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Sydney Morning Herald
04-06-2025
- Entertainment
- Sydney Morning Herald
Here are 10 new books to add to your reading pile
Classic espionage, an unconventional ghost story, David Attenborough's call to action for our oceans and a globetrotting search for the world's mythical creatures – there's something for every taste in this week's reviews. FICTION PICK OF THE WEEK Wait Here Lucy Nelson Summit Books, $32.99 Lucy Nelson's Wait Here is a striking short fiction collection populated by female characters who aren't and never will be mothers. Some experience childlessness as a form of liberation, some a curse; for some it's barely worth mentioning, for others a lost echo that haunts them. In the title story, Ivy attends a psychiatrist's waiting room, which she visits weekly, the cause of her distress never openly discussed, the waiting itself becoming a kind of comfort. Other tales involve such scenarios as a dancer who learns she can never have children, and two elderly spinsters with a 'found family' making a fateful choice. Nelson brings variety and vigour to the characters in these pages, and she's mastered the finely contrasting use of emotional registers. Read together, the stories range from quirky hilarity to purgatorial grief, and it's one sign of a gifted short fiction writer that none of them are over-realised – Nelson often suggests rather than tells and resists simple resolution, reserving enough mystery to provoke the reader into imagining women in all their diversity and complexity. Aftertaste Daria Lavelle Bloomsbury, $26.99 An eccentric supernatural power has assailed Kostya Duhovny ever since he was a child. His mouth has long been invaded by strange tastes he has never experienced himself. It appears he relives other people's taste sensations, and when he visits Maura, a hot goth-girl psychic, she reveals it is 'clairgustance' – a gustatory connection to the ghosts of the dead and more specifically, their favourite meals in life. This uncanny ability allows Kostya to rise above his job as a humble dish pig and make a unique contribution to haute cuisine on the New York restaurant scene. Daria Lavelle's satire of the more pretentious side of that industry is deliciously spicy, although an insipid romantic arc does flatten its flavour for a time, even as the otherworldly consequences of Kostya's link with the world beyond add more than a hint of ghost story. It's an unusual mélange of genres, not always blended to perfection, but with an intriguing dark comic taste, nonetheless. Best Left Buried Neil A. White Echo, $32.99 The second in Neil A. White's Matt Latham series, Best Left Buried sets the reader onto a dark and desperate trail of international espionage. It's a thriller built upon the intrigues and misdeeds of the CIA in Latin America, and its anti-hero becomes entangled in a dangerous legacy when he agrees to ghostwrite the memoir of a friend, Bryant Callahan – previously a senior diplomat, soon to be a senator. Travelling to Dallas, his research uncovers unpalatable truths – Callahan's involvement with the CIA, and the troubling history (or lack of it) behind his wife Aleja, a former Miss Cuba orphaned as a child. When Aleja asks Matt to help find her birth family, a trip to Havana unearths scandalous secrets. Matt finds himself hunted by those determined to keep them from coming to light, as another figure implicated in the secret history travels from Mexico City to the US, hell-bent on revenge. The writing can sometimes be a bit too telegraphic for my taste, but it is a taut and rather well-paced thriller, dreamt up from the shadows of real historical events. Whisky Valley Joan Sauers Allen & Unwin, $32.99 In this sequel to Echo Lake, Joan Sauers returns to the Southern Highlands and her historian-cum-detective Rose McHugh. Understandably, Rose's narrow escape from becoming a murder victim in the last novel has left her on edge, but mysteries have a habit of seeking her out, and the latest begins when her son's best friend, a talented musician, disappears. Rose was never going to take the advice of friends and family and stay away from sleuthing, and as floodwaters surge, she finds herself unravelling threads of treachery – some of it close to home – as she takes on the missing person's case. Is this cosy crime? Not entirely. Sauers' heroine is likeable enough, there's a healthy dollop of romance, and the Highlands locale exudes rural charm and features a majestic natural setting. Still, the author does leave open the door to darkness in a way that builds suspense and should keep readers apprehensive about Rose's fate. Julie Chan Is Dead Liann Zhang Raven Books, $32.99 A struggling checkout chick swaps lives with her identical twin – an Insta-perfect influencer – in Julie Chan Is Dead, the debut novel from former 'skinfluencer' (skincare and beauty influencer) Liann Zhang. Discovering her estranged sister Chloe van Huusen dead in mysterious circumstances, Julie Chan wants to call 911 but can't resist stepping into her life of fame, fortune and followers and seizing it for her own. The twins were separated at a young age and their fates diverged, but Julie soon finds that Chloe did not live the enviable existence she imagined. The luxuries and labels come at a price – Julie must try to fit in with Chloe's beautiful influencer clique, the Belladonnas, and a week away with them reveals bizarre and disturbing behaviours that take on an increasingly sinister complexion. What really happened to Chloe? Will Julie be the next target? Zhang mixes mystery and horror and melodrama to capitalise on the market for stories about the toxicity of influencer culture. It's quite fun, but beyond the irresistible hook, I'm not sure that it does enough to make a lasting mark in a rapidly expanding subgenre. NON-FICTION PICK OF THE WEEK Ocean: Earth's Last Wilderness David Attenborough & Colin Butfield John Murray, $34.99 If you've seen David Attenborough's latest film Ocean, currently screening at cinemas, this book is an invitation to dive deeper. If you haven't seen it, you must. And then read this. While it spares us the film's graphic footage of the ruinous impact of industrial trawling, the dire implications for coastal communities and the health of the ocean in general are clear. The world's seas and their crucial role in sustaining life on Earth is a vast subject made intimate and accessible through the changes Attenborough has observed over the past century and the technological advances that have revolutionised our understanding of this watery realm. There are grim statistics – in his lifetime, almost half the world's coral has been lost – but there is also real reason for hope, as evidenced in the recovery of reefs, kelp forests and marine life in areas which have been declared sanctuaries. We know what needs to be done, say the authors, to fix the biggest problems we face as a species. 'The question is whether we also have the will and foresight to do so.' Monsterland Nicholas Jubber Scribe, $37.99 In the days when parts of the globe were still a mystery, cartographers marked uncharted regions with the phrase 'Here be monsters'. Since childhood, Nicholas Jubber has been drawn to the mythical creatures said to inhabit these margins. In this enchanting work, he travels to the shadowlands still haunted by such folk tales: to Cornwall searching for giants, Bavarian forests on the trail of dragons, Morocco in pursuit of supernatural beings known as genies or jinn, to Haiti where the story of the zombie took on chilling real life resonance as slaves, like 'living cadavers labour[ed] for their overlords'. Jubber focuses on four kinds of monster – the shapeshifter, the undead, the wild and creatures of the modern imagination – to explore the origins of these tales, what they tell us about the human psyche and how they live on in the present. With humour and flair, he probes how monsters register the 'emotional states of their epochs' and bind communities together. Michela Marzano Gazebo Books, $29.99 Michela Marzano had always thought of her grandfather as a refined, cultivated man. Then, in her 40s, she discovered that he'd also been a Fascist, a devotee of Benito Mussolini and member of his squadrista. 'Those thugs who beat up communists with their truncheons.' Marzano's parents were proudly left-wing, and her father never spoke of his father's politics. After her discovery, she is gripped by the thought that 'my grandfather must have been a monster'. What she learns about his experience as a soldier and a prisoner during the First World War helps her better understand his embrace of Fascism. As she delves into his personal archive, she also finds herself wrestling with the legacy of her father's domineering behaviour and its impact on her life. In this intense and unsettling memoir, Marzano constantly questions whether she should be exposing these family secrets, including her own mental health struggles. But the reader can only be grateful that she has braved her demons for the light they shed on how a nation's violent history reverberates down through the generations. Australia's Agricultural Identity Joshua Gilbert Penguin, $36.99 The marriage of Joshua Gilbert's convict forebear to a Worimi woman fused agriculture and culture, new and ancient ways, symbolising the aspirations of this forward-looking history-cum-memoir. From farming stock himself, Gilbert longs for the world to see that Indigenous people can thrive on the land, 'selling cattle at top prices, and golden fleece to make thousand-dollar suits'. And to recognise that their relationship with Country can evolve with new enterprises. Gilbert is a gifted yarn-spinner whose life story spans the divide between Indigenous and settler histories; a traditional rural upbringing with deeper roots. When he was a boy, his family didn't speak much of their Indigenous history. His adulthood has been a process of awakening to what it means to be an Indigenous person whose white ancestors worked for the Australian Agricultural Company that drove the Worimi people off their land. Through this personal lens, Gilbert offers a vision of what farming in Australia might become. Pilgrims have been making their way to sacred sites for millennia. These days, in the West, the destinations are more likely to be linked with the secular religion of sport. This guide to Australia's most celebrated venues is inevitably weighted in favour of team, rather than individual, sports with cricket grounds and AFL and rugby fields dominating, many of which are iconic and have international reputations. The absence of venues that host basketball, netball and soccer, however, might leave a few fans feeling miffed. Although numerous sites are products of the establishment – the MCG, SCG, Royal Melbourne Golf Club, Flemington Racecourse – the stories featured here are often the opposite. The SCG's renowned heckler known as Yabba is a prime example. At the more informal end of the spectrum are the surf breaks of Bells Beach and Snapper Rocks, and the Henley on Todd Regatta in Alice Springs, the famous waterless boat race. This is a bible for those seeking places of worship that align with their sporting values or that are of interest simply because of their legendary status.
The Age
04-06-2025
- Entertainment
- The Age
Here are 10 new books to add to your reading pile
Classic espionage, an unconventional ghost story, David Attenborough's call to action for our oceans and a globetrotting search for the world's mythical creatures – there's something for every taste in this week's reviews. FICTION PICK OF THE WEEK Wait Here Lucy Nelson Summit Books, $32.99 Lucy Nelson's Wait Here is a striking short fiction collection populated by female characters who aren't and never will be mothers. Some experience childlessness as a form of liberation, some a curse; for some it's barely worth mentioning, for others a lost echo that haunts them. In the title story, Ivy attends a psychiatrist's waiting room, which she visits weekly, the cause of her distress never openly discussed, the waiting itself becoming a kind of comfort. Other tales involve such scenarios as a dancer who learns she can never have children, and two elderly spinsters with a 'found family' making a fateful choice. Nelson brings variety and vigour to the characters in these pages, and she's mastered the finely contrasting use of emotional registers. Read together, the stories range from quirky hilarity to purgatorial grief, and it's one sign of a gifted short fiction writer that none of them are over-realised – Nelson often suggests rather than tells and resists simple resolution, reserving enough mystery to provoke the reader into imagining women in all their diversity and complexity. Aftertaste Daria Lavelle Bloomsbury, $26.99 An eccentric supernatural power has assailed Kostya Duhovny ever since he was a child. His mouth has long been invaded by strange tastes he has never experienced himself. It appears he relives other people's taste sensations, and when he visits Maura, a hot goth-girl psychic, she reveals it is 'clairgustance' – a gustatory connection to the ghosts of the dead and more specifically, their favourite meals in life. This uncanny ability allows Kostya to rise above his job as a humble dish pig and make a unique contribution to haute cuisine on the New York restaurant scene. Daria Lavelle's satire of the more pretentious side of that industry is deliciously spicy, although an insipid romantic arc does flatten its flavour for a time, even as the otherworldly consequences of Kostya's link with the world beyond add more than a hint of ghost story. It's an unusual mélange of genres, not always blended to perfection, but with an intriguing dark comic taste, nonetheless. Best Left Buried Neil A. White Echo, $32.99 The second in Neil A. White's Matt Latham series, Best Left Buried sets the reader onto a dark and desperate trail of international espionage. It's a thriller built upon the intrigues and misdeeds of the CIA in Latin America, and its anti-hero becomes entangled in a dangerous legacy when he agrees to ghostwrite the memoir of a friend, Bryant Callahan – previously a senior diplomat, soon to be a senator. Travelling to Dallas, his research uncovers unpalatable truths – Callahan's involvement with the CIA, and the troubling history (or lack of it) behind his wife Aleja, a former Miss Cuba orphaned as a child. When Aleja asks Matt to help find her birth family, a trip to Havana unearths scandalous secrets. Matt finds himself hunted by those determined to keep them from coming to light, as another figure implicated in the secret history travels from Mexico City to the US, hell-bent on revenge. The writing can sometimes be a bit too telegraphic for my taste, but it is a taut and rather well-paced thriller, dreamt up from the shadows of real historical events. Whisky Valley Joan Sauers Allen & Unwin, $32.99 In this sequel to Echo Lake, Joan Sauers returns to the Southern Highlands and her historian-cum-detective Rose McHugh. Understandably, Rose's narrow escape from becoming a murder victim in the last novel has left her on edge, but mysteries have a habit of seeking her out, and the latest begins when her son's best friend, a talented musician, disappears. Rose was never going to take the advice of friends and family and stay away from sleuthing, and as floodwaters surge, she finds herself unravelling threads of treachery – some of it close to home – as she takes on the missing person's case. Is this cosy crime? Not entirely. Sauers' heroine is likeable enough, there's a healthy dollop of romance, and the Highlands locale exudes rural charm and features a majestic natural setting. Still, the author does leave open the door to darkness in a way that builds suspense and should keep readers apprehensive about Rose's fate. Julie Chan Is Dead Liann Zhang Raven Books, $32.99 A struggling checkout chick swaps lives with her identical twin – an Insta-perfect influencer – in Julie Chan Is Dead, the debut novel from former 'skinfluencer' (skincare and beauty influencer) Liann Zhang. Discovering her estranged sister Chloe van Huusen dead in mysterious circumstances, Julie Chan wants to call 911 but can't resist stepping into her life of fame, fortune and followers and seizing it for her own. The twins were separated at a young age and their fates diverged, but Julie soon finds that Chloe did not live the enviable existence she imagined. The luxuries and labels come at a price – Julie must try to fit in with Chloe's beautiful influencer clique, the Belladonnas, and a week away with them reveals bizarre and disturbing behaviours that take on an increasingly sinister complexion. What really happened to Chloe? Will Julie be the next target? Zhang mixes mystery and horror and melodrama to capitalise on the market for stories about the toxicity of influencer culture. It's quite fun, but beyond the irresistible hook, I'm not sure that it does enough to make a lasting mark in a rapidly expanding subgenre. NON-FICTION PICK OF THE WEEK Ocean: Earth's Last Wilderness David Attenborough & Colin Butfield John Murray, $34.99 If you've seen David Attenborough's latest film Ocean, currently screening at cinemas, this book is an invitation to dive deeper. If you haven't seen it, you must. And then read this. While it spares us the film's graphic footage of the ruinous impact of industrial trawling, the dire implications for coastal communities and the health of the ocean in general are clear. The world's seas and their crucial role in sustaining life on Earth is a vast subject made intimate and accessible through the changes Attenborough has observed over the past century and the technological advances that have revolutionised our understanding of this watery realm. There are grim statistics – in his lifetime, almost half the world's coral has been lost – but there is also real reason for hope, as evidenced in the recovery of reefs, kelp forests and marine life in areas which have been declared sanctuaries. We know what needs to be done, say the authors, to fix the biggest problems we face as a species. 'The question is whether we also have the will and foresight to do so.' Monsterland Nicholas Jubber Scribe, $37.99 In the days when parts of the globe were still a mystery, cartographers marked uncharted regions with the phrase 'Here be monsters'. Since childhood, Nicholas Jubber has been drawn to the mythical creatures said to inhabit these margins. In this enchanting work, he travels to the shadowlands still haunted by such folk tales: to Cornwall searching for giants, Bavarian forests on the trail of dragons, Morocco in pursuit of supernatural beings known as genies or jinn, to Haiti where the story of the zombie took on chilling real life resonance as slaves, like 'living cadavers labour[ed] for their overlords'. Jubber focuses on four kinds of monster – the shapeshifter, the undead, the wild and creatures of the modern imagination – to explore the origins of these tales, what they tell us about the human psyche and how they live on in the present. With humour and flair, he probes how monsters register the 'emotional states of their epochs' and bind communities together. Michela Marzano Gazebo Books, $29.99 Michela Marzano had always thought of her grandfather as a refined, cultivated man. Then, in her 40s, she discovered that he'd also been a Fascist, a devotee of Benito Mussolini and member of his squadrista. 'Those thugs who beat up communists with their truncheons.' Marzano's parents were proudly left-wing, and her father never spoke of his father's politics. After her discovery, she is gripped by the thought that 'my grandfather must have been a monster'. What she learns about his experience as a soldier and a prisoner during the First World War helps her better understand his embrace of Fascism. As she delves into his personal archive, she also finds herself wrestling with the legacy of her father's domineering behaviour and its impact on her life. In this intense and unsettling memoir, Marzano constantly questions whether she should be exposing these family secrets, including her own mental health struggles. But the reader can only be grateful that she has braved her demons for the light they shed on how a nation's violent history reverberates down through the generations. Australia's Agricultural Identity Joshua Gilbert Penguin, $36.99 The marriage of Joshua Gilbert's convict forebear to a Worimi woman fused agriculture and culture, new and ancient ways, symbolising the aspirations of this forward-looking history-cum-memoir. From farming stock himself, Gilbert longs for the world to see that Indigenous people can thrive on the land, 'selling cattle at top prices, and golden fleece to make thousand-dollar suits'. And to recognise that their relationship with Country can evolve with new enterprises. Gilbert is a gifted yarn-spinner whose life story spans the divide between Indigenous and settler histories; a traditional rural upbringing with deeper roots. When he was a boy, his family didn't speak much of their Indigenous history. His adulthood has been a process of awakening to what it means to be an Indigenous person whose white ancestors worked for the Australian Agricultural Company that drove the Worimi people off their land. Through this personal lens, Gilbert offers a vision of what farming in Australia might become. Pilgrims have been making their way to sacred sites for millennia. These days, in the West, the destinations are more likely to be linked with the secular religion of sport. This guide to Australia's most celebrated venues is inevitably weighted in favour of team, rather than individual, sports with cricket grounds and AFL and rugby fields dominating, many of which are iconic and have international reputations. The absence of venues that host basketball, netball and soccer, however, might leave a few fans feeling miffed. Although numerous sites are products of the establishment – the MCG, SCG, Royal Melbourne Golf Club, Flemington Racecourse – the stories featured here are often the opposite. The SCG's renowned heckler known as Yabba is a prime example. At the more informal end of the spectrum are the surf breaks of Bells Beach and Snapper Rocks, and the Henley on Todd Regatta in Alice Springs, the famous waterless boat race. This is a bible for those seeking places of worship that align with their sporting values or that are of interest simply because of their legendary status.
Sydney Morning Herald
30-05-2025
- Entertainment
- Sydney Morning Herald
Bust out the popcorn: What to watch at Sydney Film Festival
This story is part of the May 31 edition of Good Weekend. See all 14 stories. WATCH / Scene stealers Cinephiles, it's time to get those corn kernels a-poppin'. Over 12 days (June 4-15) and 13 venues, the Sydney Film Festival will be raising the curtain on 201 films from 70 countries, more than half of them Australian premieres (17 of them world debuts), many still wreathed in glory from recent screenings at Toronto, Sundance and Cannes. These include Kelly Reichardt's The Mastermind ('70s art heist), starring Josh O'Connor, It Was Just an Accident (Iranian Jafar Panahi's reimagining of the road movie) and Cherien Dabis's All That's Left of You (sweeping Palestinian family saga). Expect a heavy sprinkling of stardust, too, namely Mike Flanagan's The Life of Chuck (Stephen King adaptation, starring Tom Hiddleston) and On Swift Horses (sizzling '50s love pickle with Daisy Edgar-Jones and leading man-of-the-hour Jacob Elordi). Other Aussies will be out in force, too; don't miss Slanted, by newbie filmmaker Amy Wang, and the jewel in the opening-night crown, Together (starring real-life double act Alison Brie and Dave Franco), by Michael Shanks. (Fret not, Victorians: the Melbourne International Film Festival kicks off on August 7; watch this space.) READ / The write stuff Deception, misappropriation, ethical dilemmas, ambition – I Want Everything, the debut novel from Australian writer Dominic Amerena (Summit Books; $35), has it all. When a down-on-his-luck writer spots an iconic literary recluse at his local pool, he can't believe his luck. He worms his way into her affections, persuading her to spill the beans on the true stories behind her two celebrated novels and let him write her biography, convinced it will make his name as a writer. First, though, he must put aside his moral scruples. A literary thriller as well as a takedown of book-industry pretensions, with a cracker of an ending. Nicole Abadee LISTEN / Back to life Jacob Haendel was handed a death sentence in 2017. Due to complications from his heroin addiction, he contracted a rare, progressive brain disease that kills anyone who gets it within six months. He deteriorated to the point where doctors thought he was brain-dead but, in fact, he was trapped in his body, fully conscious, despite the inability to speak, eat or move a muscle. He was in hell. And he became aware that his wife, who outwardly played the fiercely protective caregiver, was separating him from his family, planning to divorce him; she even announced his death on social media. Spoiler alert: he miraculously survives. In the podcast Blink, host Corinne Vien helps Haendel tell the remarkable tale of someone who lost his life and then clawed his way back. Barry Divola
The Age
30-05-2025
- Entertainment
- The Age
Bust out the popcorn: What to watch at Sydney Film Festival
This story is part of the May 31 edition of Good Weekend. See all 14 stories. WATCH / Scene stealers Cinephiles, it's time to get those corn kernels a-poppin'. Over 12 days (June 4-15) and 13 venues, the Sydney Film Festival will be raising the curtain on 201 films from 70 countries, more than half of them Australian premieres (17 of them world debuts), many still wreathed in glory from recent screenings at Toronto, Sundance and Cannes. These include Kelly Reichardt's The Mastermind ('70s art heist), starring Josh O'Connor, It Was Just an Accident (Iranian Jafar Panahi's reimagining of the road movie) and Cherien Dabis's All That's Left of You (sweeping Palestinian family saga). Expect a heavy sprinkling of stardust, too, namely Mike Flanagan's The Life of Chuck (Stephen King adaptation, starring Tom Hiddleston) and On Swift Horses (sizzling '50s love pickle with Daisy Edgar-Jones and leading man-of-the-hour Jacob Elordi). Other Aussies will be out in force, too; don't miss Slanted, by newbie filmmaker Amy Wang, and the jewel in the opening-night crown, Together (starring real-life double act Alison Brie and Dave Franco), by Michael Shanks. (Fret not, Victorians: the Melbourne International Film Festival kicks off on August 7; watch this space.) READ / The write stuff Deception, misappropriation, ethical dilemmas, ambition – I Want Everything, the debut novel from Australian writer Dominic Amerena (Summit Books; $35), has it all. When a down-on-his-luck writer spots an iconic literary recluse at his local pool, he can't believe his luck. He worms his way into her affections, persuading her to spill the beans on the true stories behind her two celebrated novels and let him write her biography, convinced it will make his name as a writer. First, though, he must put aside his moral scruples. A literary thriller as well as a takedown of book-industry pretensions, with a cracker of an ending. Nicole Abadee LISTEN / Back to life Jacob Haendel was handed a death sentence in 2017. Due to complications from his heroin addiction, he contracted a rare, progressive brain disease that kills anyone who gets it within six months. He deteriorated to the point where doctors thought he was brain-dead but, in fact, he was trapped in his body, fully conscious, despite the inability to speak, eat or move a muscle. He was in hell. And he became aware that his wife, who outwardly played the fiercely protective caregiver, was separating him from his family, planning to divorce him; she even announced his death on social media. Spoiler alert: he miraculously survives. In the podcast Blink, host Corinne Vien helps Haendel tell the remarkable tale of someone who lost his life and then clawed his way back. Barry Divola
New York Times
30-04-2025
- Entertainment
- New York Times
New Historical Fiction That Whisks You to Paris, Vienna and Elsewhere
The Paris Express 'A railway carriage is as intimate as a dinner party, but one with no host and guests assembled at random.' You'll find plenty of intimacy but few displays of party manners among the passengers Donoghue introduces in THE PARIS EXPRESS (Summit Books, 274 pp., $26.99), which takes place on a train departing from the Normandy coast in the autumn of 1895 with a bomb-toting anarchist aboard. Adding even more uncertainty to a dangerous situation is a flaw in young Mado Pelletier's plan — 'riding for hours in third class means getting familiar with these people before she has to kill them.' Donoghue's novel was inspired by an actual French railway disaster, and while she sketches convincing portraits of many of the real-life participants, she can't resist adding some people 'who could have been there' — including the American artist Henry Ossawa Tanner and the Irish playwright John Millington Synge — who were living in or near Paris at the time. As the train speeds toward the capital, vignettes in the various carriages provide a tension-filled panorama of fin-de-siècle French society. We see the crew struggling to keep to an impossible schedule, the blue-collar crowd jostling and bickering in the cheap seats, even the pampered occupants of a lushly carpeted private car. And always in the background is our awareness of Mado's homemade explosive, packed into a lunch pail, awaiting detonation. The Jackal's Mistress The true story of a wounded Union officer saved by a Confederate woman amid the shifting battle lines in the Shenandoah Valley was the subject of a magazine article Bohjalian published in 2003. Now, in THE JACKAL'S MISTRESS (Doubleday, 318 pp. $29), he returns to this historical material, adding imaginative twists to the original story line. In his telling, Libby Steadman has always been on shaky ground with her neighbors: When her father-in-law died, her husband, Peter, freed the family's slaves. And although Peter fought for the rebel cause and now languishes in a Union prison camp, that principled act has led others to suspect his wife of less than ironclad loyalty. Left to run her husband's gristmill with an elderly Black couple who chose to remain there as employees, she seems mainly focused on sheer survival. But when Capt. Jonathan Weybridge is severely wounded in battle and left to die after the Union retreat, Libby feels honor bound to do for him what she hopes a Union woman would do for her husband. Thus 'the Jackal,' as Libby's 12-year-old niece calls him, becomes a secret member of their household and a perilous friendship blossoms. The only safe refuge, 20 miles away, is the federal garrison at Harpers Ferry, but reaching it will require much subterfuge and even more luck. Not to mention an awareness that saving this life may well involve taking others. Mutual Interest If she'd been born in a different era, Vivian Lesperance 'might have had a career as a battlefield general.' However, in Gilded Age New York she must be content to act as a clandestine commander. And so, as observed by the witty omniscient narrator of MUTUAL INTEREST (Bloomsbury, 320 pp., $28.99), Vivian escapes her stifling parents in stifling Utica by attaching herself to various well-connected women in Manhattan, achieving 'fluency in New York's native tongues — wealth, influence, fashion.' Yet despite the satisfactions of female companionship, she's forced to realize that a secure future is more likely to be achieved by allying herself with a man. Wolfgang-Smith has a great deal of fun tracking Vivian's maneuvers as she marries Oscar Schmidt, an upwardly mobile but socially clueless businessman, then merges his interests with those of a former professional rival, Squire Clancy, the deeply eccentric scion of one of the city's most prominent families. Conveniently, the men fall obsessively in love, leaving Vivian free to quietly pursue her own female conquests — and quietly run their increasingly profitable manufacturing empire. For years, this arrangement glides along very smoothly. But for how long? And at what personal cost? As Wolfgang-Smith's narrator reminds us, 'our subject is change.' The Café With No Name According to the newspapers, 'a radiant future' is 'rising from the morass of the past.' The inhabitants of the Vienna slum at the heart of Seethaler's THE CAFÉ WITH NO NAME (Europa, 191 pp., $25) might beg to differ. Although World War II ended two decades earlier, the working-class patrons of the cafe run by a 30-ish war orphan named Robert Simon don't seem to have emerged from its shadows. In fact, they're content merely to have a place where 'you can talk if you need to, or shut up if you'd rather.' But in Katy Derbyshire's translation from the German, this bare-bones establishment becomes a good deal more: a gallery of vibrant characters presented with an appealing blend of understated honesty and unsentimental warmth. 'It was strange,' Robert observes, 'how little information he had about them and yet how well he knew them.' Seethaler's readers will feel the same way.
