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United Way of Coastal Empire raised $9 million for region during 2025 campaign
United Way of Coastal Empire raised $9 million for region during 2025 campaign

Yahoo

time2 days ago

  • Business
  • Yahoo

United Way of Coastal Empire raised $9 million for region during 2025 campaign

The United Way of the Coastal Empire (UWCE) announced at a celebration on Tuesday evening that it had raised $9 million through its 2024-25 campaign. Nearly $5 million of that amount will be directed to the United Way's Community Fund, which, in part, channels resources back into the five-county service region by supporting nonprofits that provide services, such as affordable childcare, stable housing and financial empowerment for families. Another nearly $3 million will go towards grants, disaster relief funds and more. 'United Way's mission, as many of us know, is to improve lives by mobilizing the caring power of the community,' said UWCE CEO Kimberly Waller during the ceremony held at the Peregrin rooftop bar at the Perry Lane Hotel. 'And we do that by providing a strong safety net for the most vulnerable and creating pathways for upward mobility.' Three Savannah-based corporate donors―Gulfstream Aerospace, Colonial Group and Georgia Ports Authority― contributed more than half a million dollars each to the campaign. Gulfstream alone raised $1 million. 'After storms hit our area this past year, Gulfstream stepped up in a big way when we needed them most,' Waller said. Following the three storms last fall, UWCE activated its Rapid Response Disaster Fund, which, with $1 million in donations, helped provide hot meals to 3,700 people in need. 'This has been an incredible experience, and I'm deeply grateful for everyone who contributed to the success of this year's campaign,' said Yancey Ford, the 2025 campaign chair and Effingham County Schools Superintendent. UWCE kicked off its campaign in September 2024 with several performances from regional high school bands. The annual Turkey Trot, held on the morning of Thanksgiving, broke the event's record by raising more than $50,000 for the community fund. In March, the annual Women Who Rule campaign netted more than $105,000 for the Women United Transportation Fund, more than 25% of that sum was raised during a luncheon—a record-breaking amount that was collected through donations from people in the room. Ansley Franco is a general assignment reporter for the Savannah Morning News. You can reach her at AFranco@ This article originally appeared on Savannah Morning News: United Way of the Coastal Empire raises millions in fundraising campaign

Community groups and charities invited to apply for Co-op funding
Community groups and charities invited to apply for Co-op funding

Yahoo

time3 days ago

  • Business
  • Yahoo

Community groups and charities invited to apply for Co-op funding

Community groups and charities can now apply for a share of £5 million from Co-op's Local Community Fund. The fund seeks to support causes across the UK that "help people and communities thrive," with a focus on improving access to food; mental wellbeing; youth opportunities; community cohesion; and sustainability. David Luckin, head of community partnerships, funding, and impact at Co-op, said: "It's always exciting to start the search for local causes to take part in a new round of funding. "Our members have told us that they want Co-op to focus on the real issues affecting people's lives, and act on the issues that matter most. "We know that things are increasingly challenging for communities, and through this funding, we can make a difference locally and help people and communities to thrive." Since 2016, the fund has supported more than 39,000 projects across the UK. Applications for the latest round of funding are open until Sunday, July 6. Co-op members can view current local causes, and choose a community project to support, via the Co-op membership app at For more information about the funding, and to apply, community groups and charities can visit

Fontaines DC's Grian Chatten: ‘Romance took a lot out of us. It was like a bomb went off, and then that silence'
Fontaines DC's Grian Chatten: ‘Romance took a lot out of us. It was like a bomb went off, and then that silence'

Irish Times

time7 days ago

  • Entertainment
  • Irish Times

Fontaines DC's Grian Chatten: ‘Romance took a lot out of us. It was like a bomb went off, and then that silence'

In a room high above the Dublin city skyline, to rehash an early song title of theirs, Grian Chatten and Conor Deegan are surveying their kingdom. These days a Fontaines DC hometown gig feels like something of a victory lap. We're on the top floor of the Guinness Storehouse, where later tonight the group's frontman and bassist will join their bandmates on a double bill with Lankum as part of the Lovely Days Live gig series. The proceeds will go towards the Guinness Dublin 8 Community Fund, which has pledged to donate €1 million over the next five years to local community projects. 'I suppose,' Deegan says, 'at a certain point you kind of look at yourself and say, 'Am I purely an entertainer? Is that all that we're going to do? Are we going to be something for people to escape from the things in life, or [are we going to] deny them?'' He nods. 'We just wanted to use the platform that we have for some worthwhile things.' We're also just down the road from Fontaines' alma mater, Bimm Music Institute Dublin , where the five members of the band first met in 2014 and where they subsequently established a scholarship for students looking to follow in their globe-conquering footsteps. READ MORE [ Fontaines DC: Romance – Incredibly compelling indie rock that takes the Dublin band to the next level Opens in new window ] Chatten smiles as he remembers the band getting a horse-and-cart tour of the Liberties during their student days by a local self-proclaimed tour guide called Marius. 'And the horse was called Ringo,' Deegan says , which delights Chatten. 'Marius and Ringo,' he says with a sombre nod. 'Sounds like a Tolstoy novel, doesn't it?' The offhand literary reference is befitting for Chatten, who has become one of the finest lyricists and most compelling rock frontmen in recent memory. His band, meanwhile, are routinely referred to as one of the best in the world right now, or certainly the pre-eminent Irish band of their generation. 'My reaction to that is, 'Have you not heard Lankum ?'' Chatten protests as notes from that band's soundcheck drift through the open window. 'Lankum, to me, are one of the most concise versions of Ireland that I would like to believe in and live in. 'I've seen them a few times, but their set at Glastonbury [last year], and the crowd that they drew, that's a pride I never thought I'd feel.' He shakes his head. 'So I totally brush off the whole 'best band' thing, to be honest.' Like Lankum, Fontaines DC have been unafraid to use their platform for bigger issues. They are vocal supporters of Palestine , and later, at the gig, they will tell the crowd, 'No matter how scary it gets out there, don't stop talking about Palestine.' [ Grian Chatten of Fontaines DC: 'We were speeding off the edge of a cliff' Opens in new window ] We speak a few days after Mo Chara , of Kneecap , has been charged with a terror offence in the UK. Chatten, who collaborated with the Belfast trio on their album (which the Fontaines drummer, Tom Coll, also played on), is unequivocal in his support of the hip-hop group. 'It's a categorical witch hunt, and that's fairly plain to see to anyone who has a discerning eye,' he says. 'I stand by their side, and I'm totally unafraid to do so. I think all of us are. 'If Sinéad O'Connor was still around she'd be speaking up and [would] probably have another media storm raged against her, as well. So, yeah, that's what I think about it.' He shrugs. 'I just think when you become aware of the facts, how many people are dying' in Gaza , 'I don't really want to live in a world where people turn a blind eye to those things. And I think the best thing for us to do, as people with platforms, is to lead by example.' Fontaines DC. Photograph: Peter Joseph Smith The past year or so has been the busiest of the band's career. Since the release of their fourth album, Romance , last August, their profile has rocketed, winning them new fans globally, breaking new territories and scoring huge radio hits with songs such as Favourite and Starburster. Chatten, who says he had struggled with the fame that can come with being in a band, agrees that they are 'probably acclimatising to it on a deeper level now', allowing him to live in the moment more. Yet the band's ascent has been an undeniably steady one, which has helped in terms of keeping their feet on the ground and their egos in check – although Chatten sheepishly points to the sunglasses he's wearing. 'I'm just jet-lagged, and my eye bags are massive,' he says. Deegan likens Fontaines' rise to 'kind of like boiling a frog. I think if the band had blown up quickly on the first record to this level, then it probably might have hopped out,' he says. 'On a deeper point, it's reflective of the friendships that we have with each other. That's what's kept us going as a band, both literally and musically.' The past eight months have been the most hectic of the band's career, as Romance, an album that added new depth, scope, texture and colour to their sound, went global. Having mined their Irish upbringings on much of their previous material – from the famous opening line of Fontaines DC's debut album, Dogrel ('Dublin in the rain is mine/ A pregnant city with a Catholic mind') to sneering references to Fianna Fáil and Fine Gael on I Love You, from Skinty Fia , their 2022 album – it also arguably brought a newfound universality to their lyrics. 'I feel like on [Romance] we pushed each song to where it wanted to be, more than we have on any other album. On Here's the Thing, for example, we really committed to that sound,' Chatten says. 'Whereas I think maybe, in the past, we've slightly compromised by trying to make songs fit in with the rest of the album. 'I wouldn't want to put its universal appeal down to its un-Irishness, necessarily; sometimes making a culture a massive thing on an album probably doesn't resonate too much with people. But I do think that there's a lot on the album that can be a canvas for people to project their own emotions on to.' Fontaines DC's Grian Chatten and Conor Deegan. Photogroahg: Tom Honan The way that they write has inevitably changed as they have spent more time on the road. None of the band members now live in Dublin, and they don't necessarily write in a room together any more. 'That was what dictated the music a lot: what could be played together in a room,' Deegan says. 'But moving away from Ireland and going on the road, we weren't able to play with each other as much as we would have wanted to. 'There was a lot of writing going on with laptops in hotel rooms. And we got into the extra instruments that suddenly you're able to utilise when you're using software or things like that – the sound of the mellotron, for example – and it opened up our sound. We basically started making music and then following up how to play it [live] afterwards. Just letting ourselves be free from that restriction.' Where might the band go next? They've jammed some new material during soundchecks on their recent tour. 'We're starting to get that curiosity back again,' Deegan says. 'But it's the beginning stages, and we're still wrapped up in this tour, and [we need to be] present in the moment with this album.' 'Yeah,' Chatten says, nodding. 'I feel like Romance took a lot out of us, personally and creatively. It was kind of like a bomb went off, and there was just that postbomb silence, a ringing of the ears. So I think we're still being that album a little bit, if that makes sense. It demands a lot of us. And [in terms of] moving on, it seems like I'm not necessarily ready to say goodbye to this version of ourselves yet.' The song ideas that they have been tentatively jamming, he says, are difficult to pin to a genre or style. 'There's an awful lot of variety, which isn't necessarily helpful in figuring out what our next album is going to sound like,' he says. 'But, again, we're just letting the songs be themselves, and giving them the time of day. With Romance it felt like there was a very conscious choice behind where we went with it, aesthetically and sonically, compared to the first three. I want the next album to be the same.' Fontaines DC on stage at the Guinness Storehouse, Dublin. Photograph: Tom Honan They aren't convinced by the idea of writing something overtly political but will continue to speak up when necessary. 'It needs to not feel too blunt, and still have a sense of art and self-expression,' Chatten says. 'Lankum draw on a reservoir of tradition, so that kind of blesses everything that they do that's political with a sense of artistry. 'In terms of songwriting, it's difficult for me to justify shouting blunt orders into a microphone and not feel like I've lost something creatively, you know? There is a lot to be said for creating art that stirs people's emotions in a certain direction without doing that.' There are still some personal ambitions to be fulfilled, too. Deegan has plans for a solo album at some point. The other members of Fontaines DC – Coll and the guitarists Conor Curley and Carlos O'Connell – have all had side projects, including producing and even acting, in O'Connell's case. Chatten, who has already released a solo album, Chaos for the Fly , has spoken about wanting to publish a book of poetry by the time he turns 30 – which is in July. 'Let's say by the time I'm 32 now,' he says, jokingly. The band has been shifting, 'with people having children and stuff', Deegan says, referring to O'Connell's two-year-old daughter. 'Grian's not 30 yet, but the rest of us are in our 30s now, and there's a kind of a shift mentally for some of us, and what our priorities might be. 'And I think that's beautiful, to be honest. We've been working hard for our 20s to build this thing, and maybe the ambitions don't need to always be music, you know? Maybe they can be something else.' It all seems a long way from the days of Marius and Ringo, of snatched moments of jams between soul-corroding day jobs, of the heady days when they could only dream about being a band that mattered to so many. What's the biggest difference between the Fontaines who released Dogrel, in 2019, and the Fontaines of today? 'About 10 kilos for me,' Chatten deadpans. 'No, I'm only messing – it's probably a lot more.' He smiles, then sighs. 'I don't know. I think that it was inevitable for the sound to change, for us to do away a little bit with the minimalism that we made a virtue of in the early days. I think we've become a little bit like maximalist in our approach now, a bit more cinematic, I suppose.' They look a mixture of bemused and horrified at the thought of Fontaines DC being around for another 20 or 30 years. Do they see themselves as a legacy band? Chatten mulls it over for a moment. 'I don't know.' He shrugs again. 'I'm sure there's going to come a point where we don't really understand what's hip and trendy and all that kind of craic any more, you know? 'And we won't be parading around in a school uniform, like Angus Young.' He allows himself a smile. 'I'd rather put my faith in kind of accepting ourselves. As Deego says, priorities are changing. I think as long as we don't miscast ourselves in the future, we'll be all right.' Fontaines DC play the All Together Now festival, at Curraghmore Estate in Co Waterford, on Friday, August 1st. A bonus turquoise-vinyl edition of Romance , including a 7in of the new songs It's Amazing to Be Young and Before You I Just Forget, is out on Friday, July 18th

Narrogin residents seek community investment from renewable energy boom
Narrogin residents seek community investment from renewable energy boom

ABC News

time7 days ago

  • Business
  • ABC News

Narrogin residents seek community investment from renewable energy boom

A town of fewer than 5,000 people is on the precipice of Western Australia's renewable energy boom, with $18 billion worth of developments proposed. The Shire of Narrogin, about 180 kilometres south-east of Perth, has been considered prime territory for wind, solar and battery because of its open farmland and proximity to the state's grid. Projects proposed for the Narrogin Renewable Energy Zone include a $2.4 billion, 168-turbine wind farm of 1209 megawatts, a $400M solar farm and a $400M battery project. Narrogin Shire President Leigh Ballard said the council had welcomed the projects for their economic benefits but wanted a community fund created so residents could benefit. The shire recently requested the battery project include a community fund or public art funding, which was rejected. Mr Ballard said the growth of the projects was putting stress on the community and its infrastructure. "It's an issue we, as a shire, are trying process, comprehend and plan for," he said. "Each individual project has a small impact, but when you put all these projects together it's a huge impact for the region." He said pressure points included housing, roads, general resources, procedures and baseline community functions. The WA government released draft guidelines on Thursday which said it would ensure "all Western Australians benefit from the energy transition". It said community arrangements on projects differed and a lack of consistency created uncertainty for communities and proponents. The proposed guidelines include $500 to $,1000 per megawatt per year for wind projects and $150 to $800 for solar projects. Under the proposal, a 200-megawatt wind farm project would contribute between $100,00 to $300,000 each year, the government said. It said the final benefit could differ depending on the size of community and whether multiple communities were affected. "In sparsely populated areas, a lower … amount may be appropriate compared to areas of higher population," it said. The draft proposed community funds could be administered through local governments or a community trust fund. Mr Ballard said the situation required clear-cut legislation from the Cook government. "Our community is getting told what's happening, they're not getting brought along with the process or involved with it," he said. "We look at it as a bit of social license from these projects, coming into the community and changing our landscape." WA Health Minister Amber-Jade Sanderson said the government had listened to industry and communities to develop the concept. "The draft guideline provides support for the community and renewable energy developers to achieve sensible arrangements that balance benefit for the local community with the affordability of energy," she said in a statement. Planning Minister John Carey said WA was in a "critical moment in the state's history" with large renewable projects proposed and under construction. "It's a significant opportunity in terms of economy, for jobs, and meeting the renewable energy transitions but we understand there are concerns in local communities and what the community benefit will be," he said. Energy analyst Ray Wills said baseline payments per hour or megawatt per project were a sensible starting point. He said the direct benefits of farmers and other landholders hosting projects needed to be balanced against the indirect impact on the wider community. "Because otherwise all of the expenditure that company will look to do will be captured by one person, rather than being more broadly available," Mr Wills said. "On the other hand, not having any of those payments made to the community is going to see a restriction of projects going forward." He said any community funding requirement needed to be carefully calibrated so investment was not deterred.

I got £157 worth of plants for FREE from a high street shop – I filled my car boot & back seat, now I'm set for summer
I got £157 worth of plants for FREE from a high street shop – I filled my car boot & back seat, now I'm set for summer

The Sun

time12-05-2025

  • Business
  • The Sun

I got £157 worth of plants for FREE from a high street shop – I filled my car boot & back seat, now I'm set for summer

A WOMAN has revealed how she managed to snap up £157 worth of plants without paying a penny from B&Q. The savvy shopper explained how her local store had put out all their 'end of season' flowers so customers could take them home. 3 Taking to the Facebook group Extreme Couponing and Bargains UK, she wrote: 'All of these were free at B&Q Camborne this afternoon. '£157 worth of plants.' She then uploaded some photos showing off her freebies that she had found after lunch on Sunday, and showed how they completely filled her car. These included pots of beautiful petunia plants which could add a pop of colour to her garden borders. The B&Q store had left on the prices, so she realised how much of a saving she had made. She assured people that she had left loads of plants behind so there were enough for other shoppers looking to spruce up their gardens. The shopper said that she was going to bring many of the sad-looking plants back to life with some TLC. 'You'll have to post the pics when they are flourishing again.' And many people were highly impressed with her free find. B&M shoppers are giving their gardens a summer glow up with £12 bargain One wrote: 'That's why there was none when I went in…. Only kidding fabulous find, that's the only way I wouldn't get into trouble, bringing free plants.' Another added: 'You lucky duck.' And a third commented: 'Well done, look forward to the after pictures!' Meanwhile, one person pointed out: 'They have a community fund and if you email them you can actually request free stuff for pta events. 'My local one provided tools for us last year too, I think it has a financial cap but info is online.' 3

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