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Belinda cannot be tamed. Her latest album, ‘Indómita,' proves it
Belinda cannot be tamed. Her latest album, ‘Indómita,' proves it

Los Angeles Times

time05-06-2025

  • Entertainment
  • Los Angeles Times

Belinda cannot be tamed. Her latest album, ‘Indómita,' proves it

There is no containing a star of Belinda's caliber. In the making of her fifth studio album 'Indómita,' the Mexican singer and actor began to understand that what made her hard to contain — in life, in love and in her career — was worth writing an album about. 'I was reading a book and all of a sudden the word 'indómita' appeared,' says Belinda in an audio call from her home in Mexico City. 'For two days, I kept dreaming of that word. 'Indómita, Indómita,'' says Belinda during a recent audio call from her home in Mexico City. Out on June 5, 'Indómita' is an assortment of corridos tumbados, reggaeton, rock and pop ballads with exciting collaborations — ranging from the American rock band Thirty Seconds to Mars to Latin stars like Tokischa and Tito Double P. 'This album is very special, not just for women but for everyone who feels untameable, who feels strong, who feels like a warrior,' she explains. The title directly translates to indomitable, or untameable, a term that seems to perfectly suit the 35-year-old artist, whose long and prosperous career made her an international household name. Born in Madrid, Spain, as Belinda Peregrín Schüll, but known widely by her mononym, Belinda began her legacy in Mexican television, taking on lead roles in early 2000's childhood telenovelas like 'Amigos x siempre,' 'Aventuras en el tiempo,' and 'Cómplices Al Rescate,' where she played a set of twins who has been separated at birth. She also broke through the Disney sphere, appearing in the popular 2006 sequel of 'The Cheetah Girls 2' as Marisol, a Spanish pop star and competitor of the titular girl band. Belinda's music career has been equally as fruitful, including a stint as a singing coach on the TV competition 'La Voz' and dozens of hit singles, such as the popular 'Amor a Primera Vista,' a 2020 collaboration with Los Ángeles Azules and Lalo Ebratt. Her previous studio albums, 2003's 'Belinda,' 2006's 'Utopía,' 2010's 'Carpe Diem' and 2013's 'Catarsis' have all graced Billboard's Top Latin Albums chart. Her new LP marks a personal artistic triumph for the artist, given its unique regional Mexican edge. '300 Noches,' her 2024 corrido track with Natanael Cano, made No. 4 on the Mexican Billboard pop chart and appeared on the Billboard Global 200, making it Belinda's first appearance on the chart. Other corridos tumbados, like the rugged 'La Cuadrada' featuring Tito Double P and the blistering 'Mírame Feliz' with Xavi, unleash a new alter ego of the famed singer known as 'Beli bélica,' the latter of which means 'warrior' in Spanish. 'With this album, I'd like to open up the door to more women to sing corridos tumbados of heartache,' says Belinda. The record is already scorching hot, with songs like 'Cactus' making a subtle, prickly nod to her past relationship with Mexican crooner Christian Nodal, who famously tattooed her eyes on his chest. There's also the reggaeton-corrido fusion called 'La Mala,' which coyly addresses the rumors that Belinda is a cold, calculated lover — which heightened in the wake of her high-profile relationship. Still, her notoriety as a heartbreaker has simultaneously granted her sainthood status from fans, who created fake prayer cards of the enchanting star to bolster their own love life. 'This album was made up of things that we live every day,' says Belinda. 'Someone breaks our heart, we feel better, we fall in love, they break our heart again and so forth. Life is like that.' But 'Indómita' is much more than Belinda's foray into regional Mexican music; there's also 'Jackpot,' a dazzling club alongside Kenia Os, a tribute to lightning-fast cars in 'Rayo McQueen' — and even her love of anime in 'Death Note.' 'I'm a versatile artist and this record reflects that,' says Belinda. This interview has been edited and shortened for clarity. What motivated you to release this album over a decade after your last one, 'Catarsis'?I know it might seem like it's been a long time, but I never left. I've always been involved in music. I've done collaborations with Los Ángeles Azules, 'Amor a Primera Vista,' that was super popular, with Ana Mena in 'Las 12,' Lola Indigo and Tiny in 'La Niña de la Escuela,' with Juan Magán and Lapiz Conciente in 'Si No Te Quisiera.' I've made a lot of music, but obviously this record means so much to me. It's not the same to work on collaborations and music for other artists as it is to do it for myself. The album is full of collaborations with Thirty Seconds to Mars, who are one of my favorite bands of all time. It also has Kenia Os, Tito Double P, Neton Vega, who's a hard-hitting act in the world of reggaeton and corridos tumbados, and Natanael Cano, who I can't forget either. It's a complete album, with lots of different styles. Many of the songs on this album are corridos tumbados. Why did you dive into that style of music?It's a really stigmatized genre, and a genre that is specifically for men and for certain kinds of lyrics. I wanted to break that [idea] and say that instruments used — like the trombone, the alto horn, tololoche — aren't just for men or for specific lyrics or a specific market. There can be more romantic lyrics, a mixing of sounds like pop with urban music. The challenge was also getting my collaborators to believe in this too, since they are used to other topics, but everyone trusted me and believed in the song[s] since the beginning and it was organic. Tell me more about your collaborations. What did you learn from them and what did you teach them?They're so talented and play instruments very well, especially Natanael Cano — you can tell him to play any instrument. He's very talented. We were in the studio and he started to play a Metallica song and I was like, 'Wow!' Although we might pigeonhole them into this genre, they're very versatile and talented. I admire them. One of the singles of this album, 'Cactus,' talks about your feelings toward an ex. How did it feel to release your emotions? And would you say that it helped you heal, as the song suggests?I love healing through music. The first phrase of the song goes: 'Therapy helps, but music heals more bad-ass.' Perhaps I couldn't express with words what I can through music. As a composer we express our emotions through our lyrics. But it's also important that people remember that not everything is based on experiences. It's music so that people can identify themselves in love or heartache. I never mention anyone by name, but people can make their own conclusions or deductions. At the end of the day, I make music for people who can relate to the lyrics. You've been in the spotlight for so many years. Do you believe there are two Belindas that exist? As in, one that is for the public and one that's just for close family members?Of course, I can guarantee it. There's also a song where I express that idea that many times people have categorized me as a bad character, 'La Mala.' At the end of the day, I know who I am and the people around me know the heart that I have — my feelings and intentions, my day-to-day. That's what counts for me. If I paid attention to every comment [people made of me], my God, I'd be locked up in a room without an exit, which sometimes does happen to me. How do you tune out those outside critics?I try not to see these things. Sometimes it's inevitable but I'm also not going deep into the web to find what people are saying. I do other more productive things that nourish me. Obviously it hurts, because even if certain comments are not true, they still hurt because they carry negative energy. I don't want to give into these comments as truth, but that energy of negativity or insult or humiliation or anything that comes from a negative side, obviously has a consequence. So one has to be careful about how they express themselves, because there's so much negativity that exists, so it would be nice if we could just throw a bit more of love. I heard you're a big anime fan, and you show that in your song 'Death Note.' Why was it important to include that?I'm [an] otaku, even if people don't believe it. I really like anime. I'm a fan of 'One Piece,' 'Death Note,' everything, 'Attack on Titan,' but 'Death Note' is my favorite. It's pretty dark, but Ryuk is one of my favorite characters in life. I've always been a fan of terror, because within the darkness, there's always some light. You were born in Spain but were raised in Mexico. How have you navigated both identities?I can't pick one or the other, but I've always considered myself Mexican, because I was raised in Mexico and my accent is Mexican. I'm very, very much Latina. What advice would you give your younger self?Don't take everything so personally and enjoy life. When I was little, I would think too much about what the world thought. I was always like, 'do you like it? Oh you don't, why?' and I would suffer. And now if I like it, OK, and if no one else likes it, then too bad, I like it!

Grupo Firme Cancel La Onda Performance in Napa Amid U.S. Visa Issues
Grupo Firme Cancel La Onda Performance in Napa Amid U.S. Visa Issues

Yahoo

time31-05-2025

  • Business
  • Yahoo

Grupo Firme Cancel La Onda Performance in Napa Amid U.S. Visa Issues

Grupo Firme will no longer be performing at 2025's La Onda Fest this weekend in Napa due to ongoing visa issues. The Mexican band announced the news in a statement shared to Instagram Stories on Friday evening. 'Grupo Firme and Música VIP's visas are currently in an administrative process at the U.S. embassy, a situation that makes it impossible for Grupo Firme's performance at La Onda Fest to go on as planned,' wrote the band. 'We will share news soon on our return to the U.S. so we can see each other again and sing, dance, and celebrate together.' More from Rolling Stone Shakira Cancels WorldPride Concert Due to 'Complications' With Previous Boston Show Shakira Concert at Boston's Fenway Park Canceled Just Hours Before Showtime Grupo Firme Level Up With Anticipated Album 'Evolucion' The group was set to headline Sunday's lineup at La Onda, which embraces a wide range of genres, from Spanish rock and reggaetón to mariachi and Latin pop. The festival organizers announced that Tito Double P will replace Grupo Firme's appearance on the Verizon Stage. The cancellation arrives roughly two weeks after the Michelada Festival nixed its 2025 event over the escalating volatility around artist visas, which rang the alarm for several other Latin artists scheduled to perform around the country. Along with Grupo Firme, the Michelada fest lineup included Luis R. Conriquez, Los Alegres Del Barranco, and Netón Vega. After Los Alegres' visas were revoked by the State Department over their portrayal of a cartel kingpin at a show in Mexico and the group was replaced by Gabito Ballesteros, event organizers ended up cancelling the fest altogether amid uncertainty around visa statuses for both Ballesteros and Conriquez. Since taking office, President Donald Trump and his administration have made securing work visas incredibly difficult for international artists. Earlier this year, English artist FKA Twigs canceled a U.S. tour over the of Rolling Stone The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked The 500 Greatest Albums of All Time

La Onda festival loses major act as Grupo Firme is denied entry to U.S.
La Onda festival loses major act as Grupo Firme is denied entry to U.S.

San Francisco Chronicle​

time31-05-2025

  • Entertainment
  • San Francisco Chronicle​

La Onda festival loses major act as Grupo Firme is denied entry to U.S.

Grupo Firme, the chart-topping regional Mexican band based in Tijuana, has canceled its appearance at this weekend's La Onda festival in Napa, after being denied entry into the United States. The group was slated to headline the closing night of the two-day celebration on Sunday, June 1, at the Napa Valley Expo, but announced the cancellation just days from their festival debut. 'Currently, visas for Grupo Firme ... are undergoing an administrative process at the US Embassy,' the band wrote on Instagram on Friday, May 30. '(It's) a situation that makes it impossible for Grupo Firme to perform at La Onda Fest as planned.' Festival organizers confirmed the cancellation and announced that rising corrido star Tito Double P will take Grupo Firme's place on the Verizon Stage on Sunday. Now in its second year, La Onda has quickly become a major celebration of Latin music and culture in Northern California, with more than 60,000 attendees at its debut in 2024. This year's event, which begins Saturday, May 31, boasts major acts such as Marco Antonio Solís, Banda MS, Pepe Aguilar, Ángela Aguilar and Alicia Villarreal. 'There was something missing in the Northern California festival scene — an authentic, large-scale festival dedicated 100% to Latino culture,' said organizer Dave Graham, whose team is also behind the annual BottleRock Napa Valley festival hosted over Memorial Day weekend.

Don Omar Wraps Sueños Festival With Crowd-Pleasing Set
Don Omar Wraps Sueños Festival With Crowd-Pleasing Set

Yahoo

time26-05-2025

  • Entertainment
  • Yahoo

Don Omar Wraps Sueños Festival With Crowd-Pleasing Set

Drawing in a massive crowd on day two of Sueños Music Festival, Don Omar cemented his icon status delivering a jam-packed setlist to wrap the fourth edition of the event in Chicago's Grant Park. On Sunday, the reggaetón powerhouse came out on stage just a few minutes before his 9 p.m. start time, eager to sing to the crowd — significantly larger than yesterday's — that had gathered to see him perform. Don Omar did not disappoint and he knew exactly which songs would get his fans going. More from Billboard Shakira Brings Las Mujeres Ya No Lloran Tour to Chicago's Sueños Festival: 'I'm In Love With This City' Demi Lovato Marries Jordan 'Jutes' Lutes in California Wearing Vivienne Westwood Wedding Gown Billy Ray Cyrus & Elizabeth Hurley Make Red Carpet Debut as a Couple From 'Dale Don' to 'Hasta Abajo' and 'Dile,' the Puerto rican hitmaker started with a bang. 'Latinos make some noise,' he said at the top of his one-hour set. He was a man of a few words, letting the music speak for itself. 'Are we having fun?' he asked at one point. It's safe to say the crowd was indeed having fun with groups of friends perreando and singing along with the self-proclaimed King of Kings. He went on to sing 'Pobre Diabla,' Hector y Tito's 'Morena,' 'Salió El Sol,' 'Se Menea,' 'Taboo,' 'Danza Kuduro' and 'Bandoleros.' But a highlight of the night was when he sang 'Ella y Yo,' his 2005 hit duet with Romeo Santos. 'You guys know this song, right?' he asked, almost rhetorically. One of the most memorable collaborations of the 21st century, Santos and Don Omar engage in a call-and-response of sorts to tell a story of lust, infidelity and betrayal in 'Ella y Yo.' Don Omar asked the Sueños crowd to play the part of Santos and they promptly followed his orders, making for an epic duet between Don Omar and his fans. Don Omar most recently wrapped his Back to Reggaetón World Tour, which marked his grand return to the stage in celebration of his decades-spanning career. Day two of Sueños Music Festival also included riveting performances by Kapo, Bellakath, Omar Courtz, Jhayco, Tito Double P, Grupo Frontera and Wisin. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart

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