Latest news with #Tresor
Hindustan Times
10 hours ago
- Entertainment
- Hindustan Times
Who is Terrance ‘T.A.' Dixon? Ex-hypeman who filed a lawsuit against rapper Fat Joe
Terrance 'T.A.' Dixon, a name not widely known outside music circles until recently, has come into the spotlight after filing a bombshell lawsuit against Bronx-born rapper Fat Joe. Dixon was Fat Joe's hype man for 16 years, amping up crowds, working closely on tours, and sharing in the energy of live performances. He, also known in the music world as Population One, is better known among electronic music fans for his minimal techno beats. Based in Detroit, Dixon has carved a niche for himself in the underground techno scene, with releases on iconic labels like Tresor and Metroplex. ALSO READ| James Gunn's Superman set to soar at US box office with $135 million opening: Early tracking On Thursday, in a 157-page lawsuit filed in the U.S. District Court for the Southern District of New York, Dixon accused Fat 'Joseph Antonio Cartagena' Joe of a litany of disturbing abuses. Among the most serious claims are 'coercive labour exploitation, financial fraud, sexual manipulation, violent intimidation, and psychological coercion.' Dixon is seeking up to $20 million in damages. The lawsuit details years of alleged abuse, including sexual coercion under duress, surveillance-based humiliation, and forced participation in acts Dixon says he never consented to. 'These sex-based abuses were not private, incidental, or isolated,' the complaint alleges. It also claims Fat Joe used his influence to silence and control those around him. Even more shocking are Dixon's allegations that he witnessed Fat Joe engage in sexual acts with underage girls. The lawsuit names three alleged minors and includes graphic descriptions. 'The allegations against Mr. Cartagena are complete fabrications — lies intended to damage his reputation and force a settlement through public pressure,' said his lawyer, Joe Tacopina, per Variety. 'Mr. Cartagena will not be intimidated.' Dixon's lawyer, Tyrone Blackburn, who has a history of filing lawsuits against celebrities, told The Independent, 'Fat Joe is Sean Combs minus the Tusi.' Blackburn added, 'He learned nothing from his 2013 federal conviction.' 'We didn't just sue a disgruntled former employee trying to revive a false claim from 15 years ago — we sued the lawyer behind it all,' said Tacopina, adding that Blackburn is under scrutiny for unethical legal conduct. ALSO READ| Exclusive| Lauren Gottlieb marries Tobias Jones in Italy: It's a dream come true 'This is the right way to fight Joe — through the system. You can't fight him no other way,' Dixon told Variety. 'Joe think he's a god. Joe thinks he's untouchable.'
Time Out
19-05-2025
- Entertainment
- Time Out
Events: What's on in Johannesburg
The Standard Bank Joy of Jazz festival returns to the Sandton Convention Centre in Johannesburg, for its most ambitious edition yet — three full days of genre-defining performances, global icons, bold collaborations, and an elevated celebration of jazz's enduring legacy. With over 60 artists from 15 countries across four stages, this year's festival puts a spotlight on powerful women in jazz, visionary Pan-African sounds, and cutting-edge global talent. Highlights include Esperanza Spalding, Lakecia Benjamin, Oumou Sangaré, Meshell Ndegeocello, Thandi Ntuli, Jazzmeia Horn, The Baylor Project, Amanda Black, Tresor, and a full showcase of Standard Bank Young Artist Award winners. From soul-stirring solo sets to orchestral grandeur, audiences will experience an immersive musical journey rooted in African heritage and shaped by contemporary voices from across the world.
TimesLIVE
16-05-2025
- Entertainment
- TimesLIVE
'We as Africans are at the forefront of many things on a global level': Tresor
Pop singer Tresor says Africa Day will be a day of reflection for him . The Congolese-born singer, songwriter, music producer, entrepreneur and philanthropist, known for his songs like Sondela, Funu and Folasade, gave us an insight into how he will be celebrating the day. Speaking to TshisaLIVE, the 38-year-old, whose real name is Mukengerwa Tresor Riziki, says Africa Day is a reminder of resilience, beauty and shared dreams. 'For me, it's an opportunity to reflect on how far we have come as a collective people. How we as Africans are at the forefront of many things on a global level. I am in fact scheduled to be in studio recording on the day. I am working on a very exciting global project and my way of celebrating will be through channelling our stories through sound,' he said. Tresor says the Africa Unite collaboration was truly an amazing one. 'I have nothing planned for this year. I see myself as a musical bridge. I carry the soul of the Congo and the spirit of South Africa in one voice. Through music in a very subtle but intentional manner, I am able to connect people from different backgrounds, cultures and creeds. We are stronger together. Africa's power lies in its people, its creativity and its diversity. The soil of Africa bares the seeds of creativity and a new way of thinking for global audiences. Let's remain resilient as this seed of creativity manifests itself to the world,' he said. Tresor is set to perform at the three-day Standard Bank Joy of Jazz 2025, alongside other internationally-acclaimed musicians . ' Joy of Jazz is such a sacred space for artists like me. It's an institution that plays a key role in the celebration of African music and artists. Being part of it feels like coming home — it's a full-circle moment in my journey and I am extremely excited for this year's show. I bring the heart of Africa with me — layered harmonies, rhythmic basslines and storytelling that is driven through music. My sound is a fusion of past and future, unapologetically pop but deeply rooted in jazz and African influences.'
Local Germany
22-03-2025
- General
- Local Germany
Study probes mystery of Berlin techno clubs' door policy
Now, a study has been published that aims to shed light on the logic behind the notoriously exclusive door policy of the German capital's temples of nightlife such as Berghain, Tresor and other venues. The joint report by German, British and Swedish universities, published in the Journal of Marketing this month, analysed which criteria are used by Berlin bouncers to decide who gets in and who doesn't. Berlin's famed techno and rave scene draws international visitors every year and is considered so crucial to Berlin's cultural identity that it has been added to UNESCO's list of intangible cultural heritage. The study's results are based on 38 interviews with Berlin bouncers, club owners, event organisers, DJs, security staff and clubbers themselves, as well as an analysis of press and archive material. The researchers were also able to observe a selection process involving around 500 decisions at the door of a renowned club in the course of a single night. However, anyone looking for a magic formula might be disappointed by the results, which remain as baffling as ever. "Selectors are assessing the extent to which people 'fit in' but, paradoxically, also whether they 'stand out'," said Tim Hill, a senior lecturer in marketing at the University of Bath. "Highly stylised dress codes, knowledge of the nuances of Berlin techno club culture, the ability to strike up conversation with others in the queue and evident 'energy' and 'charisma' are key," he said. But it also makes a difference what the crowd already looks like on any given night, Hill said. "Underrepresented markers of identity -- race, age, sexuality, gender identities -- are all valued to the extent they help build a 'cosmopolitan' and 'diverse' crowd." Advertisement There are some things that will guarantee you are turned away -- excessive alcohol consumption, aggression and anti-social conduct. But apart from that, it often comes down to luck and no one is guaranteed entry every time they show up, the report said. In fact, the "mystification of the selection process to maintain exclusivity" is deliberate and enhances the reputation of the clubs, according to the researchers. Michael Kleinaltenkamp of Berlin's Free University said that "the careful and sustainable curation of the atmosphere in the clubs has contributed to their inclusion in the UNESCO cultural heritage list".
