Latest news with #Travers
7NEWS
21 hours ago
- Sport
- 7NEWS
Aussie NBA star Luke Travers makes surprise cameo on Roaming Brian after Fremantle's win over Essendon
Aussie NBA star Luke Travers has made a cheeky dig at close friend Luke Jackson after the Fremantle big man's standout performance against Essendon on Thursday night. Jackson played arguably the best game of his career, kicking three goals to go with 48 hitouts, 21 disposals and 10 clearances as the Dockers romped to a 41-point win. But that wasn't enough to impress Travers, who played down the performance when asked by Channel 7's Brian Tayler on Roaming Brian. 'He was all right ... could've been a little better here and there,' Travers joked. Jackson and Travers both attended Willetton Senior High School in Perth and have remained close friends. Travers, 23, plays for the Cleveland Cavaliers in the NBA after stints with Perth Wildcats and Melbourne United in the NBL. He is in Australia during the NBA off-season, spending time with friends and family. Decked out in a Fremantle kit, Travers has around a month back home before heading back to the USA for pre-season training. The 201cm is one of 14 Aussies making waves in the NBA. 'It's really good for the future of the Australian team, exciting times,' he added. Travers is about to link up with a pair of fellow Aussie NBA stars in Melbourne. 'I'm about to spend the next month in Melbourne with Josh (Giddey) and Dyson Daniels,' he said. 'It'll be good competition. We always like going against each other, so it'll be good.' Fremantle (9-5) posted their fifth win on the trot with the 16.8 (104) to 9.9 (63) triumph over Essendon. Star Dockers recruit Shai Bolton ruffled a few feathers when he pointed Essendon players in the direction of the scoreboard during the second quarter, with the scoreboard reading 51-28 at the time. 'I didn't see that, but I like the edge he plays with,' Longmuir said. 'I think largely Shai valued the right things tonight. I thought his pressure and contests were really strong from the get-go. 'He plays with a bit of flair and he likes to get in the opposition's face. I didn't see the pointing at the scoreboard, but I don't mind the way he played.' Veteran Nat Fyfe, who had spent the previous two games as the sub, earned a rare start but managed just 11 disposals and one clearance before being subbed out in the final quarter. Fyfe spent periods stationed in attack to help fill the void left by Sam Switkowski (hamstring), and Longmuir was happy with the former captain's efforts. 'I thought he ran some really good patterns,' Longmuir said. 'I was really happy with the way he approached the role. I thought some of his physicality through the middle of the ground was great.' Fremantle have the chance to make it six wins on the trot when they host St Kilda on Sunday week.
Irish Independent
12-06-2025
- Sport
- Irish Independent
John Travers breaks North Sligo AC's course record in Maugherow 10k
Travers set a blistering pace right from the start as he sped away from his competitors. He obviously spent no time looking at the beautiful scenery because when he crossed the finish line 31 min 3 secs later he had broken the course record by 1 min 6 sec. Travers put a huge amount of daylight between himself and his nearest competitor, Alan Dunne Swinford AC, who finished in 35 min 6 secs. Brian Kinsella, Sligo AC, took the 3rd spot in 35 min 22 Petrova, North Sligo AC, was a convincing winner of the women's race in a time of 41 min 30 sec. Her teammate, Aisling Van Rensburg, took 2nd spot in 42min 59 sec and Elish Kelly, Raheny AC, took the 3rd prize David Aherne from Ballinamore AC won the over 40 category in 37 min 6 sec from local Maugherow man Paul Devins North Sligo AC who set a great new PB of 37 min 36 sec 45 sec inside his previous best. Deidre McGarrigle from Tir Chonaill AC was a convincing winner of the over 40 age group in a time of 46 min 16 sec, with Laura Marren taking the 2nd prize in 50 min 17 sec Alan Wallace, North Sligo AC, won the over 50 category from his clubmate Tommy Kelly in times of 38 min39 and 39 min 15 sec respectively. North Sligo AC Vice Chairperson Mary Gilmartin won the over 50 section in 47 min 55 sec from Aisling Cawley who clocked 48 min 25 sec for the 2nd spot Race organizer Jimmy Currid, North Sligo AC, won the over 60 category in 42 min 12 sec and Pauline Hunt Gorman, Corran AC, won the women's over 60 age group. Tom McGowan won the over 70 category in 48 min 38 sec ADVERTISEMENT Cormac Dillon, North Sligo AC, took 20 seconds off his PB when winning the Junior Men's section and finishing 5th overall in the race in a time of 37 min 19 sec. His clubmate Darren Gilroy took the 2nd spot in 47 min 58 sec. Jim Rushe was the overall winner of the walk. Other North Sligo AC notes Fergal McGrath who has been trying to break 40 mins for 10k for years achieved that in this year's Maugherow 10k, slicing 1 min 7 secs off his previous best when he ran 39 min 23 secs. Feidhlim McGowan ran in the Cork City marathon on the June Bank Holiday and finished 5th in 2Hrs 29 mins 47 secs only 6 weeks after winning the Connamara marathon, what an iron man. The club's 100mile relay fundraising run will take place on Sunday, June 22nd at Oxfield track and it is expected that all athletes, coaches and officials in the club will take part in this important fundraiser for our new tartan track which is now under construction. INSET: Alan Dunne, Swinford AC, 2nd, John Travers, Donore Harriers, Winner And Record Holder, Jimmy Currid, Organiser, and Brian Kinsella, Sligo AC, 3rd
UPI
09-06-2025
- Sport
- UPI
Triple Crown is done, but battle for 3-year-old honors will rage on
1 of 2 | Sovereignty, ridden by Junior Alvarado, wins the 157th running of the Belmont Stakes at Saratoga Race Course in Saratoga Springs, N.Y. on Saturday. Photo by Mark Abraham/UPI | License Photo June 9 (UPI) -- The score stands Sovereignty 2, Journalism 0 at about halftime in this year's 3-year-old wars, but the game is far from over, with some of the year's biggest races slated for the remainder of the season. Sovereignty's definitive victory over runner-up Journalism in Saturday's Belmont Stakes at Saratoga, an almost duplicate of the Kentucky Derby finish, certainly gives his connections bragging rights -- for now. But it's worth noting Journalism had trouble early in the Derby and then, just two weeks later, won the Preakness Stakes. Sovereignty ducked the Preakness and ran in the Belmont on five weeks' rest. The playing field might even out a bit by Aug. 23, when the two could meet again in the Grade I Travers at Saratoga, the "Midsummer Derby." And the definitive showdown, all being well, could come in the Breeders' Cup Classic at Del Mar -- in Journalism's backyard. Both camps were talking about the prospect even as their colts cooled out from the Belmont. "We're looking to have a horse for the whole year and have a career with him, as well," said Michael Banahan, director of bloodstock for Godolphin, Sovereignty's owner and breeder. "There's races down the road we'd really like to win," Banahan said. "The Travers is a very special race. We've won it before .... Maybe if the horse is healthy and well, to try and get to Del Mar for the Breeders' Cup [Classic]. It's a race we've run in several times, but not had an opportunity to win it yet." Journalism's trainer, Michael McCarthy, noted Sovereignty had the advantage not only of five weeks before the Belmont, but also of running in familiar surroundings. "[Sovereignty] is a very good horse," McCarthy said. "He trains up here. He's been up here for a while. He's in his back yard. Let's hope everybody stays happy and healthy, and we'll see him in Del Mar hopefully in November, in our back yard." Asked about the Travers, he added, "It is possible. Yeah, you have to think about it." The other 3-year-olds There was more 3-year-old action around the country as the Triple Crown contenders dispersed. On Sunday, Godolphin moved the celebration to Churchill Downs, where East Avenue led virtually gate to wire in the $400,000 Grade III Matt Winn Stakes for 3-year-olds -- a race that attracted several more Triple Crown refugees. At Santa Anita, trainer Bob Baffert saddled both ends of the exacta in Sunday's $100,000 Affirmed Stakes for 3-year-olds at Santa Anita. Gaming scratched out of the Matt Winn and caught a flight back home to get the win with a front-running effort. Saturday's $500,000 Grade I Woody Stephens for 3-year-olds at Saratoga attracted a squadron of former Triple Crown contenders, all dropping back to 7 furlongs. At the end of that journey, it was an early defector from the Triple Crown trail, Patch Adams, out front by 2 1/4 lengths. Classic / Dirt Mile Raging Torrent spoiled the story line in Saturday's $1 million Grade I Metropolitan Handicap at Saratoga, the "Met Mile." With attention focused on White Abarrio, star of the 2023 Breeders' Cup Classic, and Fierceness, second in last year's edition, fans may have overlooked Raging Torrent's last-race victory in the Group 2 Godolphin Mile in Dubai -- and, in the race before that, his score in the Grade I Malibu on Opening Day at Santa Anita. Whatever the case, Raging Torrent, with Frankie Dettori up for the third straight time, led all the way in the Met Mile, contending with Fierceness before kicking away to win by 2 1/2 lengths. Just a Touch edged White Abarrio for third. Raging Torrent earned a "Win and You're In" spot in the Breeders' Cup Dirt Mile, and Trainer Doug O'Neill said that race would be a logical target "and maybe a race between now and then." In other action: Distaff Dorth Vader, winless in her last seven starts, righted the ship in Friday's $500,000 Grade I Ogden Phipps Stakes at Saratoga. The 5-year-old Girvin mare chased pacesetting long shot Dazzling Move, came for that one near the furlong marker and drew off easily to win by 4 3/4 lengths. La Cara dominated Friday's $500,000 Grade I Acorn for 3-year-old fillies at Saratoga, winning by 3 lengths while the favorite, previously undefeated Kentucky Oaks winner Good Cheer, didn't fire and finished fifth. Baffert saddled the 1-2 finishers in Saturday's $100,000 Grade III Summertime Oaks at Santa Anita. Cash Call, the odds-on favorite, rallied by pacesetting stablemate Howin at the top of the stretch and outfinished that one by 3/4 length. Sprint Book'em Danno closed relentlessly through deep stretch in Saturday's $400,000 Grade III True North Stakes at Saratoga, got by Mullikin some 70 yards from the finish and worked clear to a 1 1/4-length victory. Filly & Mare Sprint Kilwin won Sunday's $175,000 Leslie's Lady Stakes for 3-year-old fillies at Churchill Downs by 1 1/4-lengths. Indy Bay stuck her head in front of Long Neck Paula in the final strides to win Sunday's $150,000 Jersey Girl Stakes at Saratoga. Turf Deterministic led the way in Sunday's weather-delayed $1 million Grade I Resorts World Casino Manhattan Handicap at Saratoga and fended off a pair of determined closers to win by a head. Integration was second, a neck in front of Far Bridge. A.P. Kid won Saturday's off-the-turf $300,000 Pennine Ridge Stakes for 3-year-olds at Saratoga. Tank scored by 3 lengths in Saturday's $75,000 Not Surprising Stakes at Gulfstream Park. Filly & Mare Turf She Feels Pretty ran her race in Friday's $750,000 Grade I New York Stakes, despite facing yielding turf for the first time, and got to the lead in the stretch en route to a 1/2-length victory. South African import Beach Bomb was second, 4 lengths ahead of Bellezza. Nitrogen won Saturday's off-the-turf $300,000 Wonder Again Stakes for 3-year-old fillies at Saratoga by 17 lengths over a sloppy main track. And Starship Impulsive won Saturday's $75,000 Martha Washington Stakes for 3-year-old fillies at Gulfstream Park by 4 1/2 lengths. Turf Mile Dynamic Pricing rallied from next-last to land Friday's $500,000 Grade I Just a Game Stakes at Saratoga by 3/4 length over the favorite, Excellent Truth. Turf Sprint Ag Bullet, third and beaten just a neck in the 2024 Breeders' Cup Turf Sprint, earned the "Win and You're In" right to try again with a 2-length victory over My Boy Prince in Sunday's weather-delayed $500,000 Grade I Jaipur Stakes at Saratoga. Ways and Means won Friday's $300,000 Grade II Bed o' Roses Stakes for fillies and mares at Saratoga by 7 3/4 lengths over Scylla. On Saturday at Churchill Downs, Joe Shiesty won the $225,000 Mighty Beau Stakes by a neck over the favorite, Arrest Me Red. On Saturday, Flirt won Sunday's off-turf $175,000 Soaring Softly Stakes for 3-year-old fillies at Saratoga by 5 1/2 furlongs.
Buzz Feed
09-06-2025
- Entertainment
- Buzz Feed
Best Mary Poppins Behind The Scenes Facts
First, Walt Disney started going after the rights to adapt P.L. Travers' Mary Poppins in 1938, four years after the first book was published. However, Travers repeatedly refused to give over the rights. Over the next several years, Disney continued to send offer after offer to Travers in an attempt to adapt the book. In 1959 — 21 years after starting the pursuit — Travers finally agreed to have Mary Poppins adapted by Disney, but she would have "final say" on the script. According to the documentary, Supercalifragilisticexpialidocious: The Making of Mary Poppins, Disney personally flew to London in 1959 and met with Travers to once again try to convince her to let him adapt Mary Poppins. Speaking of the meeting, Travers reportedly said that talking to Disney was "like talking to a friendly, charming uncle who took from his pocket a gold pocketwatch and dangled it enticingly before your eyes." After working on adapting the book for two years, P.L. Travers came to Disney Studios and apparently "didn't like anything" that was written. In recordings and sketches from a 1961 meeting, Travers said, "The book should be read very carefully for accuracy." Some of the things she had a problem with were that Mary should "never be impolite to anybody," and she didn't like that the parents would start out harsh and not pay attention to their children so they could eventually have a "change of heart." In the documentary, Supercalifragilisticexpialidocious: The Making of Mary Poppins, composer Richard Sherman said the "key to the story" was the parents being so preoccupied with their own lives that there was a "need" for Mary Poppins to come, so it was essential that they start a little cold, especially the Travers signed off on the project and was billed as a consultant on the film. Mary Martin, Bette Davis, and Angela Lansbury were all considered for the role of Mary Poppins before Julie Andrews. When Disney did a sequel to the film in 2018, titled Mary Poppins Returns, Lansbury actually appeared as a woman selling balloons in the park. At the time, Martin was best known for her work on stage in South Pacific, Peter Pan, and The Sound of Music. Meanwhile, Davis was fresh off her renowned work in Now, Voyager and All About Eve, and Lansbury had just starred in The Picture of Dorian Gray. Julie Andrews caught the attention of the Sherman brothers and Walt Disney after they saw her in Camelot. After Andrews and Richard Burton performed "What Do The Simple Folk Do?" on The Ed Sullivan Show, Disney flew to NYC to see Camelot on Broadway. In an interview at the Mary Poppins premiere, Disney said, "I went backstage and I tried to convince her that I was capable of making a picture with live actors as well as cartoons. I didn't know what she thought of me." In an interview from 1973, Andrews recalled that Disney "started acting out the whole of the script of Mary Poppins" while visiting her backstage at Camelot. Then, Disney invited Andrews and her then-husband, Tony Walton, to Los Angeles to see the storyboards for the film. Walton, who was a costume and set designer, ultimately ended up working on Mary Poppins, too. Initially, it was unclear if Julie Andrews would be able to star in Mary Poppins because she was the logical choice to star in My Fair Lady, after she played Eliza Doolittle on the West End and Broadway. However, Jack Warner ultimately cast Audrey Hepburn, citing that they needed "a name" to carry the film. Ultimately, Andrews and Hepburn were pitted against each other all awards season, with Andrews winning both the Golden Globe and Oscar for Mary Poppins, and she even thanked Warner in her Golden Globes acceptance speech. In her speech, Andrews said, "Finally, my thanks to a man who made a wonderful movie and who made all of this possible in the first Jack Warner."Looking back on her career with the Hollywood Reporter in 2015, Andrews said the one thing she wished she had was a recorded version of her My Fair Lady to show her grandchildren. She also said that while she understood the decision, getting passed over for the film only reinforced the idea she had in her head that she wasn't "pretty enough" for movies. Dick Van Dyke "begged" Walt Disney to let him play Mr. Dawes Sr., according to Julie Andrews in her memoir Home Work. Van Dyke wanted the role of Dawes Sr. so badly that he reportedly offered to play it for free. Andrew wrote in her memoir, "[Disney] took Dick up on that offer, and also persuaded him to make a $4,000 donation to the California Institute of the Arts, which Walt had recently cofounded." Disney made Van Dyke screentest for the role, too, as a little joke. According to Andrews, "Word flew around the Studios that he had been hilarious, totally persuasive and completely unrecognizable." Dick Van Dyke calls his accent for Bert the "worst Cockney accent [he's] ever done." While filming Mary Poppins, he asked J. Pat O'Malley, an Irish actor who voiced some of the animated characters in the film, to help him with his accent. Van Dyke joked in 2012 that he "made up a story" that it wasn't a Cockney accent, but rather an accent from "a little obscure county in the north of England." He also said that to this day, British people will come up to him and tell him what a horrible accent he does as Bert in Mary Poppins. Artist Peter Ellenshaw hand-painted 100 matte paintings for the backdrops that are seen in Mary Poppins. For the cityscape of London at dusk, Ellenshaw purposefully put little holes in the painting so that lights could shine through the back to make it look like the lights in the city. He said, "The lights would all come on gradually all over the city, or appear to." He previously worked with Disney on Treasure Island and 20,000 Leagues Under the Sea. The first scene they filmed for Mary Poppins was the "Jolly Holiday" sequence, which means it was also the first thing Julie Andrews ever shot for a film in her career. In her memoir, Andrews recalled, "My first filmed scene simply required that I strike a pose, hands on my umbrella, while Bert said, 'You look very pretty today, Mary Poppins!' I then had to walk past him and say, 'Do you really think so?' I was extremely nervous and fretted over how to say that one simple line. I had no idea what my voice would sound like or how to appear natural on film." Bert and Mary walking arm-in-arm during "Jolly Holiday" was also one of the first pieces of choreography Andrews and Dick Van Dyke learned during rehearsals. Andrews said in her memoir, "I performed Mary Poppins's demure, ladylike version of the step — but Dick flung his long legs up so high that I burst out laughing. To this day, he can still execute that step." Over the course of the development of Mary Poppins, the Sherman brothers wrote around 32 songs, with only 14 making the final version of the movie. When they started working on the songs, there wasn't a script yet, so instead they worked off of P.L. Travers' book and used chapters to figure out what a song could be. Walt Disney's favorite song was "Feed The Birds." In one of the stories in the book, Mary Poppins spins a compass, and the Sherman brothers actually wrote songs for each of the places the compass lands on, like "North Pole Polka," "The Land of Sand," and melody for "The Land of Sand" was later used in The Jungle Book for "Trust In Me." Since Mary Poppins flies a lot, most of her costumes had to be duplicated in a larger size to accommodate the harness Julie Andrews had to wear. In her memoir, Andrews revealed, "This was a thick elastic body stocking, which started at my knees and ended above my waist. The flying wires passed through holes in the costume and were attached to steel panels on either hip." She continued, writing, "I literally did a lot of 'hanging around' between takes, and when I was suspended, the steel panels pressed on my hip bones, which became very bruised. Sheepskin was added, which helped, although it was barely enough, since I couldn't look too bulky." Since the penguins, fox, and more animated characters weren't actually on stage with the actors, cardboard cutouts were used in between takes so the actors would know where they should look and have the proper sightline before the cutouts were taken away to film the scene. The merry go round horses were the only things on set most of the time. In her memoir, Home Work, Julie Andrews recalled, "For the tea party under the willows with the penguin waiters, a cardboard penguin was placed on the table in front of me. Once I'd established the sightline, the penguin was taken away, and when cameras rolled, I had to pretend it was still there." In order to add in the penguins that Bert dances with during "Jolly Holiday," it was just Dick Van Dyke alone on the stage, and the animators then had to figure out how to add in the penguins after the footage was shot. Frank Thomas was the lead animator on the penguins. He previously worked on countless Disney animated movies like Snow White and the Seven Dwarfs, Bambi, Cinderella, and more. "When I get over on the stage, I'd say, 'Where am I going to put my penguins?'," Thomas recalled in the documentary, Supercalifragilisticexpialidocious: The Making of Mary Poppins. He continued, saying, "Because I would get the film of Dick actually doing the dance, here's hit feet flying all around and stepping on my penguins. How are you going to know ahead of time where he's going to be and where Dick Van Dyke's going to be? So I was losing more penguins every day. I had them duck, and I had them jump, and I had them get out of the way anyway they could." The entire "Jolly Holiday" and "Supercalifragilisticexpialidocious" scenes were created using the sodium vapor process. Instead of having the actors on a blue or green screen, which is common today, the actors were filmed against a white screen that was lit with yellow-hued sodium vapor lights. This process made it easier to isolate Julie Andrews, Dick Van Dyke, and the other actors from the background so the animators could animate both behind and next to them. Since they didn't film the scene against a blue backdrop, it also didn't put a limit on the colors that could be used in costumes, like Bert's blue bowtie and socks. Since "Step In Time" was such a demanding musical number, it was one of the few that required an extensive rehearsals. Dick Van Dyke revealed that it was a six week rehearsal process because it was "so complicated." He added, "It was amazing, the six weeks of rehearsal kind of got me into shape, and once we started shooting, I was ready." Van Dyke wasn't a trained dancer prior to Mary Poppins. Van Dyke told Conan O'Brien in 2012 that he asked Gower Champion, who was the chroegpraher for Bye By Birdie, which he starred in on Broadway and in the film, to help him learn to dance. He's loved dancing ever since. Mary's magic carpet bag was created by combining footage of Julie Andrews on a soundstage getting fed items up through the bag by a crew member hiding below the table, and footage of Karen Dotrice and Matthew Garber reacting to a clear table as Jane and Michael. Dotrice recalled, "We didn't know she was going to pull all of this stuff out of it! We were told to react to what she was taking out of the carpet bag. All of the things she pulled out of that carpet bag were a complete shock." She added, "Our reactions were completely genuine ... It was very exciting." In order to film the moment when Mary, Bert, Jane, and Michael climb the staircase made out of smoke, the crew created what was called "the black sponge stairs." On set, it was a seemingly ordinary staircase, but the stair treads were made of a sponge-like material so the actors' feet would slightly sink in, as if they were walking on the smoke. In a documentary, Karen Dotrice recalled filming the moment, saying, "I don't know how many takes it took to walk up that smoke staircase because we're following Julie holding broomsticks, walking up this smoke screen staircase, but it was like sinking." For the tea party with Uncle Albert, played by Ed Wynn, the sets were recreated a few different ways to help film the moment when everyone is floating and spinning in the air while laughing. The set was tilted 90 degrees in various directions, so the roof would be in a different spot, even with the ceiling being upside down at one point. Depending on the camera angle, the actors were either suspended on wires or sitting on a seesaw on top of a ladder, if it was a close-up. In the documentary, Supercalifragilisticexpialidocious: The Making of Mary Poppins, Tony Walton recalled, "Walt [Disney] himself came up with the technical approach to achieve the fact that they are laughing, [and] they are all floating about in the air." "Practically Perfect" was a song that was initially going to introduce Mary Poppins; however, it was cut from the film. Instead, the melody was repurposed into "Sister Suffragette," which Mrs. Banks sings. When Glynis Johns was brought in to play Mrs. Banks, she actually requested she have her own musical number, which is how "Sister Suffragette" was born. In a documentary about Mary Poppins, Johns revealed, "I said to Walt [Disney], it might give me incentive, if I could have my own little number." Richard Sherman said that after that, Disney leaned over to her and said they just finished a number for Mrs. Banks, and she'll love it. At the time, Richard and Robert hadn't even written the musical number yet. "The Chimpanzoo" was a song that was originally going to follow "I Love to Laugh" and was going to be sung by Julie Andrews while Mary, Bert, and the children were floating in the air at Uncle Albert's. The whole scene was developed but the number was scrapped the day recording on the song was going to take place. Richard Sherman revealed that Walt Disney felt the sequence wasn't necessary, and instead, after "I Love to Laugh," they all joke while drinking tea and then float down to the floor. And finally, costume designer Tony Walton hid little Easter eggs and details into the lining of Mary Poppins' outfits. In an interview with Vanity Fair in 2022, Julie Andrews revealed, "He said, 'You know, you're very prim and proper on the outside, but I think Mary Poppins has a kind of secret life, maybe, and I'm gonna give her, when you open your coat or when you turn and dance, you'll see marvelously-colored petticoats and wonderful linings of your clothes.'" Andrews said Walton's approach to the costumes helped her discover who Mary really was. She told Vanity Fair, "He said, 'Because I think that's what gives her pleasure. Very formal on the outside and a little bit wicked on the inside, so to speak.' And it completely gave me a clue as to her character. Big, big help for me." Is there another Mary Poppins behind-the-scenes fact that you love that isn't mentioned above? Tell us about it in the comments below!
Yahoo
06-06-2025
- Entertainment
- Yahoo
Martin Scorsese No Longer Watches Movies in Theaters Due to Audiences Behaving Badly
The post Martin Scorsese No Longer Watches Movies in Theaters Due to Audiences Behaving Badly appeared first on Consequence. In hardly shocking news, Martin Scorsese has said he no longer watches movies in public theaters anymore. On Peter Travers' recently launched blog, the film critic recalled a conversation he once had with the director about the inconsiderate behavior of fellow theatergoers. Referring back to their discussion, Travers wrote, 'I asked the maestro why he doesn't see movies in theaters anymore and he went all raging bull about audiences who babble on phones during the movie, leave to order snacks and vats of soda, and keep up a noise level loud enough to drown out the actors.' Travers retorted by pointing out how 'we couldn't keep our mouths shut when we were kids.' In response, Scorsese said, 'Yeah, maybe, but when we talked it was always about the movie and the fun we had chewing over the details.' It's unclear when Travers and Scorsese had this conversation, but this year's The Minecraft Movie became notorious for its rowdy audience participation. Popular Posts Sabrina Carpenter Announces New Single "Manchild" King of the Hill Revival Gets Hulu Release Date, New Opening Sequence Jack White Celebrates Trump and Elon Musk's Breakup: "More Popcorn Gruppenfuehrer!" Jonathan Joss, Voice of John Redcorn on King of the Hill, Shot and Killed by Neighbor T-Pain Announces 20th Anniversary US Tour King of the Hill Voice Actor Jonathan Joss Was Victim of Hate Crime, Husband Says Subscribe to Consequence's email digest and get the latest breaking news in music, film, and television, tour updates, access to exclusive giveaways, and more straight to your inbox.
