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The Guardian
a day ago
- Entertainment
- The Guardian
The Merry Widow review – come for the big tunes, stay for the birthday cement mixer
An enormous rococo sofa dominates the stage. Great artworks jostle for space on the walls – Picasso, Velázquez, a handful of impressionists, and a banner reads 'Happy birthday boss'. Guests pour in from a pinging elevator: a maelstrom of big skirts in Disney princess colours, high-rise hair, three-piece suits and pork pie hats. Out of the window: skyscrapers. In singer turned director John Savournin's latest production for Opera Holland Park – a collaboration with Scottish Opera and D'Oyly Carte Opera – Franz Lehár's hit operetta The Merry Widow switches fictional Pontevedro and Le Gai Paris for New York's mafia underworld and its Sicilian homeland. The plot's patriarch becomes a pinstripe Manhattan godfather, title character Hanna Glawari the widow of a Sicilian lemon-tree racketeer. In their energetic English version, Savournin and David Eaton have fun with Dolmio-level Italian (no less authentic than Lehár's original Balkan Neverland) and these mafiosi reach as often for the TV gangster phrase book – 'Bada bing, bada boom', 'schmuck', 'capeesh?' – as for their guns. Dialogue is delivered in 90% faux mafioso ('family comes foist, bowss!'), 10% operatic RP. In the mostly excellent singing those proportions were reversed. And where the spoken passages were largely shrieked or shouted, the balance in the sung numbers swung in favour of the orchestra: most of the action played behind the pit thus vastly increasing the demands on singers already working in tent-acoustics. So much high-camp melodrama may leave some yearning for a calmer take on Lehár's classic. But, for those with a higher tolerance for hyperactive kitsch and national stereotyping after Lehár's own model, this mid-century Merry Widow is enormously enjoyable. Come for the big tunes, stay for the straight-legged 'Russian' folk dance performed unsmiling in dark glasses, the stage hands in white tie, lemon trees on wheels and the 'birthday cement mixer' (don't ask). For Acts 2 and 3, takis's streamlined set spins to take us from a cypress-equipped villa to the crimson interior of Maxim's – now a 'respectable performance bar' in New York. Bass-baritone Henry Waddington is ideally cast as 'Don' Zeta and evidently had a ball, his comic timing impeccable; Rhian Lois was a vivacious stage presence as his wife, Valentina. Matthew Kellett's Little Italy accent was the best of the bunch, while Christopher Nairne and Connor James Smith made one winning double act as warring Italians, Amy J Payne and Matthew Siveter as another, the ferocious 'Russian' Kromows. But this is also a piece with a big heart. Along with the warm, stylish playing from the orchestra of Scottish Opera under Stuart Stratford, it was the suavity and occasional tenderness of Alex Otterburn's Danilo and Paula Sides's Hanna that made this performance more than the sum of its gags. At Opera Holland Park, London, until 28 June.
North Wales Chronicle
14-06-2025
- Entertainment
- North Wales Chronicle
Music legend awarded an MBE in the King's Birthday Honours
Ann Atkinson, the former artistic director of the North Wales International Music Festival, discovered that she had been awarded an MBE in the King's Birthday Honours. According to Ann, she was deeply touched to learn that she'd been nominated for the honour after serving the festival with distinction for two decades before stepping down two years ago. In her new honorary role as a vice-president, she's looking forward to this year's event at St Asaph Cathedral from September 11 to 20. Ann Atkinson (Image: EILEEN JACKSON) Her successor, royal composer Paul Mealor, paid tribute to Ann's 'immense contribution'. He said: 'Ann is a friendly force of nature and a legend of music and the arts in Wales. We are indebted to her for turning the festival into an event that has established itself as a highlight of the UK's cultural calendar. 'I will be forever grateful to Ann for the help and wise advice she has given to me after taking the helm, making the transition as smooth as possible. 'We are delighted her achievements have been recognised with the MBE – it is richly deserved'. It's the latest in a long line of accolades for Ann, who lives near Corwen, and has variously been described as a 'force of nature' and a 'legend of the classical music scene' in North Wales. A celebrated mezzo soprano in her own right, Ann has sung with many of Britain's leading opera companies, including Scottish Opera, Glyndebourne Festival Opera and Wexford Festival Opera. From 2002 to 2009 Ann was also Musical Director of the Fron Male Choir who found fame and became known as the "Oldest Boy Band in the World" releasing several albums which topped the classical charts for a record 16 weeks. Ann was honoured by the Gorsedd of Bards at the 2009 National Eisteddfod in Bala and a year later was made an Honorary Fellow at Glyndŵr University. In 2011 she received the Welsh Livery Guild's Merit Award in recognition of her outstanding achievements to the world of music in Wales and beyond. She was once again recognized for her contribution to Welsh Music in 2019 when she received the prestigious Sir Geraint Evans Award from the Welsh Music Guild in Cardiff. Three years ago Ann received an honorary Associate of the Royal Academy of Music in recognition of her contribution to music. Ann's not resting on her laurels though because she's still busy as the musical director of two male voice choirs, Côr Meibion Trelawnyd and Côr Meibion Bro Glyndwr and is a singing tutor to a host of young, up and coming soloists. But the arrival of the letter to inform her about the MBE prompted a feeling of momentary dread. She said: 'I saw this official looking letter and I thought I'd had a speeding fine or that I was being called to do jury service. 'When I opened it I was stuck on the first paragraph, I couldn't read any more. I couldn't believe it. I'm still pinching myself. It was a lovely surprise and a very great honour. 'When I became artistic director, the festival was facing many challenges and I believe we met all those challenges and left the festival on a more secure footing for the future. 'One of the things I am proudest of was developing the educational element of the festival, giving children a stake and being part of it. They are the performers and the audience of the future. 'They won't forget the experience of playing on the festival stage with professional musicians or coming to the festival to work on different projects. 'Among the biggest highlights for me was the 50th anniversary of the festival which was a major milestone. 'But after two decades, I felt that the time was right for me to step down and give an opportunity for new blood and fresh ideas. 'The fact that it was the festival that nominated me for this honour means a great deal. I am very grateful to them. 'I became a vice-president of the festival last year which means that I can continue to be involved. 'Paul was an inspired choice as the new artistic director and he's doing a fantastic job and putting his own stamp on the festival. He's ringing the changes but staying true to the core values of the festival.' Headliners this year include the BBC National Orchestra of Wales, world class choral group Apollo5 and the renowned Black Dyke Band. Making her festival debut this year will be the acclaimed film and TV composer, Debbie Wiseman OBE. MOST READ Her theme tunes for Wolf Hall, Shakespeare and Hathaway, Judge John Deed and many others will be played by the NEW Sinfonia orchestra. Another highlight this year will be the second Pendine Young Musician of Wales competition that was launched last year and is being funded by the Pendine Arts and Community Trust set up by the festival's headline sponsors, the Pendine Park care organisation. The final concert will feature the North Wales Choral Union and Orchestra under the baton of conductor Trystan Lewis. Also returning will be the festival fringe which Paul Mealor introduced as a new element last year to create closer links with the local community in St Asaph. The fringe events will include a cabaret and American song night, stand-up comedy, and a poetry night led by one of Wales's greatest poets, Mererid Hopwood, the current Archdruid of Wales.
Rhyl Journal
14-06-2025
- Entertainment
- Rhyl Journal
Music legend awarded an MBE in the King's Birthday Honours
Ann Atkinson, the former artistic director of the North Wales International Music Festival, discovered that she had been awarded an MBE in the King's Birthday Honours. According to Ann, she was deeply touched to learn that she'd been nominated for the honour after serving the festival with distinction for two decades before stepping down two years ago. In her new honorary role as a vice-president, she's looking forward to this year's event at St Asaph Cathedral from September 11 to 20. Ann Atkinson (Image: EILEEN JACKSON) Her successor, royal composer Paul Mealor, paid tribute to Ann's 'immense contribution'. He said: 'Ann is a friendly force of nature and a legend of music and the arts in Wales. We are indebted to her for turning the festival into an event that has established itself as a highlight of the UK's cultural calendar. 'I will be forever grateful to Ann for the help and wise advice she has given to me after taking the helm, making the transition as smooth as possible. 'We are delighted her achievements have been recognised with the MBE – it is richly deserved'. It's the latest in a long line of accolades for Ann, who lives near Corwen, and has variously been described as a 'force of nature' and a 'legend of the classical music scene' in North Wales. A celebrated mezzo soprano in her own right, Ann has sung with many of Britain's leading opera companies, including Scottish Opera, Glyndebourne Festival Opera and Wexford Festival Opera. From 2002 to 2009 Ann was also Musical Director of the Fron Male Choir who found fame and became known as the "Oldest Boy Band in the World" releasing several albums which topped the classical charts for a record 16 weeks. Ann was honoured by the Gorsedd of Bards at the 2009 National Eisteddfod in Bala and a year later was made an Honorary Fellow at Glyndŵr University. In 2011 she received the Welsh Livery Guild's Merit Award in recognition of her outstanding achievements to the world of music in Wales and beyond. She was once again recognized for her contribution to Welsh Music in 2019 when she received the prestigious Sir Geraint Evans Award from the Welsh Music Guild in Cardiff. Three years ago Ann received an honorary Associate of the Royal Academy of Music in recognition of her contribution to music. Ann's not resting on her laurels though because she's still busy as the musical director of two male voice choirs, Côr Meibion Trelawnyd and Côr Meibion Bro Glyndwr and is a singing tutor to a host of young, up and coming soloists. But the arrival of the letter to inform her about the MBE prompted a feeling of momentary dread. She said: 'I saw this official looking letter and I thought I'd had a speeding fine or that I was being called to do jury service. 'When I opened it I was stuck on the first paragraph, I couldn't read any more. I couldn't believe it. I'm still pinching myself. It was a lovely surprise and a very great honour. 'When I became artistic director, the festival was facing many challenges and I believe we met all those challenges and left the festival on a more secure footing for the future. 'One of the things I am proudest of was developing the educational element of the festival, giving children a stake and being part of it. They are the performers and the audience of the future. 'They won't forget the experience of playing on the festival stage with professional musicians or coming to the festival to work on different projects. 'Among the biggest highlights for me was the 50th anniversary of the festival which was a major milestone. 'But after two decades, I felt that the time was right for me to step down and give an opportunity for new blood and fresh ideas. 'The fact that it was the festival that nominated me for this honour means a great deal. I am very grateful to them. 'I became a vice-president of the festival last year which means that I can continue to be involved. 'Paul was an inspired choice as the new artistic director and he's doing a fantastic job and putting his own stamp on the festival. He's ringing the changes but staying true to the core values of the festival.' Headliners this year include the BBC National Orchestra of Wales, world class choral group Apollo5 and the renowned Black Dyke Band. Making her festival debut this year will be the acclaimed film and TV composer, Debbie Wiseman OBE. MOST READ Her theme tunes for Wolf Hall, Shakespeare and Hathaway, Judge John Deed and many others will be played by the NEW Sinfonia orchestra. Another highlight this year will be the second Pendine Young Musician of Wales competition that was launched last year and is being funded by the Pendine Arts and Community Trust set up by the festival's headline sponsors, the Pendine Park care organisation. The final concert will feature the North Wales Choral Union and Orchestra under the baton of conductor Trystan Lewis. Also returning will be the festival fringe which Paul Mealor introduced as a new element last year to create closer links with the local community in St Asaph. The fringe events will include a cabaret and American song night, stand-up comedy, and a poetry night led by one of Wales's greatest poets, Mererid Hopwood, the current Archdruid of Wales.
Leader Live
14-06-2025
- Entertainment
- Leader Live
Music legend awarded an MBE in the King's Birthday Honours
Ann Atkinson, the former artistic director of the North Wales International Music Festival, discovered that she had been awarded an MBE in the King's Birthday Honours. According to Ann, she was deeply touched to learn that she'd been nominated for the honour after serving the festival with distinction for two decades before stepping down two years ago. In her new honorary role as a vice-president, she's looking forward to this year's event at St Asaph Cathedral from September 11 to 20. Ann Atkinson (Image: EILEEN JACKSON) Her successor, royal composer Paul Mealor, paid tribute to Ann's 'immense contribution'. He said: 'Ann is a friendly force of nature and a legend of music and the arts in Wales. We are indebted to her for turning the festival into an event that has established itself as a highlight of the UK's cultural calendar. 'I will be forever grateful to Ann for the help and wise advice she has given to me after taking the helm, making the transition as smooth as possible. 'We are delighted her achievements have been recognised with the MBE – it is richly deserved'. It's the latest in a long line of accolades for Ann, who lives near Corwen, and has variously been described as a 'force of nature' and a 'legend of the classical music scene' in North Wales. A celebrated mezzo soprano in her own right, Ann has sung with many of Britain's leading opera companies, including Scottish Opera, Glyndebourne Festival Opera and Wexford Festival Opera. From 2002 to 2009 Ann was also Musical Director of the Fron Male Choir who found fame and became known as the "Oldest Boy Band in the World" releasing several albums which topped the classical charts for a record 16 weeks. Ann was honoured by the Gorsedd of Bards at the 2009 National Eisteddfod in Bala and a year later was made an Honorary Fellow at Glyndŵr University. In 2011 she received the Welsh Livery Guild's Merit Award in recognition of her outstanding achievements to the world of music in Wales and beyond. She was once again recognized for her contribution to Welsh Music in 2019 when she received the prestigious Sir Geraint Evans Award from the Welsh Music Guild in Cardiff. Three years ago Ann received an honorary Associate of the Royal Academy of Music in recognition of her contribution to music. Ann's not resting on her laurels though because she's still busy as the musical director of two male voice choirs, Côr Meibion Trelawnyd and Côr Meibion Bro Glyndwr and is a singing tutor to a host of young, up and coming soloists. But the arrival of the letter to inform her about the MBE prompted a feeling of momentary dread. She said: 'I saw this official looking letter and I thought I'd had a speeding fine or that I was being called to do jury service. 'When I opened it I was stuck on the first paragraph, I couldn't read any more. I couldn't believe it. I'm still pinching myself. It was a lovely surprise and a very great honour. 'When I became artistic director, the festival was facing many challenges and I believe we met all those challenges and left the festival on a more secure footing for the future. 'One of the things I am proudest of was developing the educational element of the festival, giving children a stake and being part of it. They are the performers and the audience of the future. 'They won't forget the experience of playing on the festival stage with professional musicians or coming to the festival to work on different projects. 'Among the biggest highlights for me was the 50th anniversary of the festival which was a major milestone. 'But after two decades, I felt that the time was right for me to step down and give an opportunity for new blood and fresh ideas. 'The fact that it was the festival that nominated me for this honour means a great deal. I am very grateful to them. 'I became a vice-president of the festival last year which means that I can continue to be involved. 'Paul was an inspired choice as the new artistic director and he's doing a fantastic job and putting his own stamp on the festival. He's ringing the changes but staying true to the core values of the festival.' Headliners this year include the BBC National Orchestra of Wales, world class choral group Apollo5 and the renowned Black Dyke Band. Making her festival debut this year will be the acclaimed film and TV composer, Debbie Wiseman OBE. MOST READ Her theme tunes for Wolf Hall, Shakespeare and Hathaway, Judge John Deed and many others will be played by the NEW Sinfonia orchestra. Another highlight this year will be the second Pendine Young Musician of Wales competition that was launched last year and is being funded by the Pendine Arts and Community Trust set up by the festival's headline sponsors, the Pendine Park care organisation. The final concert will feature the North Wales Choral Union and Orchestra under the baton of conductor Trystan Lewis. Also returning will be the festival fringe which Paul Mealor introduced as a new element last year to create closer links with the local community in St Asaph. The fringe events will include a cabaret and American song night, stand-up comedy, and a poetry night led by one of Wales's greatest poets, Mererid Hopwood, the current Archdruid of Wales.
Daily Record
05-06-2025
- Entertainment
- Daily Record
One-man show marks 155th birthday of Lanarkshire music hall legend Sir Harry Lauder
Tenor and broadcaster Jamie MacDougall is reviving the much-loved Scottish Opera show Lauder this summer. He was Scotland's first successful international entertainer – a South Lanarkshire lad whose unique stage image and performances brought world fame. Now, to mark the 155th birthday of legendary Scottish entertainer Sir Harry Lauder, tenor and broadcaster Jamie MacDougall is reviving the much-loved Scottish Opera show Lauder this summer, in Edinburgh. It will be at Portobello Town Hall on Monday and Tuesday, August 4 and 5, at 7pm (tickets here), and there will also be shows in London and Buxton. Ticket sales from the Edinburgh and London performances will go to the charity Erskine Veterans Charity, for which Jamie is an ambassador. It provides support to Veterans in Scotland, through care homes and a Veterans Village. Sir Harry, who was an international music star and at one point the highest-paid performer in the world, was greatly affected by his son John's death at the Battle of the Somme in 1916. He raised huge sums of money for injured serviceman, donating his music royalties to veterans supported by Erskine Veterans Charity. An exploration into the public and private personas of Sir Harry, Lauder was originally presented by Scottish Opera in 2017 as part of the 150th anniversary celebrations of Theatre Royal Glasgow. This production of the musical play has been adapted by director Kally Lloyd-Jones and Jamie from the original script by comedian, actor and impresario Jimmy Logan. In London, Tom Carradine is music director and pianist, and in Buxton and Edinburgh it is former Scottish Opera head of music, Derek Clark who also curated the featured Harry Lauder songs. Sir Harry premiered his classic song 'I Love a Lassie' onstage at Theatre Royal in 1905 when he appeared in his first pantomime, Aladdin, and in Red Riding Hood in 1910 he performed 'Roamin' in the gloamin'. Featuring these well-known songs as well as 'Keep Right on to the End of the Road' and other familiar favourites, Lauder includes news footage of Sir Harry's funeral and film reel from the trenches. Jamie MacDougall said: 'I am thrilled to be bringing this tribute to Sir Harry Lauder to audiences in London, Buxton International Festival and Edinburgh for the first time. I was 10 when I was taken twice to see Jimmy Logan in Lauder at the King's Theatre Glasgow. That was the start of my life-long association with these wonderful songs and Sir Harry, an entertainer who was the first truly global star. I am honoured to be an Ambassador for Erskine, and hope audiences can come along to see this special show and raise money for an incredible charity.' Jimmy Logan wrote and starred in Lauder which he performed for the first time in 1976 in Edinburgh, before it toured around the world. It was also broadcast on television and Logan revived the show in 2000 for the Pitlochry Festival Theatre. Scottish Opera extends thanks to the Royal Conservatoire of Scotland's Archives & Collections, custodians of the Jimmy Logan Archive including the Lauder scripts and scores. Jamie will also take the one-man show to London's Hoxton Hall on June 22, and Buxton International Festival on July 17.
