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Elle
17 hours ago
- Entertainment
- Elle
The Books You Should Actually Be Reading This Summer, According to ELLE Editors
For those of us who believe a packed bag is never complete without two (or ten) books, summer is our time. Nothing compares to the euphoria of a wide-open weekend, warm weather, a good book, a good view, and a sweating glass of something close at hand. If you're craving such synergy, perhaps the trickiest question isn't even where to go; it's what to bring with you. Still, the very definition of 'beach read' is fluid, subject to your taste. With that in mind, ELLE editors have compiled a list of new summer books that run the gamut between realism and fantasy, romance and horror, literary and breezy—with the hopes you'll find a read to fit your itinerary. Without further ado, below are our picks for the best books of summer 2025, as defined by the months of June, July, and August. Don't forget your sunscreen. With contributions from Kayla Webley Adler, Sara Austin, Moriel Mizrahi Finder, Adrienne Gaffney, and Kathleen Hou. Out now. 'In S.A. Cosby's riveting crime thriller King of Ashes, investment manager Roman Carruthers wakes from a dream of his mother—who went missing when he and his siblings were teenagers—only to discover his father has been in a terrible accident. Roman returns home to the former manufacturing epicenter known as Jefferson Run, Virginia, where his sister, Neveah, is struggling to keep the family crematorium running. But it's their brother, Dante, who's in the worst trouble of their trio. As Roman and Neveah discover that their father's accident was no accident at all, they learn Dante is in debt to a dangerous local gang, and Roman's deep pockets might not be enough to placate them. The criminals want Roman's skills, and soon he's embedded with them, fighting for his family while wrestling with the morality—or lack thereof—of his choices. Cosby drives his readers through the story at full-throttle, and yet little ends up rushed: His characters are deeply crafted, and the issues at the heart of his epic are rightfully complex. This is yet another smash hit from the author of All the Sinners Bleed.'—Lauren Puckett-Pope, culture writer ''I grew up fully aware that my father was a brilliant man whose expertise I should never ever question. Did I believe that he was a good man? That's another question entirely,' writes Janelle Brown—from the perspective of her protagonist, Jane—in What Kind of Paradise, a perfect sort of immersive, tantalizing, thought-provoking summer read. The novel centers Jane, who grew up idolizing her father and adhering to his isolationism during her off-the-grid upbringing in mid-'90s rural Montana. But when he decides to publish an anti-tech manifesto and she becomes his inadvertent accomplice-in-crime, Jane ultimately makes a run for it. She lands in the tech mecca of San Francisco, where she hopes to learn the truth about her mother's long-ago death whilst immersing herself in the very technology her father condemns. A thriller and a coming-of-age saga, What Kind of Paradise is a gripping reckoning with family, AI, and what we do in the pursuit of progress.'—LPP Out now.'Early in Susan Choi's latest book, 10-year-old Louisa and her father disappear on a beach. Only one of them will eventually be found. What begins as a standard thriller veers in an unexpected direction as Louisa's parents' histories—her mother's estrangement from her American family and her father's from his in North Korea—become an inescapable factor in this story from the National Book Award-winning author of Trust Exercise. '—Adrienne Gaffney, features editor Out now. 'I'll Tell You When I'm Home is not a straightforward story, but neither is Hala Alyan's. Told in hundreds of bite-sized segments that give her memoir the rhythm of her poetry, Alyan threads together 11 chapters, each organized by a month in the growth cycle of a fetus. (For example, 'Month Three: Your baby has fingers and toes,' and 'Month Seven: Your baby is the size of a coconut.') These passages provide entry points for Alyan to organize—and attempt to make sense of—her ancestral history; her frequent displacement throughout childhood; her relationships; her struggles with addiction, disordered eating, and sobriety; and, after multiple miscarriages, her journey to have a child via surrogate. 'I have never not been Palestinian,' she writes in one section. 'That has never not been written upon my body.' And it is in the writing about her body—its history, its travel, its desires, its pains, its othering, its future, its continuation in the tiny form of her child—that Alyan triumphs. This is a beautiful, soul-bearing book.'—LPP Out now.'A recent college graduate, David Smith is torn between two identities—that of a wealthy Stanford grad and of a Black, queer man. When he's arrested for drug possession, he realizes that the world of elite misbehavior that his friends live in is one that he cannot fully join. Author Rob Franklin beautifully illustrates the bubbly excesses of youth coming up against the sobering realities of racism, addiction, and violence.'—AG Out now. 'A quick read—the kind you can definitely finish in a couple summer afternoons—Jess Walter's latest crackles with the author's wit, even whilst immersing itself in the thick of modern American woes. So Far Gone's protagonist is Rhys Kinnick, a former environmental journalist who opts for an off-the-grid lifestyle after a seismic clash with his son-in-law, a conspiracy theorist whose repeated tirades about 'secular globalists' and the 'lame-stream media' ultimately push Kinnick over the edge. But when, years later, his grandchildren show up outside Kinnick's door, their mother inexplicably missing, Kinnick is pulled into a zany adventure (with an equally entertaining ensemble cast) as he attempts to bring his family back together.'—LPP 'In this superb speculative tale from the author of Lakewood, seven strange and inexplicable portals appear in random locations around the planet. These portals inspire fear and awe and, in some, faith. Years after the doors' appearance, twin daughters Ayanna and Olivia live separately, each with a different parent: Ayanna with their father, who grew up in a religious group devoted to one of the portals, and Olivia with their mother, a traditional Roman Catholic. When Ayanna comes of age and is called to step through the portal, Olivia decides to join her—but then Olivia goes missing. Meet Me at the Crossroads is a stirring, meditative story of spirituality, family, and the desire to love deeply in a difficult world.'—LPP ''How do we not lose ourselves in love? How do we hold on to our beliefs and our ethics in the face of great feeling?' Melissa Febos proposed these questions to me during our ELLE interview last October, during which she announced her next book: The Dry Season, a memoir about her year abstaining from sex. As Febos put it, she spent that year 'trying to let go of this lineage that I think I had belonged to, involuntarily, of these overemotional, romantic people who were thrown around by love and romance and very obsessive and out of control. I spent this time looking for people who had big, self-actualized, beautiful, art-oriented lives that didn't necessarily exclude love, but weren't ruled by it—or at least by this romantic fantasy of it.' Her resulting memoir is indeed 'self-actualized, beautiful, and art-oriented,' weaving literary, cultural, and historical touchstones with her own experience. As Febos showed us with her previous books, including Girlhood and Body Work, it is always a privilege to ponder the big questions through her distinct lens.'—LPP 'After V. E. Schwab's 2020 bestseller The Invisible Life of Addie LaRue blew up during the pandemic, fans have eagerly awaited the next stand-alone adult novel from the author known for her grounded fantasy stories. In Bury Our Bones, which Schwab calls her 'toxic lesbian vampires' book, three women navigate centuries of blood lust in this portrait of queer identity, feminine resilience, and unrelenting thirst. This is without a doubt one of my favorite fantasies of the year.'—LPP Out now.''Few things have I been surer of: the woman at the front at the top row of my double decker is my mother.' And so Yrsa Daley-Ward introduces us to the central conceit at the heart of her debut novel, in which Clara, a high-profile author, sees her long-missing mother in the middle of London—and she looks far younger than her would-be 60-odd years. Who, then, is this woman? Clara's twin sister, Dempsey, thinks she is a con artist. Clara is less convinced. But the story only grows stranger when we learn this version of their mother is childless; she never gave birth to Clara or Dempsey. On top of that, Daley-Ward incorporates a book-within-a-book approach that plants pieces of Clara's blockbuster novel, Evidence, alongside her mother's writing. The results are strange, kaleidoscopic, smart—difficult to describe but hypnotic in their pull. The Catch is a mind-bending feat.'—LPP Out now.'I'll devour just about anything written by or about Toni Morrison, whose incomparable works of literature—including Beloved, The Bluest Eye, Sula, and so many others—continue to inspire readers decades after their publication. But I, along with many others, have understood Morrison mainly in this context: as an author. So it's a gift to peek behind the curtain of Morrison's indeed 'legendary' editorship at Random House (from 1965 through 1983) in Dana A. Williams's Toni at Random. This biography, of course, is intriguing for those of us obsessed with the ins and outs of publishing, but even readers less inclined to weigh the industry's merits will find material to appreciate in Williams's account. Although the book skews occasionally academic, Toni at Random is also a balanced and fascinatingly well-researched account of Morrison's editorial vision—and how it still impacts what we read today.'—LPP 'Despite having no sisters, I love and crave stories of sisterhood. And Kakigori Summer is a tale of sisterhood as delicious and finely textured as the shaved-ice dessert its protagonists relish in, and from which the book draws its title. Bittersweet, nostalgic, and easy to envision, Emily Itami's novel introduces us to three sisters: Rei, a driven finance worker in London; Kiki, a Tokyo-based single mother and retirement home employee; and Ali, a J-pop star whose scandalous kiss with a married man draws the paparazzi a little too close. Rei and Kiki rush in to offer Ali some much-needed insulation, and the three escape to the coastal Japanese town where their grandmother still resides. Over the course of the summer, they reckon with their relationship to one another, as well as the loss of their mother years prior. The coastal setting is itself a character in this book, and perhaps one of the book's biggest selling points—Itami makes the landscape feel as real as the bond between the sisters. A lovely, tender-hearted tale.'—LPP 'In this whimsical beach read from Ashley Poston, known for her magical love stories, songwriter Joni Lark is suffering from a bout of writer's block. She heads home to North Carolina, where her parents want to close the family-owned music venue. But then Joni realizes she has a telepathic connection with a has-been musician. Can they use their link to write the perfect song—and save the summer?'—LPP 'Taylor Jenkins Reid's latest heroine is going to space. In 1980, astrophysics professor Joan's unexpected selection for NASA's Space Shuttle program puts her in line to be one of the first female astronauts. Atmosphere tells Joan's gripping, sensitive, and romantic story of finding love in a career where disaster is a constant threat.'—AG 'A gorgeous queer literary romance, Marie Rutkoski's Ordinary Love depicts the second-chance romance between former teenage girlfriends Emily and Gen. Years have passed since their relationship ended, and Emily is now married with two children, an Upper East Side townhouse, and an abusive hedge-fund-manager husband she met at Harvard. Gen, meanwhile, is a world-renowned Olympic athlete. When Emily and Gen reunite, much has changed about them both—but the chemistry between them remains. As Emily wrestles with a separation from her husband and all that it portends, she must also contend with Gen's reappearance in her life. There is still anger and hurt between them, and Emily isn't sure she can handle any more emotional damage after years of her husband's abuse. But the connection Gen and Emily share is maybe, just maybe, worth fighting to keep.'—LPP Out June 24. 'Within the first few pages of Hal Ebbott's debut novel Among Friends, I knew I needed to go scrounge up a highlighter. There are so many of Ebbott's lines that sing, each of them elegant and insightful in their clarity. (Here's one favorite: 'They were like scars, these talents, like things learned in war: even when they were of use, part of her wished not to know.') The book depicts the seemingly effortless friendship between two families—and particularly between their two patriarchs, Amos and Emerson, who first met in college. Although their backgrounds couldn't be more different, they are drawn together, their trust implicit and undeniable. Decades later, they remain close friends, as are their wives and daughters, and the families reunite for a weekend upstate—a yearly tradition amongst their group. But when one of them chooses to wield their power in a shocking act of abuse, they each are given a choice: Continue as if nothing's happened, or reckon with the rot that's always been present in their lives. Among Friends is utterly engrossing; I'm already begging my friends to read it so we can discuss the ending.'—LPP 'By now Lisa Jewell is well-beloved for the addicting quality of her thrillers, and her latest, Don't Let Him In, is no exception. From the first page, the book feels taut with danger, its characters tangled in a web they can't yet recognize. The plot is shaped like a classic domestic suspense: A man is not who he says he is. (He is, in fact, utterly awful!) But the identity of that man is not initially known to the women in his life, including a widow named Nina, her daughter, Ash, and a local florist named Martha, whose lives unexpectedly intersect when this man's charm proves a horrible facade. I can't reveal much more without spoiling Jewell's twists, but suffice to say, this is one of those gripping beach reads sure to keep you flipping the pages on your next flight.'—LPP Out June 24. 'Adela's parents are furious when she becomes pregnant at 16, and they quickly send her to live with her grandmother in Florida. But what was intended as a punishment turns into something beautiful. What she finds in her new home is an incredible community of teenage moms, girls who have been looked down on by their community but who have created a family together. Mottley shows that while young mothers face incredible challenges, their lives can still be full of extraordinary love and joy.'—AG Out June 24.'Leesa Cross-Smith—the author behind Half-Blown Rose and This Close to Okay, among others—turns her eye for intimate connection toward three Americans adrift in Seoul in As You Wish. Lydia, Jenny, and Selene have arrived as au pairs hoping to rewrite their own scripts: Lydia longs for a main-character life, Jenny is determined to put romance firmly in the rear view, and Selene believes South Korea holds the key to finding the birth mother she's never met. Their paths—and secret wishes—intertwine on a weekend trip to a mythic waterfall said to grant desires. When one of them circles back for a do-over, the ripple effect forces all three to reckon with what they truly want and what they're willing to risk for it, turning a fizzy drama into something richer: a meditation on friendship as the greatest magic of all. The result is a cozy escape that reminds us every wish carries its own shadow—and that sometimes the happiest ending is finding the people who understand yours.'—Moriel Mizrahi Finder, editorial assistant 'Pitched as Love Island meets Lord of the Flies—which, woof, that's enough of a heady concoction to draw in readers already—Aisling Rawle's debut is an intoxicating literary suspense. It takes place on the set of a reality dating competition—filmed in a desert compound sometime in a dystopian future—in which an uneven number of male and female contestants must compete to spend each night with someone of the opposite sex. Along the way, they must complete tasks and competitions for rewards. Some are relatively harmless ('Wear another girl's clothes without asking'), while others ('Banish a couple from the compound') veer darker. At the center of this game is Lily, who is young, beautiful, and content to do whatever it takes to win. A slow-burning but scathing assessment of consumerism, vanity, and our deep-rooted desires to perform.'—LPP
San Francisco Chronicle
06-06-2025
- Entertainment
- San Francisco Chronicle
Former tech reporter explores the promises and perils of the internet era in the novel ‘What Kind of Paradise'
Janelle Brown laughs as she recounts her initial reaction upon getting her first email address as a student at UC Berkeley in the mid-1990s. 'I went into the basement of the engineering building where you could get on the internet, and I downloaded a Beastie Boys video,' the bestselling author told the Chronicle by phone from her home in Los Angeles. 'It took 45 minutes, but it was amazing. I could hardly believe it was possible. The world was definitely changing.' More Information What Kind of Paradise By Janelle Brown (Random House; 368 pages; $30) 'What Kind of Paradise' — An Evening with Author Janelle Brown: 6:30 p.m. Friday, June 6. Free. A Great Good Place for Books, 6120 La Salle Ave., Oakland. Meet Janelle Brown: 3 p.m. Saturday, June 7. Atherton Library, 2 Dinkelspiel Station Lane, Atherton. Free. Registration required at Inspired in part by her post-college years as a tech reporter at Wired and Salon, Brown's sixth novel, 'What Kind of Paradise,' is set in 1996 San Francisco and rural Montana. Released on Tuesday, June 3, the book deftly captures both the giddy enthusiasm of that period when the internet's possibilities felt boundless, as well as the unforeseen dangers and downsides that were ushered in with the digital revolution. 'It was a heady time when a bunch of kids in San Francisco saw everything through this optimistic, utopian prism, and, on the other hand, the Unabomber was dominating the news,' reflected Brown, referring to Ted Kaczynski, an anti-technology domestic terrorist who shunned modern life and murdered three people and injured 23 with homemade letter bombs from 1978 until his capture by the FBI in April 1996. 'What Kind of Paradise' imagines if a Kaczynski-esque figure were also a father, raising a child to fear and abhor technological change. The book features a teenager named Jane whose iconoclast dad has steeped her in his radically anti-technology views. After discovering a photo that sheds light on their mysterious past, Jane escapes from their cabin in the Montana woods to San Francisco where the dot-com era is ushering in transformational cultural change. Brown, who grew up in Atherton, discussed writing a coming-of-age story that explores tech's promises and perils, and 'how we ever escape the belief systems we were born into.' Q: This question runs through your novel about whether technology is a positive force for good, or one that is bound to doom us. Have you been wrestling with these issues for a while? A: Yes, it's a subject that has been increasingly weighing on me. When I worked at Salon and Wired in San Francisco in the 1990s, I was a total booster. I drank the Kool-Aid. I believed so strongly, as we all did back then, that technology was going to make our world better. As the decades have progressed, and I've seen technology's ugly underbelly, I've been grappling with my own sense of culpability. What if, at the beginning, we had been more open-eyed about the potential downsides? Could we have steered the world in a better direction where we had more accountability and oversight, instead of having a reflexive stance that any government oversight of technology is bad? Q: Sounds like hindsight has helped you see your techno utopianism differently. A: Definitely. I spent time going through the Wired archives (to research the novel), and it kind of broke my heart. When I look back on our rah-rah boosterism, I see we were wrong about so much — especially now that I see the world through my kids' eyes, who are 15 and 13. I've been incredibly concerned about the downsides of AI, the depersonalization of living on screens and how technology has enabled extremism. Algorithms amplify the most radical and outrageous points of view, and fringe ideas become part of the mainstream in an alarming way no one anticipated. Q: What inspired you to explore these ideas through a father-daughter relationship in which the dad is a lot like the Unabomber, Ted Kaczynski? A: I had been wanting to write about technology from the point of view of someone coming into San Francisco in the '90s with naivete to this whole new world opening up. Then, about four years ago, I listened to an interesting podcast on the Kaczynski story. I vividly remember living through it and being at Wired when he was captured. Everyone's reaction was, 'Yes, they caught him!' As I listened to his story, I thought how prescient he was in some ways, in terms of how he saw the future and tried to warn us. Of course, his writings were also incredibly disturbing, sexist, anti-liberal. I realized these are two sides of the same coin, two very different views of the same future. Q: You've written great descriptions of mid-'90s San Francisco, with its juice bars and 20-somethings out in South Park. What did you most want to convey about that period? A: It was such an exciting time. San Francisco was the birthplace of the whole modern internet era, and it was all done by young people. We were barely out of college, hardly qualified to do what we were doing, but we got to define this whole new era. People forget, because the tech world isn't like this anymore, but it was funky, artsy. There were a lot of weirdos who were in bands and making weird art, and everyone was a bit of a misfit. It wasn't until IPOs and tech bros blew in and everyone realized that they could make a lot of money that it really changed. And San Francisco changed. It felt less vibrant to me. Q: Did you enjoy developing Jane's character? She's self-reliant and incredibly well-read after a childhood spent studying philosophy in the woods with her dad, but she's also in some ways a normal teenager. A: Yeah, I love teenagers. I'm fascinated with coming-of-age stories and that moment in time when you're still unformed clay and life's forces are starting to press you into shape. As much as I had ideas about technology to explore, at the heart of every book I write is a relationship story. I love writing about thorny family relationships, legacy and what we take from the people who raise us and how we break free of them. In this case, her father isn't mentally well, but he's convincing, charismatic and smart — and he's her whole world.
