Latest news with #StudioCanal
Metro
14 hours ago
- Entertainment
- Metro
9 skin-crawling zombie films to watch after 28 Years Later
Twenty-three years after we first saw the devastating effects of the Rage Virus, 28 Years Later has finally hit cinema screens. Rumours of a sequel to smash hit zombie films 28 Days Later and 28 Weeks Later have been rumbling following the release of the latter in 2007. And horror fans' prayers were answered when director Danny Boyle officially announced a third film was on the way with original writer Alex Garland returning. Not only that, 28 Years Later is part of a trilogy of films, so there's even more terrifying running undead moments to haunt our nightmares on the way. Released today in cinemas, 28 Years Later is set almost 30 years after the events of the first film (as the title would suggest), in which a group of survivors have found ways to live among the infected. Starring Aaron Taylor-Johnson, Ralph Fiennes, and Jodie Comer, it is undoubtedly one of the biggest horror films hitting the big screen in 2025. But before you check it out in cinemas, you can get in the mood for some brain-eating action with these nine zombie films streaming right now. Where to watch: StudioCanal+ via Prime Video You probably don't expect to end a zombie film in floods of tears, but we can promise that is likely to happen if you decide to watch Train to Busan. Directed by Yeon Sang-ho, the 2016 horror film mostly takes place on a KTX train from Seoul to Busan when a zombie apocalypse breaks out in the city. Two of the passengers on the train are Seok-woo (Gong Yoo) and his daughter Su-an (Kim Su-an), travelling to see Seok-woo's estranged wife and Su-an's mum, Na-young. Where to watch: Prime Video The opening scene of 28 Days Later is incredibly eerie, with Cillian Murphy's Jim waking up to find the world ravaged by the Rage Virus. 2018 film The Night Eats The World begins much the same, with musician Sam (Anders Danielsen Lie) waking to find himself the lone survivor in a city hit by a zombie apocalypse. Trapped in an apartment, he barricades himself in and begins formulating a way to survive. Where to watch: Available to rent via Prime Video, Apple TV+, and the Sky Store Following in the footsteps of the 28 Days franchise, The Girl With All the Gifts is a refreshing and bleak take on the zombie film that questions the state of humanity. The film begins on a military base where children, who harbour a disease caused by a parasitic fungus, are held in the hope of obtaining the cure that turns humans into mindless zombies called 'hungries.' When the base is attacked, one child, Melanie (Sennia Nanua), escapes with teacher Helen Justineau (Gemma Arterton), Sergeant Eddie Parks (Paddy Considine), Dr. Caroline Caldwell (Glenn Close), and soldier Gallagher (Fisayo Akinade). Where to watch: Shudder via Prime Video Released last year, MadS quickly became one of the highest-rated horror films of 2024 according to Rotten Tomatoes, and it's easy to see why. Directed by David Moreau and told all in one, long take, it follows the story of French club kid Romain (Milton Riche), who wakes up from another night of partying to do it all over again. While driving, he encounters an escaped patient from a local medical facility who appears to be injured, drastically changing the course of his evening. Where to watch: Arrow via Prime Video Found footage films immerse us in the events onscreen, which is absolutely terrifying when you consider the events of REC. The 2007 film stars Manuela Velasco as reporter Ángela Vidal, who, along with her cameraman Pablo (Pablo Rosso), accompanies a group of firefighters to an emergency call at an apartment building. Once inside, she discovers an infection is spreading among the residents, and all occupants must follow a strict quarantine, with the events of the night being captured in full, horrifying detail by Pablo's camera. Where to watch: JustWatch TV and FOUND for free Another chilling found footage zombie film is Savageland, which unfolds in one of the most unique ways of any pick on this list. The mockumentary explores the massacre of a small border town separating Arizona and Mexico, with suspicion falling on the lone survivor. However, the photographic evidence captured by the man shows the chilling details of what really happened. Where to watch: Available to rent via Prime Video and Apple TV+ The adage 'til death do us part' is proven very, very false in the 2014 horror comedy Life After Beth. Loosely based on the myth of Orpheus and Eurydice, Life After Beth follows Zach (Dane DeHaan), who is grieving the loss of his girlfriend Beth (Aubrey Plaza). However, when she is reanimated as a zombie, he is now tasked with preventing her deterioration while giving their relationship another shot at happiness. Where to watch: Prime Video Many films on this list take place in limited locations with protagonists defending themselves against flesh-hungry zombies in a contained space. And 2008 psychological thriller Pontypool, based on the novel Pontypool Changes Everything, is no different. The film follows radio announcer Grant Mazzy (Stephen McHattie), who finds himself trapped at his radio station during a live broadcast as a zombie outbreak begins, with Mazzy and the crew inside forced to fight for survival. Where to watch: Available to rent via Prime Video, Apple TV+, and the Sky Store More Trending Yes, Arnold Schwarzenegger is in a zombie film, and what's more, it will absolutely devastate you to your core. It is unique in that it is set after the zombie apocalypse, but society has not completely fallen; rather, it is coming to terms with the devastating effects it has had on society. In the Midwest United States, Wade (Schwarzenegger) is enjoying his final weeks with his daughter Maggie (Abigail Breslin) after she was bitten by a zombie and is slowly turning into one of them. 28 Years Later is in cinemas now. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Incredible films that were shot on an iPhone including 28 Years Later and Netflix hit MORE: James Gunn confirms controversial scene from Superman trailer isn't in the final cut MORE: Jurassic World Rebirth embraces hardcore horror: 'I waited for the studio to say no'
The Advertiser
11-06-2025
- Entertainment
- The Advertiser
Roo little beauty: meet the cuddly Aussie movie stars set to charm the world
Meet joeys Margot, Emily, Connor and Biscuit, the cuddlesome stars of Kangaroo, the first Australian movie from the studio behind the blockbuster Paddington franchise. StudioCanal has given the ACM network, publisher of this masthead, an exclusive first look at images from its upcoming family comedy as it releases a heartwarming new trailer and the film's new poster. Opening in cinemas on September 18, Kangaroo is loosely based on the life of Chris "Brolga" Barns, founder of the Alice Springs Kangaroo Sanctuary, whose escapades raising orphaned joeys were featured in the 2013 BBC-National Geographic documentary series Kangaroo Dundee. The film stars Ryan Corr as a TV weather presenter stranded in a tiny Northern Territory town who teams up with a 12-year-old Indigenous girl to rescue an orphan joey. Newcomer Lily Whiteley, chosen from more than 300 hopefuls, makes her acting debut alongside Corr and co-stars Deborah Mailman, Ernie Dingo and Brooke Satchwell. Whiteley shares much of her screen time with Margot, Emily, Connor and their on-set stand-in and snugglemate Biscuit - all real orphaned joeys in the care of the Kangaroo Sanctuary who had their own trailer on the set of the movie in Alice Springs, where Barns and his wife Tahnee would give them their bottle every three hours. By the time movie-goers see them bouncing across cinema screens in September, the cute quartet will be all grown up and already released back into the wild. Director Kate Woods, of Looking for Alibrandi acclaim, said there was "no CGI or digital trickery with the joeys". "What you see is exactly how they behave," she said. "I think most of the world associates Australia with kangaroos, but not many films have shown kangaroos in a realistic and natural way, so I hope audiences learn something about the country and see it in a slightly different way." The Kangaroo Dundee series was seen in more than 90 countries, giving StudioCanal a ready worldwide audience for Kangaroo. The French screen giant turned quaint British children's book character Paddington Bear into an $800 million box office heavyweight with three hit movies since 2014. StudioCanal Australia and New Zealand CEO Elizabeth Trotman said the first feature film from the company's Australian production arm, Cultivator Films Australia, was "sure to leave an indelible mark on the cinematic landscape". Australian film companies Brindle Films and Bunya Productions were key collaborators during filming, lending their experience and expertise in bringing First Nations stories and Red Centre vistas to the screen. Producer David Jowsey, whose credits for Bunya Productions include Warwick Thornton's Sweet Country and Iven Sen's outback crime thriller Mystery Road, expects Aussie movie-goers to feel proud when they see Kangaroo's depiction of "the deep red beauty of our vast outback". "Kangaroo embraces the best of Australia, our community, our land, our spirit and our baby roos," he said. Older generations who grew up with Skippy The Bush Kangaroo would find it fun, "full of heart and belonging, reminding us of a simpler Australia". Meet joeys Margot, Emily, Connor and Biscuit, the cuddlesome stars of Kangaroo, the first Australian movie from the studio behind the blockbuster Paddington franchise. StudioCanal has given the ACM network, publisher of this masthead, an exclusive first look at images from its upcoming family comedy as it releases a heartwarming new trailer and the film's new poster. Opening in cinemas on September 18, Kangaroo is loosely based on the life of Chris "Brolga" Barns, founder of the Alice Springs Kangaroo Sanctuary, whose escapades raising orphaned joeys were featured in the 2013 BBC-National Geographic documentary series Kangaroo Dundee. The film stars Ryan Corr as a TV weather presenter stranded in a tiny Northern Territory town who teams up with a 12-year-old Indigenous girl to rescue an orphan joey. Newcomer Lily Whiteley, chosen from more than 300 hopefuls, makes her acting debut alongside Corr and co-stars Deborah Mailman, Ernie Dingo and Brooke Satchwell. Whiteley shares much of her screen time with Margot, Emily, Connor and their on-set stand-in and snugglemate Biscuit - all real orphaned joeys in the care of the Kangaroo Sanctuary who had their own trailer on the set of the movie in Alice Springs, where Barns and his wife Tahnee would give them their bottle every three hours. By the time movie-goers see them bouncing across cinema screens in September, the cute quartet will be all grown up and already released back into the wild. Director Kate Woods, of Looking for Alibrandi acclaim, said there was "no CGI or digital trickery with the joeys". "What you see is exactly how they behave," she said. "I think most of the world associates Australia with kangaroos, but not many films have shown kangaroos in a realistic and natural way, so I hope audiences learn something about the country and see it in a slightly different way." The Kangaroo Dundee series was seen in more than 90 countries, giving StudioCanal a ready worldwide audience for Kangaroo. The French screen giant turned quaint British children's book character Paddington Bear into an $800 million box office heavyweight with three hit movies since 2014. StudioCanal Australia and New Zealand CEO Elizabeth Trotman said the first feature film from the company's Australian production arm, Cultivator Films Australia, was "sure to leave an indelible mark on the cinematic landscape". Australian film companies Brindle Films and Bunya Productions were key collaborators during filming, lending their experience and expertise in bringing First Nations stories and Red Centre vistas to the screen. Producer David Jowsey, whose credits for Bunya Productions include Warwick Thornton's Sweet Country and Iven Sen's outback crime thriller Mystery Road, expects Aussie movie-goers to feel proud when they see Kangaroo's depiction of "the deep red beauty of our vast outback". "Kangaroo embraces the best of Australia, our community, our land, our spirit and our baby roos," he said. Older generations who grew up with Skippy The Bush Kangaroo would find it fun, "full of heart and belonging, reminding us of a simpler Australia". Meet joeys Margot, Emily, Connor and Biscuit, the cuddlesome stars of Kangaroo, the first Australian movie from the studio behind the blockbuster Paddington franchise. StudioCanal has given the ACM network, publisher of this masthead, an exclusive first look at images from its upcoming family comedy as it releases a heartwarming new trailer and the film's new poster. Opening in cinemas on September 18, Kangaroo is loosely based on the life of Chris "Brolga" Barns, founder of the Alice Springs Kangaroo Sanctuary, whose escapades raising orphaned joeys were featured in the 2013 BBC-National Geographic documentary series Kangaroo Dundee. The film stars Ryan Corr as a TV weather presenter stranded in a tiny Northern Territory town who teams up with a 12-year-old Indigenous girl to rescue an orphan joey. Newcomer Lily Whiteley, chosen from more than 300 hopefuls, makes her acting debut alongside Corr and co-stars Deborah Mailman, Ernie Dingo and Brooke Satchwell. Whiteley shares much of her screen time with Margot, Emily, Connor and their on-set stand-in and snugglemate Biscuit - all real orphaned joeys in the care of the Kangaroo Sanctuary who had their own trailer on the set of the movie in Alice Springs, where Barns and his wife Tahnee would give them their bottle every three hours. By the time movie-goers see them bouncing across cinema screens in September, the cute quartet will be all grown up and already released back into the wild. Director Kate Woods, of Looking for Alibrandi acclaim, said there was "no CGI or digital trickery with the joeys". "What you see is exactly how they behave," she said. "I think most of the world associates Australia with kangaroos, but not many films have shown kangaroos in a realistic and natural way, so I hope audiences learn something about the country and see it in a slightly different way." The Kangaroo Dundee series was seen in more than 90 countries, giving StudioCanal a ready worldwide audience for Kangaroo. The French screen giant turned quaint British children's book character Paddington Bear into an $800 million box office heavyweight with three hit movies since 2014. StudioCanal Australia and New Zealand CEO Elizabeth Trotman said the first feature film from the company's Australian production arm, Cultivator Films Australia, was "sure to leave an indelible mark on the cinematic landscape". Australian film companies Brindle Films and Bunya Productions were key collaborators during filming, lending their experience and expertise in bringing First Nations stories and Red Centre vistas to the screen. Producer David Jowsey, whose credits for Bunya Productions include Warwick Thornton's Sweet Country and Iven Sen's outback crime thriller Mystery Road, expects Aussie movie-goers to feel proud when they see Kangaroo's depiction of "the deep red beauty of our vast outback". "Kangaroo embraces the best of Australia, our community, our land, our spirit and our baby roos," he said. Older generations who grew up with Skippy The Bush Kangaroo would find it fun, "full of heart and belonging, reminding us of a simpler Australia". Meet joeys Margot, Emily, Connor and Biscuit, the cuddlesome stars of Kangaroo, the first Australian movie from the studio behind the blockbuster Paddington franchise. StudioCanal has given the ACM network, publisher of this masthead, an exclusive first look at images from its upcoming family comedy as it releases a heartwarming new trailer and the film's new poster. Opening in cinemas on September 18, Kangaroo is loosely based on the life of Chris "Brolga" Barns, founder of the Alice Springs Kangaroo Sanctuary, whose escapades raising orphaned joeys were featured in the 2013 BBC-National Geographic documentary series Kangaroo Dundee. The film stars Ryan Corr as a TV weather presenter stranded in a tiny Northern Territory town who teams up with a 12-year-old Indigenous girl to rescue an orphan joey. Newcomer Lily Whiteley, chosen from more than 300 hopefuls, makes her acting debut alongside Corr and co-stars Deborah Mailman, Ernie Dingo and Brooke Satchwell. Whiteley shares much of her screen time with Margot, Emily, Connor and their on-set stand-in and snugglemate Biscuit - all real orphaned joeys in the care of the Kangaroo Sanctuary who had their own trailer on the set of the movie in Alice Springs, where Barns and his wife Tahnee would give them their bottle every three hours. By the time movie-goers see them bouncing across cinema screens in September, the cute quartet will be all grown up and already released back into the wild. Director Kate Woods, of Looking for Alibrandi acclaim, said there was "no CGI or digital trickery with the joeys". "What you see is exactly how they behave," she said. "I think most of the world associates Australia with kangaroos, but not many films have shown kangaroos in a realistic and natural way, so I hope audiences learn something about the country and see it in a slightly different way." The Kangaroo Dundee series was seen in more than 90 countries, giving StudioCanal a ready worldwide audience for Kangaroo. The French screen giant turned quaint British children's book character Paddington Bear into an $800 million box office heavyweight with three hit movies since 2014. StudioCanal Australia and New Zealand CEO Elizabeth Trotman said the first feature film from the company's Australian production arm, Cultivator Films Australia, was "sure to leave an indelible mark on the cinematic landscape". Australian film companies Brindle Films and Bunya Productions were key collaborators during filming, lending their experience and expertise in bringing First Nations stories and Red Centre vistas to the screen. Producer David Jowsey, whose credits for Bunya Productions include Warwick Thornton's Sweet Country and Iven Sen's outback crime thriller Mystery Road, expects Aussie movie-goers to feel proud when they see Kangaroo's depiction of "the deep red beauty of our vast outback". "Kangaroo embraces the best of Australia, our community, our land, our spirit and our baby roos," he said. Older generations who grew up with Skippy The Bush Kangaroo would find it fun, "full of heart and belonging, reminding us of a simpler Australia".
Daily Mail
06-06-2025
- Business
- Daily Mail
Media giant Canal+ strikes settlement with French tax authorities
Shares in Canal+ rose on Friday after the London-listed media conglomerate settled a tax dispute with the French Government. The StudioCanal owner, which listed in London last December, told investors it expects no impact on cash from the settlement. French authorities had accused the Paris-based company, formerly a subsidiary of telecoms giant Vivendi, of incorrectly applying lower rates of value-added tax on some of its services. Canal+ had warned that the dispute could have potentially cost it around €655million. It anticipates recording some exceptional charges in its first-half results, but told investors the settlement 'removes uncertainty regarding the possibility of a material additional disbursement'. Alongside this, the firm upheld its full-year outlook on turnover and earnings before nasties, with the latter expected to total approximately €515million. It came as Canal+ said it was on track to achieve organic growth this year because of a 'material one-off cash improvement'. But the business cautioned that this would be offset by the end of some contracts and the closure of terrestrial television channel C8 in February. The group's distribution deal with Disney+ ended at the start of 2025, resulting in its roughly 27 million subscribers losing access to the streaming service. In late February, C8 shut down after regulators revoked its broadcasting licence following accusations of promoting fake news and conspiracy theories. Consequently, its first-quarter turnover fell by 2.5 per cent to €1.55billion, although organic sales increased by 1.5 per cent, thanks to a robust performance by its film studios division. StudioCanal's recent box office successes include the animated sequel Paddington In Peru, horror film The Monkey, romantic drama We Live in Time, and comedy Bridget Jones: Mad About The Boy. In a rare victory for the UK capital, Canal+ went public on the London Stock Exchange last year after Vivendi shareholders voted to spin off the group. It debuted with an estimated £2.5billion valuation, making it the LSE's largest flotation in two years. Just 45 businesses applied to join the main London market in 2024, compared to 59 the year before and 111 in 2022, according to the Financial Conduct Authority. By comparison, 88 companies delisted or transferred their primary listing from the LSE, the largest number since the global financial crisis in 2008, figures from EY have shown. Canal+ shares rose 7.1 per cent to 215p on Friday morning, although this is far below its initial public offering price of 290p.
Yahoo
17-05-2025
- Entertainment
- Yahoo
Eli Roth's ‘Ice Cream Man' Sells Distribution Rights in France, U.K. and Other Key Territories to StudioCanal's Sixth Dimension (EXCLUSIVE)
'Ice Cream Man,' Eli Roth's new horror film, has sold several key international rights to StudioCanal's Sixth Dimension. The acquisition marks the first major transaction for the film out of the Cannes market, and grants StudioCanal distribution rights across the U.K., Germany, France, Benelux, Poland, Australia and New Zealand. Media Capital Technologies (MCT) and the Horror Section are fully financing and producing the movie about an idyllic summer town that descends into madness when an ice cream man serves kids sweet delights with horrifying results. More from Variety Biopic of Turkish-Armenian Photojournalist Ara Güler Becomes First Film to Be Jointly Produced by Historically Hostile Turkey and Armenia(EXCLUSIVE) Storyboard Media Re-Teams With 'Maybe It's True What They Say About Us' Director Camilo Becerra on Coming-of-Age Drama 'The Sky That We Paint' (EXCLUSIVE) 'Reedland' Review: Outstanding Slow-Burn Thriller Announces Potentially Major New Dutch Director Sven Bresser The Horror Section, Roth's new company, has U.S. rights to the film. It is planning to give 'Ice Cream Man' a wide theatrical release during the second quarter of 2026. WME Independent is representing international rights to 'Ice Cream Man' and introduced it to buyers in Cannes this week. The deal was negotiated by WME Independent and Andrew Kramer of Willkie Farr & Gallagher on behalf of the film. 'The debut of 'Ice Cream Man' at Cannes is off to a strong start, and with this kind of momentum, we're confident that this is just the beginning of an exciting journey ahead,' said MCT principals Christopher Woodrow and Raj Singh. 'StudioCanal is the perfect home for what we believe to be the next great horror franchise, and we are thrilled to partner with them as we move into production.' 'When we launched Sixth Dimension at StudioCanal last year, the challenge was to find bold zeitgeisty genre movies to surprise and thrill audiences. Then along comes horror maestro Eli Roth, who StudioCanal last worked with on 'The Last Exorcism,' with his gleefully twisted 'Ice Cream Man' and leaves us helpless to resist that familiar jingle,' said Jed Benedict, head of Sixth Dimension. 'We can't wait to work with Eli Roth, MCT and The Horror Section to help build 'Ice Cream Man' into a new horror franchise.' 'Ice Cream Man' marks MCT's debut as a financier of independent film projects, an expansion from its role as Lionsgate's primary slate co-financing partner on films such a 'Saw X' and 'The Ministry of Ungentlemanly Warfare,' as well as the upcoming John Wick spinoff 'Ballerina' and 'The Housemaid.' MCT is a specialty finance company focused on strategic investments in premium content. The company provides capital to media and entertainment businesses, including motion picture studios, independent production companies and other rights-holders. A range of institutional investors, including MassMutual, support the company and its investment activities. Roth, in partnership with MCT, launched the Horror Section as a media company focused on building a strong library of intellectual property and creating a premier horror brand. MCT is represented by CAA. Eli Roth is represented by WME. Best of Variety New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Talk/Scripted Variety Series - The Variety Categories Are Still a Mess; Netflix, Dropout, and 'Hot Ones' Stir Up Buzz Oscars Predictions 2026: 'Sinners' Becomes Early Contender Ahead of Cannes Film Festival
LeMonde
17-05-2025
- Entertainment
- LeMonde
In search of flamboyant French film producer Pierre Edelman
Rue Robert-Estienne, a cul-de-sac in Paris's Champs-Elysées neighborhood, was where Pierre Edelman lived. Or rather, where he used to live. Since the spring of 2023, the producer has been nowhere to be found. Vanished. Unreachable. In March, journalist and essayist Guillaume Durand, accompanied by a longtime friend, went to the police station in Paris's 8 th arrondissement to report his disappearance. In one of his many lives, the man was a discreet yet essential figure in the world of cinema. Notably, he was a talent scout for Ciby 2000 – the now-defunct production company founded in 1990 by French construction magnate Francis Bouygues – and later at StudioCanal until the mid-2000s. Edelman's roster speaks for itself: David Lynch throughout the 1990s and 2000s, from Lost Highway (1997) to Mulholland Drive (2001); Pedro Almodóvar during the same period with High Heels (1991), The Flower of My Secret (1995) and All About My Mother (1999); Emir Kusturica, especially during his Palme d'Or win at the Cannes Film Festival in 1995 for Underground. To say that these directors, then at the height of their art, owe everything to Edelman would be an exaggeration. But without him, their careers clearly would not have been the same. Edelman was a matchmaker, a high-level connector in a film industry where human relationships are crucial. He was close to Dennis Hopper, Francis Ford Coppola and Oliver Stone; vacationed in Saint-Tropez with Clint Eastwood; visited Marlon Brando in Tahiti; and stayed at Jack Nicholson's villa on Mulholland Drive in Los Angeles.
