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How ‘Passengers' Retooled After a Performer's Injury
How ‘Passengers' Retooled After a Performer's Injury

New York Times

time5 days ago

  • Entertainment
  • New York Times

How ‘Passengers' Retooled After a Performer's Injury

The 7 Fingers company was about to begin performances of its multidisciplinary, train travel-themed show 'Passengers,' and it was in a big pickle: A cast member was injured while practicing an especially tricky segment. It was anticlimactic — initially nothing seemed askew at the Tuesday evening rehearsal I had been observing — but the consequences were weighing on everybody. The first preview, at the Perelman Performing Arts Center in Lower Manhattan, was a mere two days away. The troupe, which specializes in a hybrid of circus and theater incorporating dance and music, had been running through part of a hand-to-trapeze segment. That discipline combines ground and aerial acrobatics, and is a signature number of the director and choreographer Shana Carroll. She had developed it for the Cirque du Soleil show 'Paramour,' then took it to the 7 Fingers, the Montreal-based collective she helped found in 2002. Like many circus acts, hand-to-trap (as it's commonly referred to), is spectacular but also dangerous. A flyer is catapulted up or dropped down by porters on the floor and one on a trapeze. There is no net or mat underneath the trapeze, because that's where the floor team stands. 'My safety mat becomes my porters, my colleagues,' said Marie-Christine Fournier, who is this production's flyer. At one point on Tuesday, Fournier was in the air, dangling from the wrists of Eduardo De Azevedo Grillo, a porter who was hanging upside down, batlike, from a trapeze. He released her and she gracefully dove into the arms of seven company members who were waiting underneath them. Want all of The Times? Subscribe.

Why Cirque du Soleil circus show Kooza, back in Hong Kong, is ‘edge-of-your-seat stuff'
Why Cirque du Soleil circus show Kooza, back in Hong Kong, is ‘edge-of-your-seat stuff'

South China Morning Post

time25-05-2025

  • Entertainment
  • South China Morning Post

Why Cirque du Soleil circus show Kooza, back in Hong Kong, is ‘edge-of-your-seat stuff'

It has been seven years since Cirque du Soleil last graced Hong Kong with its stunning acrobatic acts, cheeky clowns and death-defying stunts. This month the global entertainment company is back with its circus production Kooza. Advertisement Running until July 13 – the family-friendly show has extended its stay in Hong Kong from its original end date of June 22 – Kooza will be presented at the Central Harbourfront Event Space, where the Cirque team has set up its signature big top. The show tells the story of the Innocent, a clown pulled into the zany, dynamic world of the Trickster. Thus begins a two-hour spectacle of gravity- and death-defying acts. Duncan Fisher, the chief show operations officer at Cirque du Soleil, calls Kooza 'the most 'circus' of all our circuses'. Duncan Fisher with a performer at the Central Harbourfront Event Space in Central, Hong Kong, where Cirque du Soleil will be performing Kooza until July 13. Photo: Sam Tsang Sante D'Amours Fortunato performs a hoop manipulation routine from Kooza. Photo: Sam Tsang

Japanese 'salarymen' inspire with cheerleading acrobatics
Japanese 'salarymen' inspire with cheerleading acrobatics

Reuters

time12-05-2025

  • Business
  • Reuters

Japanese 'salarymen' inspire with cheerleading acrobatics

TOKYO, May 13 (Reuters) - It's a cold, wet morning and frigid air is seeping through the open doors of a college gymnasium in Tokyo. But that doesn't seem to worry Soichiro Kakimoto and 30 other young businessmen as they gear up for their weekend routine: cheerleading. "Smile when times are tough!" shouts a tall man with an eager smile. The others -- all dressed in dark suits and ties --pump their fists and jam to the upbeat music that fills the space. Their chants echo through the gymnasium. "Yes you can! You can definitely do it! Go, Japan! Go Japan!" The young men are all about spreading cheer through their eye-popping acrobatic performances, volunteering their weekends at shopping malls and other venues to entertain crowds. Calling themselves "Cheer Re-Man's" -- a mash-up of "cheerleading" and "salaryman" -- the group, formed in 2023, is made up of alumni from the elite Waseda University's male cheerleading squad. Their day-jobs range from real estate sales to marketing, and they balance their professional lives with their passion for cheerleading. For practice, the squad often borrows half the gym from a female college cheerleading team in exchange for biscuits. From Monday to Friday, Kakimoto is the quintessential Japanese salaryman, commuting in crowded trains, working late and going out drinking with colleagues, wearing the stretchy navy Uniqlo suit that doubles as his cheerleading uniform. "On weekdays, I use my brain and on weekends, I use my body. Even if one isn't well, the other might be, and that's contributing to my overall mental health," said the 23-year-old, who works at a software development company. "If we, Japanese salarymen, can do what we're passionate about, then everyone else can keep chasing their dreams too." The unusual sight of Japanese corporate warriors being launched 7 metres (23 feet) into the air in synchronised routines won them an online commercial spot to advertise the stretchy Uniqlo suits they wear for their performances. The group also competed in "Britain's Got Talent", where they came third in their semi-final. On a recent weekend, the suited men performed in front of a huge crowd at a shopping mall with gravity-defying stunts, human towers and infectious energy. Yasuko Yamaki, a 61-year-old housewife who learned about the group three months ago through social media, was there to see the spectacle. "In Japan, we're all going through a lot. Watching these salarymen putting in so much without giving up makes me cry," she said. "It's so inspirational."

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