logo
#

Latest news with #UrbanTheory

Photos! See All 11 Acts Performing on Night Three of ‘America's Got Talent' 2025
Photos! See All 11 Acts Performing on Night Three of ‘America's Got Talent' 2025

Yahoo

time10-06-2025

  • Entertainment
  • Yahoo

Photos! See All 11 Acts Performing on Night Three of ‘America's Got Talent' 2025

Photos! See All 11 Acts Performing on Night Three of 'America's Got Talent' 2025 originally appeared on Parade. The fun, funny and outrageous acts continue to audition for America's Got Talent as part of its landmark 20th season of the hit competition series with a new judges panel consisting of executive producer Simon Cowell, fan-favorite comedian Howie Mandel, acclaimed actress Sofia Vergara, and singer/songwriter Mel B reclaiming her seat at the judges table after a six-year absence. Tonight's episode features a robotic dance act with mechanical precision, a fresh twist on aerial artistry, a hilarious musical number you won't forget, and a Golden Buzzer moment that'll tug at your heartstrings. Each artist hopes their two minutes in front of the judges will change their lives. 🎬 SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox🎬 Eleven acts will take the stage tonight with their eyes set on winning the $1 million prize. See their photos and more in the gallery below. View the 14 images of this gallery on the original article Related: Benjamin Hightower – a singer/keyboardist from Tennessee, who was formerly in the Air Force. Boston Dynamics -- a robotic dance act with four-legged mechanical performers. Charity Lockhart – a 49-year-old singer and mother of two. CyrilTakayama – a magician who was born in Hollywood but lives in Japan. Julia and Dmytro Turkeev – a Ukrainian aerial act with a water twist based in Germany. Kennedy and Jay -- a married couple; she's a singer, he plays the keyboard. Leo High School Choir – an all-male 22 member high school choir from the southside of Chicago, IL. Maceo Harrison – a 30-year-old dancer originally from Baltimore, MD, now living in Savannah, GA. Osaka Philharmonic – a comedy harmonica act from Japan. Spaceman Bob – a novelty music act from Phoenix, AZ. Urban Theory – a precision dance troupe from Italy. Related: Watch the Sneak Peek as Urban Theory's Kaleidoscopic Choreography Stuns the America's Got Talent Audience America's Got Talent airs Tuesday nights at 8 p.m. ET/PT on NBC. Streams next day on See All 11 Acts Performing on Night Three of 'America's Got Talent' 2025 first appeared on Parade on Jun 10, 2025 This story was originally reported by Parade on Jun 10, 2025, where it first appeared.

Why Brazilian DJ Alok wants to 'keep art human'
Why Brazilian DJ Alok wants to 'keep art human'

Yahoo

time26-04-2025

  • Entertainment
  • Yahoo

Why Brazilian DJ Alok wants to 'keep art human'

As artificial intelligence begins to creep into the creative realm, one DJ aims to uplift the power of human artistry. Last Saturday, Brazilian DJ Alok — whom DJ Mag notably ranked the No. 4 DJ in the world — made his debut appearance at the Coachella Valley Music and Arts Festival, where he took the Sahara stage at golden hour. He was accompanied by Brazilian American singer Zeeba and "Sweet But Psycho" hitmaker Ava Max, as well as 50 performers from the dance company Urban Theory. Wearing masks and metallic gloves, the dancers used their hands to mimic machine-like movements, which they call "tutting." The man-made spectacle, which appeared almost computer-generated, served as a reminder to 'keep art human,' as Alok's T-shirt read during the performance. ' I'm just trying to [use my] platform to [uplift] the voices of a lot of artists that are afraid about what AI is doing,' said DJ Alok in a Zoom interview. Alok, along with creative director Fabio Soares, envisioned this performance as a living art installation, hoping to contrast the mechanical movement of dancers with ongoing AI efforts to automate creative fields. ' When humans are connected on the same purpose and synchronized, we can do stuff that is extraordinary, but we have to also trust each other,' said Alok of the concept. 'If one dancer makes a mistake, it can compromise all of them.' Ahead of the Coachella performance, Alok uploaded a teaser clip to his more than 29 million Instagram followers. In the comments, some expressed both skepticism and surprise at the ability of humans to perform such precise movements. At the very top of the responses, Alok pinned a postscript message for added clarity: 'This is not AI.' ' How crazy is that?" Alok marveled. "That people do not believe that humans can do this kind of stuff anymore, like everything has to be AI." The 33-year-old electronic artist acknowledged that certain software tools have helped him extract vocals, samples and instruments necessary to form creative beats. Yet he doesn't believe AI should replace artistic sensibility, 'because to create art, you need to touch the soul.' 'I'm not against AI. I'm just [concerned] about how we use it. Because anything in the world can be used to do damage or create good things right?' said Alok. He recalled a drone show he did two years ago when performing at the United Nations in New York. After the show, he said someone from Ukraine's embassy approached him crying and saying, "because in my country you use drones to kill each other and make war.'" The beat maker — born Alok Achkar Peres Petrillo in Goiânia, Brazil — is no stranger to the cause of social justice. In 2020, he used royalties obtained from his popular gaming character in "Free Fire" to fund his own nonprofit organization, the Alok Institute, which boosts social and environmental initiatives in Brazil, Africa and India. ' If you asked me 10 years ago if I cared about all this stuff, I would say no,' he said. Two years ago, following a major depressive episode, Alok journeyed to the Amazon rainforest to connect with Indigenous groups. The experience changed his outlook on life. 'I was doing songs to work on the beats, they were doing songs to heal, you know?' he said, hinting at its irony. The experience inspired him to use his platform to aid in the preservation of Indigenous languages. Through his institute, Alok unveiled a humanitarian project and album titled 'The Future Is Ancestral,' which showcased Indigenous music from eight communities across Brazil. Its release came days before an annual protest in the nation's capital, where Indigenous groups convened to demand more land protections. The album received praise from UNESCO and the United Nations; the song 'Pedju Kunumigwe,' sung by the Guarani Nhandewa people, was nominated for a Latin Grammy for Latin electronic music performance in 2024. 'As an artist, we have the responsibility to try to push culture forward through art,' he said. 'That's why art has to be made by humans.' Alok and Urban Theory will return to the Sahara stage on Saturday, April 19, at 4:10 p.m. Get our Latinx Files newsletter for stories that capture the complexity of our communities. This story originally appeared in Los Angeles Times.

Why Brazilian DJ Alok wants to ‘keep art human'
Why Brazilian DJ Alok wants to ‘keep art human'

Los Angeles Times

time17-04-2025

  • Entertainment
  • Los Angeles Times

Why Brazilian DJ Alok wants to ‘keep art human'

As artificial intelligence begins to creep into the creative realm, one DJ aims to uplift the power of human artistry. Last Saturday, Brazilian DJ Alok — whom DJ Mag notably ranked the No. 4 DJ in the world — made his debut appearance at the Coachella Valley Music and Arts Festival, where he took the Sahara stage at golden hour. He was accompanied by Brazilian American singer Zeeba and 'Sweet But Psycho' hitmaker Ava Max, as well as 50 performers from the dance company Urban Theory. Wearing masks and metallic gloves, the dancers used their hands to mimic machine-like movements, which they call 'tutting.' The man-made spectacle, which appeared almost computer-generated, served as a reminder to 'keep art human,' as Alok's T-shirt read during the performance. ' I'm just trying to [use my] platform to [uplift] the voices of a lot of artists that are afraid about what AI is doing,' said DJ Alok in a Zoom interview. Alok, along with creative director Fabio Soares, envisioned this performance as a living art installation, hoping to contrast the mechanical movement of dancers with ongoing AI efforts to automate creative fields. ' When humans are connected on the same purpose and synchronized, we can do stuff that is extraordinary, but we have to also trust each other,' said Alok of the concept. 'If one dancer makes a mistake, it can compromise all of them.' Ahead of the Coachella performance, Alok uploaded a teaser clip to his more than 29 million Instagram followers. In the comments, some expressed both skepticism and surprise at the ability of humans to perform such precise movements. At the very top of the responses, Alok pinned a postscript message for added clarity: 'This is not AI.' ' How crazy is that?' Alok marveled. 'That people do not believe that humans can do this kind of stuff anymore, like everything has to be AI.' The 33-year-old electronic artist acknowledged that certain software tools have helped him extract vocals, samples and instruments necessary to form creative beats. Yet he doesn't believe AI should replace artistic sensibility, 'because to create art, you need to touch the soul.' 'I'm not against AI. I'm just [concerned] about how we use it. Because anything in the world can be used to do damage or create good things right?' said Alok. He recalled a drone show he did two years ago when performing at the United Nations in New York. After the show, he said someone from Ukraine's embassy approached him crying and saying, 'because in my country you use drones to kill each other and make war.'' The beat maker — born Alok Achkar Peres Petrillo in Goiânia, Brazil — is no stranger to the cause of social justice. In 2020, he used royalties obtained from his popular gaming character in 'Free Fire' to fund his own nonprofit organization, the Alok Institute, which boosts social and environmental initiatives in Brazil, Africa and India. ' If you asked me 10 years ago if I cared about all this stuff, I would say no,' he said. Two years ago, following a major depressive episode, Alok journeyed to the Amazon rainforest to connect with Indigenous groups. The experience changed his outlook on life. 'I was doing songs to work on the beats, they were doing songs to heal, you know?' he said, hinting at its irony. The experience inspired him to use his platform to aid in the preservation of Indigenous languages. Through his institute, Alok unveiled a humanitarian project and album titled 'The Future Is Ancestral,' which showcased Indigenous music from eight communities across Brazil. Its release came days before an annual protest in the nation's capital, where Indigenous groups convened to demand more land protections. The album received praise from UNESCO and the United Nations; the song 'Pedju Kunumigwe,' sung by the Guarani Nhandewa people, was nominated for a Latin Grammy for Latin electronic music performance in 2024. 'As an artist, we have the responsibility to try to push culture forward through art,' he said. 'That's why art has to be made by humans.' Alok and Urban Theory will return to the Sahara stage on Saturday, April 19, at 4:10 p.m.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store