said Lock. "Almost overnight - bam! They are erased from the record," she said. Dangerously Modern is no less than an effort to bring these artists back into the historical narrative - and a 65,000-word catalogue with essays from 29 art scholars should help. Lock believes part of the reason women have been left out is that Australian art history (and those writing it) did not value the themes these artists were exploring at the time. Rather than the usual tenets of light, landscape and national identity, women artists such as Anne Dangar were exploring notions of spiritualism, for example. "Our women get lost, they get a bit stuck in some blind spot in Australian art, we don't know what to do with them," said Lock. "Frankly, it's time to change, and show the power of this work." While Australia's state galleries regularly loan works, they do not often collaborate on the design and concept of a show. But when AGNSW and AGSA realised they were preparing similar exhibitions, they decided to work together. There are Sydney artists such Proctor, Dangar and Cossington Smith, as well as Grace Crowley, while South Australian names include Dorrit Black along with Heysen and Preston. "Maybe it's in the water or something, but it turns out Adelaide has produced a number of very talented modern women artists," said Lock. Dangerously Modern is on at the Art Gallery of South Australia until September 7 and will show at the Art Gallery of New South Wales from October 11 until February 2026.
South China Morning Post
28-02-2025
- Entertainment
- South China Morning Post
Immersive ‘Van Gogh Alive' exhibition returns to Hong Kong
Vincent van Gogh is a towering figure in the art world. His post-Impressionist sunflowers and nightscapes, at the time revolutionary for their bold colours and heavy impasto, are today familiar to all. The tumultuous story of his life, however, from struggling with mental health and poverty, to infamously cutting off part of his left ear, puts him in the top tier of tortured-artist stereotypes. The Starry Night by Vincent van Gogh is exhibited on screens at 'Van Gogh Alive'. Photo: Grande Experiences One of the more thorough exhibitions to dissect the painter's life and art is 'Van Gogh Alive – The Experience', which returns to Hong Kong after six years, having travelled to more than 100 cities worldwide. Combining art with cutting-edge technology, this iteration, at the K11 Atelier King's Road in Quarry Bay, presents about 3,000 paintings through modern projection techniques. Iconic works such as Sunflowers, The Starry Night and Wheatfield with Crows are blown up across giant screens using the Sensory 4 system, which combines motion graphics, allowing visitors to appreciate every brushstroke in minute detail. It's as close as you'll get to stepping into a painting by the Dutch master. Vincent van Gogh's paintings come together with auditory and olfactory elements at 'Van Gogh Alive'. Photo: Grande Experiences Starting March 10, the exhibition goes beyond visual stimulation by also incorporating auditory and olfactory elements. Classical scores from greats such as Schubert and Bach suffuse the exhibition with a sense of grandeur in cinema-quality surround sound, while aromatic elements designed with top, middle and base notes evoke scents related to van Gogh's paintings – whether it's the fragrance of Sunflowers or the crisp air of The Starry Night. The immersive area at 'Van Gogh Alive'. Photo: Grande Experiences 'Van Gogh Alive' also encourages participation through interpretive areas. Visitors can step into a life-size replica of Bedroom in Arles, interact with art stations that offer drawing tutorials, and gain insights into van Gogh's life through large-scale graphics and quotes. Advertisement Those who fancy themselves as subjects of van Gogh's paintbrush can now bring their dream to life thanks to AI Van Gogh, a new initiative that uses artificial intelligence to generate a personal portrait in the artist's vibrant aesthetic. Bandaged ear optional. Runs from March 10 to June 8. For tickets, go to
