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Ed Sheeran reacts to scary fall during 2025 tour return
Ed Sheeran reacts to scary fall during 2025 tour return

Yahoo

time03-06-2025

  • Entertainment
  • Yahoo

Ed Sheeran reacts to scary fall during 2025 tour return

The post Ed Sheeran reacts to scary fall during 2025 tour return appeared first on ClutchPoints. Going on tour can be dangerous, as singer-songwriter Ed Sheeran learned as he started his 2025 European leg of the Mathematics Tour. During one of his recent concerts in Madrid, Spain, Sheeran tripped while walking to his loop pedal. The loop pedal is on a platform in the center of his stage, and he tripped over one of the steps. Luckily, he got right back up and continued on. Sheeran saw the viral video on TikTok and responded. He seemingly took it in stride despite the video going viral. 'Happens more than you think,' he wrote in the comments. The concert was not affected by the fall. Sheeran continued on with his hit-filled set, and fans went home happy despite the scary incident. To be fair, Sheeran's latest shows marked the return of his 360-degree stage. Some of his earlier shows this year did not feature his 360-degree stage, so he didn't have to worry about these platforms. Yes, Sheeran is going to be on tour in 2025. However, his remaining shows are part of his final European leg of the Mathematics Tour. Currently, he does not have any other planned dates after September 7, 2025. Luckily, a new tour could ensue after the Mathematics Tour ends. His next album, Play, will be coming out in September 2025 as well. Perhaps he will launch a new tour to celebrate his new era that is starting with the album. While on the Mathematics Tour, Sheeran will also perform three special homecoming shows in Ipswich, England, from July 11-13, 2025. These will presumably be centered around his Play album. The Mathematics Tour is a celebration of the first era of Sheeran's career. He mostly plays songs from his first six albums, and he also released Subtract and Autumn Variations while on tour in 2023. It started in April 2022 in support of his Equals album, which was released in 2021. Sheeran is now in his fourth year of this tour, and over 160 shows are planned for the itinerary. He will next play in Marseille, France, on June 6 and 7. His tour will go across Europe throughout the summer and into the fall. The tour is set to conclude in Düsseldorf, Germany. Play is the eighth studio album released by Sheeran. The first single, 'Azizam,' was released on April 4, 2025. A second single, 'Old Phone,' was released on May 1. The album's third single, 'Sapphire,' will come out on June 5.

Ed Sheeran: Azizam review – a cross-cultural Persian experiment … which sounds incredibly English
Ed Sheeran: Azizam review – a cross-cultural Persian experiment … which sounds incredibly English

The Guardian

time04-04-2025

  • Entertainment
  • The Guardian

Ed Sheeran: Azizam review – a cross-cultural Persian experiment … which sounds incredibly English

Ed Sheeran's new single arrives at an interesting point in his career. His last albums, 2023's Subtract and Autumn Variations, felt not unlike a riff on Taylor Swift's pandemic-era Folklore and Evermore: two albums released in the same year, produced by the National's Aaron Dessner, a little woodier and more understated in tone than usual. Subtract in particular enjoyed the kind of critical acclaim that Sheeran's work seldom attracts. They were also the first Sheeran albums not to yield a billion-streaming track: his commercial zenith, 2017's Divide, contained five, among them Shape of You, one of only two songs in history have to topped 4bn streams on Spotify. Maybe a muted commercial response was part of the plan (or rather, a relatively muted commercial response by Sheeran's standards: Subtract still went to No 1 in 13 countries). Having spent a decade voraciously pursuing vast success – and shifting 200m albums in the process – perhaps Sheeran had decided the moment was right to deliberately pull back, to do precisely what he wanted regardless of the sales figures. At first glance, Azizam seems like another supporting claim for that theory. It's billed as a 'cross-cultural collaboration', an experiment in Persian music inspired by the Iranian heritage of Stockholm-based producer Ilya Salmanzadeh (co-author of hits including Sam Smith's Unholy, Ellie Goulding's Love Me Like You Do and Ariana Grande's Break Up With Your Girlfriend, I'm Bored). The title is Farsi for 'my dear one', and its cast list involves an array of musicians playing Middle Eastern instruments – ghatam, daf, santur – as well as Sasy, an Iranian rapper and singer currently resident in the US, and the Citizens of the World Choir, which is made up of refugees. But once you hear the end result, it has pretty much the same relation to Persian music as Galway Girl did to sean-nós singing. There's a noticeable lope to the rhythm that could well have its roots in Tehran, but could just as easily be an echo of the deathless glitterbeat that sprang out of early 70s glam. There's a Middle Eastern cast to a counter-melody that appears during the chorus, but the rest is positively Anglo-Saxon: percussive acoustic guitar to the fore, a big chorus and a hearty vocal with lyrics about dancing with his wife. Azizam does its job with the kind of ruthless efficiency you might expect from Sheeran in unabashed pop mode. It has a hook that fully digs into your brain the first time you hear it, and proves impossible to dislodge thereafter: whether you consider that delightful or insufferable will depend entirely on your previously established opinion of Sheeran and his work. Whether it will restore him to the realm of billion-streamers is also open to question. Pop is widely held to have entered a new era, more brash and risky and characterful than the one that bore Sheeran to success in the first place, heralded by the rise of Chappell Roan and the success of Charli xcx's Brat. But less widely reported is the fact that, new era or not, Sheeran still casts a long shadow over pop: Noah Kahan, Benson Boone and man currently at UK No 1, Alex Warren, have a considerable chunk of Sheeran in their musical DNA; Myles Smith, winner of the Rising Star award at this year's Brits, seems to have modelled himself so closely that he's even adopted Sheeran's trademark short-scale acoustic guitar. You wouldn't bank against Azizam muscling its way back to the top table.

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