Latest news with #performance
The Guardian
2 hours ago
- Entertainment
- The Guardian
Edinburgh festival 2025: 20 theatre shows to see this summer
Whenever you see a performance in Canada, it will begin with a land acknowledgment; a way of crediting those who were there before the Europeans arrived. Indigenous playwright Cliff Cardinal questions the motives of such declarations in a broadside that uses Shakespeare's pastoral comedy to comment on our attitude to the natural Hill theatre, 20-23 August Jack Holden, the formidable star of Cruise and Kenrex, is the author of this party-themed take on Peter Pan in which songs by Britney Spears, Katy Perry and Justin Timberlake celebrate the millennial generation that refused to grow up. Director Steven Kunis calls it 'a full-blown pop fantasy'.Assembly Checkpoint, 30 July-25 August Leaving its Roundabout pop-up theatre at home, Paines Plough has a lower-than-usual profile at this year's fringe, but is responsible for one of the flagship shows at the Traverse: a story of four generations of Northern Irish women. Directed by Katie Posner, Karis Kelly's dark family drama won the Women's prize for playwriting in theatre, 30 July-24 August From Belgium, actors Anemone Valcke and Verona Verbakel ask where social boundaries should lie for young women growing up after #MeToo. Drawing on their own experiences of sexism and abuse, they raise questions of shame and internalised misogyny in a show about watching and being Playground, 12-24 August William Kentridge returns to his 1995 version of the soul-selling fable and updates it to the age of the climate emergency. Handspring Puppet Company (of War Horse fame) imagines a rapacious Faustus plundering the African continent with colonialist greed, while the world picks up the Lyceum, 20-23 August Song of the Goat have been beguiling fringe audiences for two decades with their otherworldly polyphonic singing inspired by classical archetypes. This time, the Wrocław company gives Shakespeare's tragedy a pagan 3-15 August Afreena Islam-Wright is both a performer and a pub-quiz host, skills she combines in an interactive show about being British and Bangladeshi. Among her claims to fame is an appearance on The theatre, 31 July-24 August The government recently sold its remaining shares in NatWest Group (formerly Royal Bank of Scotland) after nearly 17 years of public ownership, losing £10.5bn in the process. Meanwhile, the bank's old boss, Fred Goodwin, is said to be picking up a £600,000 annual pension. James Graham's play – which stars Brian Cox – asks what went wrong in the city of Adam theatre, 30 July-9 August Trumpeter Jay Phelps, who has played with Amy Winehouse, Courtney Pine and Wynton Marsalis, provides the live soundtrack to Oliver Kaderbhai's play about Miles Davis and the making of Kind of Blue, the 1959 jazz landmark. Benjamin Akintuyosi 31 July-25 August Time was when pop stars felt they had to put up with scurrilous tabloid stories. Not so Elton John. Falsely accused of 'vice boy shame', he sued the Sun for libel. Henry Naylor's play takes up the story that ended with a 'Sorry Elton' headline and a £1m Dome, 30 July-24 August Joining forces again after England & Son and The Political History of Smack and Crack, campaigning actor/comedian Mark Thomas and playwright Ed Edwards look back to the 25-day Strangeways prison riot in 1990 and the liberal experiment that 31 July-25 August Part of the Made in Scotland showcase, Ruxandra Cantir's surreal cabaret is inspired by her upbringing in Moldova, a country where seemingly anything can be pickled. Featuring songs, puppetry and vegetables, it is an absurdist meditation on the preservation of life. Shona Reppe 31 July-25 August What started life as a highly entertaining – and unexpectedly moving – lecture about the Scottish pantomime tradition has morphed into a full-blown show. The great panto dame Johnny McKnight performs in glamorous Dorothy Blawna-Gale costume, celebrating the humour and radical spirit of the form. John Tiffany theatre, 1-24 August Smartphones at the ready as Mallorca's female-led La Mecànica creates a teen-friendly interactive event using the Kalliópê app developed by Barcelona's La Fura dels Baus. The show, about identity, technology and relationships, is observed through the audience's mobiles, which interact with the performers and 31 July-25 August The inspirational Ontroerend Goed has a record of surprising and unsettling work that redefines what theatre can be. It can, of course, be nothing without an audience and in this piece, the Belgian company uses video to celebrate the fact that nobody has the same experience of a live event. They call it interactive theatre for people who don't like interactive Southside, 12-24 August Actor Armando Babaioff relocates Michel Marc Bouchard's play from Canada to his native Brazil, where the story of a young man who leaves the city to attend his boyfriend's rural funeral has a special poignancy. Brazil, says Babaioff, 'leads the world in the killing of LGBTQ+ people'.Pleasance at EICC, 30 July-24 August This four-day celebration of Palestinian culture includes a lecture-performance by Noor Abuarafeh recounting a journey through the West Bank; a wordless object-theatre show by Mahmoud Alhourani about the devastation of war; and a play by Randa Jarrar following a woman who wakes up in 2055, the last person town hall, 12-15 August Novelist turned performer Alan Bissett imagines a conversation between two cultural icons: comedian Billy Connolly and the late author Alasdair Gray. The scene is the launch of Gray's modern classic Lanark in 1981, which Connolly is known to have attended. Bissett speculates on what the two Glaswegians said Storytelling Centre, 31 July-23 August Having extended her range to theatre with 2016's excellent Wind Resistance, folk singer Karine Polwart returns to the stage with a poetic and musical meditation inspired by the sabal palm in the glasshouse of Edinburgh's Royal Botanic Garden. The 200-year-old tree was chopped down in 2021 to make way for Queen's Hall, 9-13 August A wordless piece by Antwerp theatre collective FC Bergman exploring the passage of the seasons and our dependency on the land. Inspired by an ancient letter about the art of agriculture by the Greek poet Hesiod, it is a visual commentary on the power of collective labour and the threat of Lyceum, 7-10 August
Top Gear
2 hours ago
- Automotive
- Top Gear
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South China Morning Post
5 hours ago
- Entertainment
- South China Morning Post
Singapore bans Wild Rice's theatre performance for ‘glamorising' drug abuse
The Infocomm Media Development Authority (IMDA) said on Friday it had banned a performance by theatre company Wild Rice for undermining Singapore 's anti-drug policy and public confidence in the Central Narcotics Bureau (CNB). A revised script for a dramatised reading, titled 'Homepar', was submitted on June 5, with IMDA assessing it to be in breach of the Arts Entertainment Classification Code (AECC). This was done in consultation with the Ministry of Home Affairs (MHA), it added. IMDA noted that the revised script had 'substantially changed' from the version that was submitted on April 21. 'The new material depicts and glamorises drug abuse and portrays an undercover CNB officer shielding abusers from detection,' it said. 'It undermines Singapore's anti-drug policy, our drug rehabilitation regime, and public confidence in the CNB. Performances that undermine Singapore's national interest are not permitted under the AECC.' IMDA said it had previously informed Wild Rice that the earlier script submitted met classification requirements and could be staged under an R18 rating.
CNA
6 hours ago
- Entertainment
- CNA
Singapore bans Wild Rice performance Homepar for undermining anti-drug policy and public confidence in CNB
SINGAPORE: The Infocomm Media Development Authority (IMDA) said on Friday (Jun 20) it had banned a performance by theatre company Wild Rice for undermining anti-drug policy and public confidence in the Central Narcotics Bureau (CNB). A revised script for a dramatised reading, titled Homepar, was submitted on Jun 5, with IMDA assessing it to be in breach of the Arts Entertainment Classification Code (AECC). This was done in consultation with the Ministry of Home Affairs (MHA), it added. IMDA noted that the revised script had "substantially changed" from the version that was submitted on Apr 21. "The new material depicts and glamorises drug abuse and portrays an undercover CNB officer shielding abusers from detection," it said. "It undermines Singapore's anti-drug policy, our drug rehabilitation regime, and public confidence in the CNB. Performances that undermine Singapore's national interest are not permitted under the AECC." IMDA said it had previously informed Wild Rice that the earlier script submitted met classification requirements and could be staged under an R18 rating. "However, Wild Rice has chosen not to revert to that version," the authority added. "Consequently, IMDA has disallowed the performance in its current form." IMDA reiterated that Singapore's firm stance against drugs remains unchanged, and it will continue to uphold the AECC to "protect national interest". According to a synopsis on the Wild Rice website, Homepar - a reference to house parties in the gay party scene - is about a protagonist who hosts one such party to "power through a tough break-up and celebrate their evolving gender identity".
ABC News
9 hours ago
- Entertainment
- ABC News
Wild One: Keyo Roses Flying Circus - A Man
Whirling camerawork, throbbing lights, and questions about what it really means to be 'A Man' all await under the psychedelic big-top of this Wild One — the first ever video from Naarm act Keyo Roses Flying Circus. Directed by Hugo Morgan, 'A Man' combines distorted frames, fluid camera manoeuvres, and choppy cuts for a video that is truly trippy. Shot in the Northcote Theatre, Hugo, Keyo and the team wanted to create an uninterrupted performance that invites the viewer into the theatre as the only patron. "All the movement is continuous," explains Hugo, "but we also played with continuity and lighting to shape the environment and guide the audience through the different sections of the track.' 'This song is a conception of many hours spent smoking cigarettes in my room, unravelling the rope of masculinity to find balance and identity' says circus conductor Keyo Rhodes. 'I suppose it questions the idea of a man, the conflict between grace and strength, and if you dance around a bit things usually make more sense.'
