Latest news with #Volare
Fashion Network
3 days ago
- Entertainment
- Fashion Network
Interview with Maria Giulia Prezioso Maramotti
Staged before an audience that included Sharon Stone, Gwyneth Paltrow and Alexa Chung, the actual collection was a sublime meeting of refined North Italian tailoring and Southern sensuality – inspired by sultry cinematic icons like Sophia Loren and Silvana Mangano. By staging annual cruise shows, Max Mara has smartly positioned itself alongside the ultimate luxury marques like Dior or Louis Vuitton —whose show this year was in Avignon—even though its annual turnover is between one-fifth and one-tenth of those two French labels. That said, the Max Mara Group amassed annual sales in excess of €1.9 billion last year, so it is still a significant player. While in Naples, the house organized private viewings in the city's famed Archaeological Museum; tours of remarkable churches; and a cruise to Lo Scoglio, the must-see restaurant near Positano — famed for a clientele that ranges from the Arnault family and Tommy Hilfiger to Remo Ruffini and endless movie stars. There was also a dinner in Bersagliera restaurant in the beautiful port of Santa Lucia, where Neapolitan musicians had Paltrow, assorted influencers and the occasional dashing editor on their feet in a conga line, banging tambourines to tunes like 'Volare' or 'Bella Ciao.' This is why Fashion Network sat down with Maria Giulia Prezioso Maramotti, the third generation of the Maramotti family and granddaughter of founder Achille Maramotti. Today, Maria Giulia is the omnichannel retail director of Max Mara Fashion Group and global brand ambassador of the brand – demanding positions she holds down with aplomb, while still bringing up a three-year-old daughter. So, here is her take on cruise, Naples, transitioning control from one generation to another, and what's next for Max Mara. Fashion Network: Why are we in Naples? Maria Giulia Prezioso Maramotti: As you know, we began this tradition of resort collections seven years ago. The idea is a mix of what our creative director, Ian Griffiths, wants to say and whether we want to do that in Italy or not. There's an element of celebrating lifestyle, which is very particular – not just in Italy but especially in Neapolitan culture, where roughness and reality contrast with great beauty in a fashion moment that is rather unique. When fashion is going back to tailoring, which is the basis of our brand. Plus, we wanted to show a city that is becoming more and more a destination for tourism and culture. It has become much safer than it used to be. Lots of people visit – with daily flights from New York and places like Canada or Philadelphia. The city has never been busier. FN: Why is cruise so important to Max Mara? MGPM: For many reasons. The phenomenon was born out of the idea of creating an experience of full immersion in the brand. It's one thing to do a show back-to-back with other brands in Milan, when editors are overloaded. So, instead of just 20 minutes to consider a show, you have about 48 hours to understand the brand. And you have more time to talk about product — a main driver for a brand like Max Mara. FN: I was struck when you explained that, in Naples alone, your group has nine stores. What's the secret behind this great love affair between a northern Italian brand and the great capital of southern Italy? MGPM: Naples is a city that serves as a reference point for the whole south of Italy. People from the provinces use Naples, as it's a bigger market than you think. So, we have many labels – like Max Mara Weekend, Max & Co. – serving different market segments, either in city-center freestanding stores or in Pompei Mall. FN: You also displayed the Atelier collection in Naples in a beach club. It has remarkable couture-level coats – the leitmotif of your brand. Why is it here, and what is the thinking behind this special project? MGPM: Our Atelier collection is like a development lab when it comes to the recruitment of new fabrics. Laura Lusuardi, who oversees it, has worked with many different designers at Max Mara — like Karl Lagerfeld or Giambattista Valli. Plus, Atelier allows her to recruit talent internally. It's a collection focused on creating the next shapes and offering the freedom to explore different materials and fabrics. It's a smaller collection, with less commercial pressure — and that is important. We sell it in our main flagships, and we practice stock rotation — bringing it to a store for two weeks and then moving it to another. It's our couture meets ready-to-wear. Laura has been the rainmaker of another key project – our archive. It started as her passion for vintage. But then we built our new HQ in our hometown of Reggio Emilia, and we realized how many pieces we had. And the archive became a great guide to research and cultural relevance. After that, people began donating stuff – me, Laura, Franca Sozzani or Carine Roitfeld, who donated great looks. It's a blend of this and purchases made at markets or auctions, along with the Max Mara archive of all our collections. FN: Three years ago, you became a mum with Mariasole, and last year, you launched the Max & Co. kids line. I've seen you describe Max & Co. as the enfant terrible of your group. So, tell us more about that project? MGPM: If you look at our kids collection, it's an enfant terrible — with a little rebellion, but not too much. And my daughter is the muse. It's a license with Brave Kids, part of Only the Brave, and we are very happy with it. FN: Apparently, your daughter is obsessed with fashion. Were you like that as a child? Do you see your daughter taking over one day? MGPM: I was definitely obsessed with clothes as a kid, and I am still as a woman. Honestly, I don't know what Mariasole will want to do. The key thing is I'd like for her to find her own way. FN: Last October, you received the Design Heritage Award from Fashion Group International in New York. How important is it that Max Mara gets these sorts of recognitions? MGPM: It was a great acknowledgment, which we really appreciated. In an industry where longevity is a little undervalued and there is so much change, we represent the ability to maintain a certain continuity. FN: If your grandfather, Achille Maramotti – who founded Max Mara in 1951 – were around today, what would he think of the group's growth and story? MGPM: My grandfather passed when I was 21. I think he would have been very proud of what his children have achieved, primarily and proud that his grandkids are now part of that. He believed in maintaining things of a certain quality, making garments with carefully chosen, great fabrics. He was not someone who was nostalgic at all — he was happiest when looking at contemporary fashion. So, I think he would be very happy. FN: Often, handing over a family business to the next generation can be tricky. Why do you think that Italians seem to handle that better? MGPM: Two reasons – Italians don't look at fashion as primarily part of the financial world. Italian entrepreneurs are all about obsession with products. That comes from close proximity to their companies, which means they can choose good partners to make very good products. They know their company extremely well, as they are very present. Of course, when you get to a certain dimension, you need to add outside management, but as you know your company inside out, you can usually choose pretty well. Secondly – as a lot of Italian companies are family-run, your parents teach you a lot. You live and breathe the company, and that is something you cannot teach. Of course, there have been a lot of great Italian brands bought by French giants, but quite a lot of us are still independent! MGPM: The answer is that it's very difficult to create really great women's fashion, so we are going to stick to what we know. As for hotels, let's say we are a little more conservative than our colleagues and won't go there. But we did sign a license with Shiseido last year and will have a great new scent next year. So, stay tuned.
Fashion Network
3 days ago
- Entertainment
- Fashion Network
Interview with Maria Giulia Prezioso Maramotti
Staged before an audience that included Sharon Stone, Gwyneth Paltrow and Alexa Chung, the actual collection was a sublime meeting of refined North Italian tailoring and Southern sensuality – inspired by sultry cinematic icons like Sophia Loren and Silvana Mangano. By staging annual cruise shows, Max Mara has smartly positioned itself alongside the ultimate luxury marques like Dior or Louis Vuitton—whose show this year was in Avignon—even though its annual turnover is between one-fifth and one-tenth of those two French labels. That said, the Max Mara Group amassed annual sales in excess of €1.9 billion last year, so it is still a significant player. While in Naples, the house organized private viewings in the city's famed Archaeological Museum; tours of remarkable churches; and a cruise to Lo Scoglio, the must-see restaurant near Positano — famed for a clientele that ranges from the Arnault family and Tommy Hilfiger to Remo Ruffini and endless movie stars. There was also a dinner in Bersagliera restaurant in the beautiful port of Santa Lucia, where Neapolitan musicians had Paltrow, assorted influencers and the occasional dashing editor on their feet in a conga line, banging tambourines to tunes like 'Volare' or 'Bella Ciao.' This is why Fashion Network sat down with Maria Giulia Prezioso Maramotti, the third generation of the Maramotti family and granddaughter of founder Achille Maramotti. Today, Maria Giulia is the omnichannel retail director of Max Mara Fashion Group and global brand ambassador of the brand – demanding positions she holds down with aplomb, while still bringing up a three-year-old daughter. So, here is her take on cruise, Naples, transitioning control from one generation to another, and what's next for Max Mara. Fashion Network: Why are we in Naples? Maria Giulia Prezioso Maramotti: As you know, we began this tradition of resort collections seven years ago. The idea is a mix of what our creative director, Ian Griffiths, wants to say and whether we want to do that in Italy or not. There's an element of celebrating lifestyle, which is very particular – not just in Italy but especially in Neapolitan culture, where roughness and reality contrast with great beauty in a fashion moment that is rather unique. When fashion is going back to tailoring, which is the basis of our brand. Plus, we wanted to show a city that is becoming more and more a destination for tourism and culture. It has become much safer than it used to be. Lots of people visit – with daily flights from New York and places like Canada or Philadelphia. The city has never been busier. FN: Why is cruise so important to Max Mara? MGPM: For many reasons. The phenomenon was born out of the idea of creating an experience of full immersion in the brand. It's one thing to do a show back-to-back with other brands in Milan, when editors are overloaded. So, instead of just 20 minutes to consider a show, you have about 48 hours to understand the brand. And you have more time to talk about product — a main driver for a brand like Max Mara. FN: I was struck when you explained that, in Naples alone, your group has nine stores. What's the secret behind this great love affair between a northern Italian brand and the great capital of southern Italy? MGPM: Naples is a city that serves as a reference point for the whole of southern Italy. People from the provinces use Naples, as it's a bigger market than you think. So, we have many labels – like Max Mara Weekend and Max & Co. – serving different market segments, either in city-center freestanding stores or in Pompei Mall. FN: You also displayed the Atelier collection in Naples in a beach club. It has remarkable couture-level coats – the leitmotif of your brand. Why is it here, and what is the thinking behind this special project? MGPM: Our Atelier collection is like a development lab when it comes to recruiting new fabrics. Laura Lusuardi, who oversees it, has worked with many different designers at Max Mara, like Karl Lagerfeld or Giambattista Valli. Plus, Atelier allows her to recruit talent internally. It's a collection focused on creating the next shapes and offering the freedom to explore different materials and fabrics. It's a smaller collection, with less commercial pressure, and that is important. We sell it in our main flagships, and we practice stock rotation — bringing it to a store for two weeks and then moving it to another. It's our couture meets ready-to-wear. Laura has been the rainmaker of another key project – our archive. It started as her passion for vintage. But then we built our new HQ in our hometown of Reggio Emilia, and we realized how many pieces we had. And the archive became a great guide to research and cultural relevance. After that, people began donating stuff – me, Laura, Franca Sozzani or Carine Roitfeld, who donated great looks. It's a blend of this and purchases made at markets or auctions, along with the Max Mara archive of all our collections. FN: Three years ago, you became a mum with Mariasole, and last year, you launched the Max & Co. kids line. I've seen you describe Max & Co. as the enfant terrible of your group. So, tell us more about that project? MGPM: If you look at our kids collection, it's an enfant terrible — with a little rebellion, but not too much. And my daughter is the muse. It's a license with Brave Kids, part of Only the Brave, and we are very happy with it. FN: Apparently, your daughter is obsessed with fashion. Were you like that as a child? Do you see your daughter taking over one day? MGPM: I was definitely obsessed with clothes as a kid, and I am still as a woman. Honestly, I don't know what Mariasole will want to do. The key thing is I'd like for her to find her own way. FN: Last October, you received the Design Heritage Award from Fashion Group International in New York. How important is it that Max Mara gets these sorts of recognitions? MGPM: It was a great acknowledgment, which we really appreciated. In an industry where longevity is a little undervalued and there is so much change, we represent the ability to maintain a certain continuity. FN: If your grandfather, Achille Maramotti – who founded Max Mara in 1951 – were around today, what would he think of the group's growth and story? MGPM: My grandfather passed when I was 21. I think he would have been very proud of what his children have achieved, primarily and proud that his grandkids are now part of that. He believed in maintaining things of a certain quality, making garments with carefully chosen, great fabrics. He was not someone who was nostalgic at all — he was happiest when looking at contemporary fashion. So, I think he would be very happy. FN: Often, handing over a family business to the next generation can be tricky. Why do you think that Italians seem to handle that better? MGPM: Two reasons – Italians don't look at fashion as primarily part of the financial world. Italian entrepreneurs are all about obsession with products. That comes from close proximity to their companies, which means they can choose good partners to make very good products. They know their company extremely well, as they are very present. Of course, when you get to a certain dimension, you need to add outside management, but as you know your company inside out, you can usually choose pretty well. Secondly, as a lot of Italian companies are family-run, your parents teach you a lot. You live and breathe the company, and that is something you cannot teach. Of course, there have been a lot of great Italian brands bought by French giants, but quite a lot of us are still independent! MGPM: The answer is that it's very difficult to create really great women's fashion, so we are going to stick to what we know. As for hotels, let's say we are a little more conservative than our colleagues and won't go there. But we did sign a license with Shiseido last year and will have a great new scent next year. So, stay tuned.
Fashion Network
3 days ago
- Entertainment
- Fashion Network
Interview with Maria Giulia Prezioso Maramotti
Staged before an audience that included Sharon Stone, Gwyneth Paltrow and Alexa Chung, the actual collection was a sublime meeting of refined North Italian tailoring and Southern sensuality – inspired by sultry cinematic icons like Sophia Loren and Silvana Mangano. By staging annual cruise shows, Max Mara has smartly positioned itself alongside the ultimate luxury marques like Dior or Louis Vuitton —whose show this year was in Avignon—even though its annual turnover is between one-fifth and one-tenth of those two French labels. That said, the Max Mara Group amassed annual sales in excess of €1.9 billion last year, so it is still a significant player. While in Naples, the house organized private viewings in the city's famed Archaeological Museum; tours of remarkable churches; and a cruise to Lo Scoglio, the must-see restaurant near Positano — famed for a clientele that ranges from the Arnault family and Tommy Hilfiger to Remo Ruffini and endless movie stars. There was also a dinner in Bersagliera restaurant in the beautiful port of Santa Lucia, where Neapolitan musicians had Paltrow, assorted influencers and the occasional dashing editor on their feet in a conga line, banging tambourines to tunes like 'Volare' or 'Bella Ciao.' This is why Fashion Network sat down with Maria Giulia Prezioso Maramotti, the third generation of the Maramotti family and granddaughter of founder Achille Maramotti. Today, Maria Giulia is the omnichannel retail director of Max Mara Fashion Group and global brand ambassador of the brand – demanding positions she holds down with aplomb, while still bringing up a three-year-old daughter. So, here is her take on cruise, Naples, transitioning control from one generation to another, and what's next for Max Mara. Fashion Network: Why are we in Naples? Maria Giulia Prezioso Maramotti: As you know, we began this tradition of resort collections seven years ago. The idea is a mix of what our creative director, Ian Griffiths, wants to say and whether we want to do that in Italy or not. There's an element of celebrating lifestyle, which is very particular – not just in Italy but especially in Neapolitan culture, where roughness and reality contrast with great beauty in a fashion moment that is rather unique. When fashion is going back to tailoring, which is the basis of our brand. Plus, we wanted to show a city that is becoming more and more a destination for tourism and culture. It has become much safer than it used to be. Lots of people visit – with daily flights from New York and places like Canada or Philadelphia. The city has never been busier. FN: Why is cruise so important to Max Mara? MGPM: For many reasons. The phenomenon was born out of the idea of creating an experience of full immersion in the brand. It's one thing to do a show back-to-back with other brands in Milan, when editors are overloaded. So, instead of just 20 minutes to consider a show, you have about 48 hours to understand the brand. And you have more time to talk about product — a main driver for a brand like Max Mara. FN: I was struck when you explained that, in Naples alone, your group has nine stores. What's the secret behind this great love affair between a northern Italian brand and the great capital of southern Italy? MGPM: Naples is a city that serves as a reference point for the whole south of Italy. People from the provinces use Naples, as it's a bigger market than you think. So, we have many labels – like Max Mara Weekend, Max & Co. – serving different market segments, either in city-center freestanding stores or in Pompei Mall. FN: You also displayed the Atelier collection in Naples in a beach club. It has remarkable couture-level coats – the leitmotif of your brand. Why is it here, and what is the thinking behind this special project? MGPM: Our Atelier collection is like a development lab when it comes to the recruitment of new fabrics. Laura Lusuardi, who oversees it, has worked with many different designers at Max Mara — like Karl Lagerfeld or Giambattista Valli. Plus, Atelier allows her to recruit talent internally. It's a collection focused on creating the next shapes and offering the freedom to explore different materials and fabrics. It's a smaller collection, with less commercial pressure — and that is important. We sell it in our main flagships, and we practice stock rotation — bringing it to a store for two weeks and then moving it to another. It's our couture meets ready-to-wear. Laura has been the rainmaker of another key project – our archive. It started as her passion for vintage. But then we built our new HQ in our hometown of Reggio Emilia, and we realized how many pieces we had. And the archive became a great guide to research and cultural relevance. After that, people began donating stuff – me, Laura, Franca Sozzani or Carine Roitfeld, who donated great looks. It's a blend of this and purchases made at markets or auctions, along with the Max Mara archive of all our collections. FN: Three years ago, you became a mum with Mariasole, and last year, you launched the Max & Co. kids line. I've seen you describe Max & Co. as the enfant terrible of your group. So, tell us more about that project? MGPM: If you look at our kids collection, it's an enfant terrible — with a little rebellion, but not too much. And my daughter is the muse. It's a license with Brave Kids, part of Only the Brave, and we are very happy with it. FN: Apparently, your daughter is obsessed with fashion. Were you like that as a child? Do you see your daughter taking over one day? MGPM: I was definitely obsessed with clothes as a kid, and I am still as a woman. Honestly, I don't know what Mariasole will want to do. The key thing is I'd like for her to find her own way. FN: Last October, you received the Design Heritage Award from Fashion Group International in New York. How important is it that Max Mara gets these sorts of recognitions? MGPM: It was a great acknowledgment, which we really appreciated. In an industry where longevity is a little undervalued and there is so much change, we represent the ability to maintain a certain continuity. FN: If your grandfather, Achille Maramotti – who founded Max Mara in 1951 – were around today, what would he think of the group's growth and story? MGPM: My grandfather passed when I was 21. I think he would have been very proud of what his children have achieved, primarily and proud that his grandkids are now part of that. He believed in maintaining things of a certain quality, making garments with carefully chosen, great fabrics. He was not someone who was nostalgic at all — he was happiest when looking at contemporary fashion. So, I think he would be very happy. FN: Often, handing over a family business to the next generation can be tricky. Why do you think that Italians seem to handle that better? MGPM: Two reasons – Italians don't look at fashion as primarily part of the financial world. Italian entrepreneurs are all about obsession with products. That comes from close proximity to their companies, which means they can choose good partners to make very good products. They know their company extremely well, as they are very present. Of course, when you get to a certain dimension, you need to add outside management, but as you know your company inside out, you can usually choose pretty well. Secondly – as a lot of Italian companies are family-run, your parents teach you a lot. You live and breathe the company, and that is something you cannot teach. Of course, there have been a lot of great Italian brands bought by French giants, but quite a lot of us are still independent! MGPM: The answer is that it's very difficult to create really great women's fashion, so we are going to stick to what we know. As for hotels, let's say we are a little more conservative than our colleagues and won't go there. But we did sign a license with Shiseido last year and will have a great new scent next year. So, stay tuned.
The Citizen
29-05-2025
- Entertainment
- The Citizen
Aweh, find out what's happening in Durbs
Another eventful weekend is on the cards for those looking for entertainment around Durban. The city has concerts, comedy shows and markets to suit all taste buds. To find out what's happening in Durbs, see the list of events below: Elvis has left the building The sweet sounds of music will reverberate loudly at the Rhumbelow Theatre when the cinema screening of Elvis has left the building is aired at the intimate venue at 42 Cunningham Road, on Monday, June 2, from 18:30 in honour of the late Jaziel Vaugh'hann. The slick music compilation featuring Belinda Dolphin, Junaid Cassimjee and Lorraine McVean, who also directed the show, slides smoothly from one number to the next while engaging the audience. The trio, on certain performances, are accompanied by Kerwin Robert on sax and guitar, and the two dancers, Keandre Brahim and Nicole Dolphin. Roland Stansell of Rhumbelow Theatre said the three singers performed individually and in combination, their voices blending beautifully when singing together. He praised Robert, who performed to excellent backing tracks, as 'the saxophonist blended in as if the band was behind him'. The show relies on their talent and there is minimal voice-over narration. 'It's performed on a bare, opulently-curtained stage with newly-acquired lighting. The production is visually enhanced by many costume changes, so that there is never a dull moment. These in no way detract from the quality of the singing and full use is also made of the area in front of the stage. The lighting and follow spots are spot on (no pun intended),' said Stansell. 'From the resounding opening number American Trilogy, other highlights are Everybody Hurts (Lorraine McVean), Volare (Belinda Dolphin), Unforgettable (Junaid Cassimjee, Lorraine McVean), All the Way (Junaid Cassimjee and Belinda Dolphin as Frank Sinatra and Celine Dion), and especially the Elvis Presley medleys which include All Shook Up, Blue Suede Shoes, Devil in Disguise, Jailhouse Rock, Teddy Bear and Hound Dog. Particularly enjoyable were a take-off of Amy Winehouse by Junaid Cassimjee in drag and Belinda Dolphin in Zulu dress singing Ndhamba Nawe, both of which brought the house down.' Entry to witness the screening of this showcase is R50 and can be purchased via Webtickets or by emailing roland@ Picnic baskets are allowed. There is limited secure parking at the venue. Booking is essential. For more information call 082 499 8636. 031 Theatre Festival brings the laughs The 031 Theatre Festival is once again bringing the laughs to The Seabrookes Theatre at Durban High School with the likes of Lisa Bobbert and Ben Voss set to take to the stage from Friday, June 6, to Sunday, June 8. The third annual theatre festival, spearheaded by Bobbert and Aaron McIlroy (Macbob Productions) and Michael Broderick (Theatresmiths), will feature various productions that are performing at this year's National Arts Festival in Makhanda / Grahamstown. The programme features two comedy dramas (I Can Buy Myself Flowers; Becoming Benno), one improv show (Comedy Games), a cabaret (Ethel) and two musical comedies (ADHD; Date Night). I Can Buy Myself Flowers, taking its name from Miley Cyrus' anthem for single women, is a one-woman show by acclaimed Cape Town actress Erika Breytenbach. It's a comedy drama telling the story of Natalie Jackson, an estate agent in her 50s, who entertains as she reflects on the ups and downs of relationships, children, professional life and her women friendships. Following phenomenal success at the Adelaide International Festival in Australia, Fleur du Cap & Best of the Adelaide Fest award winner Ben Voss brings Becoming Benno to his home ground, South Africa. In this internationally acclaimed heartfelt comedy, Ben is detained by border officials at Sydney Airport due to an issue with his Permanent Residency Visa. Will he be admitted or sent back to SA? Bobbert presents Ethel, her latest one-woman cabaret tribute to the Queen of Musical Theatre – the incomparable Ethel Merman, whose voice defined Broadway. The one-woman musical celebrates Merman's life, legacy, powerful voice and iconic performances in classic Broadway musicals. The 031 Theatre Festival is set to conclude on a high note with the hilarious musical comedy, Date Night, starring McIlroy and Bobbert on Sunday at 18:00. Festival tickets range from R130 to R150 and can be purchased via Webtickets. Good to Know: Friday, June 6: I Can Buy Myself Flowers – 18:00 Becoming Benno – 20:00 Saturday, June 7: Ethel – 14:00 I Can Buy Myself Flowers – 16:00 Becoming Benno – 18:00 Comedy Games – 20:00 Sunday, June 8: ADHD – 14:00 Ethel – 16:00 Date Night – 18:00 Durban Vinyl Fair The Durban Vinyl Fair will take place at the Stella Sport Club in Glenwood on Saturday, May 31, from 10:00 to 14:00. The event, hosted by Mark Clausen and Vinyl Records South Africa Group, has a number of traders and great food on offer. For more information, contact Mark on 061 465 1911. Live performances at The Barn on The Square Durban's new hottest entertainment venue, The Barn on The Square at Westown, is making all the right sounds and moves in the industry. A number of artists are scheduled to perform at the venue over the weekend. Friday, May 30, will see Stewy perform from 17:00 to 20:00. Sunday will have two live performances. Trevor Don Jeany will take to the stage from 11:00 to 14:00, followed by The Kickstands from 15:00 to 18:00. Lifestyle Comedy and good food Join Durban comedian Philani Charles Mthethwa for twice the fun and laughter, as well as 5-star dining, with his signature Lifestyle of My Comedy Time show. Mthethwa will have two shows in as many weeks. The first will be on Thursday, May 30, at the ONE Restaurant on Esther Roberts Road in Glenwood. The second show will be at La Parada Suncoast on Thursday, June 5. Tickets for the Glenwood show range from R150 to R400 and can be bought at Webtickets. The show begins at 19:00. Moonlight Market shines bright Under the moonlight on Friday, June 6, you will be able to peruse the stalls at Durban North's night market, from 17:00 to 21:00. Located on 21 Uitsig Road, Durban North, Durban North Night Market offers a variety of food, crafts, kids playground and live music which adds to the ambience. Live music adds to the vibe of The Musgrave Market Vendors and live musicians always bring the absolute best vibes to The Musgrave Market which is held every Saturday, from 09:00 to 15:00, at Berea Park, Stephen Dlamini Road, Musgrave. The market is pet friendly and entry is free. Live music begins at 11:00. For more information email themusgravemarket@ or call 073 625 6725. I Heart Market indulges the senses A full feast for the senses will be on offer at the I Heart Market on Saturday, June 7, at Northlands Primary, Durban North. Partnering with the KZN Spirit Festival to host a mini sensorium experience, patrons of the market will have five hours, from 09:00 to 14:00, to enjoy a powerful, immersive sound journey led by vocalist and healer Anne-Marie Clulow (one of the 2025 festival facilitators). 'Expect conscious touch, and a sensory soundscape experience that includes theta and beta waves, binaural beats, vocals, saxophone and soul-shifting energy. This is your chance to experience a taste of what SENSORIUM is all about — and even better, we'll be giving away full experience tickets to the KZN Spirit Festival 2025 at the market,' said manager of the market, Tanith Molliere. The venue is dog friendly and free to enter. For more information, visit True love triumphs in Coppelia From Saturday, May 31, Coppelia with its charming and mischievous plot, brightly coloured costumes and glorious music will set hearts aflutter at the Durban Playhouse from 14:00. Coppélia is as ideal for families and serious dance lovers, as it is for newcomers to the ballet. True love triumphs in this enchanting fairytale which features three main characters, the young Franz, his fiancée Swanilda and the mysterious doll-maker, Dr. Coppelius, who creates the life-like doll, Coppélia. It features the Cape Town City Ballet and the KZN Philharmonic Orchestra. For more information or to purchase a ticket visit Webtickets. For more from Berea Mail, follow us on Facebook, X and Instagram. You can also check out our videos on our YouTube channel or follow us on TikTok. Click to subscribe to our newsletter – here
Fashion Network
15-05-2025
- Entertainment
- Fashion Network
Istituto Marangoni Miami to host annual fashion show, launches scholarship fund
Istituto Marangoni Miami (IMM) is set to present its Annual Fashion Show, Volare, on May 15 in the iconic Palm Court of the Miami Design District. Now in its second year, the event will showcase the final collections of IMM fashion design students and debut the new IMM x Miami Design District Scholarship Fund. 'This show is not just about the designs our students create but also about celebrating the boundless creativity and ambition they bring to the industry,' said Hakan Baykam, president of Istituto Marangoni Miami. 'Volare is a celebration of the future, where innovation, craftsmanship, and inspiration all take flight on the runway, marking an unforgettable night in Miami's fashion calendar.' As part of the event highlights, Supermodel Karolína Kurková, a member of IMM's Advisory Board and longtime supporter of the school, will walk in the show. Likewise, the experience will be elevated by a special live performance from the Miami Symphony Orchestra. All ticket proceeds will go directly into the new scholarship fund, which will cover full tuition for a Bachelor of Fine Arts in Fashion Design at IMM, awarded to a graduate from Design and Architecture Senior High (DASH). The scholarship application will open following the fashion show and will be available through the IMM website. 'Supporting this scholarship alongside Istituto Marangoni Miami is an investment in the future of fashion, creativity, and the cultural fabric of our city,' added Craig Robins, CEO and president of Dacra, a partner of The Miami Design District. 'Miami Design District has always been a place where culture, innovation, and talent come together, and supporting the next generation of designers through education is a natural extension of that vision.'
