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Jon Hamm reveals his 'gorgeous' childhood celebrity crush
Jon Hamm reveals his 'gorgeous' childhood celebrity crush

Perth Now

time3 days ago

  • Entertainment
  • Perth Now

Jon Hamm reveals his 'gorgeous' childhood celebrity crush

Jon Hamm had a childhood crush on Jaclyn Smith and Farrah Fawcett. The 51-year-old actor has admitted he took a fancy to the two Charlie's Angels stars when he was younger, and he couldn't resist approaching Jaclyn when they were at an event together. Asked who he had a crush on growing up, he told W Magazine: "Farrah Fawcett from Charlie's Angels. Actually, Jaclyn Smith was my favorite Angel. "I met her about five years ago, and I did the thing that I hate when people do — I came up to her and said, 'I have to say hello. I'm sorry.' "She couldn't have been more pleasant, and she couldn't have been more gorgeous." Despite the Mad Men star being a big name in his own right, he admitted he still gets starstruck meeting other celebrities. He added: "For sure. Jeff Bridges, most recently. I got to work with him in 2018 on Bad Times at the El Royale. "It was a bucket list moment for me. I had been a fan of his since I was a kid. "Everybody loves him as the Dude, but I just remember seeing him and another crush of mine, Cybill Shepherd, in The Last Picture Show. That's one of my favorite movies of all time." Meanwhile, Jon opened up on the admiration he has for reality TV stars, noting that his wife has got him into the Real Housewives franchise. He said: "My wife turned me on to a lot of these shows, and now I've befriended Andy Cohen, and I get it. "Beverly Hills, New Jersey, New York — I'll sit there and I will watch it with glee. "Are they bad actors? I wouldn't want to see them in a fictional thing, but they're good at being themselves on those shows." And Jon insisted he would never want to swap his life as an actor to simply be himself on screen in that way. He added: "I can't imagine what that must be like. I wouldn't trade places with them for all the money in the world."

Iconic ice cream chain closing dozens of locations
Iconic ice cream chain closing dozens of locations

Miami Herald

time12-05-2025

  • Business
  • Miami Herald

Iconic ice cream chain closing dozens of locations

Starbucks' Howard Schultz made the term "third place" part of the national vocabulary. As he built out the coffee chain, he wanted it to be someplace people could spend time in when not at work or home. The third place has a deep tradition in Europe whether they be Italy's coffee shops or England's pubs. Related: McDonald's CEO raises red flag on anti-American sentiment People need a place to come together where they can relax, connect with friends, and build community. A third place, especially in a smaller community becomes a kind of de facto community center. In the small town where I grew up in, Swampscott, Massachusetts, the local Dunkin' has served as the center of the community for decades. If you can find a a parking space, you will enter a store where old-timers have occupied the same table since the dawn of time, and younger folks drop in to pay their respects (and grab an iced coffee). Don't miss the move: SIGN UP for TheStreet's FREE Daily newsletter Swampscott has a Starbucks now, but "Dunkies" remains the heart of the town, its third place where gossip gets shared, celebrations take place, and people maintain their connections. If the chain ever closed that location, it would be a deep loss to the community because the store serves a vital function beyond caffeinating the locals. In a more rural town (Swampscott is only three-square miles, but it's jam-packed) the loss of a third place can be devastating. That's something many communities are experiencing now as an iconic ice cream chain closes hundreds of locations. Larry McMurtry's "The Last Picture Show" tells the story of a small Texas town losing its movie theater. Dairy Queen, while it's not actually mentioned by name, plays a crucial role in the film. It's the clear "third place" for the community and while the town in that literary classic is fictional, Dairy Queen does fill that role in hundreds of real-life similar communities. Over the past few months, about 30 Dairy Queen locations in Texas have closed. These closures, it should be noted, are due to a dispute between the parent company and Project Lonestar, a franchisee. "These closures are related to closures last month by the same franchise owner," a Dairy Queen spokesperson said of the shutterings. "The closures are an isolated event, and we refrain from publicly sharing contract terms." Essentially, the parent company, American Dairy Queen (ADQ) pulled the franchises from Lonestar after it failed to remodel them. That meant that those locations could not order supplies and would have to close. More Retail: Walmart, Target, Costco make major 2025 announcementFormerly bankrupt retailer makes painful decision to close more storesTop investor takes firm stance on troubled retail brand The disagreement prevented Lonestar from selling the locations which forced it to close the Dairy Queen locations is operates. Project Lonestar at one time had 38 Dairy Queen locations. While any community would be sad to see its Dairy Queen close, these closures hit harder. Most of them are in small Texas towns where the ice cream chain fills the role of "third place." "It's an impact to our culture, absolutely," said Remelle Farrar, interim director for the local economic development corporation in Canadian, a town of about 2,300 in the northernmost part of Texas, Daily Yonder reported. Dairy Queen's have been closing in smaller towns as the company's overall footprint has shrunk. "In Canadian, a town whose economy has over the years been supported by cattle ranching, nearby oil and gas exploration, and tourism, there are multiple locally-run restaurants. But the Dairy Queen still served as an important gathering space, Farrar added. About half of the shuttered Dairy Queen location were in towns with populations of under 3,000 people. Related: Target, grocery chains find self-checkout, retail theft answers "Rural areas are more likely to struggle at providing such 'third places,' Danielle Rhubart, a researcher at Penn State University who studies rural health and well-being, told Planetizen. International Dairy Queen Inc., (IDQ), headquartered in Minneapolis, Minnesota, is the parent company of American Dairy Queen Corporation and Dairy Queen Canada, Inc. Through its subsidiaries, IDQ develops, licenses and services a system of more than 7,700 DQ restaurants in more than 20 countries. IDQ is a subsidiary of Berkshire Hathaway Inc. The Arena Media Brands, LLC THESTREET is a registered trademark of TheStreet, Inc.

53 Years After Its Launch, This Soviet Spacecraft Is About to Crash Into Earth
53 Years After Its Launch, This Soviet Spacecraft Is About to Crash Into Earth

CNET

time06-05-2025

  • Science
  • CNET

53 Years After Its Launch, This Soviet Spacecraft Is About to Crash Into Earth

The Soviet space program had a lot of hope riding on the Cosmos 482 mission when it launched in March 1972. The mission included a lander destined for Venus. The spacecraft never made it out of Earth orbit -- and now it's coming home, but not in a good way. The lander probe is expected back around May 10. Should you be worried? "Because the probe was designed to withstand entry into the Venus atmosphere, it is possible the probe (or parts of it) will survive reentry at Earth and reach the surface," NASA said. Also known as Kosmos 482, the lander probe weighed in at over 1,000 pounds at launch and was stocked with instruments designed to study the hellish surface of the second planet from the sun. The mission hit a rough patch after reaching Earth orbit and separating into four pieces, two of which quickly decayed out of orbit. The lander probe and the upper-stage engine unit went into a higher orbit. "It is thought that a malfunction resulted in an engine burn which did not achieve sufficient velocity for the Venus transfer and left the payload in this elliptical Earth orbit," NASA said. The lander probe has been on a long, slow path back to Earth for decades, and the time of reunion is almost here. The potential reentry window stretches from May 7-13. We don't have a precise time or location. Cosmos 482 will have an uncontrolled reentry, so it will be hard to predict its path. Water covers about 71% of Earth's surface, so any Cosmos 482 pieces that survive the fiery atmospheric reentry process have a good chance of landing harmlessly in the ocean. However, there's a possibility of debris ending up on land. This isn't cause for panic. Science educator Marco Langbroek is tracking Cosmos 482 and posting reentry forecasts on his blog. "The risks involved are not particularly high, but not zero," he wrote, saying the risks are similar to that of a meteorite impact. The 1972 launch may seem like ancient history to us now. Back then, Richard Nixon was president, The Last Picture Show was big in movie theaters, All in the Family was a hit on TV, and you don't even want to know how cheap a house was ($27,400). But spacecraft and satellites continue to go up. In late April, Amazon launched 27 low-Earth orbit satellites as part of Project Kuiper, which will provide satellite broadband services and compete with Elon Musk's Starlink. The Kuiper satellites, however, are designed to burn up in the Earth's atmosphere after their missions end. So go ahead and keep an eye on Cosmos 482's journey, but don't book an underground bunker because of it.

Texas lawmakers seek billions for film production incentives
Texas lawmakers seek billions for film production incentives

Yahoo

time06-05-2025

  • Entertainment
  • Yahoo

Texas lawmakers seek billions for film production incentives

ARCHER COUNTY (KFDX/KJTL) — Texas lawmakers are working to increase film production incentives this session to make Texas the next Hollywood. One Texoman, who's a film liaison for Archer County, said this could be a big boost for our area given its film history. Loco for Cinco Fest highlights art and culture with live mural painting It's been more than 50 years since 'The Last Picture Show' debuted on the big screen. Lawmakers are debating adding half a billion dollars to a new 'Texas Moving Image Industry Incentive Fund' every two years until 2035. It's the most lawmakers have allocated for productions since starting the incentive grant in 2007. 'With potentially this big incentive package coming through the legislator, [could Texas be] like a big destination for future films?' 'I think so,' Archer County Liaison Richard Shelley said. Shelley has worked with production crews to scout areas within the county for possible film locations. 'There's a lot of activity, a lot of people ask what is there in Texas because it's much cheaper to do it here,' Shelley said. Texas is one of 37 states to offer film incentives. So this isn't new to the Lone Star State. It's even garnered support from A-list actors from the Lone Star State. 'This incentive is an investment in Texas in that it will create more income for the state that can be allocated to other places, where the money's needed,' Matthew McConaughey said as he spoke to a committee of lawmakers. 'Every grant dollar awarded returns to $4.69 to the state of Texas, and it's a 469% ROI.' Houston native Dennis Quaid echoes McConaughey's remarks, saying this is a chance to create new jobs. 'Hollywood has lost the narrative,' Quaid said. '[It's] an opportunity for Texas in a long-term commitment to become not a leader, but the leader in the film and television industry.' Shelley said economic benefits will be felt throughout Texoma. 'Any of these rural counties around Wichita Falls, they're going to be the ones that they are going to get the biggest piece of money that's spent. They will hire local people to be in these movies,' Shelley said. Time ticks on lawmakers to pass the bill before the session ends. Additional incentives are available to productions that film in rural areas of the state or hire a certain number of veterans for their cast and crew. Currently, Senate Bill 22 is in the Culture, Recreation, and Tourism House Committee. Its companion bill, House Bill 4568, is pending in the same committee. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Fraenkel Film Festival returns to Roxie as theater campaigns to purchase historic building
Fraenkel Film Festival returns to Roxie as theater campaigns to purchase historic building

San Francisco Chronicle​

time02-05-2025

  • Entertainment
  • San Francisco Chronicle​

Fraenkel Film Festival returns to Roxie as theater campaigns to purchase historic building

After a well-received first run in 2024, the Fraenkel Gallery's Fraenkel Film Festival will return to the Roxie Theater this summer. The news of the festival's second year comes as the nonprofit seeks to to raise $2 million to purchase the historic Mission District building it has occupied for the last 112 years. This includes the main, 234-seat Roxie Theater at 3117 16th St., the 50-seat Little Roxie theater, the office two doors down and the adjacent Dalva cocktail bar. All proceeds from the Fraenkel Film Festival will go to the Roxie. 'Last year's Fraenkel Film Festival at the Roxie was a heartwarming and wildly successful collaboration that brought an entirely new, deeply engaged audience to the theater,' Roxie Executive Director Lex Sloan told the Chronicle. 'We're extraordinarily thankful for this ongoing partnership with Jeffrey Fraenkel and Fraenkel Gallery, which also acts as a meaningful fundraiser for our cinema. It's been especially well timed as we begin a capital campaign to invest in our future.' From July 9-19, the Roxie plans to screen 21 films curated by the 21 living artists Fraenkel represents, including international art stars like Nan Goldin, Carrie Mae Weems, Hiroshi Sugimoto and Sophie Calle. Founder Jeffrey Frankel, whose Union Square gallery is among the most important in the world specializing in photography, said the inaugural festival started as an experiment, tied to the 45th anniversary of the Fraenkel Gallery. 'The Roxie was the unquestionable best choice for an event like this,' he said. 'Our sensibilities seem to align in certain ways, but we were so surprised and happy with the response. … At least half the films had to have multiple screenings to accommodate the interest.' This year, the festival will open with Peter Bogdanovich's 'The Last Picture Show' (1971). Berkeley artist Richard Misrach said in a statement that he chose the Academy Award-winning melodrama because of how it 'speaks to the importance of film and the death of small towns all over America.' 'The film is also a harbinger of things to come decades later — in fact, at our particular historical moment — when screens began to disappear along with the communal experience of watching together in the dark.' The screening will include a pre-recorded conversation with Misrach and the film's star, Jeff Bridges. 'There couldn't be a better choice for an opening night movie,' Fraenkel noted. Oakland artist Kota Ezawa's selection is George Miller's 2015 sci-fi action movie 'Mad Max: Fury Road,' scheduled for the festival's second night. It's paired with Goldin's pick, the 1932 pre-code classic 'Merrily We Go to Hell,' directed by pioneering female director Dorothy Arzner. 'When I read The New Yorker review of 'Mad Max: Fury Road,' which compared the experience of watching this film to someone pressing their thumbs onto your eyes for two hours, I couldn't resist,' said Ezawa, who also noted the movie's themes of disability and female empowerment. 'The film doesn't disappoint.' Other films span the gamut from Francis Ford Coppola's 1974 thriller 'The Conversation' selected by Canadian artists Janet Cardiff and George Bures Miller; Jonathan Demme's Oscar-winning 1991 psychological horror 'The Silence of the Lambs,' selected by New York artist Wadell Milan; and Francois Truffaut's 1959 French coming-of-age classic 'The 400 Blows.' Victor Fleming's 1939 musical favorite 'The Wizard of Oz,' selected by San Francisco artist Elisheva Biernoff; Alfred Hitchcock's 1954 suspense masterpiece 'Rear Window,' chosen by New York photographer Lee Friedlander; and Sofia Coppola's 2003 comedy-drama 'Lost in Translation' closes out the 11-day showcase. General admission is $16 for all films, except for the opening night screening of 'The Last Picture Show,' which will be $20. A six-film pass is $72, while all other festival passes are $200. Tickets and passes are on sale now at 'There's a palpable difference in seeing a movie on a big screen in a theater and sharing the experience with other people,' said Fraenkel. 'It's better than just watching a movie at home — I don't care how big one's monitor is. 'And don't forget, a lot of the films in the film festival will be screened in 35 millimeter.'

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