Latest news with #geometry
The National
2 days ago
- Entertainment
- The National
Weekly UAE museum and gallery guide: Pioneering Lebanese abstract artist enters spotlight
This week, we're highlighting three artists whose practices span the grid, the city and the gesture. From the meditative geometry of Nima Nabavi to the urban excavations of Abdullah Al Othman and the raw, expressive gestures of Nadia Saikali – the featured exhibitions are dissimilar in form but they share a common impulse. They slow us down, prompt us to look closer and question what we take for granted. Sunrise at the Vortex at The Third Line In Sunrise at the Vortex, Nima Nabavi continues his exploration of geometry as both discipline and meditation. The centrepiece of the show is a monumental, hand-drawn work that was meticulously composed over the course of a year. The work showcases Nabavi's dedication to precision and scale. Its complex patterning feels almost architectural while also alluding to the tenets and forms of sacred geometry. The smaller works in the exhibition crafted using a plotter offer a contrasting sense of mechanical control, yet still bear Nabavi's distinctive aesthetic logic. Together, the pieces speak to the tension between the human-hand and machine, intention and repetition. Monday to Sunday, 11am-7pm; until July 27, The Third Line, Dubai Structural Syntax at Iris Projects Structural Syntax is Abdullah Al Othman's first solo exhibition in the UAE, and it shows his penchant for revealing the hidden language of cities. The Saudi artist beckons towards billboards, signages and architectural elements to highlight the cultural and political residues that are easily overlooked. In Anticipation, he strips a billboard of its message, leaving only structure and light. Geometric Quotation revisits the construction of Al Maktoum Bridge as a moment of vision and becoming. From Riyadh to Dubai and beyond, his works decode the city not as backdrop, but as a living archive. Monday to Friday, 11am-7pm; until June 27; Iris Projects, Abu Dhabi Nadia Saikali and Her Contemporaries at Maraya Art Centre A pioneering figure of abstract art in the region, Nadia Saikali's spotlight is perhaps long overdue. The Lebanese artist's work ranges across a variety of mediums and styles, despite them often veering towards abstraction. From her early gestural work to the line-based paintings and sprawling landscape canvases in the later stages of her career, Saikali's work is at the heart of the show at Sharjah's Maraya Art Centre, which is now in its final month. Yet, the exhibition – co-organised with the Barjeel Art Foundation – opens up to feature works by her contemporaries, all of whom are women. The artists come from across the Arab world, but they all spent time reducing work in Beirut during the 1960s and 1970s. As such, Beirut becomes the star of the exhibition, showing how the city was a regional hub for artists.
The National
30-05-2025
- General
- The National
‘Handasa': Why the Arabic word for engineering is built to last
From the shaping of things to finely honed skill, the Arabic word for engineering is more than the sum of its parts. Handasa, this week's word, stems from the root letters ha, noon, dal and seen, and is believed to have originated from the Persian word andazah, meaning measurement or dimension. The term entered the Arabic language in the ninth century during the Abbasid era, when Baghdad's Bayt Al Hikma, the historical House of Wisdom and library, became a centre of translation. Scientific texts from Greek, Persian and Indian traditions were rendered into Arabic, and the word handasa appeared in several of these translations of mathematical theories and treatises. These mathematical roots informed the early Arabic use of handasa, which at first referred specifically to geometry. In the ninth century, the Iraqi scholar Thabit ibn Qurra translated Euclid's Elements and expanded the use of handasa to include spatial reasoning and architectural design. His interpretations helped define how early Islamic cities were planned, from water irrigation systems to the curvature of domes. Handasa is now used as an umbrella term for engineering, with various branches ranging from handasa madaniyya (civil engineering) and handasa kahraba'iyya (electrical engineering) to handasa ijtima'iyya (social engineering). In literature and the arts, the word is often used metaphorically as a reference to precision and intricacy of craft. A well-executed event might be described as muhandasa, while a solution that feels overly calculated can be hailed, or derided, as masnu' bi handasa, meaning artificially engineered. Perhaps this explains some of the affection directed towards Iraqi singer Majid Al Mohandis, whose full name is Majid Al Attabi. While his stage name, translated as 'Majid the Engineer,' began as a nod to his former profession, it has come to describe the carefully calibrated pop hits he has continued to release over the past two decades. A term that spans science and structure, concept and culture, handasa can be used to construct everything from great ideas to remarkable buildings, when shaped by ambition and precision. Like many words in the Arabic language, it has evolved beyond its standard definition to carry deeper meanings. It is a word built to last.
Times
17-05-2025
- Science
- Times
Teaser 3268
W-hoops! The PE game W-hoops! involves throwing inflexible hoops to hook onto a W-shaped frame. The torus-shaped hoops all have the same cross-section but different diameters and fit snugly, in contact, into a storage box. The illustration (not to scale) shows side- and top-views with three hoops, but the box actually contains the maximum possible number of hoops, allowing for a hole at the centre. The internal width of the box is a multiple of its internal depth. Di preferred maths to PE and after her throws she calculated, using 22/7 for pi, that the total volume of the hoops was over 60 per cent of the internal volume of their box. Knowing this would overstate the value, she then used 3.14 for pi and
New York Times
07-05-2025
- Entertainment
- New York Times
With a Pace Gallery Show, Robert Mangold Demonstrates His Consistency
The abstract artist Robert Mangold has been so remarkably consistent and disciplined with his approach to painting and drawing that he makes pretty much everyone else look capricious and changeable. Mangold has been exploring geometry, form and color for more than 60 years, with a half-century of that time on a charming property here in the Hudson Valley with an old farmhouse and a barn. Now 87, Mangold has definitely slowed down. But he is still working, and he has a show of recent paintings and works on paper at Pace Gallery in Chelsea that opens on Friday. 'Robert Mangold: Pentagons and Folded Space' is timed to coincide with the busy spring art season in New York and remains on view until Aug. 15.
