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The Hindu
2 days ago
- Entertainment
- The Hindu
When the silver screen gives space to tribal land struggles
In Khalid Rahman's Unda (2019), a police officer from Kerala, played by Mammootty, who is given the responsibility of leading a team of officers to ensure that elections are conducted smoothly in Maoist-hit areas of Chhattisgarh, says to a tribal boy, 'This is your land, do not die'. Kerala has a strong, eventful, and often forgotten history of land struggles by tribal societies. While often sidelined, these struggles occasionally get its hands bloody (or find itself bleeding) and land a blow on the conscience of mainstream society, becoming the topic of intellectual discussions for a while, after which they again move to the shadows. However, once in a while, the Malayalam movie industry takes note of these events with either subtle nods inside a story or by creating an entire movie around such events. Three movies, different perspectives While Ranjan Pramod's Photographer (2006), K.M. Kamal's Pada (2022) and the recently released Narivetta by Anuraj Manohar effectively do only what the events themselves did — that is, nudge these issues into discourse for a short while — by etching them permanently in film however makes sure that the struggles of some of the most exploited communities are not forgotten. All three of the movies mentioned above are centred on or framed against the backdrop of the struggle of tribal communities in Kerala for autonomy over their own land, and how the State responded. In Narivetta, which is based on the true events surrounding the Muthanga protests and subsequent police shootings and brutalities, theprotagonist finds himself being a complicit part of the state machinery that is working to put out a peaceful protest by tribals for land that was promised to them. In Photographer, starring Mohanlal, the protagonist encounters a tribal boy facing police violence in a forest area. This was also based on the Muthanga incident detailed in Narivetta. In Pada, the makers revisit the actions of the 'Ayyankali Pada' — the youth organisation of the Kerala Communist Party formed under Maoist ideologies by former members of a Marxist-Leninist organisation that was dissolved in 1991. Pada shows how four members of the Ayyankali Pada held the collector of the Palakkad district hostage in response to amendments made to the Kerala Scheduled Tribes (Restriction on Transfer of Lands and Restoration of Alienated Lands) (KST) Act, 1975, in 1996. The KST Act deemed all tribal lands in the possession of non-tribal people through sale, lease, mortgage or by force after 1960 illegal, giving way for tribal people to take back their land. But it was never implemented in the way it was envisioned. In 1993, the Kerala High Court ordered the State government to implement the Act within six months, but that too went unfulfilled with the State asking for continuous extensions. And finally in 1996, the the Left-led government under E.K. Nayanar passed an amendment making transactions of tribal land made till 1986 legal. While Pada is an immediate response to the amendment, events of Narivetta take place after years of unfulfilled promises regarding the question of tribal land. While it can be criticised that the movie took the spotlight away from the struggling tribal people and gave it to the protagonist (highlighting his 'saviour complex'), it manages to disturb the blissful existence of the comfort class, much like Vetri Maaran with his Visaaranai and Viduthalai. Lesser-valued lives While it is commendable that movie makers choose to portray such events and bring them back to public discourse, there is a line that distinguishes genuine representation from mere tools for character building. Arousing sympathy in the audience for the downtrodden can easily slip away into re-establishing class politics. What Narivetta fails to do is break away from the idea of the need for a saviour to help bring up the downtrodden. It is necessary here to note another police movie that came out in Malayalam, a slow burner, that can describe the Muthanga incident in an even powerful way than Sikshayum (2022) by Rajeev Ravi is a simple tale of a group of policemen going out of their home turf in search of the accused who got away with a jewellery store heist. But the lead actor played by Asif Ali is plagued by his past, a montage that the movie opens with, where he shoots down a protester from an advancing group in a forest area. While the movie contains the disclaimer that the events are fictional, the protest can be compared to the Muthanga incident. But what Kuttavum Sikhshayum does is wrap up the whole conflict in a monologue before entering the climax, where the police officer opines how the killing, from the bullet that he fired, has vanished now, with no evidence and no one held responsible. The character played by Alencier, a subordinate to the protagonist, listens silently as the protagonist describes how protesters pelting stones forced the then-young officer to shoot, and how his aim went at the protester's chest rather than his legs, how higher officials saved him from any serious actions save enforced leave and how he is still tormented by the act. Alencier then breaks the fourth wall and stares at the audience for a split second, maybe to remind them of the killing, asking them how it got swept under the rug. Near the end of the movie, the protagonist once again, with a gun in his hand, comes face to face with a person who could pose harm to him. But the police officer does not shoot. Struggle for property has been a part of human life ever since nomadic hunter gatherers decided to settle down and cultivate the land around them. And for tribal people, who co-exist with 'modern' society, this struggle is not just for stability, but for existence. And cinema has its own way of reminding society of these struggles.
Time of India
11-06-2025
- Politics
- Time of India
Commercial film shoots in national parks: Kerala HC seeks state govt's views
Kochi: High court has asked the state govt to clarify whether commercial film shoots should be permitted in national parks, wildlife sanctuaries and tiger reserves. The bench of Chief Justice Nitin Jamdar and Justice Basant Balaji further enquired whether the state govt has any policy on the issue beyond prescribing shooting fees. The court was hearing an appeal by Angels Nair, general secretary of NGO Animal Legal Force Integration, Ernakulam. Nair's appeal raised concerns regarding the 2018 shoot of the Malayalam film Unda, including soil dumping in a reserved forest in Kasaragod. Responding to the petition, the forest and wildlife department's under secretary filed a counter-affidavit enclosing a GO that revises entry fees and security deposits for filming in protected areas. The order sets separate fee schedules for commercial, documentary and educational films. After examining the documents, the court questioned whether commercial shoots should be allowed at all in such areas. At the special govt pleader's request, the matter was adjourned to Jun 23 for instructions, and Manu Vyasan Peter was appointed amicus curiae.
The Hindu
30-04-2025
- The Hindu
Arrest of two directors with ‘hybrid ganja': excise serves notice on director Sameer Thahir
The excise officials have served a notice directing cinematographer-turned-director Sameer Thahir to appear before the agency in connection with the incident in which Malayalam movie directors Khalid Rahman and Ashraf Hamsa were nabbed with 1.5 g of suspected hybrid ganja during a pre-dawn raid on Sunday. They were arrested from an apartment near Marine Drive that belonged to Mr. Thahir. Reportedly, he has been asked to appear within a week. Another person, Shalif Muhammad, was also arrested along with the directors. Among other things, the excise may ask Mr. Thahir whether he was aware of and had given consent to the use of ganja in his apartment, an offence which may attract the Narcotic Drugs and Psychotropic Substances Act Section 25A (punishment for using property for illegal drug activities). The apartment is purportedly being used for film-related discussions and work. According to excise officials, the director duo was about to use ganja when they were nabbed from the apartment. Shalif had reportedly bought the contraband from a supplier in Kerala. While the excise has details about the supplier, including his mobile phone number, he could not be tracked yet. More details about the source of the drug could be known only after apprehending him, said excise sources. The accused may be further summoned if the investigation officer gets any fresh leads warranting it. Mr. Rahman is the director of movies Alappuzha Gymkhana, Thallumala and Unda, while Mr. Hamsa directed Thamaasha and Bheemante Vazhi. Since the quantity in their possession was small, the accused were released on bail. They reportedly claimed that they converged at the apartment to discuss a movie. According to excise sources, the duo had escaped by a whisker in a similar raid at the apartment in March. Since then, the FEFKA Directors' Union has decided to suspend the two directors. The raid was carried out on specific intelligence input, complete with the apartment details.
Gulf News
28-04-2025
- Entertainment
- Gulf News
Who is Khalid Rahman? The Malayalam director making headlines amid drug scandal in Kerala
Khalid Rahman, the acclaimed Malayalam filmmaker behind hits such as Thallumaala and Alappuzha Gymkhana, was arrested on April 27, 2025, in Kochi after being found in possession of 1.63 grams of hybrid cannabis. According to reports, he was arrested along with fellow director Ashraf Hamza and their associate Shalif Mohammed during a pre-dawn raid conducted by the Excise Department at a flat reportedly rented by cinematographer Sameer Thahir. The arrests are part of a broader crackdown on drug use within the Malayalam film industry, following a spate of high-profile cases. While Rahman and Hamza were released on station bail due to the small quantity of cannabis seized, the Film Employees Federation of Kerala (FEFKA) has suspended both directors from the Directors' Union pending further investigation. The case has reignited debates around the prevalence of substance abuse among celebrities and highlighted the growing demand for stricter enforcement of drug laws in the entertainment industry. But who's Khalid Rahman? Known for his innovative storytelling and distinct visual style, Rahman made his directorial debut with Anuraga Karikkin Vellam (2016), a film that was both a commercial and critical success. Over the years, he has established himself as one of the most dynamic young filmmakers in Malayalam cinema, with a career marked by diverse projects like Unda (2019), Love (2020), and the vibrant, action-packed Thallumaala (2022). Born into a family deeply rooted in the film industry, Khalid's creative journey seemed almost destined. He is the son of the late actor V.P. Khalid and the brother of noted cinematographers Shyju Khalid and Jimshi Khalid. This strong artistic background significantly shaped his early exposure to cinema and storytelling. Khalid began his career behind the scenes as an assistant director, contributing to acclaimed films such as Ustad Hotel (2012), North 24 Kaatham (2013), and Sapthamashree Thaskaraha (2014). Alongside assisting, he also made brief cameo appearances in films like Parava (2017) and Mayaanadhi (2017), showcasing his versatility in front of the camera. His directorial debut, Anuraga Karikkin Vellam, was praised for its fresh narrative style and relatable characters, earning him the Vanitha Film Award for Best Debutant Director in 2017. Khalid's second directorial venture, Unda, starring Mammootty, addressed the challenges faced by police officers deployed in Maoist-affected regions, earning critical acclaim for its sensitive portrayal and nuanced storytelling. In 2020, during the COVID-19 lockdown, Khalid directed Love, an experimental psychological thriller filmed entirely indoors. Released on Netflix, the film stood out for its intense performances and tight narrative, further establishing his reputation as a bold and adaptive filmmaker. Rahman's Thallumaala (2022) marked a turning point in his career. With its vibrant, non-linear storytelling and stylized action sequences, the film was a commercial blockbuster. It broke away from Malayalam cinema's traditional realism and resonated strongly with younger audiences, earning him widespread acclaim. In 2025, Khalid delivered another surprise success with Alappuzha Gymkhana. Initially flying under the radar, the film grew steadily through strong word-of-mouth and became one of the sleeper hits of the year. Critics praised its grounded storytelling, emotional depth, and Khalid's signature flair for blending humor and drama seamlessly. Apart from directing, Khalid has also appeared in cameo roles in films like Sulaikha Manzil (2023) and Manjummel Boys (2024), where he played the character Prasad. He even showcased his musical talent as a playback singer for the popular track "Thoottikkanoda Patha" in Thallumaala. Despite recent controversies, including his name surfacing in a drug-related case, Khalid Rahman's contributions to Malayalam cinema remain significant. His ability to evolve, experiment, and consistently push creative boundaries has made him one of the most exciting filmmakers of his generation. Overview of the incident Arrest of Prominent Directors: Malayalam film directors Khalid Rahman (known for Thallumaala, Alappuzha Gymkhana) and Ashraf Hamza (known for Thamaasha, Bheemante Vazhi) were arrested for possession of hybrid drugs. Here's the key highlights of the Malayalam film directors' arrest for drug possession: April 1, 2025: Excise officials arrest Thasleema Sulthana and K Feroze for allegedly selling hybrid drugs. Sulthana's husband, Sultan Akbar Ali, is later arrested. Around April 1 (Ongoing Investigation): The probe team suspects Thasleema Sulthana supplied drugs to actors Shine Tom Chacko and Sreenath Bhasi. April 21 : Actor Shine Tom Chacko is arrested for alleged drug use in connection with a narcotics raid at a Kochi hotel. He is released on station bail the same day after interrogation. April 25: Actor Sreenath Bhasi approaches the Kerala High Court seeking anticipatory bail in the drugs case but withdraws his petition on the same day. Recent (Prior to April 27): The Excise Department issues notices to actors Shine Tom Chacko and Sreenath Bhasi, directing them to appear for questioning on April 28. Early Morning, Sunday, April 27 (approximately 2:00 am local time): Excise Department conducts a raid at a flat near the Gosree Bridge in Kochi. The flat reportedly belongs to cinematographer Sameer Thahir. April 27: Directors Khalid Rahman and Ashraf Hamza, along with Shalif Mohammed, are arrested during the Kochi flat raid for possession of 1.6 grams of hybrid ganja.
The Hindu
28-04-2025
- Entertainment
- The Hindu
‘Hybrid ganja' found in possession of film directors sourced from supplier in Kerala, say Excise officials
The suspected hybrid ganja with which two prominent Malayalam movie directors were nabbed from a flat in Kochi recently was reportedly sourced from a supplier in Kerala, according to Excise officials. Film directors Khalid Rahman and Ashraf Hamsa were arrested with 1.50 grams of suspected hybrid ganja when they allegedly were just about to use it during a pre-dawn raid on Sunday (April 27, 2025). Another person, Shalif Muhammad, was also arrested from the apartment that reportedly belonged to director-cum-cinematographer Sameer Thahir. 'It was Shalif who reportedly bought the contraband from a supplier. We have details about the supplier and are trying to track him down. His mobile phone remains switched off. More details about the source of the drug could be known only on his detention,' said Excise sources. Excise officials are set to issue a notice to Mr. Thahir shortly. The accused may be further summoned if the investigation officer gets any fresh leads warranting it. Mr. Rahman is the director of movies Alappuzha Gymkhana, Thallumala and Unda, while Mr. Hamsa directed Thamaasha and Bheemante Vazhi. Since the quantity in their possession was small, the accused were released on bail. They reportedly claimed that they converged at the apartment to discuss a movie. According to Excise sources, the duo had escaped by a whisker in a similar raid at the apartment in March. Since then, the FEFKA Directors' Union has decided to suspend the two directors. The raid was carried out on specific intelligence input, complete with the apartment details. It came at a time when the debate about the influence of drugs in the film industry has turned louder. Actors Shine Tom Chacko and Sreenath Bhasi have appeared before excise officials in Alapuzha on Monday in connection with the seizure of 3 kg of suspected hybrid ganja from a couple in a resort in Omanapuzha in Alapuzha. Allegedly, Excise officials found mobile phone call records and WhatsApp chats linking the woman to the actors. Mr. Chacko was also involved in another bizarre incident in which he fled a hotel in Kaloor during a raid by the Kochi city police' District Anti-Narcotics Special Action Force on April 16. Later, the Ernakulam Town North police summoned him and booked him under the Narcotic Drugs and Psychotropic Substances Act.
